The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings. At the time of recording, like all of this films, there was no particular intent. However, in the aftermath of 9/11, this film becomes prescient and ominously prophetic.
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way. The viewer is uncertain whether Alexandra knows she is being filmed but given that Auder was constantly filming she was probably oblivious to it. Her statements make little sense to the outsider : ‘The thing never came back again.
Drawing & Print (Drawing & Print)
In Michel François’s work, « it is the real, physical and emotional experience that stimulates creation which is therefore highly charged with a vital force. There lies also the profoundly and clandestine figurative nature of his work » (Guillaume Désanges). Contamination is a constant in Michel François’s work.
Drawing & Print (Drawing & Print)
Soufiane Ababri’s desire to construct a historical family and a genealogy of queer kinships in Bedwork / Yes I AM sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status. Figures as disparate as Michel Foucault, Glenn Ligon, Allen Ginsberg, Jean Genet, and André Gide populate Ababri’s drawing series in the artist’s signature naïf style, their homosexuality the thread that connects them. The series of over forty drawings are part of Bedwork, a larger project that Ababri began in 2015.
Reflecting upon the transformation of surveillance techniques since the panopticon to include contemporary 3-D facial recognition, AI, and the Internet, Shu Lea Cheang’s 3x3x6 – 10 cases 10 data restages the rooms of the Palazzo delle Prigioni—a Venetian prison from the sixteenth century in operation until 1922—as a high-tech surveillance space. Taking as its starting point the story of libertine writer Giacomo Casanova, imprisoned in the Prigioni in 1755, Cheang has conducted in-depth studies on ten historical and contemporary cases of subjects incarcerated because of gender or sexual dissent, including the Marquis de Sade and Michel Foucault, as well as contemporary cases from Taiwan and South Africa. Their fictionalized portraits become part of the exhibition’s system; the title of which refers to today’s standardized architecture of industrial imprisonment: a 3 x 3 square-metre cell constantly monitored by 6 cameras.
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture. In this photograph, which is relatively poor in information, the projection screen in the background acts as a clue about the event: Bruno Serralongue went to the second phase of the ‘Sommet Mondial sur la Société de l’Information’ (or SMSI, World Summit on Information Society, in Tunis in November 2005). This portrait echoes another picture in the same series (Native Peoples Claim Their Right to Participate in the Information Society) in which Joe Shirley is just a silhouette amongst the speakers, whereas here he occupies the entire frame.
Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time. As the artists perform each gesture, we see them gaze on the preparatory drawings, which act as an instructional score of sorts. The drawing itself, besides featuring carefully drawn sketches of each position, also contains a list of the source material that inspired them: a scene from Pier Paolo Pasolini’s film, Salo, Eugène Delacroix’s Pietà, and a reference to a monument by Auguste Rodin among others.
Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another. Mathieu Kleyebe Abonnenc invites us to follow a main character, Betty, an ethnographer currently leading research in the archives of the Theodore Monod Museum for African Arts, in Dakar. Punctuated by an anguished soundtrack and borrowing tropes from thriller genre films to create a sense of oddity, the film comments on the contemporary effects of colonial legacy in cultural institutions.
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city. Conceived as a sequel to his documentary The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images (2011), Baudelaire builds the structure of the film around a story told by Japanese New Wave film director Adachi, who also narrates the film. The plot line pivots around two lovers and former resistance fighters, Michel (played by Lebanese artist and actor Rabih Mroué) and Lili (Juliette Navis); their narratives fragment and reconfigure around the screenplay, which itself intertwines with Adachi’s own history, the act of making the film, and the self-conscious and sometimes improvisatory process of writing the script.
Like many contemporary photographers who play with the codes of realism, Valérie Jouve composes her images, having already a more or less predetermined result in mind, in order to deliver a complex representation of the world instead of a bold presentation of facts. A part of the series “Les Figures”, this “portrait’ of P. Faure carries a strong ambiguity, typical of the photographer’s images, between realism and mise-en-scene . This photograph is exemplary of Valérie Jouve’s work: inscription of an inidual within an urban landscape, relation to architecture, simplicity of composition and strong, yet imprecise narrativity – related in part to seemingly familiar characters or places.
Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation. In this narrative film, protagonists Asma and Sarah meet while working as waitresses in France. They both come from the Levant and, each in their own way, carry burdens of the past and the consequences of colonialism.
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade. The work uses these characters as metaphors to highlight the lives of those who live in the shadows—or feel like they do—and the anxiety they experience as marginalized figures. Musidora was a 20th-century feminist, who was known not only for acting in movies, but also for directing her own plays and films, and having secret affairs with Colette and other famous people of the time.
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present. Developed from a literary work, it deconstructs notions of narrative forms, styles and conventions. It is a hybrid piece, an example of the elasticity of the medium.
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico. The title refers to how a shooting star was (in local mythology) interpreted as a head without a body, crossing the sky, signaling the arrival of chaos and destruction. The actor in the video, Michelle Nonó, is in touch with native plants—she’s a medicinal botanist but also a cultural activist.
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief. The work is a memorial for people who have lost loved ones to police violence. It is part of Allegra’s Open Casket series, which is concerned with the need to recognize grieving as a collective responsibility, rather than an individual misfortune to be shouldered by one affected person or family.
Michel Auder was born in 1945 in Soissons, France...
Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame...
Mathieu Kleyebe Abonnenc’s practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society...
Shu Lea Cheang’s practice combines artistic concerns with social issues, and is highly acclaimed as a leading figure in post-porn feminist art, becoming a crucial player that resonates with present-day subjects of queerness and trans discourse...
Prinz Gholam is a Berlin-based artist duo consisting of Wolfgang Prinz and Michel Gholam...
Bruno Serralongue integrates his practice into the processes of production and distribution of information via images...
Indira Allegra uses text and textile production—a combined material they designate as a “text/ile”—to embody unseen forces like memory, haunting, grief, and emotions born from trauma...
Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...
Soufiane Ababri’s practice is, first and foremost, embodied by the artist’s queer subjectivity...
Michelle and Noël Keserwany compose and perform their own songs, as well as contribute to the illustrations and animations featured in the videos they produced...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
Les Formes du Temps — Topographie de l’art — Exhibition — Slash Paris Login Newsletter Twitter Facebook Les Formes du Temps — Topographie de l’art — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Les Formes du Temps Exhibition Installation, painting, photography, sculpture.....
Les Formes du Temps — Topographie de l’art — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Les Formes du Temps — Topographie de l’art — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Les Formes du Temps Exposition Installations, peinture, photographie, sculpture.....
Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Gildas Le Reste — & Guests Exposition Dessin, estampe, peinture Gildas Le Reste, Notes de voyage #1, 2023 Encre sur papier marouflé sur toile Gildas Le Reste & Guests Encore 27 jours : 27 janvier → 9 mars 2024 La galerie Catherine Putman est heureuse de proposer une double invitation à Gildas Le Reste, comme artiste et commissaire d’exposition...
Michel Parmentier — Ce silence nous regarde — Michel Journiac Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Michel Parmentier — Ce silence nous regarde — Michel Journiac Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Michel Parmentier — Ce silence nous regarde Exhibition Painting Michel Parmentier, repérage du 23 avril 1993 © Agnès Foiret Michel Parmentier Ce silence nous regarde Ends in 18 days: February 2 → 29, 2024 La galerie Michel Journiac de l’École des arts de la Sorbonne de l’université Paris 1 Panthéon-Sorbonne présente un événement autour de la figure de Michel Parmentier en deux volets, associant peinture et cinéma : l’exposition de la peinture de Michel Parmentier : 20 janvier 1994 et la projection du film documentaire de Bernard Bloch : 304 cm x 308 cm Presque le silence, Michel Parmentier, Bruxelles, 1994 ainsi qu’une rencontre / débat « Ce silence nous regarde, une œuvre, un film — 1994 » sur l’expérience limite de rencontre entre deux médiums avec une communication de Bernard Bloch et Agnès Foiret dans une table ronde en clôture de l’exposition...
Michel Parmentier — Ce silence nous regarde — Galerie Michel Journiac — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Michel Parmentier — Ce silence nous regarde — Galerie Michel Journiac — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Michel Parmentier — Ce silence nous regarde Exposition Peinture Michel Parmentier, repérage du 23 avril 1993 © Agnès Foiret Michel Parmentier Ce silence nous regarde Encore 18 jours : 2 → 29 février 2024 La galerie Michel Journiac de l’École des arts de la Sorbonne de l’université Paris 1 Panthéon-Sorbonne présente un événement autour de la figure de Michel Parmentier en deux volets, associant peinture et cinéma : l’exposition de la peinture de Michel Parmentier : 20 janvier 1994 et la projection du film documentaire de Bernard Bloch : 304 cm x 308 cm Presque le silence, Michel Parmentier, Bruxelles, 1994 ainsi qu’une rencontre / débat « Ce silence nous regarde, une œuvre, un film — 1994 » sur l’expérience limite de rencontre entre deux médiums avec une communication de Bernard Bloch et Agnès Foiret dans une table ronde en clôture de l’exposition...
Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Michel Parmentier — 15 février 1984 — 12 août 1985 Exhibition Painting Michel Parmentier, 15 février 1984 (détail) © ADAGP, Paris...
Michel Parmentier — 15 février 1984 — 12 août 1985 — Galerie Loevenbruck — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Michel Parmentier — 15 février 1984 — 12 août 1985 — Galerie Loevenbruck — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Michel Parmentier — 15 février 1984 — 12 août 1985 Exposition Peinture Michel Parmentier, 15 février 1984 (détail) © ADAGP, Paris...
"Luna Luna: Forgotten Fantasy" features attractions created by more than 30 artists from Salvador Dalí to Jean-Michel Basquiat The post See Inside the Newly Revived Luna Luna, the Long-Forgotten Fair With Artist-Designed Rides appeared first on Artnet News ....
MARQUIS DE SADE by Charles Daniel McDonald – A Shaded View on Fashion ´ Sade: Freedom or Evil ´ is an exhibition that delves into the influence and reputation of the infamous French writer and philosopher, the Marquis de Sade , from whom the term ´sadism´ derives and it’s a journey not for the faint-hearted...
The Story Behind Iconic 90s Images of Cameron Diaz, Heath Ledger and More | AnOther As his new exhibition opens in Milan, Michel Haddi tells us the story behind some of his most famous images of Gwyneth Paltrow, Kate Moss, Janet Jackson and more December 11, 2023 Text Gary Grimes Michel Haddi , the legendary French-Algerian fashion photographer, is a big believer in the importance of first impressions...
« L’Art du livre », de Michel Melot et Anne Zali : la splendeur à l’ouvrage Offrir Le Monde Article réservé aux abonnés Reliure originale en soie violette brodée d’or, fleurs et ornements en soie, chiffre de Marie de Médicis et couronne en perles fines, dos long à semé de fleurs de lis dans un encadrement, ruban de gros de Tours parme, avec lisière en dentelle dorée...
Alicia Keys and Swizz Beatz will show their art collection at the Brooklyn Museum...
BOMB Magazine | Tabitha Arnold Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Michel David-Weill, Collector Who Gave Generously to the Louvre and the Met, Dies at 89 - via ARTnews...
Ken Griffin, founder of the hedge fund Citadel, paid upwards of $100 million for Jean-Michel Basquiat’s 1982 canvas Boy and Dog in a Johnnypump...
Sothebyâs Auction of Keith Haringâs Collection Achieved $4.6 Million, with Every Lot Sold...
For the First Time, Basquiatâs Family Will Organize a Show of Rarely Seen Works by the Artist From Their Personal Collection - via artnet news...
The U2 bassist describes how his search for a new version of bohemia inspired a passion for the work of Marlene Dumas, Jean-Michel Basquiat, Louise Bourgeois and Robert Mapplethorpe...
Founder of Communic’Art Agency and French art collector, François Blanc, whose collection includes works by Gérard Garouste, Walead Beshty, Hannah Whitaker, Gilbert & George, Ulrich Lamsfuss, Louise Lawler, Iván Argote and Jean-Michel Alberola, shares his thoughts on art fairs in the COVID-19 era....
Contemporary Cools in Sotheby’s $97.8m HK Sale as Demand Shifts to New Discoveries Jean-Michel Basquiat, Untitled (Red Warrior) Sotheby’s Hong Kong sales cycle was down substantially from the Spring with the Contemporary art category falling from $141 million in sales to just under $100 million...
Sotheby’s Hong Kong Contemporary Evening Sale = HKD 568.9m ($73m) Sotheby’s Hong Kong Evening sale of Contemporary art was more notable for the several artist’s records set for Shara Hughes, Nicolas Party, Louis Fratimo, Jadé Fadojutimi and Joel Mesler than for the top lots in the auction...
Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part II) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 10, 2019 By Marcus Yee (1340 words, five-minute read) This is the second of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...
The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings...
Like many contemporary photographers who play with the codes of realism, Valérie Jouve composes her images, having already a more or less predetermined result in mind, in order to deliver a complex representation of the world instead of a bold presentation of facts...
Drawing & Print
In Michel François’s work, « it is the real, physical and emotional experience that stimulates creation which is therefore highly charged with a vital force...
Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time...
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico...
Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...
Reflecting upon the transformation of surveillance techniques since the panopticon to include contemporary 3-D facial recognition, AI, and the Internet, Shu Lea Cheang’s 3x3x6 – 10 cases 10 data restages the rooms of the Palazzo delle Prigioni—a Venetian prison from the sixteenth century in operation until 1922—as a high-tech surveillance space...
Drawing & Print
Soufiane Ababri’s desire to construct a historical family and a genealogy of queer kinships in Bedwork / Yes I AM sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status...
Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...