Sunday (Domingo)

2010 - Film & Video (Film & Video)

5 minutes (17 second loop)

Rivane Neuenschwander

location: Brazil
year born: 1967
gender: female
nationality: Brazilian
home town: Brazil

In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation. Punctuation is, in a sense, never spoken, and here provides the visual accompaniment to disembodied action and voice. The parrot, as a silent but potential non-human speaker, here breaks down relentless stream of vocalized reporting.


Rivane Neuenschwander’s work foregrounds its inventive use of materials, often altering and manipulating them in novel ways: snails eat through rice paper, fish carry pieces of love letters, and prayer ribbons leave on museum visitors’ wrists. All of her projects—which are comprised of photography, film, or installation—refer back to cycles of human interaction, consumption, and sentiment.


Colors:



Other related works, blended automatically

Mapa Mundi BR (postal)
© » KADIST

Rivane Neuenschwander

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Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

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Marepe

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Carla Zaccagnini

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A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

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© » KADIST

Gabriel Kuri

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Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

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Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

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© » KADIST

Marcelo Cidade

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Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...

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© » KADIST

Lisa Oppenheim

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The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

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© » KADIST

Lisa Oppenheim

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The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

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This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

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Marcelo Cidade

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450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...

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Erika Verzutti

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Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...

Provisão
© » KADIST

Rodrigo Braga

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Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

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In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...

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© » KADIST

Marcelo Cidade

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Sirens
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© » KADIST

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Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

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Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...