A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa. It begins with the sound of waves and the image of the Israeli flag that fills the entire screen. This is followed by the whirring sounds of a helicopter.
This work presents the image of an immolated monk engraved on a baseball bat. The flames surround him eroding the extremity of the bat. The delicate sculpture refers to the sacrifice of the Buddhist monk, Thich Quang Duc, who immolated himself on June 16th 1963, in reaction to the discrimination and the repressive politics of the Diem Catholic regime (regime installed by the Americans) towards the Buddhists.
Arima’s free brushstrokes gesture towards traditions in Expressionist painting. As with the acrylic painting Ticket (also 2015), Person in Red Sweater could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content. But if his portraits resist social commentary, they nonetheless challenge conventional standards of beauty through a decided embrace of decayed forms and colors.
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia. The Yellow River is considered the cradle of Chinese civilization but also poses a great threat, as the river is capable of breaking its banks at any time. Inspired by the novel River of the North by Zhang Chengzhi, the artist travelled on a fold-up bicycle through eastern China’s Shandong province, where the river discharges vast amounts of water into the sea, before slowly tracing it westward over several month-long trips heading to the river’s source near the Bayan Har Mountain in Qinghai.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed. The work builds around the recollections of human experiences that took place within these spaces and shifts through the mental space distilled from the possessed memory of wounded time. Within the medium of the multi-channel video/ sound installation, Sakpisit and Morinaga create dreamlike variations sprawling through darkened room where the haunting images and ambient sounds float through the space, creating an exquisitely hypnotizing experience.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park. Pedestrian pass by with boom box, fire truck sirens and baseball-bat sounds suggest they are in New York. But the kiss is not accomplished and saliva drips from the lover’s open mouth like a fountain of unfulfilled desire.”
Vieques is an island off the mainland of Puerto Rico used by the U. S Navy and NATO forces as military testing ground as from the 1940s. Civil disobedience and active protest movements initiated by local inhabitants and an international support network led to the end of the bombings and progressive demilitarization in 2002.
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children. After being referred to as a Mammy during their undergraduate degree, Olagbaju began exploring the figure in 2016 as a means of healing. Olagbaju’s first presentation on this topic was a book called Black Collectibles: Mammy and Friends (1997) that sells tchotchkes—like salt and pepper shakers or figurines—of the racist mammy image taking different forms, from which Olagbaju exorcised the Mammy images by carefully cutting them out of the book with a razor blade.
Executed in 2012, A World Undone revolves around a single, metaphorically rich substance, drawing on geological research into an ancient mineral, Zircon, unearthed in remote Western Australia. These rocks are now studied, like a time capsule, revealing intriguing clues about the state of the planet more than 4 billion years ago. Mangan procured a sample of the material and reduced it to a fine dust that he then filmed, in flux, with a high-speed video camera.
In this work, Omer Fast probes the feelings experienced by young people involved in an acts of war. Four monitors installed in the form a chariot of war relay the words and faces of four young Israeli soldiers. The installation shows a young generation confronted by the reality of danger, whether being attacked or facing death.
A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.
A Thoughtful Gift by Pio Abad is based on a version of a letter written by the former First Lady of the United States, Nancy Reagan to the former First Lady of the Philippines, Imelda Marcos. Written in 1986, the letter assures Marcos of their safety from persecution in the United States, following widespread anti-government protests across the Philippines. The Marcoses were granted exile in the United States by the Reagan administration and they eventually fled to Honolulu.
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year. This piece, which was initially screened in independent film contexts, it soon began to be shown at art museums and ended up becoming one of the key works of the artistic movement that opened up the visual arts towards cinema. With a duration of 30 minutes, the film shows the creation of a white curve being projected onto an empty space.
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present. Developed from a literary work, it deconstructs notions of narrative forms, styles and conventions. It is a hybrid piece, an example of the elasticity of the medium.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
Letter to a Turtledove by Dana Kavelina is a short film based on a poem written by the artist. Delivered as a monologue and presented with subtitles, the poem encapsulates the traumas, grievances, horrors, dreams, and hallucinations that have descended upon Ukraine’s Donbass region since its invasion by Russia in 2014. Appropriating amateur footage shot during the war in the Donbass region, Kavelina’s film weaves sound and image into a poignant tapestry that considers the absurdity of war.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?
During the performance A Hand’s Turn visitors are invited to read a text: “I hold a pen with the right hand / move the mouse with the right hand” reads one excerpt. While reading through the instructions the performer’s hands go through a precise choreography. The performance lasts 30 minutes and includes only 2 people at a time.
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory. Set in a sleepy and unidentified coastal town, the film begins as the protagonist unexpectedly finds herself inside a hotel room in a lucid state. Attempting to grasp her surroundings, she falls into a deeper metaphysical reality where her memories blur with her awareness of her surroundings until she finds herself again alone in a dream-like state.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it. This is not Manila whittled down to a scale model but a re-imagination of the city by Ryan Villamael in his ardor to approximate its complexity both as a physical, urban fact and an evolving concept. Behold A City 4 features an entirely new topography and arrangement.
A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space. “The Effect” employs hundreds of fragments of text culled from the internet by searching for occurrences of the title phrase. These fragments, which all address visual scenarios, were sequenced and edited to create the impression of a single text; this was recorded as a voiceover and presented in an acoustically controlled space devoid of any visual information.
A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia. People, half naked, run for cover under towels and parasols, to the music of the Pink Floyd. The next scene is an interview of Philip Johnson, filmed 10 years before in the Glass House he constructed.
Since the late 1990s Anthony Discenza’s work has focused primarily on the omnipresence of mainstream media...
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...
Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...
Liu Ding is an artist and a curator whose artistic and curatorial practice focuses on multiple viewpoints and modes of description, exploring a trajectory of discursive thoughts that connect the historical and the contemporary...
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame...
Chto Delat was founded in 2003 and consists of a group of artists, critics, philosophers, and writers from Petersburg, Moscow, and Nizhny Novgorod...
Wong Kit Yi’s conceptual and performance-based work animates human interactions by measuring, locating, and quantifying the intangible...
Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society...
Taus Makhacheva’s performance and video works critically examine what happens when different cultures, traditions come into contact with one another...
arquivo mangue is the artistic duo of Camila Mota and Cafira Zoé, who consider their collective as a tool that witnesses the course and evolution of cosmogonies...
Shen Xin’s practice examines how emotion, judgment, and ethics are produced and articulated through individual and collective subjects...
Dora Garcia was born in 1965 in Valladolid, Spain...
Gala Porras-Kim’s work plays objects against their framing to consider how an artefact’s “message” is tempered by display, use, historic setting, and other modes of exchange...
Hernan Bas creates expressionistic, yet highly detailed figurative paintings of young men...
Ryan Villamael’s deeply layered practice is informed by a rare degree of skill and dexterity as well as by vivid imagination and haunting intellectual preoccupations...
Sara Eliassen is a conceptual filmmaker working in video, drawing, installation, and public practice...
Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...
Marion Scemama is a French photographer and filmmaker...
Kaoru Arima experiments with painting in order to discover new expressive forms...
‘Private Jones’ musical at Signature zeroes in on a deaf sniper in World War I - The Washington Post The Washington Post Democracy Dies in Darkness Director Marshall Pailet, left, with Vincent Michael, Amelia Hensley, Erin Weaver and Johnny Link in rehearsals for “Private Jones” at Signature Theatre...
Aesthetica Magazine - A Space Between Worlds A Space Between Worlds For Taysa Jorge, art is a bridge...
A View From the Easel Skip to content Welcome to the 222nd installment of A View From the Easel, a series in which artists reflect on their workspace...
A gathering at Tappeto Volante – Two Coats of Paint Tapetto Volante: La Banda 2024, Installation View ...
Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Hommage à Vera Molnar — Cruciformes Exposition Techniques mixtes Vue de l’exposition Cruciformes — Hommage à Vera Molnar , MAC VAL 2024 Photo © Aurélien Mole Hommage à Vera Molnar Cruciformes Encore environ 2 mois : 5 janvier → 8 avril 2024 Le 5 janvier 2024, Vera Molnar aurait eu cent ans...
Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Hommage à Vera Molnar — Cruciformes Exhibition Mixed media Vue de l’exposition Cruciformes — Hommage à Vera Molnar , MAC VAL 2024 Photo © Aurélien Mole Hommage à Vera Molnar Cruciformes Ends in about 2 months: January 5 → April 8, 2024 Le 5 janvier 2024, Vera Molnar aurait eu cent ans...
Mabel Cetu: A Complicated Legacy | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Female Pioneers Mabel Cetu: A Complicated Legacy L’autrice Ethel-Ruth Tawe s’interroge sur les multiples récits liés au travail photojournalistique de Mabel Cetu, en particulier l’analyse de Stephanie Jason développée dans Centring Silences autour de l’absence de Cetu dans les archives....
A Portrait Revisited: 1986, 2006 - Video interview with Roderick McNicol | LensCulture Video interview A Portrait Revisited: 1986, 2006 These diptych portraits of the same person, same pose, 20 years apart, evoke the magic that is at the heart of photography and portraiture—and a short, insightful video interview with the photographer reveals more about the process behind this powerful series...
A Cleveland Museum’s Bad Bet on a Looted Roman Statue Skip to content “Draped Male Figure” (circa 150 BCE–200 CE) at the Cleveland Museum of Art...
Aesthetica Magazine - A Closer Look A Closer Look Reaching up to 50 feet and more than 150 years of age, the saguaro is the largest cactus in the USA...
What Makes a Drawing a Drawing? Skip to content Howardena Pindell, "Video Drawings: Hockey and Basketball" (1975) (photo Isabella Segalovich/Hyperallergic) “You shouldn’t major in drawing.” It was my sophomore year of college and I was perched on a rolling chair in my advisor’s office...
You Can Now Own a Small Chunk of 924 Gilman, Famed Berkeley Punk Club | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture Wanna Own a Piece of a World-Famous Punk Club? Emma Silvers Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link The legendary feminist punk band Spitboy performs at 924 Gilman, circa early 1990s...
A View From the Easel Skip to content Welcome to the 218th installment of A View From the Easel, a series in which artists reflect on their workspace...
The Duty of Interpretation - 3 Quarks Daily Skip to content by Rebecca Baumgartner I’m currently reading The Hunchback of Notre-Dame in translation, and it’s got me thinking about how much we rely on translators to bring us literature from around the world, and how important it is to be able to trust what they tell us...
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back A line is not a border — Group show Exhibition Installation, painting, photography, sculpture.....
A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A line is not a border — Group show Exposition Installations, peinture, photographie, sculpture.....
Troubling the stage and the body as places of stable representation, Ligia Lewis invites frictions and ruptures into her creative process...
Picasso — Dessiner à l’infini — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Picasso — Dessiner à l’infini — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Picasso — Dessiner à l’infini Exhibition Drawing, print, lithography / engraving Upcoming Pablo Picasso, Portrait de Françoise, 1946 Dation Pablo Picasso, 1979 © Musée national Picasso-Paris (inv MP1351), © Succession Picasso 2023 Picasso Dessiner à l’infini In 3 months: October 18, 2023 → January 15, 2024 À l’occasion de la célébration des cinquante ans de la mort de Pablo Picasso, le Centre Pompidou organise « Picasso...
Picasso — Dessiner à l’infini — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Picasso — Dessiner à l’infini — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Picasso — Dessiner à l’infini Exposition Dessin, estampe, lithographie / gravure À venir Pablo Picasso, Portrait de Françoise, 1946 Dation Pablo Picasso, 1979 © Musée national Picasso-Paris (inv MP1351), © Succession Picasso 2023 Picasso Dessiner à l’infini Dans 3 mois : 18 octobre 2023 → 15 janvier 2024 À l’occasion de la célébration des cinquante ans de la mort de Pablo Picasso, le Centre Pompidou organise « Picasso...
A Pick Gallery | ARTPIL MAIN ARTICLES PROFILES ANNOUNCEMENTS EXHIBITIONS WORKS COLLECTIONS ABOUT MAIN ARTICLES PROFILES ANNOUNCEMENTS EXHIBITIONS WORKS COLLECTIONS ABOUT ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries Search for: Search Button newsletter | facebook fb | instagram insta • Esmeralda Kosmatopoulos A Pick Gallery Turin Founded in June 2019, A PICK GALLERY is a contemporary art gallery that, as its name suggests, focuses on the research and selection of artists, emerging and established, on the international scene...
A source said the tome will be “about Lauder’s life and extraordinary career and the lessons he has learned along the way.”...
Crackhouse Comedy Club: A Timeline of a Growing Controversy | ArtsEquator Skip to content It’s been more than six weeks since a video clip of a performance started circulating online in Malaysia...
The Power of a Poem | ArtsEquator Skip to content Zakir Hossain, a celebrated poet and migrant worker in Singapore, wrote a poem, which sparked a response from the state...
Yep, here we are… back with the second half of my conversation with my amazing friend, New York artist Petah Coyne...
A Tribute to Santha Bhaskar From a Student | ArtsEquator Skip to content Aparna Nambiar pays tribute to her late teacher, Singapore dance pioneer Mrs Santha Bhaskar, who passed away on 26 February 2022 at the age of 82...
SO, where to begin? At the beginning, of course...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships...
Political artist, painter, writer, performer, photographer, David Wojnarowicz, was one of the leading figures of the New York Downtown artistic scene of the 1980s...
This early photographic work by Fre?de?ric Nauczyciel, titled Untitled (Boîte à prière, Istanbul, Novembre 2005) , features a young man in religious attire reading a religious text from inside a glass prayer box...
A cat, standing like a human being, is looking at us with round and dazed eyes and holds a gun...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
Drawing & Print
This screen-print by Dread Scott titled Imagine a World Without America shows a map without the landmass that is the USA, as if the continents have drifted, or as if it never existed in the first place...
In order to make If I dig a very deep hole (2007) the artist looked for the extreme geographical opposite of Paris when drawing a straight line throughout the globe...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Drawing & Print
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...
Drawing & Print
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
Drawing & Print
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
This work presents the image of an immolated monk engraved on a baseball bat...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Executed in 2012, A World Undone revolves around a single, metaphorically rich substance, drawing on geological research into an ancient mineral, Zircon, unearthed in remote Western Australia...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977)...
In Anthony Discenza’s 23-minute audio loop that makes up A Rising Tide Lifts All Boats , a nondescript male voice narrates a series of unlikely pairings: “think Dune meets South Pacific;” “think dubstep meets the Magna Carta;” “think the Food Network meets Igmar Bergman.” Given without inflection or emotion, this recitation uses the structure of a Hollywood elevator pitch to sketch out an unknown project, idea, or structure, conflating and collapsing cultural referents into an implausible mass of contradictions....
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...
A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico...
During the performance A Hand’s Turn visitors are invited to read a text: “I hold a pen with the right hand / move the mouse with the right hand” reads one excerpt...
Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction...
Drawing & Print
The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years...
Drawing & Print
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
Advanced Technology
The VR play Meat Growers: A Love Story by Rindon Johnson centers on two meat growers who work together in a meat processing factory in the year 2100...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Letter to a Turtledove by Dana Kavelina is a short film based on a poem written by the artist...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Drawing & Print
Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice...
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children...
o que diriam as pedras a marte? [What would the stones say to Mars?] is a sculptural work consisting of two parts by arquivo mangue...
Ghost 1: Drowning is not a poem but is not not a poem either by Jota Mombaça is part of a series of sculptures exploring water’s restless, elemental properties and what the artist describes as “the radicality of sinking”...