This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness.
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite. The video is shot in arid, mountainous locations in Mexico (his adopted country) and Argentina (his home country). Over several months, Ríos scouted locations for natural-worn tributaries where he eventually allowed these balls to then thunder down the mountain.
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically. In the film, a female body conducts abstract dance movements on a beach, responding to the environment that surrounds her. This particular beach was one the artist loved as a child, but today it is hardly accessible because it is in the hands of a private landowner.
The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
George Pfau’s work explores marginal and transitional states of being...
Indonesian-New Zealand artist Sriwhana Spong’s practice invests in notions of transition, memory, translation, and the relationship between public and private space, the intuitive and the cerebral, and the body and its surroundings...
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite...