Drawing & Print (Drawing & Print)
A rich and isolated region, El Catatumbo is located near the border with Venezuela. Different groups fight over its gold and oil, while narcotic plantations have exploited the region over the years, provoking massacres, displacement, and migrations amongst its native populations. Nohemí Pérez’s skillful and eloquent watercolors, titled Apuntes para panorama Catatumbo , testifies to this aspect of Colombia’s history that has been veiled by other equally pressing political issues.
Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile. The duo associated the layers of the building’s history with the vestiges of life and the processes of fossilization that have taken place in areas of the Atacama Desert, a territory that has been the stage for several episodes in Chile’s tumultuous economic and political history. The work operates as a metaphor for the strata of historical memory, condensing different materials and operations.
Drawing & Print (Drawing & Print)
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No. 2 by Sandra Monterroso brings together several of the artist’s interests: the use of ritual and medicinal elements; the conciliation of Western and indigenous formal languages; and more recently, sewing as a recognition and celebration of her maternal lineage. The series as a whole and this painting in particular continue her interest in textiles as visual references and cultural tools to address her native Guatemala’s complex political and cultural histories.
In Cuba, due to the lack of materials, workers of state-owned construction companies must remain at work without doing anything, waiting for the end of the working day. Interested in this phenomenon, Adrian Melis asked the workers of a construction company to reproduce the sounds and noises characteristic of their work. The making of forty rectangular pieces for a floor construction is the recording of a “work performance” during a day from eight in the morning to five in the afternoon.
450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site. The cut shape mirrors the precise shape of the Kadist gallery floor, where the concrete was relocated as part of his residency exhibition entitled Somewhere, Elsewhere, Anywhere, Nowhere. Through this concrete graft, Cidade inextricably links the city with artwork.
Drawing & Print (Drawing & Print)
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects. Cuevas’s America (2006) is a wall painting of a comic Donald Duck wallowing in a heap of gold coins, alluding to Mexico’s postrevolutionary mural tradition. The mural’s background is one of the earliest illustrations of flora and fauna in the American continent, juxtaposed with a reference to America as having bountiful natural resources available to be exploited, and the historical use of comics as ideological tools.
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-size pinhole camera that dates back to ancient times. Through these works Graham looks back at the history of photography while making the viewer aware of his or her own retinal experience.
To the Cardinal Gods: Central Axial Consecration (Site 6) is from a 2017 series made by Ren Zi during a residency in the Arctic Circle. The work reflects upon the serious ecological issues we face today. During the residency Ren Zi was joined by other artists, scientists, architects and educators exploring the high-Arctic Svalbard Archipelago in an interdisciplinary and collaborative endeavour to create work addressing such issues.
NSA-Tapped Fiber Optic Cable Landing Site, Mastic Beach, New York, United States
Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.
In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.
Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events). As the artist impersonates the ruler and goddess, she performs a ritual of tying stones and an offering of clothing. Seis Cielo’s ties with the lineages of the prehispanic Tikal and Dos Pilas kingdoms were essential in understanding the role of Mayan women as mothers and wives, and especially as rulers and healers.
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements.
Three hours west of New York City is the town of Centralia, Pennsylvania. The story of this eastern ghost town’s demise has become legend: in 1962 burning trash ignited a vein of anthracite coal, starting an underground fire that continues to burn today, forcing the town’s depopulation. Centralia has since become a pilgrimage site; or rather a mile-long stretch of state route 61 outside of the town that sits abandoned, its surface buckled and cracked by the underground fire.
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.
The two large-scale stereoscopic photographs in That’s That’s Alright Alright Mama Mama depict a recreation of Elvis Presley’s recording studio in Memphis, Tennessee. This study in doubles is underscored by its title, which repeats and doubles Elvis’s original song title. The images are hung in a specially angled wall and the viewers are provided special 3-D glasses in order to contemplate the image.
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
In Fiction on Auction , the site of the auction is used to stage a fiction where the right to appear as character in Looking for Headless is offered to the highest bidder: the name of the successful biddder as registered for the auction will form the name or identity of the character appearing in the novel. Looking for Headless is written by the fictitious author K. D and tells the story of two artists Simon Goldin and Jakob Senneby who collaborate with an author, John Barlow. Goldin and Senneby investigate an offshore company on the Bahamas called Headless Ltd whilst Barlow writes a docu-fictional murder-mystery, also called Headless, based on these investigations.
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants. It complements von Wedemeyer slightly earlier and more artistic film Silberhöhe (2003) which decried imposed Modernist living model. In Die Siedlung , a voiceover describes and criticizes the different sites on view while the camera moves slowly past a vast abandoned 1930s Nazi army barracks which has yet to be converted or demolished, the building site and wastelands for the new private single family housing area, a constructed pond and finally the 1960s or 70s communal blocks of flats.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco. The photograph is a documentation of a Golden Gate Bridge performance that makes palpable the tensions between people and the military, the individual and the group, danger and ordinary life. Lin recalls: “Fighter planes repetitively flew over my head.
The work Tender is composed of several elements: a porcelain spoon, a florescent lamp box, a small portable night light, a shelf with nearly invisible embossments of flowers and a jar of jam resting on a black plastic tray. The cardboard painting is made of acrylic and inkjet ink on which we can read Tender . Tender is a brand of extra soft tissue paper, it refers to an intimate comfort but results in a sentiment of melancholy and absence.
Clemens von Wedemeyer has imagined a trip back in time at Breitenau. Starting with events that happened there from 1933 to 1945, the German artist has composed three stories that reach the years of the women’s reformatory, in the 1970s, with a different protagonist for each era. A work that attempts to bring out the “pathology” of the site, as the artist tells Bert Rebhandl, and at the same time its “unforgettable” status as a black hole in the history of Germany, that sucked up innocent lives for almost a century.
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world. Patches of canvas cover parts of this otherwise representational photograph and ask the viewer to consider the role that editing and play in our perception of the urban landscape and modernity.
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela. Historically, these mines bankrolled Spanish imperial coinage; the Spanish began excavating the site for silver in 1545 in what is now Bolivia. The mines themselves are situated at great altitude in the Andes, and are inhospitable to animal labor.
Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone. The video presents a panoramic view of two territories of a shifting and unresolved character, composed out of segmented events that visually intersect at a shared horizon point. Over the images, a fragmented and ambiguous poetic narration describes, by means of images found in digital archives, a hybrid site that permutes the representation of nature through its fusion of source material.
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice. Yet what makes his stance unique is his idiosyncratic ‘anarchival’ method, developed over twenty years of living, working, and gathering in and around the South Pacific. From the resulting miscellany, Harry elicits thought-provoking new connections between collected artefacts; photographs and impressions authored by himself; and items drawn from journalist, activist, and documentary archives.
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel. The action is simple: I kick a video camera through a site that is embedded with sociological elements, which I try to question through my practice. I chose Red Square as the site to work in Moscow.
Born in Uganda of Indian descent, Bhimji has lived in London after her family sought refuge from the regime of Idi Amin who compulsorily expelled all Asians from Uganda. Her recent work has been concerned with revisiting the country of her childhood and engaging with the experience of exile, political and social destruction, and deprivation. This photograph, which belongs to the series “Love”, was shot by Bhimji during her journey in Uganda in 2001, but was only edited in 2006.
This work was filmed on the shores of Jelly Bowl beach in Carpinteria, California, after Jennifer West was taken by the sight of a coastal family home owned by surfer Andy Perry. After conversing with Perry, spending time in the site, and engaging with several other locals, West wanted to produce a film that documented this idyllic Californian lifestyle and that embodied the sense of joy, warmth and nostalgia that multiple generations of surfers and their families had shared in this site. In the footage we see a couple of silhouettes wrapped up in blankets as they watch their beloved ones surfing at dawn—including surfers Andy Perry, and siblings Makela, Alana and Zach Moore.
Sandra Monterroso is a Guatemalan artist of Maya Q’eqchi’ decent...
Ren Zi turned to art after having spent his working life in the business of words, having previously worked in advertising...
James Webb is a conceptual artist, known for his site-specific interventions and installations...
Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...
Costa Rica-based artist Mimian Hsu works with photography, documents, typography, and objects to construct site-specific installations, performances, and projects that explore intersecting cultural identities...
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design...
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
“Finger Pointing Worker” is a man who pointed at the public live camera in Fukushima nuclear power station after the disaster in 2011...
In recent years Bettina Pousttchi’s work has dealt with themes related to memory, time and history and she is particularly interested in the consequences of the fall of the Berlin Wall...
Liz Cohen is a photographer and performance artist best known for her project Bodywork , in which she transformed a German car into a lowrider while simultaneously transforming her own body, with the help of a fitness instructor, to become a bikini model at lowrider shows...
Prajakta Potnis’s work dwells between the intimate world of an individual and the world outside, which is separated sometimes only by a wall...
Formed in 2005, Kennedy Browne is the collaborative practice of Gareth Kennedy and Sarah Browne...
Born in 1978 in Hong Kong Lives and works in Taipei, Taiwan Lee Kit represented the Honk Kong pavilion at the Venice Biennale in 2013 where the exhibition was turned into a half functional private space...
The Site Where Alexander the Great was Crowned King Reopens and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Cecilia Alemani to Curate Site Santa Fe Biennial | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
National Academy of Design Presents “Sites of Impermanence” Skip to content Willie Cole, “Five Beauties Rising” (2012), suite of five prints, intaglio and relief (courtesy the artist) The National Academy of Design’s new exhibition , Sites of Impermanence , celebrates the contributions of the 2023 Class of National Academicians: Alice Adams, Sanford Biggers, Willie Cole, Torkwase Dyson, Richard Gluckman, Carlos Jiménez, Mel Kendrick, and Sarah Oppenheimer...
C& Magazine’s Highlights of 2023 You Might Want to Read Again | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Best of 2023 C& Magazine’s Highlights of 2023 You Might Want to Read Again From climate colonialism to new perspectives from queer artists in Mozambique, these are some of our most-read articles this year....
Photo from Untitled website Untitled Art Fair revisited its Miami Beach location, again on the beach just off Ocean Drive...
AO on site at NADA Miami 2023, here with Harkawik NADA Miami 2023, the 21st edition of the art fair presented by the New Art Dealers Alliance, showcased a diverse array of galleries from over 50 cities globally, including more than 85 NADA members and 34 first-time exhibitors...
Sallisa Rosa: ‘The audience can remember what the earth feels like’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 interview Sallisa Rosa: ‘The audience can remember what the earth feels like’ The Brazilian artist’s first solo US project, an Audemars Piguet Contemporary commission, turns the Collins Park Rotunda into a cavern of clay Gabriella Angeleti 9 December 2023 Share Sallisa Rosa's Miami installation will be part of next year's inaugural programming at the Pina Contemporânea in São Paulo Courtesy the artist and Audemars Piguet In her first solo presentation in the US, the Brazilian artist Sallisa Rosa has created an immersive installation made from ceramics concocted from raw materials gathered in Rio de Janeiro, where she is based...
Nevada lithium mine threatens cultural sites Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Nevada lithium mine threatens cultural sites The US federal government’s manoeuvres to boost domestic lithium extraction are raising fears from tribal communities about archaeological and environmental impacts Gabriella Angeleti 8 December 2023 Share Members of the Fort McDermitt Paiute-Shoshone tribe gather to oppose the Thacker Pass lithium mine Photo: Carolyn Cole/Los Angeles Times via Getty Images The construction of an open-pit lithium mine in northern Nevada, which is scheduled to begin full-fledged operation in 2026, will have irreversible effects on the environment and cultural heritage sites in the region, according to archaeologists, environmentalists and Native American communities who oppose the project...
Two Chinese artists show contrast in styles in side-by-side solo exhibitions of paintings at Hong Kong’s Blindspot Gallery | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from “Bay of the Deer” (2023) by Zhang Wenzhi, part of the Beijing-based artist’s solo exhibition “Tiger in Mountains, Deer at Ocean” at Blindspot Gallery...
‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity | South China Morning Post ‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity Profile Art gallery owner Pearl Lam on growing up as the daughter of property tycoon Lim Por-yen, losing her colonial mindset and celebrating diversity Kate Whitehead + FOLLOW Published: 7:45am, 3 Dec, 2023 Why you can trust SCMP I was born in Hong Kong and lived in Jardine’s Lookout...
Enzo Camacho & Ami Lien – ARTOMITY 藝源 Offerings for Escalante / Para Site / Hong Kong / Oct 21, 2023 – Feb 8, 2024 / Negros is a large island located in the Visayas, in the central part of the Philippines, with a population of about 4.7 million...
Pagkamalikhain, Konserbatismo, at Sensura: Isang Maikling Tanaw mula sa Pilipinas | ArtsEquator Skip to content Sa isang masaklaw at pangkasaysayang pagsusuri ng sensura sa Pilipinas, mula kay Marcos (Senior) hanggang kay Marcos (Junior), inilalatag ni Katrina Stuart Santiago ang mito ng kalayaang pansining sa Pilipinas...
The Marine Drive apartment of the art patron is filled with site specific works, rare vintage furniture and contemporary design...
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Menyensor Pandemi di Indonesia | ArtsEquator Skip to content Adrian Jonathan Pasaribu mombongkar masalah yang dihadapi oleh bidang seni pada masa pandemi...
Kuiz: Sejauh Manakah Pengetahuan Anda Tentang Penapisan Seni di Malaysia? | ArtsEquator Skip to content Baik buku yang dilarang mahupun frasa yang tabu, dunia seni kita telah menyaksikan semuanya...
Crypto Investor Jehan Chu on Building a Collection of Contemporary Art and NFTs - Artsy Advertisement Art Market Crypto Investor Jehan Chu on Building a Collection of Contemporary Art and NFTs Reena Devi Apr 19, 2022 2:17pm Collector Jehan Chu in front of Machine Hallucinations - Space: Metaverse by Refik Anadol in partnership with Sotheby's at Digital Art Fair Asia 2021 in Hong Kong...
Inspired moves: Five years of ILHAM Gallery | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Kat Khalid; ILHAM Gallery February 4, 2020 By ila (2,270 words, 10-minute read) Located in Kuala Lumpur’s Golden Triangle in the heart of the CBD is ILHAM Gallery...
With "Scatter My Ashes on Foreign Lands," Amir H...
Daisy Collingridge crafts wearable, stitched suits inspired by what's contained beneath our skin...
In his current show at Copro Gallery, Allen Williams offers haunting visions in the form of new paintings and drawings...
In his debut show at Jonathan LeVine Projects, Lynyrd Paras offers a set of oil paintings that explore the primal and emotional feelings stemming from total bombardment...
Omar Rayyan’s mythological paintings call upon a centuries-old sensibility while showcasing the artist’s penchant for the monstrous...
Joao Ruas brings his striking, ghostly paintings to Thinkspace Projects with the new show “Knots.” The show, running through Jan...
In his third show at 111 Minna Gallery, Mike Davis offers new whimsical paintings that appear as a continuation of the Northern Renaissance while blending in notes of the artist’s own time period...
Painter Peter Ferguson returns to Roq La Rue Gallery with "Skip Forward When Held," bringing his sensibility that blends notes of the Dutch Renaissance, Lovecraftian creatures, and more...
Weekly Picks: Indonesia (8 - 14 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 8, 2019 Top Picks of Indonesia art events in Yogyakarta, Bali and Jakarta from 8-14 April 2019 This Monday and Tuesday, Teater Gandrik in Yogyakarta presents a satire of what the country might look like in the year 2049 if Indonesia were unsuccessful in eradicating corruption...
Weekly Picks: Indonesia (8-14 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 8, 2018 Top Picks of Indonesia art events in Yogyakarta, Bandung, Jakarta, and other cities in Indonesia from 8-14 October 2018 The sixth edition of German Cinema returns this year, bringing selected exciting and funny german films to cinemas in Jakarta, Bandung,Denpasar, Yogyakarta, Surabaya, and Makassar from 4-21 October 2018...
SITElines 2018 SITE Santa Fe, Santa Fe, New Mexico Opens August 3 New Mexico had only been a state for 15 years when Willa Cather, the muted pistol of American letters, published Death Comes for the Archbishop in 1927...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Born in Uganda of Indian descent, Bhimji has lived in London after her family sought refuge from the regime of Idi Amin who compulsorily expelled all Asians from Uganda...
Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
Drawing & Print
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Drawing & Print
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti...
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
In Cuba, due to the lack of materials, workers of state-owned construction companies must remain at work without doing anything, waiting for the end of the working day...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai...
The Dud Effect is a film that revisits the fear of nuclear attacks during the Cold War by staging the firing of a R-14 missile by a solitary soldier on the site of a real Soviet launch base installed in Lithuania...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Milton Friedman on the wonder of the free market pencil is an installation based on 42 blank pages...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
This work was filmed on the shores of Jelly Bowl beach in Carpinteria, California, after Jennifer West was taken by the sight of a coastal family home owned by surfer Andy Perry...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed...
During Summer 2011, few months after the nuclear accident, performance artist Kota Takeuchi got a job at the Fukushima Daiichi plant and kept a blog about the labour conditions of clean-up workers...
Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...
Filmed in Morocco, the film Atlas by Karthik Pandian continues his investigation into history, site and monument...
450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
Drawing & Print
A rich and isolated region, El Catatumbo is located near the border with Venezuela...
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element...
Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events)...
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
Referencing psychology, philosophy, and spiritualism, A series of personal questions addressed to a Hikimawashi kappa traveling coat by James Webb is an ongoing series in which the artist poses spoken questions to objects via a speaker installed near the object on display...
Drawing & Print
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...