Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524. Each choir was filmed separately, and the artists weave together the audio while the video features each choir individually. The juxtaposition of different contexts in which singing occurs functions as an embedded sociological study of various communities throughout the region.
Hands Around in Yangon is both a secular and religious exploration of the meaning of hands in Myanmar. Moe Satt’s father is Muslim, while his mother is Buddhist. In the Buddhist context, hand gestures or mudras are often important in signifying the identity of deities.
Drawing & Print (Drawing & Print)
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head.
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda.
Drawing & Print (Drawing & Print)
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images.
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Drawing & Print
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...
Drawing & Print
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...