The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification. A full story seems present but is not fully within the viewer’s grasp. Here, Pettibon draws a connection between legal restrictions on free speech and the power of an elite on Wall Street.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style. The images in them allude to his ever-recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. However, it is worth noting that this formal quality of his work is not exhausted in the simple illustration.
Drawing & Print (Drawing & Print)
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines. The artist uses abstract architectural elements that he reproduces on the wall in which he inserts drawings, elements from photographs and drawings of texts collected from art magazines. The repetition, control and imperfection of the movements create a tension, a particular vibration in his geometrical drawings and in the drawings of texts.
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist. The first scene portrays Wolukau-Wanambwa in a close-up frontal view, dressed in black, standing silently against a worn white wall. Through subtitles, the artist recounts her experience of participating in a workshop on the top floor of the museum.
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama. One of them revolved around a plant that had various uses, from healing poisonous snake bites to predicting the future. She said, for example, that if one came across this plant during a period of drought, it could mean trouble was coming.
Drawing & Print (Drawing & Print)
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.
Drawing & Print (Drawing & Print)
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.
From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control. The color blue is a proxy for both sadness, and a color that is emblematic of American law enforcement services. I Am Blue, 1 by American Artist is a sculpture that fuses a school desk with a ballistic shield.
Drawing & Print (Drawing & Print)
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.
One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions. Maintaining his signature deadpan expression throughout the video, in one scene Harrison is thrusted into the air by a slowly inflating balloon until only his feet are visible in the frame, while in another he levitates in diving position with the help of a pulley system. Wood uses his body and specially-designed props created by the artist duo to explore the space of the screen in hilarious, and sometimes clumsy or violent, ways.
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón. Conversations with a Tropical Vulture is an experimental narrative video, co-directed by both artists, and blends Hollywood glamour and drama with an all-too-real life approach, which creates and inspires a counterpoint of unattainable desire against unbearable actuality. The video, shot on location in Acapulco, utilizes a “lo-fi” aesthetic and playful use of non-professional actors.
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524. Each choir was filmed separately, and the artists weave together the audio while the video features each choir individually. The juxtaposition of different contexts in which singing occurs functions as an embedded sociological study of various communities throughout the region.
The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza. For this project, Fernández de Castro and Mendoza researched the 2014 court case that shut down Penmont Mining’s operations in the middle of the Sonoran desert. The lawsuit was brought to court by the “ejidatarios” (communal land holders) of El Bajío, Sonora, who claimed that their territory was illegally occupied and exploited, causing an irrevocable environmental impact on their land.
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance. The work is inspired by the Blue Blouse, a political propaganda theater movement which spread across the Soviet Union in the mid-1920s. More specifically, the work takes the form of ‘Living Newspapers’, which were performances based on topical news events.
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah . The author Abdullah bin Abdul Kadir, who once served as the secretary of Major General William Farquhar, chronicled his life in Malaysia and published his writings in 1849. Hsu’s video installation excerpts two chap- ters from this classic.
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced. Gradually, their voices accumulate into a cacophony of pure sonic intensity against an extreme slow-motioned image of a woman survivor of Japan’s military sexual slavery who, in the absence of words to accurately account for her suffering, gets up and walks into the center of a war crimes tribunal court room and gestures wildly before she faints. This work by Jane Jin Kasen and Guston Sondin-Kung explores ways in which trauma is passed on from previous generations to the present through a sense of being haunted.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.
3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race). Wood and Harrison stand together in a narrow alcove built into their studio, dressed similarly in grey long sleeve shirts and jeans. Facing a tennis ball machine that is almost completely out of view, with only the barrel of the machine protruding from the bottom of the frame, they hobble back and forth across the alcove attempting to avoid the tennis balls launching toward them, with varying degrees of success.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection. It is the overlapping of the beautiful with the impact of military ritual and pomp. The use of the sculptural props and again sound (the ideal presentation of this work is with surround sound) create a composition as visual as it is aural.
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there...
Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Huang Xiaopeng is a video and installation artist...
Wang is an artist working primarily with sound...
Miguel Calderón is a Mexican artist and writer...
Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions...
Emma Wolukau-Wanambwa is an artist, researcher, and convenor of the collective the Africa Cluster of the Another Roadmap School, a project fostering conversations about art and education in Africa...
The work of Taysir Batniji, a Palestinian artist born in Gaza shortly before the 1967 war and the Israeli occupation, is tainted with manifestations of impermanence and itinerancy, belonging and uprooting, personal memories and historical events...
Through video, drawing, sculpture, sound, installation, and publications, Jesse Chun’s multidisciplinary practice critically engages with the politics of language...
Costa Rican artist Christian Salablanca Díaz has developed a body of work around the phenomenon and experience of violence and the ways in which it generates, determines, and conditions history, society, and politics...
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
Noara Quintana’s research-based practice focuses on the materiality of everyday objects and their interconnection with sociopolitical and historical processes in the Global South...
Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...
A San Francisco artist, Oppenheimer work in different mediums and materials, including the choice of video within his practice, with its emphasis as a great tool for creating conceptual sculpture, also his attention to sound as a very important architectonic device....
Gao Mingyan produces video based-works that examine the political and epistemological violence of our contemporary moment...
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Visual artist, poet, and essayist Etel Adnan writes what must be communicated through language, and paints what cannot...
Meiro Koizumi is a Japanese video and performing artist, born in 1976...
Abigail Reyes’s work is deeply ingrained in the feminist discourse of Latin America...
‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...
Bernardine Evaristo on the role of the artist | Article | Royal Academy of Arts Caption toggle button Bernardine Evaristo on the role of the artist By Bernardine Evaristo Published on 29 January 2024 The award-winning novelist examines why contemporary artists of all disciplines are addressing imperial history in new ways...
Vija Celmins | Hatton Gallery See the work of Latvian-American artist Vija Celmins at the Hatton Gallery, Newcastle ARTIST ROOMS Vija Celmins takes an in-depth look at the artist’s works on paper...
Remembering Indigenous Artist and Organizer Klee Benally Skip to content In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas PHOENIX — Multiple communities are mourning the loss of Klee Benally, an anti-colonial Indigenous activist, installation artist, filmmaker, and musician whose work centered around land rights, Indigenous liberation, and climate justice...
JJ Manford: Hayden Rowe Street at Derek Eller Gallery, NYC (Video) - ArteFuse Please like, comment, and subscribe to support our YouTube channel...
Aesthetica Magazine - 5 To Know: Installation Shows 5 To Know: Installation Shows The following installations, on view across the UK and USA, stimulate the senses...
Emmanuelle Moureaux’s New Work Fills a Room with Butterflies Home / Art / Installation Thousands of Colorful Butterflies Invade Shanghai Pavilion in Emmanuelle Moureaux’s Latest Installation By Regina Sienra on February 5, 2024 Photo: Daisuke Shima Architect, artist, and designer Emmanuelle Moureaux has marveled the world with her sweeping colorful installations...
Ojuelegba Comes Alive in Emeka Ogboh's Multisensory Installation - Artcentron Home » Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation ART Feb 3, 2024 Ξ Leave a comment Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation posted by ARTCENTRON Emeka Ogboh, Ojuelegba 2023...
Artist Opportunities: January and February 2024 via Creative Capital - ArteFuse Tulsa Artist Fellow Anita Fields in the studio...
Artist Spotlight: Douglas Alvarez – Art and Cake January 18, 2024 January 18, 2024 Author Artist Spotlight: Douglas Alvarez Coffee Shop What does a day in your art practice look like? When not dealing with graphic design projects, I start my mornings working on the painting on my easel...
Video: attitudes to nudity in art | Blog | Royal Academy of Arts Marina Abramović in the Main Galleries Video: attitudes to nudity in art Read more Become a Friend Video: attitudes to nudity in art Published 14 December 2023 Watch Marina Abramović discuss her performance ‘Imponderabillia’ first performed over 40 years ago...
His collection gift to the Savannah College of Art and Design nearly two decades ago has been transformative....
10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Video: introducing 'Entangled Pasts, 1768–now: Art, Colonialism and Change' | Blog | Royal Academy of Arts Lubaina Himid RA in her studio Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Read more Become a Friend Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Published 2 November 2023 Artist Lubaina Himid RA talks to us about our next exhibition in the Main Galleries...
A $1M Scholarship Fund Honors Late Artist Mike Kelley | Observer The late Mike Kelley, renowned for his influential multi-media explorations of memory and transgression, was more than an artist...
How peter campus Changed the Video Art Game Skip to content Still from peter campus, "Three Transitions" (1973), single-channel video with sound, 4:53 mins...
Highlights from Art Basel Miami Beach 2023 (Video and Favorite Works) - ArteFuse Art Basel Miami 2023 top 10 picked by writer and curator Nina Chkareuli-Mdivani Art Basel Miami felt strangely invigorating and fresh this year...
South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works | Artsy Skip to Main Content Advertisement Art South Korean Artist Jaye Rhee Reinvents Clichés in Seductive Video Works Mira Dayal Dec 8, 2023 2:46PM Jaye Rhee, Cherry Blossoms , 2012...
An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist interview interview An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces Dale Berning Sawa 7 December 2023 Share Installation view of Fourteen Views (2023), which represents a river journey from the Mekong to the Mississippi via Parisian water gardens, encompassing Vietnam, its colonisation by France and the military intervention by the US Photo: Jonathan Dorado, © MoMA In 2021, An-My Lê had an out-of-body experience in the Californian desert...
David Hockney lights up London with a festive art installation at Battersea Power Station...
William Anastasi, a prominent Conceptual artist, has died at 90...
Video: new posters on display | Blog | Royal Academy of Arts Poster Bar by José Video: new posters on display Read more Become a Friend Video: new posters on display Published 22 August 2023 Watch our team refresh our iconic Poster Bar for the first time since 2018, featuring 21 new posters from our past exhibitions...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Video: two-minute tour of the Summer Exhibition 2023 | Blog | Royal Academy of Arts Installation view of the Summer Exhibition 2023 at the Royal Academy of Arts, London, 13 June – 20 August 2023 Photo: © David Parry/ Royal Academy of Arts Video: two-minute tour of the Summer Exhibition 2023 Read more Become a Friend Video: two-minute tour of the Summer Exhibition 2023 Published 24 July 2023 Take a quick trip through more than 1,600 works on display in this year’s show...
By the time flames were doused, all that was left of the installation by Michelangelo Pistoletto was a charred frame....
Artist Spotlight: Erika Lizée – Art and Cake June 15, 2023 June 11, 2023 Author Artist Spotlight: Erika Lizée Erika Lizeé at Mesa Contemporary Arts Museum with the 2023 Installation of Seed of Life, Acrylic on Duralar, 8′ x 22′ x 3′ What inspires you? I am inspired by the world around us and the possibilities that exist beyond what we currently understand...
Artist Spotlight: Erika Lizée – Art and Cake June 15, 2023 June 11, 2023 Author Artist Spotlight: Erika Lizée Erika Lizeé at Mesa Contemporary Arts Museum with the 2023 Installation of Seed of Life, Acrylic on Duralar, 8′ x 22′ x 3′ What inspires you? I am inspired by the world around us and the possibilities that exist beyond what we currently understand...
Designer and Patron Beatrice Bulgari Opens Up Her Home to Offer a Peek at Her Marvelous Art Collection - via artnet news...
The Working Processes of Artists: Tina Fung | ArtsEquator Skip to content Tina Fung is a set designer and installation artist who runs Space Objekt, a design studio based in Singapore...
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set...
Images is a two channel video work addressing the relationship between art and ritual...
The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures...
Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Salomania sees choreographer and filmmaker Yvonne Rainer and artist Wu Tsang rehearse scenes from Valda’s Solo , a chapter of a film Rainer made in 1972 after having seen women perform the dance of the seven veils in Alla Nazimova’s 1923 silent film Salomé ...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds...
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
Drawing & Print
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
Drawing & Print
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
To make the video installation Soft Staycation (Gaze Track Edit) , the artist, playing the role of ‘job creator’, hired a group of unemployed and expat freelancers through Craigslist to watch a 30 minute compilation of national tourism ads...
Drawing & Print
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
When Need Moves the Earth is a three-channel video that combines elements of documentary footage, archival material and abstract aerial shots to encompass a painterly yet forthright exploration of a coal mine and a water dam in Thailand...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
The video work Volga by Aslan Goisum begins with a sweeping field caught under a misty, gray sky...
Time they stopped (Forouhars’ house, Tehran) depicts the trace of a recently stolen wall clock...
Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance...
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep...
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...
Of Dice and Men is a video diary-essay: in it, Didem Pekün’s daily life and political events are intertwined, just as they are in our individual realities...
Drawing & Print
Part of the series Still Life Analysis II: The Island , the two photographs The Objects under the Civic Boulevard and A Yellow Blanket on a Wooden Pallet feature household objects of vagrants living beneath the Taipei’s Civic Boulevard expressway...
Drawing & Print
In conjunction with KADIST’s 2017 exhibition If Not Apollo, the Breeze , artist and filmmaker Lynn Marie Kirby performed Transmissions , a video and live reading created with longtime collaborator Etel Adnan...
Comprising two sculptures, one photograph and one video, the installation Malakas & Maganda (1986 – 2016) questions the mythological iconography of the Filipino conjugal dictators Ferdinand and Imelda Marcos and thus addresses the construction of propaganda representation and the role of art facing current events...
Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal...
Leila Weefur’s two-channel video installation Between Beauty & Horror focuses on the sensorial and somatic experiences that give Blackness a distinct and inherently racialized materiality...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control...
Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah ...
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
O (for various skies) by Jesse Chun is a two-channel video sculpture that decentralizes American colonial narratives about the moon through “unlanguaging”—a methodology that the artist has conceptualized for unfixing language...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Advanced Technology
The Wooden People is a 360º virtual reality film series comprising seven episodes...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza...
In the process of creating this deeply personal body of work, titled Recollecting Memories , artist Hitesh Vaidya repeatedly visited the site of his ancestral home that was destroyed during the devastating earthquakes in Nepal in 2015...
With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...