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Sal Sem Carne
© » KADIST

Cildo Meireles

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

First Born
© » KADIST

Rachel Rose

Sculpture (Sculpture)

First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs. For this sculpture made of rock and glass the artist has created a milky glass-blown shape, almost like fabric in its form, which is draped over a metallic rock in the shape of an egg. For the artist, the egg is an alchemical symbol that is representative of conception and birth.

Two Palestinian Sisters
© » KADIST

Akram Zaatari

Photography (Photography)

Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him. The studio was a constant flux of visitors.

"Anonymous (Jradi and a friend)", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him.

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

Anonymous, Madani's parents home
© » KADIST

Akram Zaatari

Photography (Photography)

“While taking the picture it was challenging to make the boys sit properly without moving. Sometimes a member of the family whould hide behind, holding the child.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

"Najm", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

"Anonymous", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

A girl and her brother. Studio Sherazade. 1960s
© » KADIST

Akram Zaatari

Photography (Photography)

“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal. Placing one’s hand on a stable surface helps position the shoulders and the general posture of the body.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

Anonymous. Madani,’s parent’s home. The Studio, 1949-50
© » KADIST

Akram Zaatari

Photography (Photography)

“Other photographers used to send me negatives of cross-eyed people, asking me to retouch them. I used to scratch out the emulsion where the pupil is, and draw another one right next to it.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

Anonymous, Studio Sherhazade
© » KADIST

Akram Zaatari

Photography (Photography)

“In the 1980s I started using coloured paper backdrops, one of which was yellow. You can see they never reached the floor. I used them for colour and black-and-white photography.” Hashem El Madani.

Bashasha (left) and a friend. Studio Sherhazade
© » KADIST

Akram Zaatari

Photography (Photography)

“Films inspired people a lot. they came to perform kissing in front of a camera. In a conservative society such as Saida, people were willing to play the kiss between two people of the same sex, but very rarely between a man and a woman.

The End
© » KADIST

Dennis Adams

Photography (Photography)

Observing the sky after 11 September 2001, Dennis Adams photographed elements which had been lifted by drafts and were floating above the city of New York. The artist was only able to identify the objects after developing and enlarging the prints: you can read “He’s no terrorist”. The front page of the newspaper thrusts back to ‘the event’ of the 21st century and is revealed only through the detailed observation of the image; the painful twist of the newspaper could be a rustling wing.

"Baqari’s wife", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself. He was upset to know that she came to be photographed in my studio without telling him. He came asking for the negatives.

Make Down
© » KADIST

Dennis Adams

Film & Video (Film & Video)

The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror. The peculiarity of the scene consists in two symbolic details: first, the make-up itself, covering his face, hair and torso – a thick kaki layer, reminding of military camouflage – and second, the paper used to remove the make-up – black and white prints of stills taken from Gillo Pontecorvo’s 1965 film, “La bataille d’Alger” ( The Battle of Algiers). These still images put together recreate a sequence in which a young Algerian woman takes off her veil and puts on Western make-up.

baby born in the back of an uber
© » KADIST

David Horvitz

NFT (NFT)

On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan. He held her up in the morning light as the car drove down Park Avenue, blocks away from the Museum of Modern Art, where Zanna Gilbert, the mother, was a fellow. After arriving at the hospital, Horvitz tweeted a photo and later e-mailed his friends and family with additional images.

France, détours, episode 2: this line is your path
© » KADIST

Frédéric Moser, Philippe Schwinger

Film & Video (Film & Video)

In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each. On each episode a little boy and girl are firstly asked about their daily lives. By broadening the scope of the interview, the questions of Godard and Mieville gradually bring the protagonists to think of themselves as subjects in the history of the world, to “live and see themselves on television” with a critical point of view.

Banquetas Chéveres (Chéveres Stools)
© » KADIST

Jorge González

Installation (Installation)

Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios. González’s work employs a modernist language while paying homage to artisanal techniques specific to Puerto Rico and the Indigenous knowledge, people, and histories of the Carribean. Reinterpreting the furniture line ArKlu (1945-1948) conceived by the architects Stephen Arneson and Henry Klumb, the stools were conceived in collaboration with various artisans in Puerto Rico–Eustaquio Alers, a weaver from Aguadilla, Joe Hernández from Ciales, and MAOF from San Juan, a contemporary wood-salvaging collective, among others.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

Tungus
© » KADIST

Wang Tuo

Film & Video (Film & Video)

Tungus is the third chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

22022021, Yawnghwe Office in Exile
© » KADIST

Sawangwongse Yawnghwe

Sculpture (Sculpture)

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.

Sometimes It Was Beautiful
© » KADIST

Christian Nyampeta

Film & Video (Film & Video)

The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo. The divergent opinions of the characters, as well as suggestive gestures, settings, and marks inscribed in the landscape highlight the different approaches in addressing the slow violence linked to the enduring impact of colonialism and imperialism, the pursuit of knowledge, and the conservation of heritage, culture, and object repatriation. Structured into six chapters, the film imagines a meeting between improbable friends and interlaces dialogues, with choreography of dancers, places and objects.

Straight Flush - The Balfour Declaration (1917)
© » KADIST

Bady Dalloul

Drawing & Print (Drawing & Print)

The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.

What a fucking wonderful audience
© » KADIST

Dora Garcia

Drawing & Print (Drawing & Print)

Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s. What a fucking wonderful audience (2008) is positioned conveniently at the crossroads of several trends identified in the work of the artist. The performance from which it is derived, was made at the Biennale of Sydney in 2008, taking the form of a guided tour at the Museum of Modern Art in Sydney and focuses on artworks that were not physically present.

XXX…I had arranged to meet some friends at 7:40pm
© » KADIST

Jiri Kovanda

Drawing & Print (Drawing & Print)

All Kovanda’s artistic practice poses the question of visibility. Having worked on actions and performance, the artist decided to ‘disappear’ from his artworks during twenty years; in 2007, his performance Kissing through glass in the institutional setting of Tate Modern was acclaimed by critics. Some works are only visible thirty years later via traces and archives; the artist’s rehabilitation by institutions and galleries offers a new critical reading of his practice which had until then remained rather confidential.

Warder
© » KADIST

Lydia Gifford

Installation (Installation)

Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space. This particular approach implies the performative aspect of her in situ painting. The artist takes the entire environment into consideration from the canvas to the exhibition walls.

Akram Zaatari

Jiri Kovanda

Sawangwongse Yawnghwe

Sawangwongse Yawnghwe comes from the Yawnghwe royal family of Shan...

Julio Cesar Morales

Claudia Andujar

Claudia Andujar was born in Switzerland in 1931, and then moved to Oradea, on the border between Romania and Hungary, where her paternal family, of Jewish origin, lived...

Ian Wallace

Dora Garcia

Dora Garcia was born in 1965 in Valladolid, Spain...

Brian Tripp

Brian D...

Haig Aivazian

Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there...

Omer Fast

Meiro Koizumi

Meiro Koizumi is a Japanese video and performing artist, born in 1976...

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Michel Auder

Michel Auder was born in 1945 in Soissons, France...

Dennis Adams

Since 1998, through site specific works, often in public spaces, or video works, Dennis Adams focuses on ambiguous characters, condemned by our recent history, revealing traumas or collective amnesia phenomena...

Prabhakar Kamble

Prabhakar Kamble is an artist, curator, and cultural activist...

Em'kal Eyongakpa

Em’kal Eyongakpa was born in Cameroon in 1981...

Charles Avery

Thea Djordjadze

Thea Djordjadze was born in 1971 in Tiflis, Georgia...

Mike Cooter

Mike Cooter’s practice interrogates the place of the artist in society and his implication in reality, indeed in most of his projects he works with third parties et integrates them into the artistic process...

Alban Hajdinaj

Alban Hajdinaj creates parallel worlds, fictions from a chaotic context: his generation and his country...

Etel Adnan

Etel Adnan was born on February 24, 1925 in Beirut and died in Paris on November 14, 2021...

Danielle Dean

Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...

Wang Mowen

Trained as a photographer, artist Wang Mowen was born and raised in Dalian and she currently lives and works in Beijing...

Juan Brenner

Born and raised in Guatemala, photographer Juan Brenner spent ten years in New York City working in the fashion industry before returning to his home country in 2008...

Ceal Floyer

Tom Nicholson

Tom Nicholson is trained in drawing, a medium which he has used to think about the relationships between public actions and their traces, between propositions and monuments, and between writing and images...

Nao Bustamante

California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...

LaToya Ruby Frazier

LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania (USA)...

© » ANOTHER

about 8 months ago (02/12/2024)

The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...

© » HYPERALLERGIC

about 8 months ago (02/06/2024)

The Enigmatic Bolivian Artist Who Centered Indigenous Workers’ Rights Skip to content Alejandro Mario Yllanes, "Estaño Maldito (Cursed Tin)" (1937), oil on burlap, 60 inches x 77 1/2 inches (all images courtesy Ben Elwes Fine Art, London) The Bowdoin College Museum of Art has acquired a painting by Indigenous Bolivian artist Alejandro Mario Yllanes, the first by the enigmatic artist to enter the collection of a museum in the United States...

© » SOUTH CHINA MORNING POST

about 9 months ago (02/03/2024)

After one of China’s most famous 20th-century artists left his homeland, his life was a mystery...

© » 1854 PHOTOGRAPHY

about 9 months ago (02/01/2024)

Remembering Brian Griffin (1948-2024) - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Martin In my Room Elsynge Road Wandsworth, London, 1977...

© » ARTEFUSE

about 9 months ago (01/25/2024)

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

© » SLASH PARIS

about 9 months ago (01/22/2024)

Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...

© » CONTEMPORARYAND

about 9 months ago (01/17/2024)

Mabel Cetu: A Complicated Legacy | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Female Pioneers Mabel Cetu: A Complicated Legacy L’autrice Ethel-Ruth Tawe s’interroge sur les multiples récits liés au travail photojournalistique de Mabel Cetu, en particulier l’analyse de Stephanie Jason développée dans Centring Silences autour de l’absence de Cetu dans les archives....

© » THEARTNEWSPER

about 10 months ago (12/15/2023)

First gallery show dedicated to Ghanaian photography pioneer will display previously unseen works capturing life under colonial rule Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news First gallery show dedicated to Ghanaian photography pioneer will display previously unseen works capturing life under colonial rule The photos are part of a 50,000-strong archive being preserved by the artist J...

© » ART & OBJECT

about 10 months ago (12/12/2023)

Julie Mehretu Work Sets Auction Record | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ARTSJOURNAL

about 10 months ago (12/12/2023)

Janet Panetta, 74, Dies; Admired Dancer, Choreographer and Teacher - The New York Times Dance | Janet Panetta, 74, Dies; Admired Dancer, Choreographer and Teacher https://www.nytimes.com/2023/12/08/arts/dance/janet-panetta-dead.html Share full article Advertisement SKIP ADVERTISEMENT Janet Panetta, who overcame childhood polio to become a dancer with American Ballet Theater, a performer in New York’s thriving downtown modern dance scene and a revered ballet teacher, died on Saturday in Brooklyn...

© » HYPERALLERGIC

about 10 months ago (12/11/2023)

The Ruins Should Be Inhabited as Part of a Process of Repair Skip to content A tracing of a photograph one cannot show but still can view at the ICRC archive under the original title: "Tul karem region, women and children part of the transfer of 1100 persons leaving the Jewish zone on their way to the Arab zone under the auspices of the ICRC (International Committee of the Red Cross),” reference number: V-P-PS-N-0-4-2679 (tracing by Ariella Aïsha Azoulay from her 2019 book Potential History: Unlearning Imperialism ) Why rewrite a text after having written and published it a few weeks earlier? Because something horrible is happening in Palestine and it is happening to us too, once again...

© » ARTSY

about 11 months ago (12/01/2023)

Elliott Erwitt, photographer who captured Marilyn Monroe and New York City, has died at 95...

© » FRANCE24

about 15 months ago (07/24/2023)

French movie stars pay final farewell to British-born actor and singer Jane Birkin Skip to main content French movie stars pay final farewell to British-born actor and singer Jane Birkin Stars of the French screen on Monday turned out to bid a final farewell to the British-born actor and singer Jane Birkin who died earlier this month after charming France for decades with her style and panache...

© » ART AND CAKE

about 16 months ago (06/12/2023)

Displacement, Disconnection & Disruption: Alternate Perceptions of the Diasporic Experiences – Art and Cake June 12, 2023 June 15, 2023 Author Displacement, Disconnection & Disruption: Alternate Perceptions of the Diasporic Experiences Fatemeh Burnes “Wonderland” Displacement, Disconnection & Disruption: Alternate Perceptions of the Diasporic Experiences By Betty Ann Brown We are living in dystopia, in a world that is dominated by technology and disconnect, alienation, loneliness, and dysfunction...

© » ART AND CAKE

about 16 months ago (06/12/2023)

Displacement, Disconnection & Disruption: Alternate Perceptions of the Diasporic Experiences – Art and Cake June 12, 2023 June 15, 2023 Author Displacement, Disconnection & Disruption: Alternate Perceptions of the Diasporic Experiences Fatemeh Burnes “Wonderland” Displacement, Disconnection & Disruption: Alternate Perceptions of the Diasporic Experiences By Betty Ann Brown We are living in dystopia, in a world that is dominated by technology and disconnect, alienation, loneliness, and dysfunction...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Fayez Sarofim, Houston Financier and Museum Benefactor, Dies at 93 - via ARTnews...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Nish McCree Is Building an Astute Collection of Contemporary African Art—and Working to Embolden the Continent’s Artists in the Process - via artnet news...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

The Italian-born collector and philanthropist Valeria Napoleone told us the artists on her wishlist for the next year....

© » LARRY'S LIST

about 25 months ago (10/05/2022)

At home in Brooklyn, Haiti-born, Brooklyn-raised art advisor Gardy St...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

BEIRUT: Since the outbreak of the COVID-19 pandemic, museums, galleries and art fairs around the world have launched sophisticated virtual tours, often paired with the hashtags #MuseumFromHome and #ClosedButOpen, to offer a much-needed path to calm, reflection and enlightenment...

© » THE JEALOUS CURATOR

about 29 months ago (06/04/2022)

Yep, that image pretty much sums it up! Large-scale, hyperreal paintings on custom-cut panel, and a pug named Mochi...

© » THE INDEPENDENT

about 32 months ago (03/16/2022)

Rare Henry Moore sculpture sold for eight times estimate after bidding war | The Independent A sculpture by pioneering British artist Henry Moore has sold for £400,000 at auction after a bidding war...

© » THE INDEPENDENT

about 32 months ago (02/18/2022)

Titan of pop art returns to auction after record-breaking sale | The Independent Andy Warhol’s Self-Portrait, one of his final works, is going under the hammer in New York ...

© » ARTMARKETMONITOR

about 40 months ago (07/12/2021)

Royalty and Rediscoveries Drive Van Dyck’s Momentum at Auction Two van Dyck royal portraits sold at Sotheby’s in February 2018...

© » HIGH FRUCTOSE

about 57 months ago (01/31/2020)

Mari Katayama's photography uses her own body as one of her materials...

© » HIGH FRUCTOSE

about 58 months ago (01/24/2020)

Unit London is hosting a retrospective and memorial show to honor the late Tom French, the brilliant young painter who lost his battle with cancer on Christmas Day 2019...

© » HIGH FRUCTOSE

about 59 months ago (12/18/2019)

Barcelona-born muralist Saturno has a knack for the monstrous...

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Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 Museum of Modern Art, New York Open July 15 From Sarajevo, head south on the M20 motorway until the road signs change from Roman to Cyrillic...

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Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...

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