Higher Horse

2008 - Film & Video (Film & Video)

6:13 minutes

Kate Gilmore

location: New York, New York
year born: 1975
gender: female
nationality: American
home town: Washington, D.C.

In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red. Two muscular men with sledgehammers simultaneously pummel the blocks where Gilmore attempts to stand. Although we can only see the artist from the waist down, her body language reveals apprehension: her hands, tense, press against the wall in an attempt to maintain balance while the men come dangerously close to smashing her bare legs. Gilmore’s attire—red heels, a black skirt, and a pink top—together with the pink walls, are all symbolically charged as expressions of the female gender. The aggressive actions we see in Higher Horse are consistent with her investigation into the language of damage, destruction and rage, which in this case, is inflicted by the male body as she attempts to remain above, unharmed.


Whether through live or filmed performances, or sculptural works where we can see traces of actions, Kate Gilmore’s practice always departs from the female body. Through her own physicality, and often using the language of destruction and rage, she creates works that bring into question social constructs relating to sex, gender, and most specifically, femininity. Although early in her career she often placed herself as the central protagonist, over the past few years she has invited other women to perform her pieces, and in some instances has even relied on audiences to activate works. A common feature of her work is the use feminine signifers—high heels, skirts, floral patterns, and specific color hues—which are set in stark contrast with physically demanding actions that are aggressive in nature and would commonly be associated with a masculine ethos. By tearing dry walls with sledge hammers, bashing cubes of metal and plaster, smashing glass containers full of paint—Gilmore’s gestures embody a form of resistance seeking to break free from the norms that constrict femininity, all of this articulated through and from the female body.


Colors:



Related works of genres: » video art  
» see more

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Related works featuring themes of: » Abstract Sculpture, » Feminism, » Cultural Commentary, » Endurance Art, » American  
» see more

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

2010

Hershman Leeson’s documentary, Women Art Revolution (W...

Tania Libre
© » KADIST

Lynn Hershman Leeson

2016

Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...

Mike and Sky
© » KADIST

Catherine Opie

1993

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...

Strange Culture
© » KADIST

Lynn Hershman Leeson

2007

Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...

Other related works, blended automatically  
» see more

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

2010

Hershman Leeson’s documentary, Women Art Revolution (W...

Tania Libre
© » KADIST

Lynn Hershman Leeson

2016

Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...

Bunny’s Sofa
© » KADIST

Gimhongsok

2007

To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...

Collapse
© » KADIST

Will Rogan

2007

Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...

Related works sharing similar palette  
» see more

Cakap-Cakap: Interview with Salty Xi Jie Ng
© » ARTS EQUATOR

Cakap-Cakap: Interview with Salty Xi Jie Ng | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Artist Profile July 31, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with artist Salty Xi Jie Ng, whose most recent project, Not Grey: Intimacy, Ageing & Being , excavated what intimacy means for older Singapore women (hint: it’s not all about sex!)...

Julie Mehretu’s Masterpiece Breaks Records at Sotheby’s
© » ART CENTRON

Julie Mehretu's Masterpiece Breaks Records at Sotheby's - Artcentron Home » Julie Mehretu’s Masterpiece Breaks Records at Sotheby’s ART AUCTION Dec 11, 2023 Ξ Leave a comment Julie Mehretu’s Masterpiece Breaks Records at Sotheby’s posted by ARTCENTRON Julie Mehretu’s Masterpiece, Walkers With the Dawn and Morning sets a new record at auction...

Delfina Entrecanales, arts patron who founded the Delfina Foundation, has died, aged 94
© » THEARTNEWSPER

Delfina Entrecanales, arts patron who founded the Delfina Foundation, has died, aged 94 Obituaries news Delfina Entrecanales, arts patron who founded the Delfina Foundation, has died, aged 94 A uniquely generous supporter of the arts who had been likened to a contemporary Medici, Entrecanales gave hundreds of artists the time and space to create but never demanded works in return Wallace Ludel 1 April 2022 Share Delfina Entrecanales, the celebrated Spanish-born, London-based arts patron who founded first the Delfina Studio Trust in 1988 and later the Delfina Foundation in 2007, has died at 94...

Missing UK Museum Objects: The Latest Story Behind The Vitrine
© » ARTLYST

In recent months, UK Museum collections have come under intense scrutiny, with headlines echoing the 'alleged' thefts of up to 2000 objects.....

Related works from the » 2000's created around » New York, New York  
» see more

Forest Gathering N.2
© » KADIST

Gregory Crewdson

2005

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Untitled (Ruby Downing sitting between two Unidentified Men in a Room), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Untitled
© » KADIST

Trisha Donnelly

2007

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...

Related works found in the same semantic group  
» see more

Miami Advice: Nina Johnson on the Spear House of North Bayshore Drive
© » THEARTNEWSPER

Miami Advice: Nina Johnson on the Spear House of North Bayshore Drive Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 interview Miami Advice: Nina Johnson on the Spear House of North Bayshore Drive The gallerist says that the pretty-in-pink property exudes the quintessential 1980s South Florida vibe that still resonates today Tim Schneider 7 December 2023 Share Laurinda Spear’s original plan, created with Rem Koolhaas, was rejected by the client: her parents Photo: Elizabeth Whiting Located at 9325 North Bayshore Drive, in the Miami Shores neighbourhood, the Spear House (aka the Pink House) looms large in the cultural imagination of South Florida...

South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works
© » ARTSY

South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works | Artsy Skip to Main Content Advertisement Art South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works Mira Dayal Dec 8, 2023 2:46PM Jaye Rhee, Cherry Blossoms , 2012...

Dominique Gonzalez-Foerster — Nos années 70 (chambre)
© » SLASH PARIS

Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exhibition Mixed media Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...

Marie Laurencin’s Queer, Feminine Utopias Are Gaining Renewed Recognition
© » ARTSY

Marie Laurencin’s Queer, Feminine Utopias Are Gaining Renewed Recognition | Artsy Skip to Main Content Advertisement Art Marie Laurencin’s Queer, Feminine Utopias Are Gaining Renewed Recognition Olivia Horn Nov 30, 2023 10:42PM Man Ray, Marie Laurencin , 1925...