© » KADIST
John McCracken
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.
© » KADIST
Larry Bell
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.
© » KADIST
Larry Bell
Drawing & Print (Drawing & Print)
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.
© » KADIST
Seulgi Lee
The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”. This work by Seulgi Lee is a nubi (traditional Korean quilt) blanket project that shows Korean proverbs expressed as geometric shapes. Nubi blankets were used as single sheet summer blankets in Korean households until the 1980s.
© » KADIST
Felipe Arturo
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated. One basic illustration of entropy is to imagine white and black sand: once mixed together, it is highly unlikely that the contrasting grains of sand can be separated and restored to their original distinct color groups. Arturo’s Trópico Entrópico ( Entropic Tropics , 2012) considers the colonization of the American continent as a similarly irreversible process of cultural entropy.
© » KADIST
Bettina Pousttchi
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby. That milestone of late East European modernism was completed in 1976. It served as the seat for the Volkskammer—the parliament of the German Democratic Republic (GDR).
© » KADIST
Felix Gmelin
In Untitled (after Paul Schultze Nuremberg’s Kunst) (2006), from a larger series of diptychs, Gmelin addresses the notion of entartete kunst ( “Degenerate Art”) . Each diptych juxtaposes a portrait of a person considered to be mentally handicapped with a painting that was branded by the Nazi regime as degenerate. Gmelin’s source for these images is Kunst und Rasse (“Art and Race”), a book by Paul Schultze Naumburg published in 1928.
© » KADIST
Bahar Noorizadeh
The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union. The video focuses on the peculiar story of the Russian architect Moisei Ginzburg, who, in the late 1920s, suddenly turned his back on Le Corbusier, the French father of urbanist modernism. While Ginzburg had been a fervent follower of Le Corbusier’s philosophy, the story says that he was converted to disurbanism in only half an hour by the urban sociologist Mikhail Okhitovich.
© » KADIST
Nicolás Consuegra
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision. As a metaphor for this process, he looks to the afterlife of the image as evidenced in signs. When a company goes out of business or moves, their sign often lingers and slowly fades creating a ghosted image of their sojourn.
© » KADIST
Gabriel Sierra
Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.
© » KADIST
Engel Leonardo
As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism. What distinguishes these two communities? What separates them?
© » KADIST
Eleanor Antin
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
© » KADIST
Tamar Guimarães
Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity. The main subject and setting of the film is Casa das Canoas, the home that architect Oscar Niemeyer built for himself in the early 1950s. Overlooking the bay on the outskirts of Rio de Janeiro, the building has achieved iconic status in Brazil.
© » KADIST
Edward Kienholz
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.
© » KADIST
Stan Douglas
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures. Continuing his fascination with failed modernist utopias, Douglas depicts Michigan Central Station as a monolithic, almost prison-like structure lording over a desolate landscape. Once the hub of industrial transportation, the station is now devoid of any human activity and lies fallow, surrounded by train-less tracks and vegetation-less ground.
© » KADIST
Brook Andrew
This year: missing witness by Brook Andrew consists of a multi-layered collage of photographs. The work features newspaper cut-outs of the phrases: “This year: be prepared…” and “missing witness” overlaid onto a disaster scene, upon a worn-up manuscript. Pulled from The New York Times , the image is of a destroyed temple on the Indonesian island of Sulawesi, that has increasingly experienced natural disasters due to climate change.
© » KADIST
Paul McCarthy
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.
© » KADIST
Jordan Ann Craig
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.
© » KADIST
Ciprian Muresan
Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues. Here it is no longer the Bible that is reproduced but works by Malevich, Mondrian, Beuys, Duchamp. These artists represent a certain form of utopia in art and are themselves quasi-mythical figures.
© » KADIST
Martin Kippenberger
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings. Untitled is a collage on paper work by Kippenberger that typifies his everything-goes approach: a barely discernible, sliced image of Michael Jackson’s face is overlaid and woven with strips and triangular shapes from a different source into a single composition. Blue tones come from torn out pages of a book where fragments of illustrations can be seen.
© » KADIST
Felipe Arturo
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement. Each waveform represents a syllable of the sentence “Primero estaba el mar.” This sentence is the first verse of the Kogui poem of creation. For the Koguis, an indigenous community from the Sierra Nevada de Santa Marta on the Colombian Caribbean coast, water was the absolute presence before the creation of the universe.
© » KADIST
Tatsuki Masaru
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago. Small and fragile, the kakera were donated by farmers who had found them in their fields, or by archeologists, and then wrapped in newspapers and stored away. Today they sit quietly on the shelves of museums, unknown to people.
© » KADIST
Nikita Gale
RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture. While these muscular works evoke the forms and dynamism of mid-century modernism, they can also be seen as a translation of Goethe’s idea that “architecture is frozen music”. RUINER III is exemplary of how the artist’s disembodied sets typically evoke a sense of longing through absence, and in so doing, draw out an extended mediation on how audiences project mental or emotional energy onto a person, object, or idea.
© » KADIST
Alain Séchas
Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled. This work was commissioned by the Association GEF Psy in Nancy under the aegis of the Fondation de France in order to commemorate Emile Coué (1857-1926) who was a French behavioral psychologist and pharmacist who particularly studied the effects of positive thinking. Séchas also created a Monument to Jacques Lacan in 2002 featuring the cat, his house-style character.
© » KADIST
Jeamin Cha
Jeamin Cha’s essay-film Ellie’s Eye is an extensive examination of the human mind and the effects of new technology, such as chatbots and virtual avatar therapists on the mental health industry. One such avatar, named Ellie, was developed by the University of Southern California’s Institute for Creative Technologies. Ellie has the ability to interpret the user’s emotions through data collected from their speech and physical gestures to indicate psychological distress on a micro-level, which would be imperceptible by a human therapist.
© » KADIST
Egle Jauncems
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015. Jauncems notes that the book is fragmented, following unrelated characters struggling with ennui and depression, navigating the pressures of modern reality. In her art practice, Jauncems has been interested in the lives of powerful and influential men for many years.
© » KADIST
Edgar Calel
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel. Made in collaboration with Brazilian filmmaker Fernando Pereira dos Santos, the film was shot while in lockdown in Brazil, where Calel found himself during the first outbreak of the COVID-19 pandemic. The film shows Calel ambling around the empty Ciccillo Matarazzo Pavilion designed by Oscar Niemeyer to host the São Paulo Biennial in 1954.
© » KADIST
Kiluanji Kia Henda
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history. Resulting from Kia Henda’s research on the Fortaleza de São Miguel built by the Portuguese in the 15th century in Luanda, Angola, the Redefining The Power series was created 10 years after the Angolan Civil War as a reflection on the reactivation of memory surrounding historical monuments. Through this work, the artist aims to replace the memorialized colonial heroes and war symbols through re-appropriation, determining traumatized lands as forms of resistance and pride.
© » KADIST
Mahmoud Khaled
CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation. This work is based on videos that the artist collected over the years through YouTube, of Egyptian professional bodybuilders exercising or rehearsing before posing in local and international competitions. The selection also includes videos of amateur young men from Cairo, who obsessively train and exhibit bodily transformations resulting from their admiration for those bodybuilders.
Arseny Zhilyaev
Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...
Pedro Reyes
- location: Mexico City, Mexico
- year born: 1972
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Cao Fei
- location: Beijing, China
- year born: 1978
- gender: female
- nationality: Chinese
- home town: Guangzhou, China
Julius Koller
- location: Pieštany, Slovenská Republika
- year born: 1939
- gender: male
- nationality: Slovakian
Minouk Lim
- location: Seoul, South Korea
- year born: 1968
- gender: female
- nationality: Korean
Felix Gmelin
With a degree in painting and inspired by so-called institutional criticism, Felix Gmelin is interested in the possibilities of painting as a form of resistance and its direct relation to a form of socio-political reality...
Birender Kumar Yadav
Birender Kumar Yadav is a multi-disciplinary artist who experiments with various media including painting, sculpture, photography, installation, etching, found and man-made objects, as well as live documentary...
Felipe Arturo
- year born: 1979
- gender: male
- nationality: Colombian
- home town: Bogota, Colombia
Ana Vaz
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Larry Bell
- location: Venice, California
- year born: 1939
- gender: male
- nationality: American
- home town: Chicago, Illinois
Anthony Discenza
Since the late 1990s Anthony Discenza’s work has focused primarily on the omnipresence of mainstream media...
Sancintya Mohini Simpson
Sancintya Mohini Simpson is an artist, writer, and researcher whose work addresses the impact of colonization on the historical and lived experiences of her family and broader diasporic communities...
Tatsuki Masaru
Tatsuki Masaru became an independent photographer in the late 1990s after studying under Kyoji Takahashi, photographer mainly familiar to Japanese audiences for his commercial and fashion photography but also an independent image-maker producing photos, films and installations...
Santiago Borja
Santiago Borja’s work explores improbable connections between different thought systems, thus emphasizing the cannibalistic nature of modernism, and its inherently esoteric, yet seemingly “rational”, character...
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Ahmad Fuad Osman
Ahmad Fuad Osman is of a generation that came of age in a Malay world whose artists were eager to speak about socio-political issues on terms that broadened questions of nationhood, ethnicity, faith, and historical fact, doubtful of the grand narrative that had been propounded since the race riots of the late 1960s...
Mimian Hsu Chen
Costa Rica-based artist Mimian Hsu works with photography, documents, typography, and objects to construct site-specific installations, performances, and projects that explore intersecting cultural identities...
Papa Ibra Tall
A crucial figure in the history of African modernism, Papa Ibra Tall was a renowned tapestry weaver, painter, and illustrator...
Gabriel Sierra
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design...
Jordan Ann Craig
Jordan Ann Craig is a Northern Cheyenne artist born and raised in the Bay Area; she invests her work with a strong interest in Indigenous culture and the history of its destruction by settlers...
Luiz Roque
Brazilian artist Luiz Roque’s production consists largely of short duration open-ended cinematic narratives, in which he places mysterious characters (either gender-fluid dancers, famous drag queens, animals, landmark modernist buildings or historical artworks) creating dreamlike and sci-fi atmospheres...
Bettina Pousttchi
In recent years Bettina Pousttchi’s work has dealt with themes related to memory, time and history and she is particularly interested in the consequences of the fall of the Berlin Wall...
Liz Cohen
Liz Cohen is a photographer and performance artist best known for her project Bodywork , in which she transformed a German car into a lowrider while simultaneously transforming her own body, with the help of a fitness instructor, to become a bikini model at lowrider shows...
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Robert Smithson
- year born: 1938
- gender: male
- nationality: American
- home town: Passaic, New Jersey
Eleanor Antin
- location: New York, New York
- year born: 1935
- gender: female
- nationality: American
- home town: Bronx, New York
Engel Leonardo
Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...
Seulgi Lee
Seulgi Lee’s artistic references range from anthropological materials, archetypical linguistic elements, vernacular culture, handcrafts tradition, to the graphic culture of animistic belief found in diverse locals around the world...
Marina Rosenfeld
Marina Rosenfeld is a New York-based composer and artist working across disciplines...
© » ARTSY
about 11 months ago (02/12/2024)
Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due | Artsy Skip to Main Content Advertisement Art Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due Annabel Keenan Feb 12, 2024 9:44AM Portrait of Sarah Grilo by Lisl Steiner...
© » WALLPAPER*
about 11 months ago (02/11/2024)
Tour Geoffrey Bawa’s Ena de Silva House in Sri Lanka | Wallpaper At Ena de Silva house, each brick, roof tile and pebblestone was numbered before being transported to the new location and reinstalled in their exact original position (Image credit: Teardrop Hotels) By Daven Wu published 11 February 2024 In 1960, when Ena de Silva and her husband Osmund were casting about for an architect to build their family home on a small plot they’d just bought in Colombo, Sri Lanka, her friend, the landscaper Bevis Bawa, suggested his younger brother, Geoffrey, who had just started practising...
© » ARTEFUSE
about 11 months ago (02/07/2024)
The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...
© » ARTNEWS REVIEWS
about 12 months ago (01/13/2024)
To See or Not to See: Learning from the Late Robert Irwin and More Skip to main content By Janelle Zara Plus Icon Janelle Zara View All January 13, 2024 3:50pm Installation view of Robert Irwin's untitled (dawn to dusk) , 2016, at the Chinati Foundation, Marfa, Texas...
© » THEARTNEWSPER
about 13 months ago (12/18/2023)
The late self-taught street photographer Vivian Maier will have her first major New York exhibition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview The late self-taught street photographer Vivian Maier will have her first major New York exhibition The Manhattan branch of photography museum Fotografiska will put around 200 works by the reclusive savant on view in May 2024 Gabriella Angeleti 18 December 2023 Share Vivian Maier, Self-Portrait, New York, NY , 1954 Courtesy Fotografiska The late French American photographer Vivian Maier , who rose to fame posthumously after her archive was serendipitously rediscovered in the late 2000s, will have her first major exhibition in New York next year at Fotografiska...
© » OBSERVER
about 13 months ago (12/12/2023)
A $1M Scholarship Fund Honors Late Artist Mike Kelley | Observer The late Mike Kelley, renowned for his influential multi-media explorations of memory and transgression, was more than an artist...
© » SOUTH CHINA MORNING POST
about 13 months ago (12/10/2023)
Opinion | How the word ‘hostage’ used to mean something quite different to its modern definition, as the Israel-Gaza war rumbles on | South China Morning Post Advertisement Advertisement Hostages who were abducted by Hamas gunmen during the October 7 attack on Israel are handed over by militants to the International Red Cross in an unknown location in the Gaza Strip on November 30, 2023...
© » TRIBLIVE
about 14 months ago (11/24/2023)
Sewickley woman helps late sister's midwife house dream come true | TribLIVE.com Art & Museums Sewickley woman helps late sister's midwife house dream come true Zach Petroff Friday, Nov...
© » SOUTH CHINA MORNING POST
about 14 months ago (11/20/2023)
From Art021 and the West Bund Art and Design fair to the China International Import Expo, Shanghai Biennale and many other exhibitions, the Chinese city’s art scene is looking busier than ever in 2023....
© » LONDONIST
about 14 months ago (11/17/2023)
The Cosmic House: A Surreal Mansion You Can Visit In Kensington | Londonist The Cosmic House: A Surreal Mansion You Can Visit In Kensington By Momtaz Begum-Hossain Momtaz Begum-Hossain The Cosmic House: A Surreal Mansion You Can Visit In Kensington Bathtub goals...
© » TATE EXHIBITIONS
about 15 months ago (10/05/2023)
Philip Guston | Tate Modern One of the 20th century’s most captivating painters responds to a world in turmoil For over 50 years, artist Philip Guston restlessly made paintings and drawings that captured the anxious and turbulent world he was witnessing...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Igor and Olga Toporovsky, who lent purported fakes to a major Belgian museum show, were taken into custody late last month by police....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
One year after the enormous art collection of late Samsung chairman Lee Kun-hee was donated to South Korean museums, a new exhibition is sparking public interest in the masterpieces owned by the country's richest man....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The Longmont Museum’s collection of local art grew quite a bit recently after Longmont resident Shirley Stanosheck donated 22 pieces from her late-husband Don Stanosheck’s collection....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Two Seoul museums have unveiled some of the 23,000 artworks donated by late Samsung chairman Lee Kun-hee's relatives as they seek to settle an inheritance tax bill of over 12 trillion won ($10.4 billion)....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Hong Kong Collector Adrian Cheng Expands to Mainland China with $1.4 B...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
23,000 works from the generational collection were previously donated to state museums to offset an $11 billion inheritance tax....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The Duke of Edinburgh painted a memorable portrait of the queen and had a long friendship with the artist Edward Seago....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The top works Christie's hopes to sell—by Gustave Caillebotte, Paul Cézanne, and Vincent Van Gogh—each come with eight-figure estimates....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The Late Fashion Designer Karl Lagerfeldâs Collection of Art, Blazers, and Other Belongings Sold for $13.5 Million at Sothebyâs France - via artnet news...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
A retrospective at the Museum Susch explores the daring practice of the late Belgian Pop artist Evelyne Axell....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Treasures From the Blue-Chip Art Collection of Texas Oil Heiress Anne Marion Could Fetch $150 Million at Sothebyâs - via artnet news...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Leonardo DiCaprio and his father George DiCaprio have produced a film about the late Polish artist Stanislaw Szukalski for Netflix....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The late San Antonio philanthropist’s two-story condo, once a social hub of the art world, is the ultimate blank canvas....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Paintings and sculptures collected by the late Mexican architect Luis Barragán are showcased on a stepped wooden platform at his Mexico City house....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The grant-making initiative was launched with a $440m bequest from the late vernacular art collector and patron Ruth DeYoung Kohler...
© » ARTS EQUATOR
about 30 months ago (07/21/2022)
Contemporary Moves In Modern Singaporean Tamil Theatre | ArtsEquator Skip to content Hemang Yadav was involved in a recent development program, Tunjuk Arah/ Iyakkunar, for Malay and Indian theatre directors in Singapore...
© » HIGH FRUCTOSE
about 60 months ago (01/18/2020)
Toshio Saeki, the legendary Japanese artist known for blending eroticism, horror, and humor in his works, passed away in November at the age of 74...
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1970-1979
Aubrey Williams
1972Carib Carnival illustrates Aubrey Willams’s unique artistic language, combining Pre-Columbian iconography with abstraction...
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Jiri Kovanda
Drawing & Print
1977(Drawing & Print) All Kovanda’s artistic practice poses the question of visibility...
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Julius Koller
1978This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
Larry Bell
Drawing & Print
1979(Drawing & Print) Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
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1980-1989
Julius Koller
Drawing & Print
1982(Drawing & Print) Wordplay was a central focus of Koller’s work, in particular the acronym U...
Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Martin Kippenberger
1988Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
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1990-1999
Bruce Conner
Drawing & Print
1995(Drawing & Print) Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Stan Douglas
1997Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
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2000-2009
Felix Gmelin
2004Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive...
Pedro Reyes
2005In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
Felix Gmelin
2006In Untitled (after Paul Schultze Nuremberg’s Kunst) (2006), from a larger series of diptychs, Gmelin addresses the notion of entartete kunst ( “Degenerate Art”) ...
Alain Séchas
2006Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled...
Larry Bell
2007Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Ahmad Fuad Osman
2007Recollections of Long Lost Memories by Ahmad Fuad Osman is a series of 71 black and white sepia-toned archival photographs that chart, with nostalgia, the social encounters between hierarchies of life in the Malay world...
Nicolás Consuegra
2008In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Ian Breakwell
2008“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...
Guillaume Leblon
2008Puits (“Wells”) is a circle made ??of raw earth elements, at the scale of Leblon’s hands...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Bettina Pousttchi
2009For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
Mahmoud Khaled
2009CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation...
Doug Aitken
2009The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
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2010-2019
Tamar Guimarães
2010Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
Anthony Discenza
2010A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...
Arseny Zhilyaev
2010Arseniy Zhilyaev (born 1984 in Voronezh, Russia) is an artist, writer and political activist who lives and works in Moscow and Voronezh...
Engel Leonardo
2011As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism...
Ciprian Muresan
2011Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues...
Kiluanji Kia Henda
2011Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...
Felipe Arturo
2012Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Santiago Borja
2012Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Anthony Discenza
2012In Anthony Discenza’s 23-minute audio loop that makes up A Rising Tide Lifts All Boats , a nondescript male voice narrates a series of unlikely pairings: “think Dune meets South Pacific;” “think dubstep meets the Magna Carta;” “think the Food Network meets Igmar Bergman.” Given without inflection or emotion, this recitation uses the structure of a Hollywood elevator pitch to sketch out an unknown project, idea, or structure, conflating and collapsing cultural referents into an implausible mass of contradictions....
Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Minouk Lim
2012The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Mimian Hsu Chen
2014In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Birender Kumar Yadav
Drawing & Print
2015(Drawing & Print) Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Tatsuki Masaru
2016For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
Birender Kumar Yadav
2016Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Seulgi Lee
2018The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”...
Awol Erizku
2018Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Pratchaya Phinthong
2018Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
Jordan Ann Craig
2019Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
Egle Jauncems
2019The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
Luiz Roque
2019In Luiz Roque’s short film Zero we follow a dog moving alone onboard an aircraft that flies over a vast desert...
Marina Rosenfeld
2019The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
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2020-2029
Brook Andrew
2020This year: missing witness by Brook Andrew consists of a multi-layered collage of photographs...
Nikita Gale
2020RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
Jeamin Cha
2020Jeamin Cha’s essay-film Ellie’s Eye is an extensive examination of the human mind and the effects of new technology, such as chatbots and virtual avatar therapists on the mental health industry...
Edgar Calel
2020The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
Sancintya Mohini Simpson
2021Dhuwã (term used by indentured people of Natal for ‘smoke’), is a single-channel film by Sancintya Mohini Simpson that traces back to the lived experiences of indentured labourers taken from India to Natal (now KwaZulu-Natal, South Africa) to work on sugar plantations during the late 1800s and early 1900s...
Bahar Noorizadeh
2022The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
