© » KADIST
Pedro Reyes
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste. There is a missing organ in our social metabolism which would work as a stomach or intestines. The Recyclone is a device made of plastic containers that fit into each other.
© » KADIST
Pedro Reyes
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies. As in a periodic table, animals and objects are combined with humans (male or female), providing a rational framework for the irrational products of human imagination. A Cartesian matrix such as this must follow certain rules.
© » KADIST
Paul Kos
Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.
© » KADIST
Allora & Calzadilla
Vieques is an island off the mainland of Puerto Rico used by the U. S Navy and NATO forces as military testing ground as from the 1940s. Civil disobedience and active protest movements initiated by local inhabitants and an international support network led to the end of the bombings and progressive demilitarization in 2002.
© » KADIST
Wura-Natasha Ogunji
Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work. Stating, “migration problems can and should find their solution within the affirmation of ‘freedom of movement’ as the new inalienable right of humans. No human has chosen or chooses the place where they were born.
© » KADIST
Claudia Joskowicz
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist. The video begins with the image of a ghost-like female figure, representing La Llorona, slowly walking down a well-known street in Oaxaca, from the main square (el Zócalo) to the Teatro Macedonio Alcalá, with a painful expression on her face. According to this famous oral myth, the Weeping Woman drowned her two sons in a fit of grief and anger after her husband abandoned her.
© » KADIST
Duto Hardono
Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality. Unlike other works, where he generates sound using analog cassette tapes, this performance uses the human voice. Participants are instructed to vocalize ‘In’, ‘Harmonia’, and ‘Progressio’ – words that make up a Latin phrase which means “progress inside harmony”.
© » KADIST
Nguyen Trinh Thi
The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province. It begins with sound – perhaps a hammer, or a gong – the lack of image making its identification difficult. A landscape emerges of an open field where a farmer tends his grazing cow herd.
© » KADIST
Lutz Bacher
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1. Lutz has edited the recording by slowing it down slightly and adding background sound from the same recording. In Lutz’s edit, these are all the names of the ancestors of Jesus leading up to Joseph, but she leaves Jesus out of it, then reverses chronologically.
© » KADIST
Agatha Gothe-Snape
Agatha Gothe-Snape’s POWERPOINTS is an ongoing series of digital artworks that have been created with Microsoft PowerPoint. They are endless loops with sound. POWERPOINTS parallel Gothe-Snape’s broader conceptual practice stemming from improvisational performance.
© » KADIST
Em'kal Eyongakpa
Em’kal Eyongakpa was born in Cameroon in 1981. After obtaining a postgraduate diploma in Botany and Ecology, he decided to concentrate exclusively on visual and sound art. His use of poetic, symbolic and surrealistic imagery is often sprinkled with paradoxes that challenge the obvious.
© » KADIST
Native Art Department International
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
© » KADIST
Carla Zaccagnini
De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past. The sound installation is made from a recording of the bell at Capela de Nossa Senhora do Rosário dos Homens Brancos, a Baroque-style chapel that is one of the first chapels in Ouro Preto (previously Vila Rica) in the region of Minas Gerais. The work references the execution of José da Silva Xavier (1746-1792), also known as “Tiradentes”.
© » KADIST
Aura Satz
For her telephone sound composition Dial Tone Drone, Aura Satz commissioned a conversation between two old friends, the sound pioneers Pauline Oliveros (1932-2016) and Laurie Spiegel (born 1945). Carried out via iPhone and Skype and prompted by a series of questions from Satz, the pair congenially discuss aspects of drone sounds, which for years have been an important component of their unconventional electronic work, both audio and video. Their interest in drone sounds and use of sustained or repeated sounds, notes, or tone-clusters aligned with Satz’s own interest in alert signals, and the latter’s attempt to forge a new understanding of hypervigilance and emergency through sound as a perceptual trigger of high alert.
© » KADIST
Huang Xiaopeng
Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English. While the English reads “But Now I Manufacture Hate, Every Single Day,” the Chinese, resultant from Google Translate in 2011, reads awkwardly to something meaning “now I manufacture black special.” The term “black special” is derived from a transliteration of the word “hate” into the sound “heite”, where the corresponding written characters literally denote “black special”. The rigidity of the machine translation also preserved the syntax of English, forcing the Chinese to crudely abide by English grammar.
© » KADIST
Laetitia Sonami
Although at first the work Sounds of War presents itself with a degree of playfulness and humour, a close inspection reveals its painful undertone. The sound installation by Laetitia Sonami is comprised by a series of toilet plungers retrofitted with speakers that audiences are encouraged to engage with. As viewers interact with the modified domestic objects, placing them over their ears, a soundtrack plays audio sourced by the artist from Youtube videos, which feature the haunting voices of women and children in several war zones (Srebrenica, Darfur, Fallujah, Gaza and Iraq).
© » KADIST
Gary-Ross Pastrana
Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space. The poetic footage filmed by the artist portrays three interconnected worlds: a colony of termites; a piano repair workshop in the outskirts of Manila; and an empty concert theatre. Their interconnectivity is shaped by the voice-over of three narrators: a musician discussing the balance between order and chaos found in classical music; a piano repairman describing termite infestations in an instrument of European origin; and a scientist describing the unique social structures of this tropical parasite.
© » KADIST
Zhu Jia
In this four-channel 10 min video installation different episodes play simultaneously on the four screens. The artist has arranged several different scenarios and symbolic props which make it easy for viewers to feel the pervasive ambiguity which cannot be put into words. On the one hand, our imagination is tempted by the delicate details, but on the other hand, our imagination is limited through a very rigorous structure.
© » KADIST
Tsang Kin-Wah
The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment.
© » KADIST
Naama Tsabar
Naama Tsabar’s sculptural works are developed serially. The series Work on Felt references the history of post-minimal sculpture: from Robert Morris to Joseph Beuys’s social sculptures. However one can equally relate her work to 1970s conceptual performers such as Terry Fox or Paul Kos.
© » KADIST
Em'kal Eyongakpa
Em’kal Eyongakpa was born in Cameroon in 1981. After obtaining a postgraduate diploma in Botany and Ecology, he decided to concentrate exclusively on visual and sound art. His use of poetic, symbolic and surrealistic imagery is often sprinkled with paradoxes that challenge the obvious.
© » KADIST
Haegue Yang
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.
© » KADIST
Eamon Ore-Giron
Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust. The main characters in the video wear traditional dance masks of “La Chonguinada” rituals from Peru and attempt to dance while being bitten by trained attacked dogs. Through this act, the dogs simultaneously become sculptural obstacles and dancers.
© » KADIST
Oliver Beer
Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance. Dilapidated and empty, the ghostly presence of the car park comes to life. Beer composed the piece to resonate with this architecture, finding the frequencies that would bring the building to life, acting as a sound box and in effect another voice.
© » KADIST
Anthony McCall
Drawing & Print (Drawing & Print)
This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.
© » KADIST
Mary Helena Clark
The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo . But the parts don’t fit, and it is only in the eventual recognition of this faux raccord that Clark’s higher purpose becomes apparent. As we hear Bernard Herrmann’s score, we see the Golden Gate Bridge, Mission Dolores, and other Vertigo locations in the present day.
© » KADIST
Tony Cokes
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history. Incorporating footage and speeches from the infamous 1937 exhibitions, Degenerate Art and First Great German Art Exhibition , views of the city’s destruction from June 1945, and texts on Otl Aicher’s graphic identity for the 20th Olympic Games in Munich in 1972, the film weaves together an open-ended narrative. This visual and textual material is set to music including techno playlists, contemporary EDM tracks, and Donna Summer’s disco classic, I Feel Love (1977), which the American singer recorded in Munich’s legendary Musicland studio.
Pedro Reyes
- location: Mexico City, Mexico
- year born: 1972
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Mario Garcia Torres
- location: Mexico City, Mexico
- year born: 1975
- gender: male
- nationality: Mexican
- home town: Monclova, Mexico
Sung Hwan Kim
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Allora & Calzadilla
Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...
Anthony McCall
- location: London, United Kingdom
- year born: 1946
- gender: male
- nationality: British
Nguyen Trinh Thi
Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...
Em'kal Eyongakpa
Em’kal Eyongakpa was born in Cameroon in 1981...
Tsang Kin-Wah
- location: Hong Kong, China
- year born: 1976
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Cinthia Marcelle
- location: Belo Horizonte, Brazil
- year born: 1974
- gender: female
- nationality: Brazilian
- home town: Belo Horizonte, Brazil
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Haegue Yang
- location: Berlin, Germany & Seoul, South Korea
- year born: 1971
- gender: female
- nationality: Korean
- home town: Seoul, South Korea
Carla Zaccagnini
- year born: 1973
- gender: female
- nationality: Brazilian
- home town: Buenos Aires, Argentina
Julian Abraham
Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...
Taiyo Kimura
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...
Eamon Ore-Giron
Eamon Ore-Giron’s paintings, works on paper and installations blend contemporary graphic design, folk and tourist art, and surrealism in a hybridity of Mexican, South American, Native-American, and other American cultures...
Wura-Natasha Ogunji
Wura-Natasha Ogunji is a visual artist and performer...
Rahima Gambo
With a background in photojournalism, artist Rahima Gambo entered into visual art by way of long-form documentary projects...
Paul Kos
- location: San Francisco, California
- year born: 1942
- gender: male
- nationality: American
Huang Xiaopeng
Huang Xiaopeng is a video and installation artist...
Nao Bustamante
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Annette Kelm
- location: Stuttgart, Deutschland
- year born: 1975
- gender: female
- nationality: German
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Naama Tsabar
Naama Tsabar is an Israel-born, New York-based sculpture artist...
Gary-Ross Pastrana
Gary-Ross Pastrana is an artist interested in the philosophies of art and the epistemologies of the art object...
Duto Hardono
Duto Hardono is a conceptual artist and educator...
Olive Martin and Patrick Bernier
Patrick Bernier and Olive Martin are a duo of artists collaborating since 1999...
Native Art Department International
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Mary Helena Clark
Mary Helena Clark is an artist working in film, video, and installation...
Aura Satz
Aura Satz is a London-based visual artist whose work encompasses film, performance and sculpture and emphasizes the complex relationship between humans and machines...
Agatha Gothe-Snape
Based in improvisational performance, the meeting point between artistic process and social context is a central theme in Agatha Gothe-Snape’s work...
© » AESTHETICA
about 8 months ago (02/12/2024)
Aesthetica Magazine - Curator Interview: Redefining Landscape Art Curator Interview: Redefining Landscape Art “Green spaces and nature are where I find solace and comfort...
© » AESTHETICA
about 8 months ago (02/09/2024)
Aesthetica Magazine - Colonial Context: Art in Conversation Colonial Context: Art in Conversation In 2021, the Royal Academy of the Arts, London, began investigating its own connections to the colonial atrocities of the British Empire...
© » BROOKLYN STREET ART
about 9 months ago (01/18/2024)
“UNMUTE GAZA”: New Art from Escif and Zacharevic | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Today, we unveil new works from the Unmute Campaign, a dynamic and impactful movement supporting photojournalists in Gaza...
© » AESTHETICA
about 10 months ago (12/16/2023)
Aesthetica Magazine - Aesthetica Art Prize: Playing with Light Aesthetica Art Prize: Playing with Light In 1960s Los Angeles, members of the Light and Space movement – James Turrell, Mary Corse, Larry Bell, Helen Pashgian – were experimenting with how geometric space and radiant light could impact human perception...
© » DIANE PERNET
about 10 months ago (12/15/2023)
MAREUNROL’S solo exhibition “Fieldwork: Invisible exercises” at Riga Art Space – A Shaded View on Fashion Dear Shaded Viewers, In a celebration of sensory experiences and the undulating narrative of creation, the fashion and art duo MAREUNROL’S presents “Fieldwork: Invisible exercises” at Riga Art Space’s Grand Hall...
© » HYPERALLERGIC
about 10 months ago (12/13/2023)
Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...
© » THE GUARDIAN
about 10 months ago (12/12/2023)
‘Art helps us imagine a future we wish to remember’: the photographer finding art in a war zone | Art | The Guardian Skip to main content Skip to navigation Skip to navigation Poster by Kyiv designer Mykola Honcharov...
© » KQED
about 10 months ago (12/12/2023)
Fresh Sounds for the Holidays | KQED Skip to Nav Skip to Main Skip to Footer The Do List Fresh Sounds for the Holidays Andrew Gilbert Dec 12 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Sam Reider and the Human Hands, seen here performing at Dizzy's Club at Lincoln Center, will play at JCCSF on Dec...
© » HYPERALLERGIC
about 10 months ago (12/10/2023)
How peter campus Changed the Video Art Game Skip to content Still from peter campus, "Three Transitions" (1973), single-channel video with sound, 4:53 mins...
© » THEARTNEWSPER
about 10 months ago (12/09/2023)
Five curators join Whitney Biennial team for the 2024 edition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Appointments & departures news Five curators join Whitney Biennial team for the 2024 edition The additional staff will programme sound art, film and performance events Theo Belci 9 December 2023 Share The Whitney Museum of American Art Photo: Ajay Suresh (CC BY 2.0) New York’s Whitney Museum of American Art has announced the expansion of its biennial in 2024, including five additional curators in sound art, film and performance...
© » ARTSY
about 10 months ago (12/08/2023)
In Taipei and Beijing, Asia Art Center Nurtures Diversity across Generations | Artsy Skip to Main Content Advertisement Art Market In Taipei and Beijing, Asia Art Center Nurtures Diversity across Generations Maxwell Rabb Dec 8, 2023 6:26PM Portrait of Alan and Steven Lee...
© » LITHUB
about 10 months ago (12/08/2023)
Plain-Spoken Performance Art: A Conversation with Laurie Anderson ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Columbia University Press Plain-Spoken Performance Art: A Conversation with Laurie Anderson Brooke Wentz Talks to the Legendary Artist about Art School, Eavesdropping, and the Avant-Garde By Brooke Wentz December 8, 2023 The first thing you notice about Laurie Anderson is her voice...
© » HYPERALLERGIC
about 11 months ago (12/06/2023)
“Miami English” Phrases to Know During Art Week Skip to content Still from “Shit Miami Girls Say” by Aimee Carrero, Michelle Sicars, and Giancarlo Sabogal (screenshot via Youtube , courtesy Michelle Sicars ) I grew up speaking Miami English, but I didn’t know it...
© » MODERN MET ART
about 11 months ago (12/04/2023)
Best of 2023: Top 10 Art Installations Featured on My Modern Met Home / Art / Installation Best of 2023: Top 10 Art Installations Featured on My Modern Met By Jessica Stewart on December 4, 2023 From incredible, immersive videos to thought-provoking sculptures, the year in art installations was certainly thrilling...
© » FAD MAGAZINE
about 11 months ago (12/02/2023)
The Rolls-Royce to buy for the Art professional in your life...
© » ARTEFUSE
about 11 months ago (11/14/2023)
Tania Pérez Córdova: Generalization / Marina Xenofontos: Practice / Julian Abraham: Togar at The Sculpture Center, NY (Video) - ArteFuse Please subscribe, like, and share the video to support the channel 1- Tania Pérez Córdova: Generalization (Click to see images and the Press Release) Sep 23–Dec 11, 2023 2- Marina Xenofontos: Practice (Click to see images and the Press Release) Sep 23 – Oct 23, 2023 3- Julian Abraham “Togar”: Too good to be OK (Click to see images and the Press Release) Sep 23–Dec 11, 2023...
© » ARTS EQUATOR
about 23 months ago (12/01/2022)
The Art of Exhibition Licencing in Vietnam | ArtsEquator Skip to content In a country with opaque requirements for what can and cannot be shown, Linh Le highlights how something as seemingly straightforward as obtaining an exhibition licence may be used to control artistic expression in Vietnam...
© » ARTS EQUATOR
about 30 months ago (04/21/2022)
Disability Arts – Notice us for our art, not our disability | ArtsEquator Skip to content Isaac Lim outlines conversations in online disability arts panel discussion, Nothing About Us Without Us: Artists on crafting their voices ...
© » STEVE LAMBERT
about 36 months ago (11/07/2021)
Art and Fear of Propaganda - Steve Lambert Art and Fear of Propaganda - Steve Lambert Steve Lambert has a book coming out Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA November 2021 Work Center for Artistic Activism , NeON Festival , Scotland , writing Yes, you should worry about art becoming propaganda – but probably not for the reasons you’d imagine...
© » ARTS EQUATOR
about 43 months ago (04/09/2021)
The Sound Inside: Duet of life and loss | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints April 9, 2021 By Leia Devadason (772 words, 3-minute read) Filled to the brim at 25% capacity, Singapore Repertory Theatre’s Robertson Quay theatre was cold...
© » ARTNOME
about 53 months ago (06/16/2020)
FitArt - Fitness Art Club — Artnome Menu Blog Exploring art through data using the Artnome database...
© » ARTS EQUATOR
about 57 months ago (01/30/2020)
A sound collaboration: 宿 (stay) at Sydney Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Guido Gonzalez January 31, 2020 By Maria Herminia Graterol Garrido (571 words, 4-minute read) There is a huge difference between watching a great piece of theatre with a beautiful original score, and experiencing a process that gives equal importance to all the creative aspects, including sound...
© » ARTS EQUATOR
about 58 months ago (01/22/2020)
Weekly Southeast Asia Radar: Jakarta's controversial Performance Art Club; Bangkok Art Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar 69 Performance Club January 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
about 64 months ago (07/17/2019)
Fahmi Fadzil's "GE14": The sound and fury signifying everything | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Hideto Maezawa July 17, 2019 By Patricia Tobin ( 700 words, 5-minute read) “GE14 will be the arts festival to outdo all arts festivals,” said performer-politician Fahmi Fadzil...
© » ARTS EQUATOR
about 70 months ago (01/30/2019)
The Sensorial Trail: Experience Art through Smell, Sound and Touch at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 30, 2019 Art doesn’t have to be for the eyes only...
© » ARTS EQUATOR
about 74 months ago (09/13/2018)
Book Review: "Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 By Reaksmey Yean (950 words, five-minute read) A result of a research collaboration organised by the University of Sydney’s Power Institute in partnership with the Institut Teknologi Bandung and National Gallery Singapore, Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 is a recently published volume of ten collected essays...
© » ARTS EQUATOR
about 76 months ago (07/24/2018)
An Inconvenient Practice (via Plural Art Magazine) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 24, 2018 A recent video released by British diver Rich Horner, showed him swimming through the waters of Bali...
© » ACAW
about 90 months ago (06/09/2017)
Summer ’17 Consortium Partner Programs - Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Summer ’17 Consortium Partner Programs New York City Venues ASIA SOCIETY MUSEUM Inspired by Zao Wou-Ki: Works by New York City Students Exhibition | Through August 6 Artworks created by New York City public school students based on Asia Society’s fall 2016 exhibition “No Limits: Zao Wou-Ki” are exhibited in this one of a kind exhibition...
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1970-1979
Anthony McCall
Drawing & Print
1974(Drawing & Print) This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances...
Cildo Meireles
1975Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
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2000-2009
Mario Garcia Torres
2004Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Pedro Reyes
2005In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
Mario Garcia Torres
2005Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Laetitia Sonami
2006Although at first the work Sounds of War presents itself with a degree of playfulness and humour, a close inspection reveals its painful undertone...
Carey Young
2007“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations...
Sung Hwan Kim
Drawing & Print
2007(Drawing & Print) Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin...
Agatha Gothe-Snape
2008Agatha Gothe-Snape’s POWERPOINTS is an ongoing series of digital artworks that have been created with Microsoft PowerPoint...
Ian Breakwell
2008“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...
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2010-2019
Mario Garcia Torres
2010In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
Sung Hwan Kim
Drawing & Print
2010(Drawing & Print) This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Olive Martin and Patrick Bernier
2010The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
Huang Xiaopeng
2011Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
Eamon Ore-Giron
2011Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust...
Oliver Beer
2011Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance...
Jompet Kuswidananto
2011Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there...
Ei Arakawa and Sergei Tcherepnin
2011Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...
Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Cinthia Marcelle
2012Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Cheryl Donegan
2013Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
Annette Kelm
Drawing & Print
2013(Drawing & Print) Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Mary Helena Clark
2014The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo ...
Claudia Joskowicz
2015Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Lutz Bacher
2016Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
Haegue Yang
2016A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Duto Hardono
2017Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
Carla Zaccagnini
2018De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...
Gary-Ross Pastrana
2018Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
Francisca Benítez
2018You have given the world your songs by Francisca Benítez is a poem in American Sign Language (ASL)...
Wura-Natasha Ogunji
2019Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work...
Enrique Ramirez
2019Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Marina Rosenfeld
2019The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
Julian Abraham
2019In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
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2020-2029
Piotr Szyhalski
Drawing & Print
2020(Drawing & Print) The series of ink drawings and hand-lettered texts, titled COVID-19: Labor Camp Reports , were made and posted daily by artist Piotr Szyhalski on the @LaborCamp Instagram account, capturing the politically fraught Trump era and looking directly at some of the most painful aspects of life during COVID-19...
Andrew Norman Wilson
2020Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
Rahima Gambo
2020“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
Nguyen Trinh Thi
2021The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province...
Nao Bustamante
Advanced Technology
2021(Advanced Technology) The Wooden People is a 360º virtual reality film series comprising seven episodes...
Tony Cokes
2022Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
