© » KADIST
Oded Hirsch
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead.
© » KADIST
Christine Sun Kim
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.
© » KADIST
Eleanor Antin
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
© » KADIST
Gregory Crewdson
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination.
© » KADIST
Patty Chang
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention.
© » KADIST
Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Félix González-Torres
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).
© » KADIST
Stephen G. Rhodes
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Juliana Huxtable
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity.
© » KADIST
Shahzia Sikander
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India.
© » KADIST
Gabriel Orozco
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July. I traveled to Mali for three weeks and took some photographs related to my work. They are very different, but there are links as the graveyard of Timbuktu, which I discovered during the trip.
© » KADIST
Gabriel Orozco
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.
© » KADIST
Ari Marcopoulos
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California. In the past a photograph of marijuana would more likely be found in an evidence file than an art museum or gallery, but today continued debates about the legality of marijuana and the industry surrounding it has brought the substance into common public view. Green Box is a strong example of the current sociopolitical state of California and the grey areas that exist in legislature and at the same time illustrates the unavoidable commercialization of once underground cultures.
© » KADIST
Gabriel Orozco
Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City.
© » KADIST
Ari Marcopoulos
In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home. One plays with some sort of board game while the other holds either a book or DVD of the movie Jackass Number Two, presumably the source of the photograph’s title. As Marcopoulos has continued to document his sons, and as they have become teenagers, the images of them begin to closely resemble the teenagers in much of his earlier work.
© » KADIST
Hank Willis Thomas
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting. Using a found photograph depicting a passionate crowd of African Americans—their attitude suggesting the fervor of a civil-rights era audience— Intentionally Left Blanc reverts in its exposed, “positive” format to an image in which select faces are whitened out and erased, the exact inverse of the same view in its “negative” condition. This dialectic of light and dark re-emerges when we view the same faces again, only this time black and featureless, a scattering of disembodied heads amidst a sea of white.
© » KADIST
Kara Walker
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
© » KADIST
Hank Willis Thomas
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
© » KADIST
An-My LE
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture. In the background, the steel pillars creates a division of space implying a separation the two men according to their geographic regions of origin or residence, their vocations, their ethnicities, and their attitudes toward war. Yet, the mirrored body language of the two characters also suggests their reconciliation into a dialogue perhaps characterized by the protagonists’ physical and spiritual conversation.
© » KADIST
Hank Willis Thomas
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further.
© » KADIST
Bjorn Copeland
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco. These rather austere collages were created by simply cutting and inverting the text from existing information signs. In Sign #2 , for example, the original image that presumably carried the message “NO RIDERS” was placed upside down.
© » KADIST
Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
© » KADIST
Valeska Soares
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
© » KADIST
Glenn Ligon
Drawing & Print (Drawing & Print)
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints. Though simple, each contains a nested stack of historical and self-referential quotations. Both black-and-white prints depict a version of Ligon’s 1988 painting, Untitled (I Am A Man) , which declares the words of the parenthetical in blocky black letters.
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Lisa Oppenheim
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: New York, New York
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Ari Marcopoulos
- location: New York, NY
- location: Sonoma, CA
- year born: 1957
- gender: male
- nationality: Dutch
- home town: Amsterdam, Netherlands
Chris Wiley
- location: New York, New York
- year born: 1981
- gender: male
- nationality: British
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
An-My LE
- location: New York, New York
- year born: 1960
- gender: female
- home town: Saigon, Vietnam
Kara Walker
- location: New York, New York
- year born: 1969
- gender: female
- nationality: American
- home town: Stockton, California
Christine Sun Kim
- location: New York, New York
- year born: 1980
- gender: female
- nationality: American
- home town: Orange County, California
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Glenn Ligon
- location: New York, New York
- year born: 1960
- gender: male
- nationality: American
- home town: Bronx, New York
Eleanor Antin
- location: New York, New York
- year born: 1935
- gender: female
- nationality: American
- home town: Bronx, New York
Valeska Soares
- location: New York, New York
- year born: 1957
- gender: female
- nationality: Brazilian
- home town: Belo Horizonte, Brazil
Juliana Huxtable
- location: New York, New York
- year born: 1987
- nationality: American
Philip-Lorca diCorcia
The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction...
Judy Chicago
- location: Belen, New Mexico
- year born: 1939
- gender: female
- nationality: American
- home town: Chicago, Illinois
Gregory Halpern
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Patty Chang
- location: New York, New York
- year born: 1972
- gender: female
- nationality: American
- home town: San Francisco, California
Stephen G. Rhodes
- location: New York, New York
- year born: 1977
- gender: male
- nationality: American
- home town: Houston, Texas
N. Dash
- location: New Mexico & New York
- year born: 1980
- gender: female
- nationality: American
- home town: Miami Beach, Florida
Trisha Donnelly
- location: New York, New York
- year born: 1974
- gender: male
- nationality: American
- home town: San Francisco, California
Oded Hirsch
- location: New York, New York
- year born: 1976
- gender: male
- nationality: Israeli
- home town: Kibbutz Afikim, Israel
Bjorn Copeland
- location: New York, New York
- gender: male
Gregory Crewdson
- location: New York, New York
- year born: 1962
- gender: male
- nationality: American
- home town: Brooklyn, New York
Miguel Angel Rojas
For Colombian artist Miguel Ángel Rojas, issues of economic and social inequality in his native country provide fodder to his artistic practice...
Xaviera Simmons
- location: Brooklyn, New York
- year born: 1974
- gender: female
- nationality: American
- home town: New York, New York
Kate Gilmore
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: Washington, D.C.
Shahzia Sikander
- location: New York
- location: Texas
- year born: 1969
- gender: female
- nationality: Pakistani-American
- home town: Lahore, Pakistan
© » THEARTNEWSPER
about 8 months ago (02/12/2024)
Historic New York ceramic studio fires up second location Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Pottery news Historic New York ceramic studio fires up second location With its Jones Street home operating at full capacity, Greenwich House Pottery is opening a new outpost in Chelsea Hilarie M...
© » HYPERALLERGIC
about 8 months ago (02/11/2024)
Chagall Print Stolen From NYC Gallery Recovered Skip to content Left: Marc Chagall, “Eve” (1971), lithograph on Arches paper, 37 3/5 × 28 2/5 inches, edition of 50; right: empty easel after thieves ran off with the framed print (all images courtesy Charles Saffati/Carlton Fine Arts) Four months after a trio of burglars made off with a Marc Chagall print from a Madison Avenue gallery, the artwork has now been recovered and returned...
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about 8 months ago (02/11/2024)
Harriet Korman’s Nonchalant Rigor Skip to content Harriet Korman, "Untitled" (2022), oil on canvas, 24 x 30 inches (all images courtesy the artist and Thomas Erben Gallery) Harriet Korman’s paintings are simultaneously rigorous and nonchalant...
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about 8 months ago (02/11/2024)
Rachel Perry Sews the Passage of Time Skip to content Rachel Perry, “FlowFlex Covid Test: Big Swiss” (2023), wool and silk on canvas with artist frame, 10 x 19 3/4 inches (all photos Julie Smith Schneider/ Hyperallergic ) Baby beets, lipstick, baking cups, cream cheese, and a COVID-19 antigen home test...
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about 8 months ago (02/10/2024)
MoMA Shutters as 500+ Protesters Infiltrate Atrium in Support of Palestine Skip to content Activists took over the Museum of Modern Art's second-floor atrium for a massive demonstration...
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about 8 months ago (02/08/2024)
National Academy of Design Presents “Sites of Impermanence” Skip to content Willie Cole, “Five Beauties Rising” (2012), suite of five prints, intaglio and relief (courtesy the artist) The National Academy of Design’s new exhibition , Sites of Impermanence , celebrates the contributions of the 2023 Class of National Academicians: Alice Adams, Sanford Biggers, Willie Cole, Torkwase Dyson, Richard Gluckman, Carlos Jiménez, Mel Kendrick, and Sarah Oppenheimer...
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about 8 months ago (02/08/2024)
When Book Covers Outshine Their Pages Skip to content Unknown artists, The Whole Booke of Psalmes (1643), binding created by unknown needlewomen (all images courtesy Grolier Club unless otherwise noted) Unknown artists, The Whole Booke of Psalmes (1643), binding created by unknown needlewomen (all images courtesy Grolier Club unless otherwise noted) Unknown artists, The Whole Booke of Psalmes (1643), binding created by unknown needlewomen (all images courtesy Grolier Club unless otherwise noted) The Grolier Club — “America’s oldest and largest society for bibliophiles and enthusiasts” — is situated on the busy Upper East Side intersection of 60th Street and Park Avenue, a few blocks from the Plaza Hotel...
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about 8 months ago (02/07/2024)
Kick Off the Year of the Dragon With 10 NYC Events Skip to content A Lunar New Year celebration at the Seaport in Manhattan (photo by Mike Szpot, courtesy the Seaport) The Year of the Dragon commences on Saturday, February 10, marking a new cycle in the lunar calendar...
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about 8 months ago (02/07/2024)
Once Upon a Time in Brighton Beach Skip to content Still from Brighton Beach , directed by Carol Stein and Susan Wittenberg (image courtesy IndieCollect) Two documentaries are playing revival runs at Anthology Film Archives this month...
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about 8 months ago (02/06/2024)
Art Collector Scott Lorinsky Resigns From Boards After Claims of Inciting Violence at Palestine Protest Skip to content Scott Lorinsky (© BFA 2024; photo by Zach Hilty/BFA.com) New York art collector Scott Lorinsky has stepped down from the boards of two arts organizations, the Center for Curatorial Studies, Bard College (CCS Bard) and Visual AIDS, as of Tuesday, February 6...
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about 8 months ago (02/06/2024)
Family Portrait: Japanese Family in Flux Skip to content Still from Still Walking (2008), dir...
© » HYPERALLERGIC
about 8 months ago (02/06/2024)
The Met Celebrates Women Designers Without Enough Reflection Skip to content Installation view of Women Dressing Women at the Metropolitan Museum of Art in New York (courtesy the Metropolitan Museum of Art) Women Dressing Women at the Metropolitan Museum of Art is an attempt to acknowledge a gap...
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about 8 months ago (02/05/2024)
Brooklyn Arts Nonprofit BRIC Lays Off 16 Employees Skip to content Located at 647 Fulton Street, BRIC House hosts the public access television center, an Artist Studio, a gallery, and other programming spaces...
© » HYPERALLERGIC
about 8 months ago (02/05/2024)
7 Art Shows to See in New York, February 2024 Skip to content A detail of Apollinaria Broche’s “I Close My Eyes Then I Drift Away” (2023) at Marianne Boesky Gallery (photo Hrag Vartanian/ Hyperallergic ) The short month of February still packs a lot of art in New York City, from a survey of the influential Godzilla Asian American Arts Network to Apollinaria Broche’s whimsical ceramics and Aki Sasamoto’s experimentations with snail shells and Magic Erasers in her solo show at the Queens Museum...
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about 8 months ago (02/05/2024)
Two Pratt Graduate Programs Moving to Brooklyn Navy Yard Skip to content A view of Dock 72 with construction cranes in the background (photo by Rhea Nayyar/ Hyperallergic ) Two of Pratt Institute’s graduate programs are decamping from the Pfizer building in Bedford-Stuyvesant for a bayside view and expanded facilities at the Brooklyn Navy Yard later this year...
© » ARTEFUSE
about 9 months ago (01/23/2024)
Artist Opportunities: January and February 2024 via Creative Capital - ArteFuse Tulsa Artist Fellow Anita Fields in the studio...
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about 10 months ago (12/18/2023)
Join Purchase College’s Creative Hub for Graduate Studies in Art Skip to content Richard & Dolly Maass Gallery installation: Lane Sell, “Navelstring” (2023), silkscreen, painting, cyanotype, and assemblage The MFA in Visual Arts at Purchase College, State of New York (SUNY), is a small, selective interdisciplinary program that fosters the artistic, intellectual, and professional growth of students through independent studio work and rigorous academic studies...
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about 10 months ago (12/17/2023)
The Impurities of Pure Abstraction Skip to content David Diao, "BN: The Paintings in Scale (Blue)" (1991), acrylic and vinyl on canvas, 78 x 132 inches (all images courtesy the artist and Greene Naftali, New York, photos Zeshan Ahmed) David Diao loves pure abstract painting as embodied by the highly revered work of Barnett Newman and Kasimir Malevich, even as he doubts their claims of attaining the sublime or achieving a utopian, universalist language...
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about 10 months ago (12/15/2023)
Artists Display 20,000 Poppies Outside NY Stock Exchange Skip to content Around 20,000 paper poppies in front of the New York Stock Exchange (photo by Patrick Nevada) As workers and tourists traversed the cobblestone streets of Lower Manhattan today, December 15, about 20,000 red paper poppies rested in front of the New York Stock Exchange, each flower commemorating the life of a Palestinian person killed by Israeli forces since October 7...
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about 10 months ago (12/13/2023)
What Makes a Drawing a Drawing? Skip to content Howardena Pindell, "Video Drawings: Hockey and Basketball" (1975) (photo Isabella Segalovich/Hyperallergic) “You shouldn’t major in drawing.” It was my sophomore year of college and I was perched on a rolling chair in my advisor’s office...
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about 10 months ago (12/11/2023)
SVA’s MA in Curatorial Practice Prioritizes Professional Training Skip to content SVA MA Curatorial Practice students install Jun Ge’s inkjet print “Untitled” (2022) for the exhibition Was I Dreaming? , curated by Diana Colón...
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about 10 months ago (12/10/2023)
Next to a Keith Haring Mural, Original Artworks by Rikers Detainees Skip to content Installation view of Creating Within: Art from Rikers and the NYC Health + Hospitals Art Collection at NYC Health + Hospitals/Woodhull, with Keith Haring's 1986 mural above (photo Aaron Short/ Hyperallergic ; all other photos by Samuel Rodriguez/New York City Health + Hospitals) Some of New York’s most interesting artists happen to be creating work outside the traditional art world — and inside the city’s correctional system...
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about 10 months ago (12/09/2023)
Protesters Demand Brooklyn Museum "Take a Stand Against Genocide" Skip to content Protestors unfurl a banner that says "Brooklyn Museum: No Silence on Genocide" Photo by Hrag Vartanian / Hyperallergic The guerrilla action involving twenty activists at the Brooklyn Museum yesterday, December 8, was merely a drop in the bucket compared to the turnout during today’s planned march from the institution on Eastern Parkways to across the Brooklyn Bridge and into Manhattan...
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about 10 months ago (12/08/2023)
Pro-Palestine Activists Rally at Brooklyn Museum Skip to content Protestors staged an action inside the Brooklyn Museum today...
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about 10 months ago (12/07/2023)
An Exemplary Tiffany Stained-Glass Window Is Coming to The Met Skip to content Agnes F...
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about 11 months ago (12/06/2023)
Faux Apology Lampoons Pro-Israel Manhattan Art Dealers Skip to content The imitation apology banners appeared on the front windows of Lévy Gorvy Dayan gallery's New York location early this morning...
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about 11 months ago (12/04/2023)
Interview with Megan Nugroho and Samuel Alexander Forest - ArteFuse Where do we look for the antidote to the inevitable challenges and disenchantment of living in global metropolises? At Tutu Gallery, Land Language/Bahasa Bumi offers a place of refuge rooted in Javanese landscape and opens up a world in which nature’s intimate immediacy is materialized...
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about 11 months ago (11/22/2023)
Craig Kucia: machines to solve unsolvable problems at SHRINE Gallery, NYC (Review) - ArteFuse Craig Kucia: machines to solve unsolvable problems at SHRINE Gallery, NYC, 2023...
![](https://s.france24.com/media/display/07726f38-27d6-11ee-a8a3-005056a90284/w:1280/p:16x9/m:{"brand":"FRANCE24","lang":"EN","program":"","cartouche":"TONY%20BENNETT","hash":"d9f0d6c75a09268e1e1b823a0cccc5aaaea07a37c0300db52d3d7327ad6f63bd","title":"The%20last%20of%20classic%20American%20crooners","id":"25aba80c-45fb-11ec-90e2-005056bf30b7"}/EN_20230721_160045_160419_CS.jpg)
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about 15 months ago (07/21/2023)
Tony Bennett, last of classic American crooners, dead at 96 - France 24 Skip to main content Tony Bennett, last of classic American crooners, dead at 96 Issued on: 21/07/2023 - 16:51 Modified: 21/07/2023 - 16:56 03:34 Video by: Eve JACKSON Follow Tony Bennett, the last in a generation of classic American crooners whose ceaselessly cheery spirit bridged generations to make him a hitmaker across seven decades, died Friday in New York...
© » ART PIL
about 25 months ago (09/27/2022)
30 Under 30 Women Photographers | ARTPIL ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS + [–] Search for: Search Button • 30 Under 30 Women Photographers Annual Selection Founded in 2010, 30 Under 30 Women Photographers has helped emerging, mid-career, as well as some accomplished women photographers gain further exposure and participate in a collective among peers...
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1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
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1970-1979
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
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1990-1999
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Ari Marcopoulos
1998A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
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2000-2009
Glenn Ligon
Drawing & Print
2000(Drawing & Print) Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Gabriel Orozco
2002Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Ari Marcopoulos
2008In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
Kate Gilmore
2008In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
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2010-2019
Stephen G. Rhodes
2010For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
An-My LE
2010The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
Miguel Angel Rojas
Drawing & Print
2011(Drawing & Print) In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Hank Willis Thomas
Drawing & Print
2014(Drawing & Print) Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Xaviera Simmons
2019Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
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2020-2029
Christine Sun Kim
2022Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
