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Two Eyes Two Mouth
© » KADIST

Erika Verzutti

Painting (Painting)

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.

Untitled (Details from fictional realities)
© » KADIST

Matt Mullican

Drawing & Print (Drawing & Print)

Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation. Glen is a simple silhouette, genderless and inspired by a found photo of a crime scene, in whom we recognize the generic sign of the universal symbol of a self-portrait. Mullican continually projects himself, sometimes physically, into the silhouette that he has created, allowing the artist to pass from one reality to another.

Delphi Falls
© » KADIST

Mary Helena Clark

Film & Video (Film & Video)

By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions -the suggestion of a story, the anchoring of actors as characters- to have the viewer constantly questioning who or what they are, and where they are located in the film’s world. Delphi Falls was included in the 2017 Whitney Biennial film program.

Collectors’ Favorites
© » KADIST

Jennifer Bornstein

Film & Video (Film & Video)

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images.

Donation Vases
© » KADIST

Ana Navas

Sculpture (Sculpture)

Ana Navas uses humor to address formal, aesthetic, and societal conventions that are interwoven in the everyday through the normalization of gendered behaviors and style choices used to project personal and collective signifiers. In her Donation Vases she uses quotes taken from corporate coach Lois P. Frankel’s book Nice girls (still) don’t get the corner office: Unconscious Mistakes Women Make That Sabotage Their Careers (2004). The aspirational, somewhat cynical tone of the sentences – “When given a choice, sit next to most powerful person, their power will cascade over you,” “Why is it that women buy those little chains to hang reading glasses around their necks,” “If you see your reflection on a glossy surface & notice something wrong, avoid fixing it there” – reveals a particular understanding of what a professional, ambitious cis woman should look like, the persona she should project, and the type of desirable behaviors that constitute a stereotypical “successful woman” according to a capitalist morality.

Black Star Press
© » KADIST

Kelley Walker

Painting (Painting)

The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker. The images in this series are taken from a photo essay on the struggle for civil rights in Alabama, directed by Charles Moore in 1962 (and published by the magazine ‘Life’) which showed the repression of the black population and persistent inequalities in the southern United States. The title “Black Star Press” is taken from the name of the news agency where Charles Moore worked, and it refers to the young black man shot fighting for the rights of his community.

The six grandfathers, Paha Sapa, in the year 502 002
© » KADIST

Matthew Buckingham

Installation (Installation)

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*. He elaborates a historiographic narrative of this place and switches it into the domain of science fiction by proposing a photograph of the Memorial as it should appear in 500 000 years. The effigies of Washington, Jefferson, Lincoln and Roosevelt become unrecognizable.

Untitled (Zimbabwe)
© » KADIST

Fred Wilson

Painting (Painting)

Fred Wilson’s flag paintings document the 20th century history of African people, indexing the period of liberation from colonialism. As the majority of African flags were created during the 1950s and 60s, they were intended to reflect a so-called ‘modern’ aesthetic and ideology. Many African flags maintain the typical flag tropes such as stripes, stars, birds, and blocks of primary and secondary colors; green to represent the land; blue to symbolize the ocean or sky; and red to recall the violence that occured in the pursuit of liberty.

2016 in Museums, Moneys, and Politics
© » KADIST

Andrea Fraser

Drawing & Print (Drawing & Print)

The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor. With this database as well as other types of information, the 900-page book presents a material representation of the scale of the cross over between cultural philanthropy and the financing of political campaigns in America. It also provides an unprecedented resource for discovering the political leaning of the museum sector.

Itch
© » KADIST

Yang Guangnan

Film & Video (Film & Video)

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.

Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday)
© » KADIST

Sanya Kantarovsky

Drawing & Print (Drawing & Print)

Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday) by Sanya Kantarovsky uses the stylistic vernacular of five separate artists to create a series of five lithographs, dealing with a series of apparently unrelated happenings, each staged as one “day.” The series takes up Kantarovsky’s theme of embarrassment across a variety of scenes, each populated by multiple figures, set in a disjunctive relation. The visual forms are brought into conversation through their shared emotional cadence. Kantarovsky proposes an affective affinity beyond style or subject matter.

Action No.1
© » KADIST

Yang Guangnan

Installation (Installation)

In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.

El mar y sus múltiples afluentes
© » KADIST

Adriana Bustos

Painting (Painting)

El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade. The piece represents an apocryphal river and illustrates the routes of the slave trade between the coasts of Africa, Europe, and South America, departing from the Congo River (once called Zaira), and arriving at Río de la Plata, the main river in Buenos Aires that divides Argentina from Uruguay. The work collapses time and space, placing the coasts of colonial empires across the colonies where slaves were taken.

Blackout
© » KADIST

Rossella Biscotti

Installation (Installation)

In a broader sense, the meaning of ‘blackout’ —primarily an electrical failure or momentary interruption, opens up to new organizations, perceptions and different ways of experiencing time and space. Every person caught in a blackout must redefine the potentiality of public space, relate to strangers and invent new temporary forms of organization. A blackout acts as the breaking point of an established order, on a personal level as a loss of consciousness or on a collective level, as the temporary disruption of political institutions for example.

Acquired Nationalities
© » KADIST

Rossella Biscotti

Installation (Installation)

Rossella Biscotti’s “10×10” series investigates the relationship between demographics, data processing, textile manufacturing and social structure. The work observes how demographic records have been modeled through the use of punch cards to program both early data processing machines and automated looms (jacquard). Reversing the process, Biscotti turned to the 2001–2006 census information of Brussels—where she was then based—to create a pattern on these textiles.

Mogeji's Journey
© » KADIST

Aki Kondo

Painting (Painting)

Mogeji’s Journey (2014) depicts three hand painted stills from an animated sequence in Aki Kondo’s film Hikari (Light) (2015). Kondo’s film tells the story of a young woman named Juneko who discovers that she is terminally ill and the ways that this impacts her lover, a painter, who tries to reconnect with her by painting her portrait from memory. As Juneko becomes sicker, her hair begins to fall out, a symptom of her unnamed illness.

Brine Lake (A New Body)
© » KADIST

Shen Xin

Film & Video (Film & Video)

Composed of five episodes, Brine Lake (A New Body) by Shen Xin is set in a fictional factory where iodine is produced as a byproduct of natural gas sourced from deep sea brine lakes. Korean, Japanese, and Russian are spoken in multiple episodes. The protagonists have multiple encounters and conversations with two unseen employees of the factory whose visions are overtaken by the camera.

Dr.N Song
© » KADIST

Ozawa Tsuyoshi

Film & Video (Film & Video)

Dr. N Song belongs Ozawa’s body of work The Return of Dr. N in which he follows a humorous fictional character based upon the historical figure Dr. Hideyo Noguchi who researched yellow fever in Ghana in 1927. Though Dr. Noguchi was known for his unruly temper and behavior and many of his discoveries were erroneous, he was widely revered in Japanese society. Ozawa’s Dr. N story explores links between Japan and Africa, past and present, fact and fiction, through the commissioned work of Ghanaian painters and musicians working in popular African styles.

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

Film & Video (Film & Video)

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present. Developed from a literary work, it deconstructs notions of narrative forms, styles and conventions. It is a hybrid piece, an example of the elasticity of the medium.

Jaali - Horizontal
© » KADIST

Little Warsaw

Sculpture (Sculpture)

Jaali – Horizontal references religious practices in Hungary that were considered as a civil disobedience throughout the 1950s. In their text associated to the work the artists state: “My ancestors on my father’s side were rather elegant Hungarian noblemen—lots of churches, lots of religious education. My parents went to church as a form of civil resistance.

Untitled
© » KADIST

Trisha Donnelly

Photography (Photography)

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.

Ghost games
© » KADIST

Anri Sala

Film & Video (Film & Video)

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach. The video produces a surreal impression, typical of Sala’s work, with no plot in the classical sense, no story being told. Like in Blindfold (2002), in which a sunrise is reflected in urban billboards, and Time After Time (2001), in which the figure of a horse emerges from darkness lit by the headlights of an automobile, Sala likes to explore the phenomenon of light and its effects; In Ghost Games , he uses the threatening reflection of the flash light through the darkness of the beach.

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

Photography (Photography)

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him. He captures incongruities or everyday simplicity and highlights their suggestive power. The composition and framing of these interventions specially emphasizes the object of interest and the humor of the context.

Villa dei Fiori, September to November
© » KADIST

Robert Zhao Renhui

Installation (Installation)

Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr. Martin Hauser, Senior Insect Biosystematist at the California Department of Food and Agriculture, and longtime acquaintance of the artist. In Villa Dei Fiori, September to November, Zhao Renhui tracked and collected multiple insects within the everyday urban environment, either finding the insects dead or following them around for few days.

Winter
© » KADIST

Amie Siegel

Film & Video (Film & Video)

Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition. Shot in the white-washed homes of New Zealand architect Ian Athfield, including his own communal compound high above Wellington harbor, the film suggests various temporal and cultural conditions of instability, hinting at concerns of global warming and nuclear accidents, pushing at the boundaries of science fiction, stripped of narrative explication and causal explanation.

Hubert Maga (perruque MAVA-musée d'art de la vie active)
© » KADIST

Meschac Gaba

Sculpture (Sculpture)

The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey. The wigs portraying these grand figures also unambiguously recall Africa to mind. By declaring Cotonou, one of Benin’s cities, the Art Museum of Real Life, and by having thirty white-clad figures wearing Gaba’s latest series of tresses cross through it, he draws attention to the urban space and its inhabitants’ strategies of survival and improvisation.

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

Photography (Photography)

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.

De sino à sina (From Bell to Fate)
© » KADIST

Carla Zaccagnini

Installation (Installation)

De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past. The sound installation is made from a recording of the bell at Capela de Nossa Senhora do Rosário dos Homens Brancos, a Baroque-style chapel that is one of the first chapels in Ouro Preto (previously Vila Rica) in the region of Minas Gerais. The work references the execution of José da Silva Xavier (1746-1792), also known as “Tiradentes”.

Willa Niespodzianka
© » KADIST

Charlotte Moth

Photography (Photography)

It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences. Photographed in black and white, these architectures seem empty, out of time, and open to any interpretation. The artist creates a classification of her species of spaces, called the “Travelogue”, which is both artwork and tool since it allows her to ceaselessly generate new works.

..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made…
© » KADIST

Charlotte Moth

Photography (Photography)

It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences. Photographed in black and white, these architectures seem empty, out of time, and open to any interpretation. The artist creates a classification of her species of spaces, called the “Travelogue”, which is both artwork and tool since it allows her to ceaselessly generate new works.

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

Charlotte Moth

Charlotte Moth has been constituting an image bank since 1999...

Christopher Badger

Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion...

Rossella Biscotti

Departing from social and political history, the work of Rossella Biscotti (b...

Mary Helena Clark

Mary Helena Clark is an artist working in film, video, and installation...

Tarik Kiswanson

Tarik Kiswanson is a Palestinian-Swedish artist, poet and writer based in Paris...

Elena Damiani

Aki Kondo

Aki Kondo utilizes animation, video, and mixed media to explore such varied topics as intimacy, loss, and the human body...

Engel Leonardo

Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...

Little Warsaw

Artists András Gálik and Bálint Havas began developing projects together under the name Little Warsaw in 1999...

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...

Nandan Ghiya

Nandan Ghiya is an emerging whose practice explores the disjunction between various forms of image-based media...

Jarrett Key

Jarrett Key’s work addresses their concerns about the state of their freedom in America...

Oded Hirsch

Jennifer Bornstein

Marcelo Cidade

Marwa Arsanios

Marwa Arsanios is born in 1978 in Washington, United-States...

Stephen G. Rhodes

Jason Dodge

Jason Dodge extracts objects from everyday life – of which he adds minimal alterations by the way that he isolates and presents them...

Adelita Husni-Bey

Born in Milan, Italian-Libyan Adelita Husni-Bey is an artist and researcher...

Shen Xin

Shen Xin’s practice examines how emotion, judgment, and ethics are produced and articulated through individual and collective subjects...

Maria Fernanda Plata

Colombian artist Maria Fernanda Plata found herself drawn to fabric as a material with conceptual implications while on a residency in Vietnam...

Carolina Caycedo

Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...

Arin Rungjang

Arin Rungjang’s practice is known to revisit historical and political narratives, both major and minor, as a means to consider the past, present and future...

Wu Tsang

Wu Tsang’s work is often framed in terms of her identity as a trans woman of color...

Ozawa Tsuyoshi

Ozawa Tsuyoshi is a Japanese conceptual artist who constructs satirical takes on history...

Carla Zaccagnini

Sanya Kantarovsky

Artist and curator Sanya Kantarovsky works across mediums to grapple with embarrassment and shame, emphasizing alienation through exposure of that which is deeply personal...

© » LITHUB

about 11 months ago (02/07/2024)

Between Risk and Control: How Mark Rothko Discovered His Signature Style ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Between Risk and Control: How Mark Rothko Discovered His Signature Style Adam Greenhalgh on the American Abstract Painter's Early Years Via Yale University Press By Adam Greenhalgh February 7, 2024 Featured image: Allie Caulfield via Creative Commons In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon...

© » ARTEFUSE

about 11 months ago (02/07/2024)

The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...

© » KQED

about 11 months ago (02/06/2024)

A Buddhist Priest Weighs in on Beauty and Bay Area Style | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Fit Check A Buddhist Priest Weighs in on Beauty and Bay Area Style Olivia Cruz Mayeda Feb 6 Save Article Save Article Failed to save article Please try again Email Rev...

© » ART CENTRON

about 11 months ago (02/06/2024)

Jobs for People Who Love to Travel and Make Money - Artcentron Home » Jobs for People Who Love to Travel and Make Money ART JOBS | ARTCENTRON Feb 6, 2024 Ξ Leave a comment Jobs for People Who Love to Travel and Make Money posted by ARTCENTRON The Guided Tour by Martin Addison...

© » GALERIE MAGAZINE

about 11 months ago (02/05/2024)

8 Must-See Solo Gallery Shows in February 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view, Brian Rochefort...

© » DAZED DIGITAL

about 13 months ago (12/18/2023)

How Black British rappers are being censored by the police | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Music Feature Art Not Evidence is a new campaign fighting against the use of rap lyrics as evidence in UK criminal trials 18 December 2023 Text Jack Ramage UK drill rapper, Chinx (OS) , has to tread on eggshells when making music...

© » I-D

about 13 months ago (12/15/2023)

Robert Eggers' Nosferatu remake: casting, release date and Harry Styles' involvement advertisement...

© » ARTSY

about 13 months ago (12/13/2023)

Ambera Wellmann joins Hauser & Wirth in new “collective impact” initiative with Company Gallery...

© » WALLPAPER*

about 13 months ago (12/12/2023)

An alternative fashion gift list, courtesy of APOC store | Wallpaper Left, Invasive Modification...

© » KQED

about 13 months ago (12/12/2023)

Light Jacket Reading Series Brings Poetry to Golden Gate Park | KQED Skip to Nav Skip to Main Skip to Footer The Do List This Unpretentious Poetry Series Roams the Pockets of Golden Gate Park Sarah Hotchkiss Dec 12 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Sophia Dahlin reads a poem during the eighth event of the Light Jacket Reading Series in Golden Gate Park on Saturday, Dec...

© » SOUTH CHINA MORNING POST

about 13 months ago (12/07/2023)

Two Chinese artists show contrast in styles in side-by-side solo exhibitions of paintings at Hong Kong’s Blindspot Gallery | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from “Bay of the Deer” (2023) by Zhang Wenzhi, part of the Beijing-based artist’s solo exhibition “Tiger in Mountains, Deer at Ocean” at Blindspot Gallery...

© » THE ARTBLOG

about 13 months ago (12/04/2023)

Artblog | Poetry and memory, Patricia Moss-Vreeland at the Phillips Museum of Art, Franklin and Marshall College Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Poetry and memory, Patricia Moss-Vreeland at the Phillips Museum of Art, Franklin and Marshall College By Martina Merlo December 4, 2023 Our contributor Martina Merlo sees an exhibition about memory at the Phillips Museum at Franklin and Marshall College....

© » KQED

about 13 months ago (12/04/2023)

Festival La Onda Lineup: Maná, Fuerza Regida, Alejandro Fernández, Junior H, More | KQED Skip to Nav Skip to Main Skip to Footer The Do List Festival La Onda Lineup: Maná, Fuerza Regida, Alejandro Fernández, Junior H, More Gabe Meline Dec 4 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link (L-R) Musicians Fher Olvera and Sergio Vallín of Maná perform onstage at Dodger Stadium on Dec...

© » LONDONIST

about 13 months ago (11/29/2023)

The Biggest Exhibitions To See In London This Winter | Londonist The Biggest Exhibitions To See In London This Winter By Tabish Khan Tabish Khan The Biggest Exhibitions To See In London This Winter Our pick of the best exhibitions to see in London's galleries and museums this winter...

© » ARTSY

about 13 months ago (11/29/2023)

12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art 12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023 Maxwell Rabb Nov 29, 2023 10:34PM Ahmed Morsi, Green Hors e, 2001...

© » SLASH PARIS

about 13 months ago (11/29/2023)

En d’infinies variations — Centre culturel canadien — Exhibition — Slash Paris Login Newsletter Twitter Facebook En d’infinies variations — Centre culturel canadien — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back En d’infinies variations Exhibition Mixed media Chun Hua Catherine Dong, Skin Deep, 2014-2020 (Détail) Photography with an augmented reality component Courtesy de l’artiste En d’infinies variations Ends in 4 months: December 7, 2023 → April 19, 2024 The world accelerated as one industrial revolution after another produced societal and aesthetic changes...

© » ARRESTED MOTION

about 14 months ago (11/17/2023)

Showing: José Parlá – ‘Phosphene’ @ Ben Brown (London) « Arrested Motion Closing today after a four week run, Phosphene is José Parlá ’s second show at Ben Brown Fine Art ’s London location...

© » ART CENTRON

about 14 months ago (11/13/2023)

Getting Creative: Beginner Tips for Learning Guitar Home » Getting Creative: Beginner Tips for Learning Guitar LIFESTYLE Nov 13, 2023 Ξ Leave a comment Getting Creative: Beginner Tips for Learning Guitar posted by Kelly Schoessling Learning to play an instrument takes a lifetime of effort, no matter what type of music you’re interested in...

© » LONDONIST

about 14 months ago (10/28/2023)

The Biggest Exhibitions Opening In London This November | Londonist The Top Exhibitions To See In London In November 2023 By Tabish Khan Looks like this article is a bit old...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Collect Like an Expert: How to Find Great Emerging Artists | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Your Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

More than 350 prints and multiples collected throughout her lifetime will be sold in two single-owner auctions next month...

© » ARTS EQUATOR

about 37 months ago (12/17/2021)

Year In Review 2021: Singapore Theatre in Statistics | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 17, 2021 Where did 2021 go? As part of our annual event Year In Review 2021 , statistics about 2021 shows were gathered, including those postponed or cancelled...

© » ARTS EQUATOR

about 46 months ago (04/06/2021)

Keturunan Ruminah: WhatsApp play on family inheritance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints HATCH April 6, 2021 By Azura Farid and Nabilah Said The pandemic led theatre collective HATCH to dream up Keturunan Ruminah (Ruminah’s Family), a play that takes place entirely on WhatsApp...

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about 55 months ago (07/13/2020)

[Online Course] ArtsEquator Introduction to Reviewing Books | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 13, 2020 INTRODUCTION TO REVIEWING BOOKS by Kathy Rowland Course Synopsis: This introductory course will teach you how to think critically and review a book, by drawing on both techniques of literary analysis and criticism writing...

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about 57 months ago (04/16/2020)

Weekly Southeast Asia Radar: Japanese ska in Saigon, experimental music in Yangon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto via Saigoneer April 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

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about 59 months ago (02/29/2020)

Are You Ready To Take The Law Into Your Own Hands: Tongue Scrapes Against Cheek | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sarah Walker February 29, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (670 words, 5-minute read) I watched Are You Ready To Take The Law Into Your Own Hands by Sipat Lawin and Friends on 26 February 2020, 34 years almost to the day of the People Power Revolution, which toppled the Marcos government in the Philippines after decades of corruption and totalitarian control and ushered in the age of Corazon Aquino as the new president...

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about 60 months ago (01/30/2020)

A sound collaboration: 宿 (stay) at Sydney Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Guido Gonzalez January 31, 2020 By Maria Herminia Graterol Garrido (571 words, 4-minute read) There is a huge difference between watching a great piece of theatre with a beautiful original score, and experiencing a process that gives equal importance to all the creative aspects, including sound...

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about 62 months ago (11/30/2019)

Painter Allison Zuckerman’s work pulls from the past and digital present of art history to craft amalgamated depictions of women...

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about 75 months ago (11/08/2018)

A History of Violence: The Sharp Edges of "Cerita Cinta" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography November 8, 2018 By Nabilah Said (1000 words, four-minute read) The most powerful moment of akulah BIMBO SAKTI’s Cerita Cinta is the end...

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about 161 months ago (10/06/2011)

CHINA The Next Generation – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All October 6, 2011 10:00am Animal Regulation No...

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