This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness.
George Pfau’s work explores marginal and transitional states of being. Decaying bodies and exposed buildings populate his work. His interest in the in-between also extends to material techniques, as Pfau’s pieces are often built in layers and remain semi-transparent. His renderings range between the precisely illustrated and the blurry forms of becoming, but all retain a sense of flux, both of juxtaposition and decomposition.
Weekly Picks: Malaysia (13 – 19 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 13, 2018 Kenapa Tak Tukar Nama , at klpac, 18–19 Aug, 1:30pm This monologue follows Muslim convert Hoe Mei Ying as she navigates the complexity of identity and faith, and tackles a common question: Why have you not changed your name upon conversion? Yiky Chew plays five characters with various takes on the question, and is a performance devised from experiences of a convert getting her new Malaysian identity card...