Irma Vep, The Last Breath

2015 - Film & Video (Film & Video)

36:16 minutes

Michelle Handelman


Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade. The work uses these characters as metaphors to highlight the lives of those who live in the shadows—or feel like they do—and the anxiety they experience as marginalized figures. Musidora was a 20th-century feminist, who was known not only for acting in movies, but also for directing her own plays and films, and having secret affairs with Colette and other famous people of the time. In Handelman’s version, Feuillade’s character Irma Vep, and her real-life counterpart Musidora, is not a vampire but a member of a gang who steals jewels. They are played by Zackary Drucker, a trans woman known as an artist and television producer on the show Transparent , and Flawless Sabrina, a prominent LGBT activist, drag queen, performer, and actress. The differences of their generations, the togetherness of the characters they play in the work, and their friendship and support for each other in real life, create a complex narrative around the cultural evolution of gender. Handelman digs into the subconscious secrets of Irma Vep, as played by Drucker, by allowing viewers a peek into Irma Vep’s therapy sessions, creating a complicated narrative around the experience of living in the margins of society. As Drucker improvises her dialogue, her existence as a trans woman brings in a different perspective about living undercover and being marginalized.


Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame. Coming of age during the AIDS crisis and Culture Wars of the 1990s, the artist exposes the complicated spaces in which queer identities exist and transform, questioning the role of gender, race, class, and sexuality. Her works narrate tales of a dark human subconsciousness, putting her spotlight on outsiders and marginalized individuals. Raising philosophical questions around human existence, her characters function to uncover human fears in relation to sexuality, death, and chaos. Her video installations produce visual and psychological sensations for the viewers, inviting them to take part in these narratives. In this way, Handelman invites the viewers to question their own existence, identity, and experiences related to survival and belonging.


Colors:



Related works of genres: » san francisco art institute alumni  
» see more

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Gary Gilpatrick, Insulator
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Scene I am Cuba
© » KADIST

Felipe Dulzaides

2006

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...

Other related works, blended automatically  
» see more

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

2009

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

Related works sharing similar palette  
» see more

Jean Pigozzi Gifts 45 Works by African Artists to MoMA - via Art Critique
© » LARRY'S LIST

When the Museum of Modern Art closed for renovations on June 15th, it said that its reopening in October would boast a massive rehang of their permanent collect...

Art Collector and Credit Suisse Head José Olympio da Veiga Pereira Is the New President of São Paulo Biennial Foundation - via The Art Newspaper
© » LARRY'S LIST

The organisation oversees the city’s international exhibition, as well as the country’s representation at the Venice Biennale and other projects...

Roberta Smith on Donald Judd’s ARTnews Writings: ‘A Great Template for Criticism’
© » ARTNEWS RETROSPECTIVE

Roberta Smith on the Power of Donald Judd’s Criticism – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 28, 2020 1:04pm A page from ARTnews ’s October 1959 issue featuring Donald Judd's review of Yayoi Kusama's show at Brata Gallery...

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Other works by: » Michelle Handelman  
» see more

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

2009

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

Related works found in the same semantic group  
» see more

Lars Laumann
© » KADIST

Lars Laumann was born in Norway in 1975...

Books for holiday giving, Part 1 – Irma Boom, Indigenous Present and Strikethrough
© » THE ARTBLOG

Artblog | Books for holiday giving, Part 1 – Irma Boom, Indigenous Present and Strikethrough Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Books for holiday giving, Part 1 – Irma Boom, Indigenous Present and Strikethrough By Andrea Kirsh December 8, 2023 In her holiday book roundup, Andrea Kirsh focuses on three books that show an incredible breadth of art book publishing this year...

Poco se gana hilando, pero menos mirando
© » KADIST

Claudia Gutiérrez

2016

The title for this body of work, Poco se gana hilando, pero menos mirando , is based on a Spanish saying that underestimates feminized crafts or tasks, implying that it is better for a woman to be doing ‘something’, no matter how useless it is, instead of just doing nothing...

SATURDAY SCREENING SERIES
© » KADIST

A sequence of films and video selected by Marcelo Cidade upon reflection of his project, Somewhere, Elsewhere, Anywhere, Nowhere ...