In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space. There is no special or definite way to understand it. And it is in this construction where Morales envisions the world as an endless void, or timeless gravity, that we fall deeper and deeper into our own humanity.
Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires. He walks through churches, shops, and libraries—accessing completely different interior spaces simply by going through doors. The seamless editing allows the man to transcend locations: after he enters a house from a busy intersection he emerges in the halls of a school.
Drawing & Print (Drawing & Print)
geopoliticalThe Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs. For this sculpture made of rock and glass the artist has created a milky glass-blown shape, almost like fabric in its form, which is draped over a metallic rock in the shape of an egg. For the artist, the egg is an alchemical symbol that is representative of conception and birth.
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975). Chiang was born with the sun in Scorpio and at the Ninth House, moon in Aries, and ascendant in Capricorn, signifying an individual who is headstrong, intense, and persistent, with a desire for leadership. Yin-Ju juxtaposes images of outer space, war, and subservient masses, calling attention to how the dictator’s violence and charismatic power over the crowd was predicted by his particular astrology.
For her telephone sound composition Dial Tone Drone, Aura Satz commissioned a conversation between two old friends, the sound pioneers Pauline Oliveros (1932-2016) and Laurie Spiegel (born 1945). Carried out via iPhone and Skype and prompted by a series of questions from Satz, the pair congenially discuss aspects of drone sounds, which for years have been an important component of their unconventional electronic work, both audio and video. Their interest in drone sounds and use of sustained or repeated sounds, notes, or tone-clusters aligned with Satz’s own interest in alert signals, and the latter’s attempt to forge a new understanding of hypervigilance and emergency through sound as a perceptual trigger of high alert.
25 by Vuth Lyno addresses the legacy of the UN’s 1992-93 peacekeeping operation in Cambodia (UNTAC). This operation steered the country’s transition out of three decades of war and destruction—civil war, the Khmer Rouge era (1975-79), and the factional conflicts of the 1980s—towards a new, ‘democratic’ future. It was the most ambitious and successful UN peacekeeping mission of its time.
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.
On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan. He held her up in the morning light as the car drove down Park Avenue, blocks away from the Museum of Modern Art, where Zanna Gilbert, the mother, was a fellow. After arriving at the hospital, Horvitz tweeted a photo and later e-mailed his friends and family with additional images.
Drawing & Print (Drawing & Print)
Wordplay was a central focus of Koller’s work, in particular the acronym U. F. O., which he adapted in his diagrammatic drawings to stand variously for Univerzálna Futurologická Organizácia (Universal Futurological Organization, 1972–3), Univerzálny Filozoficky Ornament (Universal Philosophical Ornament, 1978) or Underground Fantastic Organization (1975), and which also appeared in a series of slapsticky self-portraits titled ‘U. F. O.–naut’ (1970–2007). These infinite variations on a common cipher constituted an insistent incantation of the Utopian principle.
Wordplay was a central focus of Koller’s work, in particular the acronym U. F. O, which he adapted in his diagrammatic drawings to stand variously for Univerzálna Futurologická Organizácia (Universal Futurological Organization, 1972–3), Univerzálny Filozoficky Ornament (Universal Philosophical Ornament, 1978) or Underground Fantastic Organization (1975), and which also appeared in a series of slapsticky self-portraits titled ‘U. F. O.–naut’ (1970–2007). These infinite variations on a common cipher constituted an insistent incantation of the Utopian principle.
Eija Riitta was born in 1954 in Liden, Sweden, and is “objectum-sexual.” Since June 17, 1979, her name is Eija Riitta Berliner Mauer taking the name of her husband, the Berlin Wall. In animism all elements of nature are considered as alive and have souls. “Objectum-sexuality” is an extension of this belief.
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made.
The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines. While they resemble subway maps or star clusters, the lines mostly refer to ancient Chinese diagrams of Dao and inner alchemy. Both of the images are of undisclosed actions performed by Collective Actions on the field in Kyevy Gorky.
Drawing & Print (Drawing & Print)
Aktionsplan is a map of the field by Kyevy Gorky. Here Monastyrsky locates many of the iconic actions that occurred between 1977 and 1999. In this drawing, the static positions of the audience are marked with circles while the audience that re-locates is marked with hexagons as an arrow delineates their trajectory.
In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each. On each episode a little boy and girl are firstly asked about their daily lives. By broadening the scope of the interview, the questions of Godard and Mieville gradually bring the protagonists to think of themselves as subjects in the history of the world, to “live and see themselves on television” with a critical point of view.
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set. Rather than deploying a narrative strategy, Grandmaison focuses on the gestures of the musicians and the repetitions they carry out when recording their individual tracks. The musicians are portrayed nodding, dancing, improvising, strumming, creating resonance that is repeated over and over– however, Grandmaison is sure not to document their entire faces or expressions while they perform, just details.
Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.
The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious. In a trilogy of nearly identical sculptures by A. K. Burns, the artist conjures the same string of word compounds on a metal gate nearly 15 years after Rumsfeld’s infamous statement. Resembling ubiquitous black fences across New York City, Unknown Unknown presents the paradox of this statement as a physical division and linguistic deviation, acting jointly as both a threshold and obstacle.
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016. Mayotte is the only remaining island belonging to France in the archipelago of the Comoros, which gained independence in 1975, creating an invisible border that divides the islands from Europe. Koropa is the portrait of a particular relationship: that of Ben, a former fisherman turned smuggler, and Patron, a child who makes his first smuggling voyage between the island of Anjouan and Mayotte.
366 Liberation Rituals is a series that gathers a number of actions related to the artist’s micro-politics. They materialize as a plurality of pointers that destabilize reality and interrogate our outlook on the political historicity of former Yugoslavia. These actions were realized over the course of the year the artist turned forty and revolved for one part around the revolutionary movement of 1968 and on the other on the informal group called Grupa šestorice autora (Group of Six Authors)* which was active in Zagreb between 1975 and 1979.
Drawing & Print (Drawing & Print)
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s. What a fucking wonderful audience (2008) is positioned conveniently at the crossroads of several trends identified in the work of the artist. The performance from which it is derived, was made at the Biennale of Sydney in 2008, taking the form of a guided tour at the Museum of Modern Art in Sydney and focuses on artworks that were not physically present.
Drawing & Print (Drawing & Print)
All Kovanda’s artistic practice poses the question of visibility. Having worked on actions and performance, the artist decided to ‘disappear’ from his artworks during twenty years; in 2007, his performance Kissing through glass in the institutional setting of Tate Modern was acclaimed by critics. Some works are only visible thirty years later via traces and archives; the artist’s rehabilitation by institutions and galleries offers a new critical reading of his practice which had until then remained rather confidential.
Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space. This particular approach implies the performative aspect of her in situ painting. The artist takes the entire environment into consideration from the canvas to the exhibition walls.
Michal Chelbin’s staged yet intimate portrait photographs, seduce the viewer into uncomfortable, voyeuristic complicity with the camera. Several works represent adolescent girls on the verge of sexual consciousness, their bodies still that of a child while their gaze directly confronts the viewer implying differently. Michal Chelbin shoots in a format of utter stability-the square.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist. Both of those interests feed deeply into his artistic practice, which ranges from workshops, dialogues, and exchanges to environments, drawings, and sculpture. Metaphors of the presence or conversations at the speed of light (2012) is a sculpture of a lightbulb that the artist altered.
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view. Initially conceived for an exhibition with natural light, this work diffracts light and projects a shadow like a cut-out. Surprisingly the work stands like a drawing in space, a graph and its imprint, a line and a point.
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Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...
Artist, poet, writer and theoretician...
Brian D...
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
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The practice of the French-Moroccan artist Malik Nejmi (b...
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Although the practice plays a central role in the work of David Horvitz, his work is at the opposite of fine art objects...
A.K...
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
Remembering Indigenous Artist and Organizer Klee Benally Skip to content In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas PHOENIX — Multiple communities are mourning the loss of Klee Benally, an anti-colonial Indigenous activist, installation artist, filmmaker, and musician whose work centered around land rights, Indigenous liberation, and climate justice...
Does new M+ exhibition based on East Asian ink landscape paintings go too far or not far enough? | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “(All is) non-hierarchical” (2022), a ceramic sculpture by Macanese artist Heidi Lau, at “Shanshui: Echoes and Signals”, the new exhibition at Hong Kong’s M+ museum of visual culture based on East Asian ink landscape paintings...
Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...
Pace Gallery announces global representation of Paul Thek’s estate...
Using Dance to Tell the Story of Mozambique’s Struggles - The New York Times Africa | Using Dance to Tell the Story of Mozambique’s Struggles https://www.nytimes.com/2023/12/15/world/africa/mozambique-dance-choreographer-canda.html Share full article Advertisement SKIP ADVERTISEMENT A soft voice broke into the dark auditorium, lit only by a projection of a globe bearing the outline of Africa on a screen...
Julie Mehretu Work Sets Auction Record | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Janet Panetta, 74, Dies; Admired Dancer, Choreographer and Teacher - The New York Times Dance | Janet Panetta, 74, Dies; Admired Dancer, Choreographer and Teacher https://www.nytimes.com/2023/12/08/arts/dance/janet-panetta-dead.html Share full article Advertisement SKIP ADVERTISEMENT Janet Panetta, who overcame childhood polio to become a dancer with American Ballet Theater, a performer in New York’s thriving downtown modern dance scene and a revered ballet teacher, died on Saturday in Brooklyn...
The Art Market Recap 2023 | Artsy Skip to Main Content Art Market The Art Market Recap 2023 Arun Kakar Dec 12, 2023 11:01PM For those who keep a close eye on the art market, 2023 has been characterized by one word: correction...
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
Monica Sjöö: The Great Cosmic Mother; Colour Revolution: Victorian Art, Fashion & Design – review | Art | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Greta Thunberg is an admirer’: Meeting the Ancestors at Avebury, 1993...
Exploring The Other California: A Photographic Journey by Peter Turnley - Artcentron Home » Exploring The Other California: A Photographic Journey by Peter Turnley ART Dec 9, 2023 Ξ Leave a comment Exploring The Other California: A Photographic Journey by Peter Turnley posted by ARTCENTRON Portrait of a Farmer in The Other California, 1975 by Photography by Peter Turnley The Other California , 1975, a photography book by Peter Turnley, celebrates migrant workers, hobos, and everyday heroes, and challenges the prevalent stereotypes of the state...
Review: ‘Anselm,’ by Wim Wenders, Is a Boring Anselm Kiefer Film – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All December 8, 2023 9:15am Still from Anselm , 2023...
‘You wait for someone to fill the frame’: Remembering Elliott Erwitt in Paris - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Elliott Erwitt in reflection, Tropicana Hotel, Las Vegas, Nevada, USA, 1957 This article was originally published on 30 March 2023 The passing of Elliott Erwitt is a major loss for the photo community...
On View: Deborah Turbeville “Photocollage” at Photo Elysée | Observer Though her name remains relatively under the radar compared to peers like Helmut Newton and Guy Burdin, Deborah Turbeville and her body of work left a permanent impression on the photography world...
Le Beau Vice: Lifes of Performers (1972), India Song (1975), Yvonne Rainer, Marguerite Duras (Valda Setterfield, Delphine Seyrig), la vie en voie off....
French movie stars pay final farewell to British-born actor and singer Jane Birkin Skip to main content French movie stars pay final farewell to British-born actor and singer Jane Birkin Stars of the French screen on Monday turned out to bid a final farewell to the British-born actor and singer Jane Birkin who died earlier this month after charming France for decades with her style and panache...
Années pop, années choc, 1960-1975 — Mémorial de Caen — Exhibition — Slash Paris Login Newsletter Twitter Facebook Années pop, années choc, 1960-1975 — Mémorial de Caen — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Années pop, années choc, 1960-1975 Exhibition Painting, sculpture, mixed media Bernard Rancillac, Mélodie sous les palmes, 1965 (détail) © Fondation Gandur pour l’art Genève — Photographie André Morin — ADAGP Paris, 2023 Années pop, années choc, 1960-1975 Ends in 6 months: June 22 → December 31, 2023 Conçue à partir des œuvres de la figuration narrative de la Fondation Gandur pour l’Art et des collections du Mémorial (affiches, objets, films, photographies, unes de presse), Années pop, années choc, 1960-1975 aborde la représentation de l’histoire en marche : celle notamment de la guerre du Vietnam et de la confrontation entre blocs durant la guerre froide, des procès tardifs des nazis en Allemagne, du franquisme au pouvoir, de la révolution culturelle chinoise, mais aussi celle plus sociale de Mai 68, des luttes pour l’égalité des sexes ou contre la ségrégation raciale, de la société de consommation et du tourisme de masse comme pivots de l’histoire du monde occidental...
Années pop, années choc, 1960-1975 — Mémorial de Caen — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Années pop, années choc, 1960-1975 — Mémorial de Caen — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Années pop, années choc, 1960-1975 Exposition Peinture, sculpture, techniques mixtes Bernard Rancillac, Mélodie sous les palmes, 1965 (détail) © Fondation Gandur pour l’art Genève — Photographie André Morin — ADAGP Paris, 2023 Années pop, années choc, 1960-1975 Encore 6 mois : 22 juin → 31 décembre 2023 Conçue à partir des œuvres de la figuration narrative de la Fondation Gandur pour l’Art et des collections du Mémorial (affiches, objets, films, photographies, unes de presse), Années pop, années choc, 1960-1975 aborde la représentation de l’histoire en marche : celle notamment de la guerre du Vietnam et de la confrontation entre blocs durant la guerre froide, des procès tardifs des nazis en Allemagne, du franquisme au pouvoir, de la révolution culturelle chinoise, mais aussi celle plus sociale de Mai 68, des luttes pour l’égalité des sexes ou contre la ségrégation raciale, de la société de consommation et du tourisme de masse comme pivots de l’histoire du monde occidental...
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Rare Henry Moore sculpture sold for eight times estimate after bidding war | The Independent A sculpture by pioneering British artist Henry Moore has sold for £400,000 at auction after a bidding war...
Titan of pop art returns to auction after record-breaking sale | The Independent Andy Warhol’s Self-Portrait, one of his final works, is going under the hammer in New York ...
Picasso, Basquiat Lead Western Auction Market’s Q2 Comeback: Analysis This analysis of the Spring to Summmer 2021 New York, London and Paris auctions at Christie's, Sotheby's and Phillips is available to AMMpro subscribers ...
Women making history: Snow Whitening Revisited | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Anders Jiras February 10, 2021 By Brian Toh (814 words, 4-minute read) Snow Whitening Revisited presents an allegory on being a female artist in Cambodia, playing with imagery that evokes visceral feelings of clinging, and a sense of embodied helplessness that pays tribute to both cultural heritage and a deep historical trauma...
Weekly Southeast Asia Radar: Burmese hip hop, and queer Vietnamese singer Tuimi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Via Myanmar Times August 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Alex Webb | ARTPIL ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS + [–] Search for: Search Button • [ share: facebook | twitter | linkedin | email ] RELATED ARTICLES WAR, and the Declaration of Human Rights 75 year Anniversary Matthew Hong / December 10, 2023 Recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family.....
Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...
“While taking the picture it was challenging to make the boys sit properly without moving...
“Other photographers used to send me negatives of cross-eyed people, asking me to retouch them...
“In the 1980s I started using coloured paper backdrops, one of which was yellow...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...
“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Drawing & Print
All Kovanda’s artistic practice poses the question of visibility...
This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...
El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology...
Drawing & Print
Wordplay was a central focus of Koller’s work, in particular the acronym U...
The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time...
This image is an extract from a notebook in the archives of doctor Fakhouri that lists the cars that have been used for bombs between 1975 and 1991...
Drawing & Print
Aktionsplan is a map of the field by Kyevy Gorky...
Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other...
It is a little known fact that Lebanese historians were also gamblers during the war...
The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings...
Drawing & Print
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set...
Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space...
Michal Chelbin’s staged yet intimate portrait photographs, seduce the viewer into uncomfortable, voyeuristic complicity with the camera...
The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines...
Drawing & Print
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Drawing & Print
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Drawing & Print
In “Untitled II (Mapping text)”, 2009, Langa abstracts language in an attempt to change the familiar into the absurd...
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...
Eija Riitta was born in 1954 in Liden, Sweden, and is “objectum-sexual.” Since June 17, 1979, her name is Eija Riitta Berliner Mauer taking the name of her husband, the Berlin Wall...
366 Liberation Rituals is a series that gathers a number of actions related to the artist’s micro-politics...
Drawing & Print
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
The Théâtre de poche video is inspired by Arthur Lloyd / “Human Card Index”, a magician who was famous for being able to take out of his pockets any image requested by his spectators...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Drawing & Print
“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...
Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...
The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each...
Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...
Drawing & Print
Charles Avery has been constructing a narrative in his work since 2004...
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...
LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...
Lack of evidence is the account of a Nigerian called Oscar exiled in France, which confronts a historical and social reality with a personal and intimate testimony...
Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
KLAU MICH is a TV and performance project by Dora García with Ellen Blumenstein, Samir Kandil, Jan Mech, TheaterChaosium, and Offener Kanal Kassel, during the 100 days of dOCUMENTA (13)....
Julien Crépieux is interested in the medium of video and its confrontation with cinema...
Drawing & Print
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
The Battle of Karbala was a military engagement that took place on 10 Muharram, 61 AH (October 10 th , 680) in Karbala, situated in present day Iraq, when Hussein, the grandson of the prophet Muhammad, was killed...
Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
Drawing & Print
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted...
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...
Drawing & Print
The series refers to the militarization in Iran and surrounding countries and criticizes it by naming it reproduction of failure...
Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...
Drawing & Print
The work, Promesse d’endettement provisoire (Promise of temporary debt) , begins with a contract signed with KADIST...
Drawing & Print
geopoliticalThe Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
Prabhakar Pachpute was born in 1986 and raised in Chandrapur (Maharashtra), India, a place known as ‘The City of Black Gold’, where his family has worked for three generations in one of the oldest mines in the country...
In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan...
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...