© » KADIST
Andrea Bowers
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.
© » KADIST
Andrea Bowers
Drawing & Print (Drawing & Print)
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.
© » KADIST
Danielle Dean
Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water. In Danielle Dean’s video Hexafluorosilicic , she mulls on this substance and its troubling co-option by modern society. In an indistinct US city, in an empty apartment, three characters (one of whom, unusually for Dean, is a white male) all wear brightly colored medical scrubs and undertake seemingly trivial and nonsensical experiments.
© » KADIST
Danielle Dean
In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history. Elmina Castle was built in Ghana in 1482 as a Portuguese trading post, and later became a key location in the Atlantic slave trade. Dean’s re-enactment is set in an affordable housing community in Houston, Texas, where her half-sister Ashstress Agwunobi lives, and who also performs the role of “the native.” Dean plays the role of “the prospector,” who plans to “colonize” her sister’s home by bringing a wobbly red cardboard castle into the grounds of the community and getting the locals to help build it and work there.
© » KADIST
Danielle Dean
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”). The result is a fragmented conversation that defies legibility. As sounds of a possible conflict rise from outside, the characters work together producing what looks like explosives from soap, towels, and an unmarked blue liquid.
© » KADIST
Danielle Dean
In 2003, Nike released a pair of red and black sneakers (the Dunk Low Pro SB ) that were marketed as “vampire” sneakers. Danielle Dean’s work True Red examines how a large corporation co-opted a historical fiction (the vampire), in addition to the traditional red and black colors of radical politics and the avant-garde. The animated video considers how capitalism can gentrify notions of radicality and the mutable nature of advertising.
© » KADIST
Edgar Arceneaux
Drawing & Print (Drawing & Print)
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat. In 2006, it was included in the exhibition, Alchemy of Comedy…Stupid at Artpace in San Antonio where Arceneaux explored the links between the medieval practice of alchemy and contemporary comedy. However, his particular image of the wheelchair is tragic, since it refers specifically to the comedian Richard Pryor, who became temporarily wheelchair-bound after being severely burned from drug use, and died prematurely of a heart attack in 2005.
© » KADIST
Barbara Bloom
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom. The artist found the image to be typically Parisian. The watercolor, framed under a mat made of cardboard, had color tests on its margin, elements that Bloom discovered when she raised it.
© » KADIST
Mike Kelley
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities. The drawing on wood, the popcorn mixture, and the title all manifest a bumpy fullness, a “more-is-more” conflation between supposedly eternal spirituality and everyday stuff. The work’s title points to a serious timelessness completely belied by the materials.
© » KADIST
Allan Sekula
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.
© » KADIST
Charles Gaines
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.
© » KADIST
Walead Beshty
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.
© » KADIST
Sharon Lockhart
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community. Lockhart traveled around California’s Central Valley, spending time with cattle ranchers on their properties and attending livestock auctions with them and getting a sense of the rhythm of their lives. Throughout this time, the artist shot more than one hundred four-by-five-inch negatives but chose to print just this one from the series.
© » KADIST
Paul McCarthy
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.
© » KADIST
Martine Syms
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.
© » KADIST
Alexis Smith
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage. The surfboard, an emblem of Southern California, emblazoned with the image of an eight-ball, references numerous tropes and clichés of American popular culture, specifically subcultures related to pool halls, surfing, and beaches. Indeed, this model-scale surfboard may be a future pop-culture relic, referencing a particular surfer or era of board design.
© » KADIST
Julio Cesar Morales
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California. Reenacted here is Vallejo’s acquiescence to Americans who were attempting to overthrow Mexican governance of the region. When a small militia arrived at Vallejo’s house to arrest him, he invited them in and shared a meal.
© » KADIST
Alicia McCarthy
Drawing & Print (Drawing & Print)
A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.
© » KADIST
Miljohn Ruperto
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives. These conceptual throughlines also underpin Ruperto and Minnesota-based director Rini Yun Keagy’s eerie experimental documentary Ordinal (SW/NE) , which collapses mythology, scientific research, Californian agricultural history, American literature, and speculative fiction into a poetic and timely examination of possession, infection, and individual agency in an age of wanton industrial agriculture and alienation. Ordinal (SW/NE) tells the tale of a young Black man named Josiah as he navigates the banalities of daily life while potentially being possessed by a malignant supernatural force or stricken by valley fever, a little-known yet gruesome and sometimes lethal real-life respiratory illness which disproportionately affects farm and field workers, particularly Filipinos and African-Americans.
© » KADIST
Juan Capistran
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
© » KADIST
Mario Ybarra Jr.
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.
© » KADIST
Kota Ezawa
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.
© » KADIST
Elad Lassry
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition. Elad Lassry explores how visual languages are constructed across multiple disciplines and media. His larger body of work responds to the relationship between artistic mediums and their forms, and his prints question familiar modes of viewership and our continuous desire to find and identify clear narratives in photographs.
© » KADIST
Nao Bustamante
Advanced Technology (Advanced Technology)
The Wooden People is a 360º virtual reality film series comprising seven episodes. It is written and directed by artist Nao Bustamante and its cast includes notable Los Angeles-based artists Gabriela Ruiz, rafa esparza, San Cha, Markus Kuiland-Nazario, Ron Athey, and Dorian Wood. The work also features a musical and sound score by Nick Hallett and costumes by OLIMA.
© » KADIST
Natasha Wheat
Drawing & Print (Drawing & Print)
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive. The original photographs were taken by anonymous photographers, not as art but as documents of the building of the Panama Canal. The laborers in the images are holding cans of kerosene and spraying it into the foliage.
© » KADIST
Luisa Lambri
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
© » KADIST
Wallace Berman
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala. The piece’s sub-title, “Shuffle,” suggests the presence of chance and randomness in any given organization of elements.
© » KADIST
Richard T. Walker
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints.
© » KADIST
Alicia McCarthy
Drawing & Print (Drawing & Print)
A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.
Danielle Dean
Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Alicia McCarthy
- location: Oakland, California
- year born: 1969
- gender: female
- nationality: American
- home town: Oakland, California
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Will Rogan
- location: Albany, California
- year born: 1975
- gender: male
- nationality: American
Clare Rojas
- location: San Francisco, California
- year born: 1976
- gender: female
- nationality: American
- home town: Columbus, Ohio
Raymond Pettibon
- location: Hermosa Beach, California
- year born: 1957
- gender: male
- nationality: American
- home town: Tucson, Arizona
Miljohn Ruperto
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: Filipino and Danish
- home town: Manila, Philippines
Nao Bustamante
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Andrea Bowers
- location: Los Angeles, California
- year born: 1965
- gender: female
- nationality: American
- home town: Wilmington, Ohio
Larry Bell
- location: Venice, California
- year born: 1939
- gender: male
- nationality: American
- home town: Chicago, Illinois
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Robert Zhao Renhui
Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...
Wallace Berman
- location: California
- year born: 1926
- gender: male
- nationality: American
- home town: Staten Island, New York
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
John Menick
Rather like the narrator in the video belonging to the Kadist collection, The secret life of things, the artist John Menick is a ‘professional spectator’...
Martine Syms
- location: Los Angeles, California
- year born: 1988
- gender: female
- nationality: American
- home town: Los Angeles, California
Mercedes Dorame
Mercedes Dorame is a photographer and member of the Tongva tribe in Los Angeles...
The Propeller Group and Superflex
The Propeller Group was established in 2006 as a cross-disciplinary structure...
Jeff Burton
- location: Los Angeles, California
- year born: 1963
- gender: male
- nationality: American
- home town: Anaheim, California
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
© » ART & OBJECT
about 11 months ago (02/12/2024)
The Top Art Exhibitions of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTFORUM
about 11 months ago (02/09/2024)
Andrew Berardini on FOG Design Art – Artforum Read Next: EXPO CHICAGO ANNOUNCES PARTICIPANTS FOR 2024 EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » CONTEMPORARYARTDAILY
about 11 months ago (02/07/2024)
Rodrigo Hernández at The Wattis Institute...
© » ARTFORUM
about 11 months ago (02/02/2024)
Ruth Foundation for the Arts Names Winners of Inaugural $100,000 Ruth Awards – Artforum Read Next: FRIEZE ANNOUNCES PARTICIPANTS IN 2024 NEW YORK EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » FLASH ART
about 12 months ago (01/07/2024)
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » TATE EXHIBITIONS
about 12 months ago (01/06/2024)
Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...
© » OBSERVER
about 13 months ago (12/12/2023)
A $1M Scholarship Fund Honors Late Artist Mike Kelley | Observer The late Mike Kelley, renowned for his influential multi-media explorations of memory and transgression, was more than an artist...
© » ART & OBJECT
about 13 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTNEWS
about 13 months ago (12/12/2023)
The Best Art Gifts for Artists and Art Lovers: Updated for Holiday 2023 – ARTnews.com Skip to main content By The ARTnews Recommends Editors Plus Icon The ARTnews Recommends Editors View All December 12, 2023 1:00pm Zakka Joy If you purchase an independently reviewed product or service through a link on our website, ARTNews may receive an affiliate commission...
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© » ARTSJOURNAL
about 13 months ago (12/12/2023)
Stolen Syrian art funds international terrorism – Why aren’t we talking about it? – Annenberg Media Skip to main content Arts, Culture & Entertainment Stolen Syrian art funds international terrorism – Why aren’t we talking about it? Stories about the trafficking of blood antiquities across an international black market don’t often appear in the average person’s news diet; Stories about the terrorist organizations that these antiquity sales fund do, though....
© » ART CENTRON
about 13 months ago (12/09/2023)
Exploring The Other California: A Photographic Journey by Peter Turnley - Artcentron Home » Exploring The Other California: A Photographic Journey by Peter Turnley ART Dec 9, 2023 Ξ Leave a comment Exploring The Other California: A Photographic Journey by Peter Turnley posted by ARTCENTRON Portrait of a Farmer in The Other California, 1975 by Photography by Peter Turnley The Other California , 1975, a photography book by Peter Turnley, celebrates migrant workers, hobos, and everyday heroes, and challenges the prevalent stereotypes of the state...
© » OBSERVER
about 13 months ago (12/08/2023)
One Fine Show: ‘Camille Claudel’ at the Art Institute of Chicago | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside of New York City—a place we know and love that already receives plenty of attention...
© » THEARTNEWSPER
about 13 months ago (12/08/2023)
Arts loom small in Ron DeSantis's proposed state budget Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach news Arts loom small in Ron DeSantis's proposed state budget The Florida governor's proposed budget for the the next fiscal year includes some provisions for museums—and continuing to transport undocumented migrants to Democratic states Benjamin Sutton 8 December 2023 Share Florida governor Ron DeSantis Photo by Gage Skidmore, via Flickr Florida governor Ron DeSantis has had a busy Miami Art Week , participating in the fourth Republican presidential debate on Wednesday night and releasing his proposed state budget for 2024-25 on Tuesday...
© » HYPERALLERGIC
about 13 months ago (12/07/2023)
Citing Silencing of Arab Voices, Artists Cut Ties With Art Canada Institute Skip to content Rana Nazzal Hamadeh, "Untitled" (2020), color digital photograph, inkjet on vinyl, 60 inches x 120 inches (image courtesy of the artist) A number of artists and curators have said they are cutting ties with Art Canada Institute (ACI) after the arts nonprofit was accused late last month of attempting to suppress the voices of a group of Arab and Muslim artists...
© » ART & OBJECT
about 15 months ago (10/05/2023)
Art Institute of Chicago Workers Ratify First Contract | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » BOMB
about 16 months ago (09/25/2023)
BOMB Magazine | Fellowships and Residencies Fall 2023 Necessary (Required) Cookies that the site cannot function properly without...
© » EYE OF PHOTOGRAPHY
about 20 months ago (05/10/2023)
© 2023 All rights reserved - The Eye of Photography © Mona Bozorgi © Emma Creighton Hopson The Savannah College of Art and Design presents work by alumni Mona Bozorgi (M...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Great artists earn plentiful praise, and rightly so, but as “Detroit Collects” reminds, for an art community to thrive, it needs more than makers, it needs buyers....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
As the Cheech Marin Center for Chicano Art and Culture debuts, its founder hopes to inspire a renaissance in a region of California lacking public arts funding....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
New exhibition is dedicated to Margaret Demant—a passionate booster of the Detroit Institute of Arts’ collection...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The Berggruen Institute also announced that philosopher Peter Singer was the recipient of its annual $1m prize...
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about 30 months ago (07/17/2022)
National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Hello Guest | Login National Cohort for the Diversity in Arts Leadership (DIAL) Internship Program Selected for 2022 – 30 years of DIAL Monday, July 18, 2022 Americans for the Arts and its partners— New Jersey State Council on the Arts , Metro Arts: Nashville Office of Arts and Culture , Community Foundation of Sarasota County , Arts Connect International , and United Arts Council of Raleigh and Wake County —are thrilled to announce the interns selected for the 30th year of the Diversity in Arts Leadership (DIAL) program...
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about 54 months ago (07/30/2020)
Vietnam's visual arts and COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Duc Phuong July 30, 2020 By Quyen Hoang (2,100 words, 8-minute read) On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh...
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about 54 months ago (07/28/2020)
Burning Questions: Traditional Arts: The Forgotten COVID Casualty? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 While the pandemic has resulted in losses of jobs in the arts, less has been said about the fate of craftsmen, artisans and masters of intangible heritage and traditional arts...
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about 62 months ago (12/14/2019)
Chain reaction: Lie With Me by Intercultural Theatre Institute | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng December 14, 2019 By Kathy Rowland (1,014 words, 6-minute read) ITI’s graduation production, Lie With Me is filled with broken characters, caught in capsules of emotional decrepitude...
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about 63 months ago (10/22/2019)
Weekly Southeast Asia Radar: Vietnam's new costume institute; Is Penang's art scene dead? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Jitti Chompee October 22, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
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about 70 months ago (04/09/2019)
Book Review: "The State and The Arts in Singapore: Policies and Institutions" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Institute of Policy Studies, Singapore April 9, 2019 By Chin Ailin (734 words, four-minute read) Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s arts and cultural policies...
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1960-1969
Fran Herndon
1962Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
Wallace Berman
1969While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
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1970-1979
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Larry Bell
Drawing & Print
1979(Drawing & Print) Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
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1980-1989
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
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1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
Rodney Graham
1996Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Barbara Bloom
1997In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
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2000-2009
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Tammy Rae Carland
2002Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
Mark Grotjahn
Drawing & Print
2002(Drawing & Print) This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Edgar Arceneaux
Drawing & Print
2006(Drawing & Print) Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Clare Rojas
2006Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Gareth Moore
2006Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
John Menick
2006The theme of the end of the world, of the last man on earth, recurs in our literary and cinematographic culture and in our imaginary: “we had this dream before, the dream that we’re alone.” In The Secret Life of Things , the narrator presents himself as an enthusiast and expert on films announcing the end of the world and those staging someone waking up to discover that they are the only survivor on earth...
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Larry Bell
2007Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Julio Cesar Morales
2008The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Mungo Thomson
Drawing & Print
2008(Drawing & Print) The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Clare Rojas
2008Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Mario Ybarra Jr.
2009Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Miljohn Ruperto
2009Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
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2010-2019
Andrea Bowers
Drawing & Print
2010(Drawing & Print) The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Alicia McCarthy
Drawing & Print
2010(Drawing & Print) A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
Alicia McCarthy
Drawing & Print
2010(Drawing & Print) A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
Nao Bustamante
2010Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Mungo Thomson
2010In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
The Propeller Group and Superflex
2010Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen)...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Will Rogan
Drawing & Print
2010(Drawing & Print) MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Desiree Holman
2010Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Sharon Lockhart
2011Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Natasha Wheat
Drawing & Print
2011(Drawing & Print) Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Natasha Wheat
2011Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Danielle Dean
2012No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Mark Bradford
Drawing & Print
2012(Drawing & Print) This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Brody Condon
2012Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Elad Lassry
2012The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
Elad Lassry
2013In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Daniel Crooks
2014The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Robert Zhao Renhui
2014Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr...
Robert Zhao Renhui
2014Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Danielle Dean
2015Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...
Danielle Dean
2016In 2003, Nike released a pair of red and black sneakers (the Dunk Low Pro SB ) that were marketed as “vampire” sneakers...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Danielle Dean
2017In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Mercedes Dorame
2018Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
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2020-2029
Andrea Fraser
Drawing & Print
2020(Drawing & Print) The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor...
Nao Bustamante
Advanced Technology
2021(Advanced Technology) The Wooden People is a 360º virtual reality film series comprising seven episodes...
