Silencer #16 & #17
2010 - Drawing & Print (Drawing & Print)
Will Rogan
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication. In the series, Rogan alters the magazine’s pages by erasing the image of the magicians doing their tricks, leaving only the background of their performances on view. These contexts range from the more overtly staged scenario in Silencer #16 —the erased magician is about to perform a trick on his assistant trapped on an odd, almost dada looking box—to the more “colloquial” Silencer #17 in which the absent magician’s silhouette appears in what seems to be a children’s hospital. Rogan’s interventions attest to their own creation by way of the subtle marks and erasure used to remove the original visual information. Such evidence of the artist’s hand echoes the magician’s sleight-of-hand in the image and suggests the illusory character of all representation. By extension, the remaining white voids are uncanny, ghostly stand-ins for the performer and artist who both haunt the scene.
Based in the San Francisco Bay Area, Will Rogan’s practice reflects the poignant, the ironic, the disastrous, and the beautiful in his surrounding urban and domestic landscapes. In the form of photography, video, and sculpture, his interventions often highlight the profound and analytical in everyday life. Taking a playful stance on mundane situations and structures, Rogan’s work merges the critical with the poetic. He is also the co-editor and founder of the quarterly journal of editions, The Thing .
Colors:
Related works featuring themes of: » Abstract Sculpture, » Appropriation Art, » Architecture in Art, » Black and White, » American
» see more
© » KADIST
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
© » KADIST
Karl Haendel
2011Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Other related works, blended automatically
» see more
© » KADIST
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
© » KADIST
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
© » KADIST
Karl Haendel
2011Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
© » KADIST
Joachim Koester
2006Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Related works sharing similar palette
» see more
© » KADIST
Christian Nyampeta
2018The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Related works from the » 2010's created around » Albany, California
» see more
© » KADIST
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
© » KADIST
Mark Bradford
2012This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
© » KADIST
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
© » KADIST
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Other works by: » Will Rogan
» see more
© » KADIST
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
© » KADIST
Will Rogan
2014Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Related artist(s) to: Will Rogan » Amy Franceschini, » Andrea Higgins, » Chris Johanson, » Colter Jacobsen, » Desirée Holman, » John Bankston, » Jordan Kantor, » Josephine Taylor, » Kamau Amu Patton, » Kota Ezawa
» see more
© » KADIST
Desiree Holman
2010Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
© » KADIST
Jordan Kantor
2009Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...
© » KADIST
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
© » KADIST
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Related works found in the same semantic group
» see more
© » KADIST
During the week after the the 8th Festival de Performance de Cali (20-24 November 2012), San Francisco will become the setting of a multi-venue series of events organized by the Cali-based collective Helena Producciones (Wilson Díaz, Claudia Patricia Sarria-Macías, Ana María Millán, Andres Sandoval Alba, and Gustavo Racines)...
© » KADIST
Helina Metaferia
2023By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements...
