Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America. He then mounted the drawings on trees, telegraph poles or buildings and photographed them. Taken in these situations the drawings appear like advertisements for lost people or even posters for wanted criminals that of course conjures up images of loss not only of boat people but those who perished in other disasters, whether natural catastrophes or 9/11. The representation of the drawing in a photograph mirrors the distancing of Goicolea from his ancestors, for the drawing is translated and placed in an anonymous location from which, after photography, it is removed. The photograph is a witness to a past act, as the album is a witness to Goicolea’s own past. Together, the drawing and the photograph set up a interesting dynamic that invokes notions of past and present, the concept of reproducibility, memorialisation, and fact and fiction.
Goicolea, a first generation Cuban-American living in New York, makes work that explores his conflicted identity and the recent history of the Cuban people. While some of his earlier work was playfully narcissistic, the body of work called “Related” explores his roots and personal history. He makes photographs, drawings, videos and installations that explore the relationship between the media as well as social and historical issues.
Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A Change of Perspective — Ndayé Kouagou Exposition Film, performance, techniques mixtes, vidéo À venir Ndayé Kouagou, A coin is a coin, 2022 © Ndayé Kouagou A Change of Perspective Ndayé Kouagou Dans 2 mois : 21 septembre 2023 → 18 février 2024 Emblématique des artistes de sa génération, Ndayé Kouagou n’établit pas de hiérarchie entre ses différentes pratiques articulées autour du langage...
Mouvement 1 — Exposition performative — Système D — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Mouvement 1 — Exposition performative — Système D — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Mouvement 1 — Exposition performative Exposition Performance, son - musique À venir Graphisme : clarahoya.ch Mouvement 1 Exposition performative Dans 2 jours : 14 → 23 février 2024 Mouvement 1 est une exposition performative où rien n’est immuable...
Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men...