Photography (Photography)

Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter. The room seems messy and in disrepair, but simultaneously romanticizes the scene. The fruit and the sitter suggest a robustness in contrast with the mise-en-scene.

Photography (Photography)

Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky. The women in the photograph exist ambiguously here. The photograph’s title, the subject’s outfits, and their environment suggest that they are both trapped and glorified within their position.

Photography (Photography)

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.

Photography (Photography)

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.

Photography (Photography)

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.