The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years. It was a playground for the rich in the 19th century and where Old New York had its summer homes and diversions. The center image is a portrait of the artist’s grandmother when she was 16 in 1949.
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama. One of them revolved around a plant that had various uses, from healing poisonous snake bites to predicting the future. She said, for example, that if one came across this plant during a period of drought, it could mean trouble was coming.
Polanszky’s sculpture is made from raw, found materials that have the patina of age. He brings together disparate material discarded by society to form aggregates. Although it is not his intention to make works of meaning the viewer endows them with poetic meanings and constructs.
Drawing & Print (Drawing & Print)
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines. The artist uses abstract architectural elements that he reproduces on the wall in which he inserts drawings, elements from photographs and drawings of texts collected from art magazines. The repetition, control and imperfection of the movements create a tension, a particular vibration in his geometrical drawings and in the drawings of texts.
The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph. The video begins with 2017 footage of French president Emmanuel Macron announcing his commitment to the restitution of French-held African objects looted during the colonial era. Moving through the video, the artist’s voice narrates over archival images and videos, explaining how so many African artifacts came into the possession of European museums.
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia. The Yellow River is considered the cradle of Chinese civilization but also poses a great threat, as the river is capable of breaking its banks at any time. Inspired by the novel River of the North by Zhang Chengzhi, the artist travelled on a fold-up bicycle through eastern China’s Shandong province, where the river discharges vast amounts of water into the sea, before slowly tracing it westward over several month-long trips heading to the river’s source near the Bayan Har Mountain in Qinghai.
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion. This film, shown in continuous loop, has a run-time of just under 3 minutes, and is presented without sound. It captures a traditional Shisa (combination of a dog and lion from Okinawan mythology) animated by an invisible person.
Drawing & Print (Drawing & Print)
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.
Drawing & Print (Drawing & Print)
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.
From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control. The color blue is a proxy for both sadness, and a color that is emblematic of American law enforcement services. I Am Blue, 1 by American Artist is a sculpture that fuses a school desk with a ballistic shield.
Drawing & Print (Drawing & Print)
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.
The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza. For this project, Fernández de Castro and Mendoza researched the 2014 court case that shut down Penmont Mining’s operations in the middle of the Sonoran desert. The lawsuit was brought to court by the “ejidatarios” (communal land holders) of El Bajío, Sonora, who claimed that their territory was illegally occupied and exploited, causing an irrevocable environmental impact on their land.
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection. It is the overlapping of the beautiful with the impact of military ritual and pomp. The use of the sculptural props and again sound (the ideal presentation of this work is with surround sound) create a composition as visual as it is aural.
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth. The sculpture appears to speak quite bluntly about Isaac’s own sense of bleak pessimism when exposing a severed tree, the universe’s sacred sign of life and birth. Through the perfect rendering of this encapsulated moment, Isaacs demonstrates the strength of the sculptural artifact and his interest in failure and fragility.
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524. Each choir was filmed separately, and the artists weave together the audio while the video features each choir individually. The juxtaposition of different contexts in which singing occurs functions as an embedded sociological study of various communities throughout the region.
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery. Together the components play on the connection between aural and social relations signified by the music stands. An episodic score emanates from the work’s sound system, momentarily interrupting the atmosphere with brief eruptions of electronic sounds and vocality.
Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross. The presented photographs were selected from the New York Public Library and found in an archive called ‘Listening,’ with the sub-genres ‘town meetings,’ ‘investigation,’ ‘audiences 1960–1970’ and ‘conversation.’ Taking the photographs from the city’s archive of frozen moments of audio exchange, Arakawa and Tcherepnin give sound and movement back to past moments. In each of the photographs, people are listening in different situations—public, and private.
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron. The object is inflated by a fan at the structures base and deflates when it is deprived of its power source, causing the plane to sink. It is in this process that plane leans on its wings, evoking a crash, a defeat, or a failure.
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious. In a trilogy of nearly identical sculptures by A. K. Burns, the artist conjures the same string of word compounds on a metal gate nearly 15 years after Rumsfeld’s infamous statement. Resembling ubiquitous black fences across New York City, Unknown Unknown presents the paradox of this statement as a physical division and linguistic deviation, acting jointly as both a threshold and obstacle.
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil. The so-called Amazon Rubber Boom, 1879 to 1912, was an important part of the economic and social history of the country and Amazonian regions of neighboring countries, related to the extraction and commercialization of latex. Centered in the Amazon river basin, the boom resulted in a large expansion of European colonization in the area, causing cultural and social transformations that wreaked havoc upon Indigenous societies and immense environmental damage.
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo. The guestbook in question—a thin, battered copy that Do Do, the Togolese protagonist of the film, finds in Berlin’s State Library—is filled with the signatures of colonial-era explorers. The plot follows Do Do as he seeks out Treptower Park, where the JAZZ musician Kwassi Bruce was once exhibited in a human zoo in the first German Colonial Exhibition.
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects. For the installtion 1,2,3 soleil ! the space was structured like a material index, posing limbs and skins from stadiums and public spaces —namely floodlights, electric poles and asphalt— alongside abstract drawings inspired by policing and sporting data visualization iconography.
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
Wang Xu’s video Summer Wind Before Rain was made during his residency last summer at Storm King, where he lived in a hut made of wood and gathered clay from the nearby forest. During his residency, he interacted only with the sculpture park’s gardener. In the eleven-minute video, we see the gardener ride a lawn mower the size of a golf cart, and we observe the artist slowly make a large, realistic bust of the gardener, bit by bit and layer of clay by layer.
En Guard Souvenir is composed of a group of eleven elements (ten paintings on paper and a sculpture) which deconstructs and recomposes the context of Tienanmen Square in Beijing. This square is known for numerous political events : the cultural revolution between 1966 and 1976, the arrest of the Gang of Four and protests in 1989 where thousands of demonstrators who were protesting against the corruption of the regime were killed. In this work, Bruno Pacheco alludes to the historical importance of this place, the choice of viewpoints reveals very precise but sporadic details there : part of the mausoleum devoted to Mao, a portrait of him and its frame, a view overlooking the Forbidden City, etc.
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space. The trees, unique sources of light in the exhibition space, produce their own environment. These sculptures, as if extracted from a set, are enough to suggest an atmosphere, a landscape, or a movie.
Cumulocumulonimbus capillatus incus functions on the mode of a mise en abîme: it is a cube composed with 8000 dice. The work plays with chance, each installation produces a renewed visual combination. Robert Filliou said that Eins.
Drawing & Print (Drawing & Print)
“To me, art equals responsibility”. That is probably why Alain Séchas creates works according to the human scale, immediately evoking the human body. But rather than using the human figure, he chose that of the cat: a round-eyed feline which never smiles.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...
Visual artist and performer, Otobong Nkanga’s (b...
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there...
The work of Shahryar Nashat (b...
In addition to a long and diverse career as an artist, performer and writer of over a dozen books, Pablo Helguera has worked in the education departments of key institutions such as the Guggenheim Museum (1998-2005) and MoMA (2007-2020)...
Described as a ‘spatial interventionist’, Corey McCorkle is a New York-based artist and trained architect, working in photography, architectural interventions, sculpture, installations, and films...
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Benvenuto Chavajay’s body of work includes sculpture, interventions into objects, installation, performance, and painting...
Taus Makhacheva’s performance and video works critically examine what happens when different cultures, traditions come into contact with one another...
Ha Tae-Bum (b...
Evariste Richer constantly invents new standards for measurement which are mostly objects to prompt the spectator’s potential investigations: avalanche probes, a meter drawn from memory, a meter with no measurements… Meteorology, science, magic, mineralogy, photography, optics are his preferred terrains...
Birender Kumar Yadav is a multi-disciplinary artist who experiments with various media including painting, sculpture, photography, installation, etching, found and man-made objects, as well as live documentary...
The artist Wang Xu works predominantly in sculpture and video installation...
In his practice, Pio Abad looks into the social and political significance of objects usually consigned to the sidelines of history...
In recent years Bettina Pousttchi’s work has dealt with themes related to memory, time and history and she is particularly interested in the consequences of the fall of the Berlin Wall...
A.K...
Khvay Samnang’s work critically examines the interlocking nature of ritual and politics, the humanitarian and ecological impacts of globalization, colonialism and migration, and the cultural-material histories of exchange that have shaped the Southeast Asia region...
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Through video, drawing, sculpture, sound, installation, and publications, Jesse Chun’s multidisciplinary practice critically engages with the politics of language...
Wah Nu and Tun Win Aung, respectively born in 1977 and 1975, Yangon, Myanmar...
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
Michael Dean (b...
Carlos Motta’s is a multi-disciplinary artist whose work seeks to document the social conditions and political struggles of sexual, gender, and ethnic minority communities through a variety of variety of mediums including video, installation, sculpture, drawing, web-based projects, performance, and symposia...
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...
Gabriella Mangano and Silvana Mangano are an artistic duo and identical twins known for their collaborative and performative video practice...
1968, Helmond, the Netherlands...
‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...
Paris-based artist Aurélie Hoegy expertly conjures a seamless vacillation between movement, material, and environment within her dynamic rattan sculptures...
Paws On The Wharf Guide Dog Sculpture Trail | Londonist Paws On The Wharf: Free Guide Dogs Sculpture Trail Coming To London By Laura Reynolds Laura Reynolds Paws On The Wharf: Free Guide Dogs Sculpture Trail Coming To London Well, what do you make of that? A free art trail is coming to Canary Wharf in March, in support of charity Guide Dogs...
Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...
Remembering Indigenous Artist and Organizer Klee Benally Skip to content In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas PHOENIX — Multiple communities are mourning the loss of Klee Benally, an anti-colonial Indigenous activist, installation artist, filmmaker, and musician whose work centered around land rights, Indigenous liberation, and climate justice...
Aesthetica Magazine - 5 To Know: Installation Shows 5 To Know: Installation Shows The following installations, on view across the UK and USA, stimulate the senses...
Emmanuelle Moureaux’s New Work Fills a Room with Butterflies Home / Art / Installation Thousands of Colorful Butterflies Invade Shanghai Pavilion in Emmanuelle Moureaux’s Latest Installation By Regina Sienra on February 5, 2024 Photo: Daisuke Shima Architect, artist, and designer Emmanuelle Moureaux has marveled the world with her sweeping colorful installations...
Ojuelegba Comes Alive in Emeka Ogboh's Multisensory Installation - Artcentron Home » Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation ART Feb 3, 2024 Ξ Leave a comment Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation posted by ARTCENTRON Emeka Ogboh, Ojuelegba 2023...
Hong Kong balloon artist breaks world record with 42-metre dragon sculpture made of 38,000 balloons to usher in Year of the Dragon | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Balloon artist Wilson Pang with his 42-metre dragon sculpture - created to usher in the Year of the Dragon - and Guinness World Record certificate for the “largest balloon sculpture of a dragon” at TMTPlaza in Tuen Mun, Hong Kong...
Artist Opportunities: January and February 2024 via Creative Capital - ArteFuse Tulsa Artist Fellow Anita Fields in the studio...
His collection gift to the Savannah College of Art and Design nearly two decades ago has been transformative....
10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Everything you need to know about the most important headlines from the world of art in the last seven days...
A $1M Scholarship Fund Honors Late Artist Mike Kelley | Observer The late Mike Kelley, renowned for his influential multi-media explorations of memory and transgression, was more than an artist...
French artist Jean Jullien ( previously ) has teamed up with Case Studyo to create a jolly sculpture titled “La Baleine,” a.k.a...
Penn Township artist decorates yard with concrete sculptures | TribLIVE.com Art & Museums Penn Township artist decorates yard with concrete sculptures Quincey Reese Sunday, Dec...
Dutch artist Anneke Eussen’s border-questioning sculpture acquired by the city of Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Dutch artist Anneke Eussen’s border-questioning sculpture acquired by the city of Miami Beach The purchase is part of the city’s annual programme to acquire a work from Art Basel in Miami Beach Elena Goukassian 9 December 2023 Share A visitor to Art Basel in Miami Beach looks at Anneke Eussen’s It’s Alright (2023) on Document's stand Liliana Mora The citizens of Miami Beach have spoken, and the annual municipal Legacy Purchase Program selection from this year’s Art Basel in Miami Beach fair is Anneke Eussen’s It’s Alright (2023), a wall-mounted sculpture that will join previously acquired works on permanent display at the Miami Beach Convention Center...
Doctor Who News: Tennant Regenerates Into Gutwa On London's South Bank Doctor Who TARDIS And Sculpture Appear On South Bank By M@ M@ Doctor Who TARDIS And Sculpture Appear On South Bank See David Tennant regenerate into Ncuti Gatwa.....
"(Up)Rooted" by Artist Dominique Fung Submit New York-based artist Dominique Fung (previously featured here ) embarks on her first solo exhibition in Europe with “(Up)Rooted,” an allegorical journey featuring a mixture of paintings and sculpture...
David Hockney lights up London with a festive art installation at Battersea Power Station...
Maurizio Cattelan's £4.8million golden toilet sculpture - four men appear in court...
Artist Spotlight: Erika Lizée – Art and Cake June 15, 2023 June 11, 2023 Author Artist Spotlight: Erika Lizée Erika Lizeé at Mesa Contemporary Arts Museum with the 2023 Installation of Seed of Life, Acrylic on Duralar, 8′ x 22′ x 3′ What inspires you? I am inspired by the world around us and the possibilities that exist beyond what we currently understand...
Artist Spotlight: Erika Lizée – Art and Cake June 15, 2023 June 11, 2023 Author Artist Spotlight: Erika Lizée Erika Lizeé at Mesa Contemporary Arts Museum with the 2023 Installation of Seed of Life, Acrylic on Duralar, 8′ x 22′ x 3′ What inspires you? I am inspired by the world around us and the possibilities that exist beyond what we currently understand...
Rare Henry Moore sculpture sold for eight times estimate after bidding war | The Independent A sculpture by pioneering British artist Henry Moore has sold for £400,000 at auction after a bidding war...
Gwyneth Paltrow Owns a Fake Ruth Asawa, Gallery Confirms – ARTnews.com Skip to main content By Shanti Escalante-De Mattei Plus Icon Shanti Escalante-De Mattei View All February 3, 2022 11:41am Actress Gwyneth Paltrow zz/John Nacion/STAR MAX/IPx On Wednesday, an Architectural Digest story featuring a look inside actress Gwyneth Paltrow’s home went viral on social media because it included one unexpected object: what appeared to be a sculpture Ruth Asawa hanging not far from an Ed Ruscha painting...
Join us this summer for a community sculpture by Rashid Johnson and an experimental opera for trees by Kamala Sankaram - Creative Time Join us this summer for a community sculpture by Rashid Johnson and an experimental opera for trees by Kamala Sankaram April 16th, 2021 Tweet Email Today, Creative Time announces forthcoming public projects that anticipate that this summer, after months of isolation and trauma, art in the public realm will play a significant role in helping New Yorkers celebrate their city, reconnect with their communities, and reestablish relationships with the natural world around them...
A writhing amalgamation of architectural forms is currently inhabiting Yorkshire Sculpture Park's 18th-century Chapel...
What If Your Body Turns into a Sculpture? : Interview with Sasha Waltz on "Körper" at SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 29, 2019 By Winnie Chen Dixon (600 words, four-minute read) Have you ever imagined dancers’ bodies turning into sculptures, as if time stood still? This is the impression of Körper (Body) , the signature dance performance of this year’s edition of the Singapore International Festival of Arts....
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
Banksy sculpture targets church sex abuse | The Independent | The Independent A sculpture of a "vandalised" priest by the underground artist Banksy has gone on display today alongside 17th-century Old Masters...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
Drawing & Print
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...
One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
A cat, standing like a human being, is looking at us with round and dazed eyes and holds a gun...
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth...
Polanszky’s sculpture is made from raw, found materials that have the patina of age...
En Guard Souvenir is composed of a group of eleven elements (ten paintings on paper and a sculpture) which deconstructs and recomposes the context of Tienanmen Square in Beijing...
Drawing & Print
L’herbier (petit Trianon) consists of four “realistic” drawings of plants, screenprinted on transparent PVC...
Cumulocumulonimbus capillatus incus functions on the mode of a mise en abîme: it is a cube composed with 8000 dice...
Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...
Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
Lifesize Draft is the second of two sculptures on a similar theme, the first one being Utopia Battery, (2008)...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
Drawing & Print
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
Jardín (2013) refers to environmental destruction, specifically the preponderance of disposable plastics, as well as Medellín’s long history of dangerous conflict; it was once considered the most violent city in the world because of the drug trafficking there...
Drawing & Print
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men...
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
Drawing & Print
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
When Need Moves the Earth is a three-channel video that combines elements of documentary footage, archival material and abstract aerial shots to encompass a painterly yet forthright exploration of a coal mine and a water dam in Thailand...
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance...
Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Drawing & Print
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe...
The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...
Comprising two sculptures, one photograph and one video, the installation Malakas & Maganda (1986 – 2016) questions the mythological iconography of the Filipino conjugal dictators Ferdinand and Imelda Marcos and thus addresses the construction of propaganda representation and the role of art facing current events...
Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal...
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014...
Winfield St by Sadie Barnette depicts a seldom documented scene of men and boys in an intimate domestic setting...
The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph...
From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control...
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah ...
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
In a post-apocalyptic setting, a layer of dust petrifies everything in an eternal state of latency...
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
O (for various skies) by Jesse Chun is a two-channel video sculpture that decentralizes American colonial narratives about the moon through “unlanguaging”—a methodology that the artist has conceptualized for unfixing language...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...