The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater. The film is structured as a journey in time, from day to night. The completed film was shot in different places around the globe, including Los Angeles, Rome, South Africa, and Israel, which suggests the blurring boundaries of the unknown and emphasizes both fictive and real landscapes.
Doug Aitken’s work started to draw international attention when his installation Electric Earth earned the International Prize at the 1999 Venice Biennale, which was organized by renowned Swiss curator Harald Szeemann. Interested in breaking conventional narratives, Aitken emphasizes circularity and non-linearity in his monumental site-specific installations. This monumentality is usually expressed in Aitken’s tendency to combine apparently disconnected fragments in order to create epic films. Although this aspect of his work differs from the all-encompassing wholes sought by modernism, Aitken’s films play with the imaginary and surreal in a way that flirts with the notion of utopia. The artist uses pop culture and, especially, the film industry as sources for his compelling and immersive environments. Aesthetic elements such as coloration, light and space and a careful editing process give his films a contemplative mood.
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
The theme of the end of the world, of the last man on earth, recurs in our literary and cinematographic culture and in our imaginary: “we had this dream before, the dream that we’re alone.” In The Secret Life of Things , the narrator presents himself as an enthusiast and expert on films announcing the end of the world and those staging someone waking up to discover that they are the only survivor on earth...
A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...