67 x 47 x 9 cm
Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter. In the work, the artist uses perspiration as a medium on the surface, combing the man-made and the organic. The pink of the surface reflects the artist’s interest in reframing the way we understand the permeability of human skin. The creases of the plaster and the adipose surface enhanced provoke the skins surface susceptibility of scratches, ruptures, injured tissue and abrasions. The artist’s interest in the construction of the prosthesis, the aesthetic of the abject and bodily subversion is central to Yea High (sweetpreparator) deconstruction of the expectation of the image of a body, its performance and movement. By abstracting the figure of the body as a monochrome surface of constructed flesh, Nashat critiques the notion of perfection and expectations of the body, heralding autonomy and independence over purity.
The work of Shahryar Nashat (b. 1975, Geneva, Switzerland) is made up of the interwoven fragments of baroque and renaissance sculptures, humour, sensuality and insolence. Practicing largely in installation format, which give prominence to video, include photography, sculpture and etchings, the artist creates new opportunities for critical reflection about the canon of artistic media. With an interest in art collections, libraries, artwork reproductions and archives, Nashat imagines new forms of display through artistic reuse. Combining synthetic forms mediated by organic and man-made representations, the artist’s oeuvre is an examination of the human-body’s interaction with material culture.
Designing Tranquility — Inside The Minimalist World Of Isern Sera And Valeria Vasi - IGNANT Name Isern Sera · Valeria Vasi Images Monika Mroz Words Monika Mróz Spanning his interior work from residential to exhibition design, Isern Serra conveys minimalism with a human face in every space he designs...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Cultural Changes at the Coldest Place on Earth — A Photo Story from Yakutsk - Photographs by Alex Vasyliev | Essay by Marigold Warner | LensCulture Feature Cultural Changes at the Coldest Place on Earth — A Photo Story from Yakutsk Photographer Alexey Vasyliev offers an intimate look into the life and changing culture of the Evens, an indigenous tribe in his hometown of Yakutsk — one of the coldest places on Earth...
Gastaldon has made a number of soft sculptures using materials associated with knitting and sewing that have alternately fetishistic, nightmarish or contemplative qualities...
Artist Jesse Darling Wins Tate Britain's Turner Prize Skip to content Jesse Darling at the Turner Prize 2023 award ceremony at Towner Eastbourne (photo by Victor Frankowski/Hello Content; all images courtesy Tate) Jesse Darling has won this year’s Turner Prize , given annually to a British visual artist by the Tate museums...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Weekly Picks: Malaysia (23 July – 29 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Malaysia July 23, 2018 Caravaggio Art Talk 3, at Balai Seni Negara, 25 July, 11am In conjunction with the Caravaggio Opera Omnia exhibition, art expert Sabiana Paoli will be providing audience members insights to Caravaggio’s most significant works made in Rome, Malta, Naples and Sicily...
Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death ...
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac ! — Gunaikeîon Exposition Techniques mixtes Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Encore 2 mois : 15 octobre 2023 → 24 février 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...