6:13 minutes
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red. Two muscular men with sledgehammers simultaneously pummel the blocks where Gilmore attempts to stand. Although we can only see the artist from the waist down, her body language reveals apprehension: her hands, tense, press against the wall in an attempt to maintain balance while the men come dangerously close to smashing her bare legs. Gilmore’s attire—red heels, a black skirt, and a pink top—together with the pink walls, are all symbolically charged as expressions of the female gender. The aggressive actions we see in Higher Horse are consistent with her investigation into the language of damage, destruction and rage, which in this case, is inflicted by the male body as she attempts to remain above, unharmed.
Whether through live or filmed performances, or sculptural works where we can see traces of actions, Kate Gilmore’s practice always departs from the female body. Through her own physicality, and often using the language of destruction and rage, she creates works that bring into question social constructs relating to sex, gender, and most specifically, femininity. Although early in her career she often placed herself as the central protagonist, over the past few years she has invited other women to perform her pieces, and in some instances has even relied on audiences to activate works. A common feature of her work is the use feminine signifers—high heels, skirts, floral patterns, and specific color hues—which are set in stark contrast with physically demanding actions that are aggressive in nature and would commonly be associated with a masculine ethos. By tearing dry walls with sledge hammers, bashing cubes of metal and plaster, smashing glass containers full of paint—Gilmore’s gestures embody a form of resistance seeking to break free from the norms that constrict femininity, all of this articulated through and from the female body.
Cakap-Cakap: Interview with Salty Xi Jie Ng | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Artist Profile July 31, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with artist Salty Xi Jie Ng, whose most recent project, Not Grey: Intimacy, Ageing & Being , excavated what intimacy means for older Singapore women (hint: it’s not all about sex!)...
Julie Mehretu's Masterpiece Breaks Records at Sotheby's - Artcentron Home » Julie Mehretu’s Masterpiece Breaks Records at Sotheby’s ART AUCTION Dec 11, 2023 Ξ Leave a comment Julie Mehretu’s Masterpiece Breaks Records at Sotheby’s posted by ARTCENTRON Julie Mehretu’s Masterpiece, Walkers With the Dawn and Morning sets a new record at auction...
‘Private Jones’ musical at Signature zeroes in on a deaf sniper in World War I - The Washington Post The Washington Post Democracy Dies in Darkness Director Marshall Pailet, left, with Vincent Michael, Amelia Hensley, Erin Weaver and Johnny Link in rehearsals for “Private Jones” at Signature Theatre...
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
Weekly Picks: Indonesia (27 August - 2 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Uncategorized August 27, 2018 Top Picks of Indonesia art events in Yogyakarta and Jakarta from 27 August 2018 – 2 September 2018 The City of Yogyakarta is full of exciting events this week...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Le tatouage, un terrain de jeu artistique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres d’Ouriel Zéboulon exposées lors du vernissage de l’exposition « Faire Fair 2 », à l’espace 3537, à Paris, en avril 2023...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...