In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops. This kind of creative reuse of materials (overproduced and devalued) that flow through the global trade of consumer goods, is especially rich in Mexico and other parts of Latin America. In 2020, during a period of isolation due to Covid-19, Edgardo Aragón unspooled a VHS tape and installed it in his father’s crop of corn for six months.
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance?
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance?
In Akira Takayama’s work Happy Island – The Messianic Banquet of the Righteous , five video screens perpendicular to the floor feature footage of cows grazing and resting in the rolling hills of a farmland. Renamed ‘The Farm of Hope’ by owner Masami Yoshizawa, the property is located 14 kilometers away from the Fukushima Daiichi Nuclear Power Plant, and is part of a now restricted area that became highly contaminated with radiation after an earthquake and tsunami caused leaks from the plant in 2011. Most of the livestock in the restricted areas have either starved to death after being abandoned by their owners or have suffered from the effects of radiation.
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance?
Aki ra Takayama is a Japanese theat e r director known for creating projects that challenge the c onventional framework of theater ...
In Akira Takayama’s work Happy Island – The Messianic Banquet of the Righteous , five video screens perpendicular to the floor feature footage of cows grazing and resting in the rolling hills of a farmland...
In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...