Film & Video (Film & Video)

This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness. In Zombie Swallows The World, the image of the figure is almost overcome by strong light that visually blows away the edges of the body.

Drawing & Print (Drawing & Print)

This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness. In Zombie Examined, the frayed edges of the body are undone by a clinical look, rather than a visual effect.

Sculpture (Sculpture)

This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness.

Sculpture (Sculpture)

This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness.

Film & Video (Film & Video)

Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico. The footage was filmed during the production of Tropical Vulture , a cross-generational collaborative project between George Kuchar and his then student, Mexican artist Miguel Calderón. The video strays away from the conventions of documentary: Kuchar adds an array of effects such as fadeouts between scenes, overlaid digital shapes traversing across the frame, and a strange, unexpected soundtrack.