© » KADIST
CAMP
The Annotated “Gujarat and the Sea” Exhibition is a collateral project within the larger body of work around the Indian Ocean, entitled “Wharfage” (2009-13) which has included over the years a radio event, several books and a film. “Boat Modes” (2009-12) dealt with the modalities of maritime life on ships and in ports between UAE, Southern Iran, India and Somalia, using photographs, texts and film based on mobile phone videos made by sailors. CAMP sees this work as a kind of historical intervention on the same subject.
© » KADIST
John McCracken
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.
© » KADIST
Gyempo Wangchuk
The various distinct but connected lineages of Himalayan painting remain thriving languages employed by artists from across the region to express their unique perspective in our shared contemporary world. In Bhutan in particular, this language is prevalent and its maintenance is seen through the political prism of preserving Bhutan’s identity in the global world. That being said, o ffering by Gyempo Wangchuk presented an attempt to bring a critical dimension within the traditional Himalayan forms of expression.
© » KADIST
Omer Fast
“Watching the films of Omer Fast confounds our expectations of the medium. 5,000 Feet Is the Best, 2011, is presented like a conventional big-budget Hollywood movie and has similarly high production values. Yet Fast frustrates the narrative element that Hollywood teaches us to expect: While stories unfold, repetitions and obscurities challenge the idea of a central controlling account.
© » KADIST
Native Art Department International
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
© » KADIST
Kota Ezawa
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.
© » KADIST
Annette Kelm
Drawing & Print (Drawing & Print)
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments. For some, it’s also an opportunity to have desperately needed revenue to counter the displacement of artists and preserve a city or state’s creative spirit. The work, with its serial repetition of percentage signs across six separate bright red panels, appears as splashy retail signage for no apparent sale.
© » KADIST
Lynn Hershman Leeson
Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.
![The art olympics, [Artoons, 2008–2022 series]](https://kadist.org/wp-content/uploads/2023/09/the-art-olympics.jpg)
© » KADIST
Pablo Helguera
Drawing & Print (Drawing & Print)
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years. It’s no secret that the artworld tends to take itself too seriously, so it’s no surprise that Helguera’s project has developed a large following over the past decade—providing much needed comic relief.. Helguera grew up making and exchanging drawings like these with his father and brother, but never made drawing a part of his public practice until in 2008, when he began periodically posting what came to be known as ‘Artoons’ on Facebook. The series caricatures and lampoons agents and events in the artworld, combining just enough visual reference along with a caption.
© » KADIST
Jonas Staal
Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”. The paper, written by the second most important person of Geert Wilderds’ Freedom Party, concerns an ambitious model for a new prison that focuses on the reconditioning of prisoners by means of four phases. Staal’s work is developed through a book, a plan and a 3d virtual tour in the social imagery of a current minister of the State of the Netherlands.
![New Advanced Art Degrees, [Artoons, 2008–2022 series]](https://kadist.org/wp-content/uploads/2023/09/new-advanced-art-degrees.jpg)
© » KADIST
Pablo Helguera
Drawing & Print (Drawing & Print)
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years. It’s no secret that the artworld tends to take itself too seriously, so it’s no surprise that Helguera’s project has developed a large following over the past decade—providing much needed comic relief.. Helguera grew up making and exchanging drawings like these with his father and brother, but never made drawing a part of his public practice until in 2008, when he began periodically posting what came to be known as ‘Artoons’ on Facebook. The series caricatures and lampoons agents and events in the artworld, combining just enough visual reference along with a caption.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
Pablo Helguera
In addition to a long and diverse career as an artist, performer and writer of over a dozen books, Pablo Helguera has worked in the education departments of key institutions such as the Guggenheim Museum (1998-2005) and MoMA (2007-2020)...
Jonas Staal
Jonas Staal ‘s work includes interventions in public spaces, exhibitions, lectures and publications...
Annette Kelm
- location: Stuttgart, Deutschland
- year born: 1975
- gender: female
- nationality: German
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
John McCracken
- year born: 1934
- gender: male
- nationality: American
- home town: Berkeley, California
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
CAMP
CAMP is an artistic collective that started working as a group in 2007, initially consisting of Shaina Anand (filmmaker and artist), Sanjay Bhangar (software programmer) and Ashok Sukumaran (architect and artist)...
Robert Smithson
- year born: 1938
- gender: male
- nationality: American
- home town: Passaic, New Jersey
Gyempo Wangchuk
Gyempo Wangchuk is a unique artist in the Bhutanese, and wider Himalayan context because he combines his classical training in traditional Bhutanese painting with contemporary concepts and aesthetics, as well as discreet but potent expressions of dissidence...
Native Art Department International
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Omer Fast
- location: Yerushalayim, Yisra'el
- year born: 1972
- gender: male
- nationality: Israeli
© » EYE OF PHOTOGRAPHY
about 7 months ago (04/04/2024)
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
© » ART & OBJECT
about 8 months ago (02/12/2024)
The Art of Snow and Ice: Depictions Throughout Art History | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » AESTHETICA
about 8 months ago (02/12/2024)
Aesthetica Magazine - Curator Interview: Redefining Landscape Art Curator Interview: Redefining Landscape Art “Green spaces and nature are where I find solace and comfort...
© » ARTFORUM
about 9 months ago (02/02/2024)
Ruth Foundation for the Arts Names Winners of Inaugural $100,000 Ruth Awards – Artforum Read Next: FRIEZE ANNOUNCES PARTICIPANTS IN 2024 NEW YORK EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » FAD MAGAZINE
about 9 months ago (02/02/2024)
13 artists at Art Rotterdam Skip to content By Paul Carey-Kent • 2 February 2024 Share — This year marks the 25 th anniversary of Art Rotterdam (1-4 Feb), and the last before it moves from the iconic Van Nellefabriek ex-factory, an architectural classic, to a bigger and more central site...
© » FLASH ART
about 10 months ago (12/18/2023)
The Velvet and the Machine: Gucci Cosmos in London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » HYPERALLERGIC
about 10 months ago (12/17/2023)
The Impurities of Pure Abstraction Skip to content David Diao, "BN: The Paintings in Scale (Blue)" (1991), acrylic and vinyl on canvas, 78 x 132 inches (all images courtesy the artist and Greene Naftali, New York, photos Zeshan Ahmed) David Diao loves pure abstract painting as embodied by the highly revered work of Barnett Newman and Kasimir Malevich, even as he doubts their claims of attaining the sublime or achieving a utopian, universalist language...
© » ARTSY
about 10 months ago (12/14/2023)
The Year in Art 2023 | Artsy Skip to Main Content Artsy Editorial The Year in Art 2023 The Most Expensive Artworks Sold at Auction The 10 Most Expensive Works Sold at Auction in 2023 Some of the biggest sales at auction in 2023 included works by Pablo Picasso, Gustav Klimt, and Claude Monet...
© » WHITEHOT
about 10 months ago (12/12/2023)
Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...
© » WHITEHOT
about 10 months ago (12/12/2023)
Miami Art Week Fairs (Other Than Art Basel) You Should Know advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Miami Art Week Fairs (Other Than Art Basel) You Should Know Ki Smith and Sono Kuwayama...
© » ARTSY
about 10 months ago (12/12/2023)
The Art Market Recap 2023 | Artsy Skip to Main Content Art Market The Art Market Recap 2023 Arun Kakar Dec 12, 2023 11:01PM For those who keep a close eye on the art market, 2023 has been characterized by one word: correction...
© » ROYAL ACADEMY
about 10 months ago (12/12/2023)
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
© » ARTEFUSE
about 10 months ago (12/11/2023)
Andrew Woolbright & Gitte Maria Möller: A dreaming hand, wounded by thorns at Rachel Uffner Gallery, NYC (Review) - ArteFuse Installation view of A dreaming hand, wounded by thorns ...
© » THEARTNEWSPER
about 10 months ago (12/09/2023)
Political art stays peripheral at Art Basel in Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Political art stays peripheral at Art Basel in Miami Beach Fair’s stands largely remain neutral despite multiple hot-topic issues in the world today Gareth Harris and Tim Schneider 9 December 2023 Share Julie Buffalohead’s Our Bodies Our Choice , in the Meridians section, references wide-ranging injustices against Native Americans Photo: Liliana Mora Should art engage with politics or offer an escape from politics? This is the question dealers, artists and collectors have tended to face in the run-up to Art Basel in Miami Beach from its very first outing...
© » AESTHETICA
about 10 months ago (12/09/2023)
Aesthetica Magazine - Aesthetica Art Prize: Picturing the Landscape Aesthetica Art Prize: Picturing the Landscape Humans have been inspired by nature for millenia...
© » HYPERALLERGIC
about 11 months ago (12/05/2023)
I was on my way to the art fair when something strange happened....
© » STEVE LAMBERT
about 11 months ago (12/01/2023)
The Powers of Art - Steve Lambert The Powers of Art - Steve Lambert Steve Lambert wrote a book!!! Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA December 2023 Work Center for Artistic Activism , Prints , risograph For the last several years I have made end of year Thank You prints for donors to the Center for Artistic Activism ...
© » I-D VICE ART
about 11 months ago (11/22/2023)
The designer, curator Donald Ryan and TRAMPS creator Parinaz Mogadassi discuss Qrystal Partners, their exhibition space within an old London pharmacy....
© » BOMB
about 12 months ago (11/01/2023)
BOMB Magazine | Barnett Cohen Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© » ART AND CAKE
about 12 months ago (10/30/2023)
Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...
© » BOMB
about 13 months ago (09/26/2023)
BOMB Magazine | Will Rawls Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© » LENS CULTURE
about 14 months ago (08/23/2023)
Why I Make Art - Photographs by Mari Katayama | Essay by Marigold Warner | LensCulture Feature Why I Make Art Mari Katayama reflects on the roots of her intricately staged self-portraits, in which she uses her own body—often surrounded by objects and environments she has created herself—as a lens through which to reflect society...
© » LARRY'S LIST
about 25 months ago (10/05/2022)
A self-taught art expert, she always insisted that her first criterion for a purchase — maybe her only one — was loving the piece....
© » LARRY'S LIST
about 25 months ago (10/05/2022)
Avid art collector Nancy Magoon listed her three-story house near scenic Aspen, Colorado, for $16.9 million — sculpture garden not included....
© » LARRY'S LIST
about 25 months ago (10/05/2022)
Fair director Lorenzo Rudolf says the "given circumstances" leave no other choice...
© » ACAW
about 61 months ago (10/25/2019)
- Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Posted on Friday, October 25, 2019 · Leave a Comment ASIA CONTEMPORARY ART WEEK (ACAW) is taking a programmatic sabbatical in 2019 to plan our programs for 2020 and beyond...
© » PAINTERS' TABLE
about 71 months ago (12/09/2018)
Mimesis Unbound: Noah Buchanan at Dacia Gallery | Painters' Table Skip to main content Mimesis Unbound: Noah Buchanan at Dacia Gallery Submitted by Margaret McCann on December 9, 2018...
© » ARTS EQUATOR
about 74 months ago (09/10/2018)
Weekly Picks: Malaysia (10 – 16 Sept 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 10, 2018 BoboKL Presents: Cheryl Tan with Michael Veerapen , at BoboKL, 14–15 Sept, 9:30pm Cheryl Tan is a performer better known across the border in Singapore for her performances in musical theatre productions like Forbidden City and Dick Lee’s Singapopera ...
© » THE RE:ART
about 92 months ago (04/08/2017)
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
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2000-2009
Jonas Staal
2008Jonas Staal’s installation is based on the thesis written by Fleur Agema and titled “Closed Architecture”...
-
2010-2019
Annette Kelm
Drawing & Print
2013(Drawing & Print) Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Pablo Helguera
Drawing & Print
2015(Drawing & Print) A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Gyempo Wangchuk
2016The various distinct but connected lineages of Himalayan painting remain thriving languages employed by artists from across the region to express their unique perspective in our shared contemporary world...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...