To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile. The cutouts in the acrylic represent the content that was blacked out when the pages were released to the public. For Jarpa, that so much content from these documents was deleted before declassification is symptomatic of hysterical behavior, which, in Freudian psychoanalysis, results from the inability to deal with trauma. Jarpa reclaims the blots of the original documents as the structure of the artwork, mimicking the same denial of access that entered them into classification in the first place. By working at the juncture of the public and the secret, the artist aims to question how images and materials construct notions of public and private, transparency and opacity. The documents’ promise of disclosure ultimately materializes as repression, given that barely anything remains legible.
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.
At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ - The New York Times Lens | At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ https://www.nytimes.com/2019/05/29/lens/fred-baldwin-photography.html Give this article Share Advertisement Continue reading the main story Fred Baldwin reckons he could have become a writer — if the manual Olivetti typewriter he used while studying at Columbia in 1955 had spell-check...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Articles of Virtu - Photographs by Bryan Birks | Text by Magali Duzant | LensCulture Award winner Articles of Virtu Prized old automobiles—that most American of obsessions—are the entry point to the surprising beauty and tenderness of their owners, the communities they belong to, and the aspirations they hold dear...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Kenya breakdancing picking up but no federation to support it - France 24 Skip to main content Kenya breakdancing picking up but no federation to support it Issued on: 02/11/2023 - 12:50 Modified: 02/11/2023 - 12:53 01:33 While breakdancing will feature in the Paris 2024 Olympics, many enthusiasts in Kenya are attracting younger generations to this urban dance popular in the 1980s...