5:26 minutes
Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone. The video presents a panoramic view of two territories of a shifting and unresolved character, composed out of segmented events that visually intersect at a shared horizon point. Over the images, a fragmented and ambiguous poetic narration describes, by means of images found in digital archives, a hybrid site that permutes the representation of nature through its fusion of source material. The sense of permanent wandering designates an excursion with no precise destination, a mental place of fractured limits with an amplitude larger than any physical location. This trajectory appears to be dictated by the circumstances of an open field, where concrete places are now only points along a route, and the in-between moments that mark a continuous state of transition are the ultimate destination. With Intersticio , Damiani presents a journey to a territory comparable to contemporary space—a world so ample that the spatial and temporal coordinates essential to historicity fade, throwing our impressions of reality into question.
Transforming found materials into collages, sculptures, videos, and installations, Elena Damiani critically addresses our understanding of the present by harnessing the potential of images from the past. She is interested in revising subjects such as geology, archaeology, and cartography. By reworking materials such as books, photographs, video footage, and public records, Damiani stages fictions where multiple topographies and times unfold, hovering between an indeterminate past and present. She aims to explore the ways in which specific materials can be presented as incomplete and ambiguous when extracted from their contexts, then recomposed into artworks that emphasize the mutability of cultural objects and information, thereby forming new memory paths and connections.
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
Controversy swirls around Centre Pompidou ahead of 2025 closure Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums news Controversy swirls around Centre Pompidou ahead of 2025 closure Talks between trade unions and the French culture ministry stall as workers fear for their future during the Paris museum’s five-year shutdown Vincent Noce 8 December 2023 Share A museum in turmoil: the Pompidou is due to close from 2025 until 2030...
Lost Rembrandt portraits fetch more than $14 mn at auction - France 24 Skip to main content Lost Rembrandt portraits fetch more than $14 mn at auction Issued on: 07/07/2023 - 11:50 Modified: 07/07/2023 - 11:53 01:24 Video by: Yinka OYETADE The last known pair of Rembrandt portraits in private hands sold for more than £11 million ($14 million) at Christie's in London on Thursday -- nearly 200 years after they first went under the hammer at the auction house...
Marc Desgrandchamps — Silhouettes — Musée d'Art Contemporain [mac], Marseille — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Marc Desgrandchamps — Silhouettes — Musée d'Art Contemporain [mac], Marseille — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Marc Desgrandchamps — Silhouettes Exposition Peinture Marc Desgrandchamps, Sans Titre, 2015 (détail) Huile sur toile — 162 × 130 cm Courtesy de l’artiste et galerie Lelong & Co...
In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...