Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death . Also a hand-printed linocut, many of the details in this work are based on photocopies of images sourced by the artist from her local library. At the time she was making these works, she recalls looking at ‘beautiful, sad, timeless and stark photographs taken in old-work segments of Europe and being influenced by their aesthetic and emotional gravitas. In The Oblivion both movement and humans are present yet elusive: objects that are usually in motion appear still (a bicycle, a horse, a burning candle) and demonic-like masks obscure the three figures’ human qualities. There is a darkness and mystery present in both prints, which echoes the irrational nature of the novel by Rainer Maria Rilke, which was a source of inspiration for the series. As with Rilke’s novel, Knutson’s haunting images have an inherent disbelief, solitude, and profound anxiety.
Based in San Francisco, Audra Knutson is known for her delicate and intricate works that depict elements from nature as well as scenes and objects from the everyday. Working across printmaking, letterpress printing, bookbinding, painting, drawing, metalsmithing and weaving, her compositions fluctuate between figuration and abstraction and have a distinctive style that considers in equal parts the objects that she depicts as well as the space that surrounds them. In several of her compositions, white, empty areas surround and emphasize vibrant zones of organic geometry, patterns, textures and color. Often suggesting natural formations — from plants and animals to salt crystals, mountains, and rolling waves — Knutson’s works speak of her connection to the natural world. Although some pieces originate from her observation of her surrounds, Knutson also leans on and depicts images and knowledge from books and other artists. Several of her works are interrelated and presented as series, and often elements and ideas interplay and weave between series as well as between bodies of work.
Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge ...
Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Fabienne Verdier — Horizons et Chênes-lièges Exhibition Painting Fabienne Verdier, Chêne-liège #4, 2023 Pastel gras et pastel sec sur vélin d’Arches teinté — 49 × 28 cm Courtesy de l’artiste et galerie Lelong & Co...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge ...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
New Anna Marrow Prints – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next This week we launch a series of 6 brand new and exclusive prints by the ever popular Anna Marrow...
In his series Tsugi no yoru e (Onto the next night) , 2010, Yamatani gives viewers access to the wild world of young rockers and skaters...