End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s. This exhibition, destined to tour in various locations, presents the original pages of the magazines, including “Harper’s Bazaar”, “Esquire”, “Nova” and “The Sunday Times Magazine”. As Pierre Leguillon states: “The mythology surrounding Diane Arbus’ character is willingly set aside to offer a more neutral point of view on a more unfamiliar part of her work, although it was mass-distributed.” Many of the characters portrayed in these commissioned works seem less sensational at first glance than the “freaks” that made Diane Arbus’ work so famous, since the retrospective MOMA organized in 1973 in New York, two years after her suicide.
Drawing & Print (Drawing & Print)
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities.
Drawing & Print (Drawing & Print)
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)
Pierre Leguillon is an artist who has developed projects as a curator and critic since the beginning of the 1990s, by creating a single page review, ‘Sommaire’ (35 issues between 1991 and 1996), then by collaborating to ‘Journal des Arts’, and ‘Art press’ (Special issue « Oublier l’exposition » in 2000), then to ‘Purple’ (column « Calme plat » about printed objects from 2002 to 2004)...