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Something Other Than What You Are
© » KADIST

Camel Collective

Film & Video (Film & Video)

Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound. In both works, the 36 minute video depicts a narrative taking place outside of a live theater performance in the form of monologues that moves between the production and technical crew. There is a set of three different characters—a lighting technician, a lighting designer, and a professor all played by the same actress who share in their personal experiences and attitudes the precariousness of their work, the problems and myths of collaboration, and the obsolescence of theatrical technology.

One Small Box filled with dried Red Rhododendron Blossoms, The other small Box filled with dried White Rododendron Blossoms
© » KADIST

Jiri Kovanda

Photography (Photography)

Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.

Geomtric Construction of Antiquity, 6
© » KADIST

Christopher Badger

Painting (Painting)

In mathematics, the so-called geometric problems of antiquity are shapes that elude the classical tools of an unmarked straightedge and compass. In Geometric Construction of Antiquity, 6 (2011), Badger doggedly sets out to represent one such form. Each of six circles grazes its opposite and crosses the other five.

This One, That One
© » KADIST

Micah Lexier

Film & Video (Film & Video)

This One, That One by Micah Lexier does not have one ultimate version, but instead consists of a source body of 51 separate chapters that are edited to make up different versions. These different versions are edited depending on the context in which the work is being shown. For instance, the version that was shown at the Power Plant consisted of 20 chapters and was edited specifically for that venue, keeping in mind its length and the other works exhibited in the other rooms.

Untitled
© » KADIST

Nick Mauss

Drawing & Print (Drawing & Print)

As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment. Caught in this perpetual sort of unresolved action, Mauss’ works revel in ambiguity and indeterminacy.

Le mouton noir
© » KADIST

Eric Dizambourg

Film & Video (Film & Video)

Eric Dizambourg’s film presents a bucolic and ludicrous world used as a background for a character who is an actor as well as a performer. This character comes and goes throughout the countryside, the barn and an urban setting, a world of odds and ends where objects often seem to be used for other purposes than their original ones.

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

Photography (Photography)

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.

First Piano
© » KADIST

Katinka Bock

Sculpture (Sculpture)

Like with other works of the artist, with First Piano Katinka Bock tried to go against the rules of use of clay, that is, by forcing the material to the extreme, and transferring the resulting elements into a cubic shaped volume. Thus, the resulting accumulated strata brings back the material to its very essence, the earth.

Rehearsal
© » KADIST

Aziz Hazara

Film & Video (Film & Video)

Youthfulness and gestures of play are central to Aziz Hazara’s practice. The artist uses these mechanisms as a lens to give pause to the behaviours of children as foreboding reflections of the enduring and all-pervasive effects of conflict and war. In the short video Rehearsal the artist documents two young Afghan boys imitating the guttural rattling of an automatic rifle, play-shooting in the field in front of them, and swivelling as if to suggest the gun is mounted.

Donald of Doom Tank
© » KADIST

Kristen Morgin

Sculpture (Sculpture)

Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other. During World War II, the Walt Disney Company produced series of cartoon shorts that featured Donald Duck’s nightmare of working in an inhumane artillery factory in Nazi Germany and serving in the U. S. Army. By animating and normalizing war and military life, these cartoons not only achieved widespread popularity, but functioned as government propaganda.

Untitled (Ring)
© » KADIST

Pratchaya Phinthong

Installation (Installation)

Untitled (Ring) consists of two prominent elements contained in water filled glass sphere. The first, Phinthong’s wife’s ring, cast in recycled gold, collected from damaged electronic devices during Thailand’s great flood in late 2011. It is intended to be a reminder of when the couple consoled one another amid the flooding disaster.

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

Film & Video (Film & Video)

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other.

POWERPOINTS
© » KADIST

Agatha Gothe-Snape

Film & Video (Film & Video)

Agatha Gothe-Snape’s POWERPOINTS is an ongoing series of digital artworks that have been created with Microsoft PowerPoint. They are endless loops with sound. POWERPOINTS parallel Gothe-Snape’s broader conceptual practice stemming from improvisational performance.

Abece “K”
© » KADIST

Johanna Calle

Drawing & Print (Drawing & Print)

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.

Walking Through
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.

Las Bambas
© » KADIST

Elena Tejada-Herrera

Film & Video (Film & Video)

Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru. The operations of this mining project were resisted by the local peasant communities, whose protests forced it to paralyze its operations. As of 2023, this is the most serious unresolved social conflict in the country.

White Corner
© » KADIST

Alexandre Arrechea

Film & Video (Film & Video)

White Corner (2006) is a video installation, projected on two protruding perpendicular walls. On one level the work constitutes a self-portrait of the artist, whose image is projected on both walls, separated by the corner. Yet while facing, they don’t quite confront each other.

2016 in Museums, Moneys, and Politics
© » KADIST

Andrea Fraser

Drawing & Print (Drawing & Print)

The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor. With this database as well as other types of information, the 900-page book presents a material representation of the scale of the cross over between cultural philanthropy and the financing of political campaigns in America. It also provides an unprecedented resource for discovering the political leaning of the museum sector.

Shisa Dog and Chicken
© » KADIST

João Maria Gusmão and Pedro Paiva

Film & Video (Film & Video)

The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion. This film, shown in continuous loop, has a run-time of just under 3 minutes, and is presented without sound. It captures a traditional Shisa (combination of a dog and lion from Okinawan mythology) animated by an invisible person.

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

Michigan Central Station
© » KADIST

Stan Douglas

Photography (Photography)

Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures. Continuing his fascination with failed modernist utopias, Douglas depicts Michigan Central Station as a monolithic, almost prison-like structure lording over a desolate landscape. Once the hub of industrial transportation, the station is now devoid of any human activity and lies fallow, surrounded by train-less tracks and vegetation-less ground.

As Far As We Could Get
© » KADIST

Iván Argote

Iván Argote’s As Far As We Could Get comprises a series of video chapters made in the municipality of Palembang, Indonesia and the small town of Neiva, Colombia. The two cities are exact antipodes. The geographical usage of the term antipode – designating points diametrically opposite one another on the globe – stems from the ancient belief that the other side of the earth held a kind of netherworld, where everything was inverted, causing the men who lived there to walk backwards.

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

Play
© » KADIST

Shimon Minamikawa

Painting (Painting)

In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century. The image was first used in a series involving playing cards which have subsequently gone on to be used in a series of performances. There is cultural contextual displacement and confusion which is presented in the work which embodies the sense of – Play – that was introduced into Shimon’s work.

Index (Tokyo)
© » KADIST

Shimon Minamikawa

Painting (Painting)

The painting Index (Tokyo) includes an image of a protest march in Japan. There is some humor in this image and also cultural contextual confusion and displacement, embodied in the painting. The protest we can see on the clipping is against two things : 1)recently the Japanese government revised the constitution (some say illegally) so that the right to collective self-defense is possible; this basically re-militarizes Japan ending decades of pacifism and this sparked the largest public protests in recent years and 2) the protestors are also marching against re-starting nuclear power plants in Japan post-Fukushima.

Timothy Huffman and Ira Sims
© » KADIST

Dawoud Bey

Photography (Photography)

On 15 September 1963 members of the Ku Klux Klan blew up the 16th Street Baptist Church in Birmingham Alabama up using dynamite. Four African American girls were killed, and 22 other people were injured. Two African American boys were killed in related violence that day.

The Invaders
© » KADIST

Ghita Skali

Film & Video (Film & Video)

The Invaders by Ghita Skali is a tale that bites you. This short film, staged in the first few months of the COVID-19 pandemic, in a broader context of increasingly xenophobic and racist policies in western countries, uses comedy to flip the stigma. First, Skali sets the scene: Once upon a time, a virus came and changed the plan .

Condition Report
© » KADIST

Glenn Ligon

Drawing & Print (Drawing & Print)

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints. Though simple, each contains a nested stack of historical and self-referential quotations. Both black-and-white prints depict a version of Ligon’s 1988 painting, Untitled (I Am A Man) , which declares the words of the parenthetical in blocky black letters.

Ohne Tittle
© » KADIST

Paul Czerlitzki

Painting (Painting)

In this painting made in 2014, which is part of a series started in 2013, the artist dismantles the traditional painting process. Putting aside any formal intervention, the artist lets the membrane slowly soak up white monochrome paint through a transferring technique before removing it. In some places the structure of the canvas can be seen, while other places of the canvas are purposely blurred to evoke the texture of the material used.

Food Fight
© » KADIST

Tobias Fike & Matthew Harris

Film & Video (Film & Video)

Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter. As the artists dice, mix and plate meals, they begin throwing food at each other—the scene rapidly turning into a battlefield made of food projectiles, broken glasses, and dirty settings. Disruptive, playful, and aggressive, the protagonists’ actions fuse the spontaneity and innocence of children’s games with the force and reality of adults.

Lim Sokchanlina

Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...

Abraham Oghobase

Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...

Richard Gordon

Originally from Chicago, Richard Gordon was a self-taught photographer best known for his intelligent and masterfully printed black-and-white photographs...

Shimon Minamikawa

Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...

Sung Hwan Kim

In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...

Runo Lagomarsino

Johanna Calle

Clare Rojas

Zhou Tao

Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...

Martin Kippenberger

Andrea Fraser

Glenn Ligon

Engel Leonardo

Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...

Clarisse Hahn

Through her films, photographs and video installations, Clarisse Hahn continues a documentary research on communities, behavioral codes and the social role of the body...

Dawoud Bey

Dawoud Bey is an American photographer and professor and Distinguished Artist at Columbia College Chicago...

Jiri Kovanda

Voluspa Jarpa

Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory...

Duto Hardono

Duto Hardono is a conceptual artist and educator...

Pablo Pijnappel

Pablo Pijnappel’s work is foremost highly constructed...

Micah Lexier

Micah Lexier is a critically acclaimed Canadian artist living in Toronto...

Khvay Samnang

Khvay Samnang’s work critically examines the interlocking nature of ritual and politics, the humanitarian and ecological impacts of globalization, colonialism and migration, and the cultural-material histories of exchange that have shaped the Southeast Asia region...

Jessie Stead

Jessie Stead is as much a musician as she is a visual artist...

Jorge Satorre

Jorge Satorre’s practice prioritizes manual processes and experiments with different materials in specific historical or geographical contexts...

Shaun Leonardo

For the past decade Shaun Leonardo’s practice has been fully engaged in the politics of race, identity and pervasive male violence in sports...

Paul Czerlitzki

Born 1986 in Danzig, Pologne Lives and works in Düsseldorf and Paris Paul Czerlitzki’s work takes part in a reflection on painting and its material components...

Stan Douglas

Kristen Morgin

Wadada Leo Smith

Wadada Leo Smith is an avant-garde jazz musician, composer, educator and visual artist, celebrated for his creative and unconventional approach to music...

Matthew Buckingham

© » ARTSJOURNAL

about 8 months ago (02/11/2024)

Literacy crisis in college students: Essay from a professor on students who don’t read...

© » KQED

about 8 months ago (02/08/2024)

‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...

© » SOUTH CHINA MORNING POST

about 8 months ago (02/06/2024)

Winning mahjong strategies, from keeping an eye on the other players to playing mind games with your own hidden tiles | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more What are the simplest ways to win mahjong? We take a look at how to figure out the strategies of the other players and how to psyche your opponents out...

© » ASX

about 9 months ago (02/02/2024)

RaMell Ross – Spell, Time, Practice, American, Body – AMERICAN SUBURB X Skip to content An image I find myself returning to over and over again is a photograph by RaMell Ross titled Dream Catcher (2014)...

© » ASX

about 9 months ago (01/28/2024)

Loredana Nemes – Graubaum und Himmelmeer – AMERICAN SUBURB X Skip to content Look up the beech in a book for plant taxonomy and you will find a picture of a tall tree with a strong trunk and long branches that form a symmetrical crown...

© » ASX

about 9 months ago (01/22/2024)

Danny Franzreb – Proof of Work – AMERICAN SUBURB X Skip to content My initial response to the massive swell of attention that cryptocurrency received in 2021, and more specifically to the non-fungible token (NFT) hysteria that gripped so much of cultural discourse online and in the press, was a dismissive roll of the eyes...

© » THE GUARDIAN

about 10 months ago (12/18/2023)

‘Juergen Teller finds beauty in the most mundane moment’: a photographer like no other | Fashion | The Guardian Skip to main content Skip to navigation Skip to navigation For Marc Jacobs’ spring/summer 2008 campaign, Victoria Beckham posed in a branded shopping bag...

© » SOUTH CHINA MORNING POST

about 10 months ago (12/15/2023)

Year of the Dragon 2024: it’s not just Chinese who revere the mythical beasts – 4 other cultures that celebrate them | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from the Yellow Dragon robe worn by emperors of China’s Qing dynasty...

© » ASX

about 10 months ago (12/14/2023)

Curran Hatleberg – Lost Coast & River’s Dream – AMERICAN SUBURB X Skip to content There is a strange and perplexing photograph in Curran Hatleberg’s photobook, River’s Dream (TBW, 2022), which shows a man with a large swarm of bees attached to his face and body...

© » ASX

about 10 months ago (12/12/2023)

Interview with Keisha Scarville – AMERICAN SUBURB X Skip to content Keisha Scarville and I spoke via email to discuss her new book lick of tongue, rub of finger, on soft wound (MACK, 2023), which was shortlisted for the Aperture/Paris Photo First PhotoBook Award...

© » WHITEHOT

about 10 months ago (12/12/2023)

Miami Art Week Fairs (Other Than Art Basel) You Should Know advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Miami Art Week Fairs (Other Than Art Basel) You Should Know Ki Smith and Sono Kuwayama...

© » ART CENTRON

about 10 months ago (12/09/2023)

Exploring The Other California: A Photographic Journey by Peter Turnley - Artcentron Home » Exploring The Other California: A Photographic Journey by Peter Turnley ART Dec 9, 2023 Ξ Leave a comment Exploring The Other California: A Photographic Journey by Peter Turnley posted by ARTCENTRON Portrait of a Farmer in The Other California, 1975 by Photography by Peter Turnley The Other California , 1975, a photography book by Peter Turnley, celebrates migrant workers, hobos, and everyday heroes, and challenges the prevalent stereotypes of the state...

© » ASX

about 10 months ago (12/08/2023)

Five Photobooks from 2023 – AMERICAN SUBURB X Skip to content For the complete list, please consult the Nearest Podcast in the following weeks, where I will MC over a much longer list of the great books published this year...

© » ASX

about 10 months ago (12/07/2023)

Carla Williams – Tender – AMERICAN SUBURB X Skip to content Carla Williams can make the world beyond us seem a simple place...

© » ASX

about 11 months ago (12/05/2023)

Henry Schulz – People Things – AMERICAN SUBURB X Skip to content The photographs in this series were taken between 2020-2022 in Germany...

© » SOUTH CHINA MORNING POST

about 11 months ago (11/27/2023)

Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...

© » FLASH ART

about 11 months ago (11/16/2023)

Twilight Oddities, Real Nightmares, Queer Errands, and Other Daydreams: The Gothenburg Biennial | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » IGNANT

about 13 months ago (09/14/2023)

Living With Art, Exhibiting At Home — VASTO Gallery - IGNANT Name VASTO Gallery Images Monika Mroz Words Monika Mróz Founded two years ago as an online art gallery, VASTO has garnered international attention after unveiling its physical location in Barcelona...

© » ARTS EQUATOR

about 23 months ago (12/06/2022)

Natasha: A Biennale By Any Other Name | ArtsEquator Skip to content Striving to experience Natasha on their own terms, Xiao Ting Teo runs through the gamut of emotions, from exhaustion to uncertainty, to amusement, to moments of connection at the Singapore Biennale 2022...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Seats on boards offered by major museums are increasingly being used to serve the narrow agendas of the ultra-rich...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Tate Modern And Other International Institutions Acquire Artworks from Souls Grown Deep Collection For The First Time - via ARTnews...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

The Late Fashion Designer Karl Lagerfeld’s Collection of Art, Blazers, and Other Belongings Sold for $13.5 Million at Sotheby’s France - via artnet news...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Billionaire Collector Steve Cohen Agrees to Buy a Baseball Team in Deal Worth over $2.4 Billion - Yahoo!...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Fair director Lorenzo Rudolf says the "given circumstances" leave no other choice...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Yusaku Maezawa and Other Global Collectors Snap Up Millions of Dollars in Art From David Zwirner’s Virtual ‘Basel Online’ Gallery - via artnet news...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

She was also a longtime supporter of MOCA Cleveland and the Aspen Art Museum, among other institutions....

© » LARRY'S LIST

about 25 months ago (10/05/2022)

A Soon-to-Open Private Museum in China’s Shunde District Could Offer a New Model for Arts Spaces in the Country - via ARTnews...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

The organisation oversees the city’s international exhibition, as well as the country’s representation at the Venice Biennale and other projects...

© » ARTS EQUATOR

about 63 months ago (08/05/2019)

Celebrating the monstrous other: "Anak Pontianak" and "Nobody" at LumiNation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Filmic Eye August 5, 2019 By ila (1,100 words, 6-minute read) The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time...

© » KADIST

about 78 months ago (05/14/2018)

© » KADIST

about 99 months ago (08/31/2016)

© » KADIST

about 110 months ago (10/06/2015)

© » KADIST

about 116 months ago (04/13/2015)

© » KADIST

about 125 months ago (07/23/2014)

© » KADIST

about 130 months ago (02/22/2014)

© » KADIST

about 166 months ago (02/14/2011)

© » KADIST

about 177 months ago (03/30/2010)

© » KADIST

about 177 months ago (03/30/2010)

© » KADIST

about 178 months ago (03/01/2010)