Sculpture (Sculpture)

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.

Drawing & Print (Drawing & Print)

The figure in Armless tapers away. Muscular legs turned upright spin down into a disintegrating torso. Lines, that in another drawing would sketch out contours and volume, here seem to be strands of flesh.