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Jorge González
Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios. González’s work employs a modernist language while paying homage to artisanal techniques specific to Puerto Rico and the Indigenous knowledge, people, and histories of the Carribean. Reinterpreting the furniture line ArKlu (1945-1948) conceived by the architects Stephen Arneson and Henry Klumb, the stools were conceived in collaboration with various artisans in Puerto Rico–Eustaquio Alers, a weaver from Aguadilla, Joe Hernández from Ciales, and MAOF from San Juan, a contemporary wood-salvaging collective, among others.
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Katia Kameli
Katia Kameli’s film The Storyteller explores the cultural role of deep-rooted artistic tradition in Morocco. Marrakech’s largest public square is well known for its al-halqa , a storyteller’s circle or circle of spectators. Abderrahim Al Azalia is a hlaïqya; it is his role to animate the al-halqa.
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Calderón & Piñeros (La Decanatura)
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion. The plane appears as an anthropomorphized figure: lying on the sands of the beach without its wings, it resembles a sculptural torso that has lost all its limbs, with cables coming out of its body appearing as internal organs. These injuries remind the viewer of the danger inherent in these artifacts, and the potential for both heroism and death implicit in flying them to far-away territories.
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Lotus Laurie Kang
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum. However, the simplest arcane gesture presented in the work oscillates sculptural syllabary and verse that mysteriously run through and connotes the artist’s personal, cultural, and diasporic history. Installed on the floor with a humble combination of folded burlap bags, commonly found in Korean construction sites or markets, and aluminum cast lotus roots, a common ingredient in traditional Korean cuisine.
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Sheroanawe Hakihiiwe
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.
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Matthew Angelo Harrison
In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil. Harrison’s forged archeological artifact compresses two cultural contexts together: that of Africa, represented by the bleached zebra skull; and that of Detroit, the birthplace of the American car. Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others.
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Maya Watanabe
Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera. They individually deliver sacred lines from the Torah, New Testament, and Qur’an in their representative languages: Old Hebrew, Greek, and Old Arabic. As the camera slowly rotates around the trio, the men begin to perform traditional manifestations of each religious cult: Torah Cantillations, Gregorian Chants, and tilawat of Al-Qur’an.
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Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
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Pierre Gonnord
Bimba y Delfin is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.
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Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
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Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
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Sheroanawe Hakihiiwe
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.
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Park Chan-Kyong
Park Chan-Kyong’s otherworldly film Belated Bosal primarily follows two women as they navigate their way up a spectral mountain and through what appears to be a history museum or nuclear disaster bunker. They converge to jointly perform a funeral rite in a shipping container, which a group of artisans temporarily convert into a makeshift Buddhist temple, replete with traditional paintings. Shot in crisp and densely detailed black-and-white negative, each frame is lit by the format’s spooky incandescence: shadows are white and the sun is black, as if the world were being viewed through X-ray, infrared camera or a plutonium-sensitive film.
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Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
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Samson Young
In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year. Yet, the customary percussive sound of drums and cymbals are absent. Instead, it is the sound of the performers’ physical exertion that comes to the forefront, revealing the beautiful, exhaustive rhythm of their craft—their feet hitting the ground, deep inhales and exhales, and the rustling of their clothes.
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Farah Al Qasimi
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography. It’s Not Easy Being Seen 2 is from a series of photographs depicting women who are otherwise unnoticed by the public. In this work, her subject is obscured by a bright, green fabric (also referred to as a morph suit) that uses the concept of green screen technology to conceal identity.
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Farah Al Qasimi
Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia. This narrative is contested through a fictional retelling of the 1819 siege of Al Dhayah fort and the subsequent Pax Britannica treaty that solidified Britain’s military presence in the Trucial States. Relayed across various locations and times in Ras Al Khaimah through the perspectives of an ancient jinn, the ghost of an Al Qasimi pirate, two RAK-based sisters, a Jack Sparrow impersonator and ship captain, and an 1819 British naval officer, the film challenges Western-centric historiographies of the Gulf and the lingering imperialist interests at play across Asia’s modern-day trade hubs.
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Chia-Wei Hsu
The word Takasago alludes to several things at once. Takasago is the name of a multi-billion dollar Japanese corporation, previously situated in Taiwan pre-World War II. It is also a famous Japanese Noh play, the oldest extant form of performance in Japan, combining dance, costuming/masks, acting, and operatic chants.
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Andrés Pereira Paz
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru. The members of this family (grandfather, father, and son) all bear the name of Juan and make replicas by hand using traditional methods nearly indistinguishable from the pieces made thousands of years ago. A forgery pretends to be something it is not, but the Gonzalez family’s textiles openly intend to recreate those discovered in the 1920s at a necropolis in Peru.
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Angelica Mesiti
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world. The three-channel work focuses on traditional whistling languages and shows the communities of the village of Kuskoy in Northern Turkey, the island of La Gomera in the Canary Islands, and the island of Evia, Greece, where such languages are all still in use. For these communities, whistling languages are in a process of transformation from their traditional use as tools for communication across vast lands into tourist attractions and cultural artifacts and are being taught to local school children.
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Santiago Borja
Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references. They were hand-woven in Teotitlán del Valle, Oaxaca, Mexico, and are composed of nine squares, the middle one left unwoven. Their composition is based on Red Square, White Letters (1962) by Sol Lewit, but they also take cues from works like Black Series II by Frank Stella.
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Hoda Afshar
In the islands of the Strait of Hormuz off the southern coast of Iran, a distinctive local culture has emerged as the result of many centuries of cultural and economic exchange, the traces of which are seen not only in the material culture of these islands but also in the customs and beliefs of their inhabitants. Central to these is a belief in the existence of winds—generally thought of as harmful—that may possess a person, causing her to experience illness or disease, and a corresponding ritual practice involving incense, music and movement in which an hereditary cult leader speaks with the wind through the afflicted patient in one of many local or foreign tongues in order to negotiate its exit. While their exact origins are unclear, the existence of similar beliefs and practices in many African countries suggests that the cult may have been brought to the south of Iran from southeast Africa through the Arab slave trade.
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Sofía Córdova
Set some time in the future, Sofía Córdova’s multi-channel film installation GUILLOTINÆ Wanna Cry, Act Yellow: Break Room imagines a public that worships pop stars and revolutionary leaders equally. The three channels of the video blend visual materials from pop culture, politics, news, and fine art, as well as choreographed dancers miming quotes from philosophers, reality television stars, radical political figures, and YouTube comment sections. Intermittently, they are interrupted or obscured by archival footage of press conferences, rallies, revolutions, invasions, and uprisings from the last century.
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Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Pierre Gonnord
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.
© » KADIST
Sharif Waked
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent. Under Suleiman’s reign, at the beginning of the 16th century, the Ottoman empire achieved its apex both in terms of territorial extension and cultural creation. Suleiman personally instituted major judicial changes relating to society, education, taxation, and criminal law, as such he is often referred to as ‘The Lawgiver’.
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Goddy Leye
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies. Containing ideas, emotions, and sensibilities, signs and symbols occupy an important place in Leye’s work, though he has to retrieve them from an interrupted history. The painting Animal was made in reference to an important precolonial kingdom, Bamun.
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Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Ayoung Kim
In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt. The Mongolian people’s belief that rocks and minerals are alive, like other natural elements, consider the particular origin myth that human beings were born from stones. For the video work Petrogenesis, Petra Genetrix Kim creates her own hyperbolic mythology connected to the origin of the fictional mineral genderless Petra Genetrix, a figure who also appears in other recent works by the artist.
![Elevación [Elevation]](https://kadist.org/wp-content/uploads/2022/09/IMG_escena001_3513-scaled.jpg)
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Ana María Millán
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer. Elevación evokes various narratives inspired by the comicstrip Marquetalia, Raíces de la Resistencia (Marquetalia, Roots of the Resistance) (2011). This comic strip is a memoir of the FARC (Revolutionary Armed Forces of Colombia) guerillas written by Jesús Santrich, one of its leaders who, after the 2016 Peace Agreement, rejoined dissident members of the organization in a clandestine guerrilla splinter group in 2019.
Gregory Halpern
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Arseny Zhilyaev
Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...
Zai Kuning
- year born: 1964
- gender: male
- nationality: Singaporean
- home town: Singapore
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Sheroanawe Hakihiiwe
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...
Nazgol Ansarinia
- location: Tehran, Îran
- year born: 1979
- gender: female
- nationality: Iranian
Young Min Moon
Young Min Moon is a Korean American artist, curator, critic, and art historian, who migrated to the United States from South Korea as a teenager...
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Brian Tripp
Brian D...
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Claudia Joskowicz
Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...
Matthew Angelo Harrison
Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...
Pierre Gonnord
Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society...
Farah Al Qasimi
Working primarily with photography, video and performance, Farah Al Qasimi examines postcolonial structures of power, gender, and taste in the Gulf Arab states...
Santiago Borja
Santiago Borja’s work explores improbable connections between different thought systems, thus emphasizing the cannibalistic nature of modernism, and its inherently esoteric, yet seemingly “rational”, character...
Ahmad Fuad Osman
Ahmad Fuad Osman is of a generation that came of age in a Malay world whose artists were eager to speak about socio-political issues on terms that broadened questions of nationhood, ethnicity, faith, and historical fact, doubtful of the grand narrative that had been propounded since the race riots of the late 1960s...
Tessa Mars
Tessa Mars delves into Haitian history, her primary source of inspiration, to unveil a colourful and provocative universe that she wishes to reclaim...
Patricia Esquivias
Working primarily in video, Patricia Esquivias’s work focuses on the material remains of idiosyncratic occurrences that connect to larger historical narratives...
biarritzzz
biarritzzz is a Brazilian artist who inserts epistemological conversations through mass communication, specifically on and from the internet...
Shimon Minamikawa
Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
Nathan Lewis
Nathan Lewis’s unfeigned drawings have evolved out of the nine years he worked as a critical care nurse at a Washington, D.C...
Wimo Ambala Bayang
Working in photography and video, the Indonesian artist Wimo Ambala Bayang embraces the conceptual possibilities of digital image manipulation...
Tatsuki Masaru
Tatsuki Masaru became an independent photographer in the late 1990s after studying under Kyoji Takahashi, photographer mainly familiar to Japanese audiences for his commercial and fashion photography but also an independent image-maker producing photos, films and installations...
Christian Nyampeta
Christian Nyampeta’s works investigate how individuals and communities negotiate forms of socially-organized violence...
Juan Obando
As a Colombian who studied and now lives in Arizona, Juan Obando has a non-native perspective on the media-obsessed culture of the US...
Gyempo Wangchuk
Gyempo Wangchuk is a unique artist in the Bhutanese, and wider Himalayan context because he combines his classical training in traditional Bhutanese painting with contemporary concepts and aesthetics, as well as discreet but potent expressions of dissidence...
Ayoung Kim
Ayoung Kim is interested in notions of crossings, transmissions, transnationals, trans-positions and reversibility...
Sinzo Aanza
Sinzo Aanza is a visual artist, poet, and playwright...
Lotus Laurie Kang
Lotus Laurie Kang works with sculpture, photography, and site-responsive installation...
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1970-1979
Aubrey Williams
1972Carib Carnival illustrates Aubrey Willams’s unique artistic language, combining Pre-Columbian iconography with abstraction...
Malick Sidibé
1976Au bord du Fleuve Niger (1976) offers a unique insight into the lives of the 1970s in Bamako...
Julius Koller
1978This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
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1980-1989
Jean-Marie Straub and Danièle Huillet
1982En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know...
Martin Kippenberger
Drawing & Print
1989(Drawing & Print) 7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
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1990-1999
Frédéric Nauczyciel
1999This early photographic work by Fre?de?ric Nauczyciel, titled Untitled (Boîte à prière, Istanbul, Novembre 2005) , features a young man in religious attire reading a religious text from inside a glass prayer box...
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2000-2009
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
Pierre Gonnord
2002Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities...
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Carla Zaccagnini
2005This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
Mario Garcia Torres
2005Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Ahmad Fuad Osman
2007Recollections of Long Lost Memories by Ahmad Fuad Osman is a series of 71 black and white sepia-toned archival photographs that chart, with nostalgia, the social encounters between hierarchies of life in the Malay world...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Goddy Leye
2008Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies...
Bili Bidjocka
2009The short two-channel video Pause/Tanmpo takes its cue from a coincidental encounter artist Bili Bidjocka had in Dakar...
Claudia Joskowicz
2009The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
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2010-2019
Takeshi Murata
2010If one had been guessing at Takeshi Murata’s criticism of American consumerist culture up until watching Infinite Doors , it would be solidified after hearing the announcer from The Price is Right squawk prizes one after the next...
Brian Tripp
2010For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Brian Tripp
2010For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Johanna Calle
Drawing & Print
2011(Drawing & Print) Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
Wimo Ambala Bayang
2011Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
Katia Kameli
2012Katia Kameli’s film The Storyteller explores the cultural role of deep-rooted artistic tradition in Morocco...
Santiago Borja
2012Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
Elena Damiani
2012Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...
Maria Taniguchi
2012Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
Ana Roldán
2012Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Haris Epaminonda
2012Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Ryan Gander
2012Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
Bani Abidi
2012The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
Maya Watanabe
2013Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera...
Angelica Mesiti
2013Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Sharif Waked
2013Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
Rometti Costales
2013This anarchist flag is made from Huayruro seeds, a native plant of South and Central American tropical areas...
Nazgol Ansarinia
2013In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Yao Jui-Chung
2013Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...
Samson Young
2014In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year...
Sara Eliassen
2014Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...
Shimon Minamikawa
2014In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
Zai Kuning
Drawing & Print
2014(Drawing & Print) Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
Zai Kuning
Drawing & Print
2014(Drawing & Print) Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
Zai Kuning
2014Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Beatriz Santiago Muñoz
2015Marché Salomon by Beatriz Santiago Muñoz depicts two meat vendors, a young man and woman, chatting in Marché Salomon, a busy Port-au-Prince market...
Taloi Havini
2015Following her family’s political exile to Australia in 1990, Havini began to document her journey’s home to the north of Buka Island, in the Autonomous Region of Bougainville...
Matthew Angelo Harrison
2015In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans....
biarritzzz
2015biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism...
Claudia Joskowicz
2015Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Matthew Angelo Harrison
2016In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Wade Guyton
Drawing & Print
2016(Drawing & Print) This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work...
Gyempo Wangchuk
2016The various distinct but connected lineages of Himalayan painting remain thriving languages employed by artists from across the region to express their unique perspective in our shared contemporary world...
Yuri Ancarani
2016The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Tatsuki Masaru
2016For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Haegue Yang
2016A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Jorge González
2017Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...
Farah Al Qasimi
2017Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography...
Sinzo Aanza
2017Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms...
Lungiswa Gqunta
2017Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal...
Colectivo Los Ingrávidos
2017The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
Chloé Quenum
2017The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Calderón & Piñeros (La Decanatura)
2018Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
Andrés Pereira Paz
2018Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Che Onejoon
2018Che Onejoon’s unsettling video My Utopia opens with a round table of women asking and answering the questions “Who am I? Where did I come from? Where should I go?” One of the women featured is Monique Macías, the daughter of Francisco Macías Nguema, the first Prime Minister of Equatorial Guinea...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
Pooja Gurung and Bibhusan Basnet
2018DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Juan Brenner
2018The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest...
Tarik Kiswanson
2018In late 2017, Kiswanson stared working with Vadim, an eleven-year-old Romanian-French boy who he met during castings for a performance...
siren eun young jung
2018Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea...
Lala Rašcic
2018In Greek mythology, Arachne was a talented mortal weaver who challenged Athena, goddess of wisdom and crafts, to a weaving contest; this hubris resulted in her being transformed into a spider...
Natalia Lassalle-Morillo
2018La Ruta by Natalia Lassalle-Morillo follows the Panoramic Route, a now weakened infrastructure that meanders through untouched natural landscapes and off-road destinations on the island of Puerto Rico...
Marguerite Humeau
2018This work forms part of a project that draws upon research into the use of psychoactive substances present in animal brains during the Paleolithic period...
Gary-Ross Pastrana
2018Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
Christian Nyampeta
2018The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Cecilia Bengolea
2018Lightning Dance by Cecilia Bengolea is a black and white video that considers the relationship between extreme weather and the body...
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Sheroanawe Hakihiiwe
2019Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Sheroanawe Hakihiiwe
2019Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Park Chan-Kyong
2019Park Chan-Kyong’s otherworldly film Belated Bosal primarily follows two women as they navigate their way up a spectral mountain and through what appears to be a history museum or nuclear disaster bunker...
Ayoung Kim
2019In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt...
Ana María Millán
2019Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Andrew Thomas Huang
2019Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos...
Iván Argote
2019Iván Argote’s As Far As We Could Get comprises a series of video chapters made in the municipality of Palembang, Indonesia and the small town of Neiva, Colombia...
He Xiangyu
2019He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Karla Dickens
2019Karla Dickens’s collage Beneath the skim board addresses issues of discrimination and racism towards Indigenous communities in Australia through a constellation of historical and current events...
Kameelah Janan Rasheed
2019Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W...
Matt Kane
Advanced Technology
2019(Advanced Technology) Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019...
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2020-2029
Paloma Contreras Lomas
Drawing & Print
2020(Drawing & Print) Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice...
rafa esparza
2020thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Patricia Esquivias
2020Cardón Cardinal by Patricia Esquivias is part of a series of video works in which the artist develops a narrative in front of her computer screen...
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
Ashmina Ranjit
2020While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
Andrea Fraser
Drawing & Print
2020(Drawing & Print) The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor...
Sofía Córdova
2021Set some time in the future, Sofía Córdova’s multi-channel film installation GUILLOTINÆ Wanna Cry, Act Yellow: Break Room imagines a public that worships pop stars and revolutionary leaders equally...
Dindga McCannon
2021Dindga McCannon created the radiant portrait Ima: Real Estate Mogul from the Harlem Women’s Series by first stitching material together with a sewing machine and then using more traditional painting techniques to render a portrait of Ima, a woman from Harlem who was a real estate developer from the 20th century...
Ishola Akpo
2021Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Nathan Lewis
Drawing & Print
2021(Drawing & Print) Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse...
Lotus Laurie Kang
2022Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Farah Al Qasimi
2022Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia...
Hoda Afshar
2022In the islands of the Strait of Hormuz off the southern coast of Iran, a distinctive local culture has emerged as the result of many centuries of cultural and economic exchange, the traces of which are seen not only in the material culture of these islands but also in the customs and beliefs of their inhabitants...
Yuyan Wang
2022One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
Risham Syed
2022Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Young Min Moon
2022Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...
Young Min Moon
2022Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa ...
Walid Raad
2022For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...
Sandra Monterroso
2022Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events)...
Tessa Mars
2022In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience...
Juan Obando
2023They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...
