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Untitled
© » KADIST

John McCracken

Painting (Painting)

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.

Strip Color
© » KADIST

Elsa Werth

Film & Video (Film & Video)

In the video Color Strip by Elsa Werth two-dimensional versions of all the national flags of the world (197 in all) are compiled into a long horizontal strip. The video is presented on a large flat-screen, approximating the size and dimensions of a national flag. As each flag slides across the screen, connections between the colors, signs, and forms of different countries and parts of the world create unexpected associations.

After the Finish Line
© » KADIST

Adelita Husni-Bey

Film & Video (Film & Video)

After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015. It was developed in collaboration with a group of teenage athletes who have experienced injury as a result of their respective sporting activities. Through radical pedagogical practice, a process that attempts to de-individualize feelings of failure, the artist and the athletes recorded their experiences, discussing the meaning and trappings of competition — and in particular, from where desires for success stem.

What Color
© » KADIST

Luke Murphy

Painting (Painting)

What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion. The artist cleverly usurped the familiar signage of brightly scrolling words that we ordinarily see calling out to advertise a Bodega or sidewalk cart’s fast food. In a DIY manner, Murphy constructed the extra-luminous LED panel screen and also wrote the code that sets the pace and pattern of the flowing words.

Spring Line
© » KADIST

Joe Scanlan

Installation (Installation)

Spring Line is a piece shown for the first time in his solo exhibition at the Institut d’Art Contemporain in Villeurbanne in 2007. It pays homage to the work of the famous conceptual artist Sol LeWitt, who had died on 8 April that year. Scanlan aims to guide the spectator to gage the level of influence Sol LeWitt has had on his work with regards the conversion of potential ideas into sculpture.

Color of History, Sweating Rocks
© » KADIST

Ranu Mukherjee

Film & Video (Film & Video)

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.

Punched Interlude / 5¢ Fire Line
© » KADIST

Jessie Stead

Sculpture (Sculpture)

Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump. The music box is attached to a gum ball machine globe which acts as a resonator, amplifying the music that results from the punched holes.

Line describing a cone
© » KADIST

Anthony McCall

Film & Video (Film & Video)

The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year. This piece, which was initially screened in independent film contexts, it soon began to be shown at art museums and ended up becoming one of the key works of the artistic movement that opened up the visual arts towards cinema. With a duration of 30 minutes, the film shows the creation of a white curve being projected onto an empty space.

Conceito abstrato
© » KADIST

Rodrigo Torres

Drawing & Print (Drawing & Print)

In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms.

Relevo
© » KADIST

Luciano Figueiredo

Painting (Painting)

Figueiredo’s succinct forms are rendered in bright hues of yellow, red, green, and blue, with white and black defining positive and negative spaces within the overall geometry. His Revelos are part painting, part relief, and part sculpture—they separate from the wall, creating spatial complexities within their bounds, and imply movement through the simplicity of their shapes. Though based on the shape of a simple square, each Revelo animates beyond that limitation, the folded and layered canvas sheets, the cuts and slices of contrasting paints creating movement from stasis.

Going Round and Round in a Line ST (12m)
© » KADIST

Javier M. Rodríguez

Sculpture (Sculpture)

Javier M. Rodriguez’s Going Round and Round in a Line ST (12m) is a sculptural composition made of the simplest materials—a single tape measure and metal rivets. The rivets lock the tape measure in its contorted shape, bending in angles to create a geometric abstraction. The piece hangs simply from the ceiling, at times rotating around, its shape changing with our point of view.

There is no there
© » KADIST

Gabriella and Silvana Mangano

Film & Video (Film & Video)

There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance. The work is inspired by the Blue Blouse, a political propaganda theater movement which spread across the Soviet Union in the mid-1920s. More specifically, the work takes the form of ‘Living Newspapers’, which were performances based on topical news events.

France, détours, episode 2: this line is your path
© » KADIST

Frédéric Moser, Philippe Schwinger

Film & Video (Film & Video)

In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each. On each episode a little boy and girl are firstly asked about their daily lives. By broadening the scope of the interview, the questions of Godard and Mieville gradually bring the protagonists to think of themselves as subjects in the history of the world, to “live and see themselves on television” with a critical point of view.

Girl Talk
© » KADIST

Wu Tsang

Film & Video (Film & Video)

Poet and writer Fred Moten gesticulates joyously during Girl Talk by artist Wu Tsang. Moten is dressed in light drag—a studded cloak hanging loosely over his body, his eyes and mouth adorned with makeup. Filmed in a sunlit garden, Moten whirls in slow motion to the trickle of a lion-headed water fixture and the acapella rendition of jazz standard Girl Talk by singer Josiah Wise.

Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors
© » KADIST

John Houck

Photography (Photography)

John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page. Houck uses a series of self-designed software programs to create these intricate grids of color and line, riffing off of Sol LeWitt, perhaps, in a digital age. Houck takes the output of these programs and then manipulates them manually, creasing the pages of the index print, and then re-photographing them.

Fairy #2
© » KADIST

Masaya Chiba

Painting (Painting)

Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line. The picture shows a grouping of tables and stools arranged in a dense cluster. A collection of objects, all brown or burlap-hued, cover their surfaces: ceramic pots, wooden planks, roughly geometric wooden sculptures, and even a small figure that perches precariously atop of miniature cube alongside a forked wood finish form.

Linear Painting #5 – Saint Laurent du Maroni prison (Guiana)
© » KADIST

Kapwani Kiwanga

Painting (Painting)

Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.

The Guestbook
© » KADIST

Musquiqui Chihying and Gregor Kasper

Film & Video (Film & Video)

Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo. The guestbook in question—a thin, battered copy that Do Do, the Togolese protagonist of the film, finds in Berlin’s State Library—is filled with the signatures of colonial-era explorers. The plot follows Do Do as he seeks out Treptower Park, where the JAZZ musician Kwassi Bruce was once exhibited in a human zoo in the first German Colonial Exhibition.

tombs and ignition
© » KADIST

Cross Lypka

Sculpture (Sculpture)

tombs and ignitions is a collaborative ceramic sculpture by artists Tyler Cross and Kyle Lypka. The work was translated by Kyle Lypka from Tyler Cross’s original drawing into three dimensions by coil building upwards. Lypka chose to coil build instead of using slabs because, although very flat and geometric, he believed that the form would benefit from the more organic technique of coil building, which after drying and firing tends to twist and pull, adding a sort of paradoxical swing and motion to the work’s angularity.

Head-Portrait with Red and Blue Background
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Untitled (Colors) and Untitled (Ghost)
© » KADIST

Alicia McCarthy

Drawing & Print (Drawing & Print)

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.

Bread and Roses
© » KADIST

Hank Willis Thomas

Painting (Painting)

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.

Auto Control as a Form of Landscape
© » KADIST

Frieda Toranzo Jaeger

Installation (Installation)

This triptych is based on a Tesla whose interior the artist customized on the Tesla website. The width of the work when the panels are closed is the exact width of a Tesla, thus one designed to hold two bodies side by side. In Mexico City the car is used as a social space and, for young people, one not controlled by parents.

Notebook, volume 38 : Already been in a Lake of Fire
© » KADIST

The Atlas Group

Photography (Photography)

This image is an extract from a notebook in the archives of doctor Fakhouri that lists the cars that have been used for bombs between 1975 and 1991. Each page of the notebook contains a collage of an image of a car with the same make, model and color as the exploded car with a text in Arabic that gives the details of the place, time and date of the explosion, the number of people in the accident, the perimeter of destruction, the weight and the type of explosive. The images of the cars made visible are only equivalents since the cars that actually exploded are totally destroyed.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Kosmic Music
© » KADIST

Wadada Leo Smith

Drawing & Print (Drawing & Print)

Kosmic Music is a musical score comprised of two parts: a single mixed media drawing titled Colors and Satellites, and a pair of mixed media drawings titled Koral Reef . Conceived of together as a single musical score, the three drawings exemplify a specific stage in the evolution of Wadada Leo Smith’s Ankhrasmation Language, which he has been developing since 1967. Although at first glance the works in Kosmic Music might appear abstract compositions drawn on paper, as with other scores produced by Smith, suggestions of musical structures are revealed upon closer inspection: an entanglement of musical sheets and bright geometric forms.

Man with Blue Tie
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

Photography (Photography)

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.

The Crime of Art
© » KADIST

Kota Ezawa

Film & Video (Film & Video)

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.

Round and Round and Consumed by Fire
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Prabhakar Kamble

Prabhakar Kamble is an artist, curator, and cultural activist...

The Atlas Group

The Atlas Group is a research and artistic project founded by Lebanese artist Walid Raad in 1999...

Gregory Halpern

Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Tirdad Hashemi

Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin...

Claudia Joskowicz

Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...

Chris Wiley

Frieda Toranzo Jaeger

Many of Frieda Toranzo Jaeger’s works take the triptych format, employed by artists over many centuries to represent religious devotion...

Pu Yingwei

Working as an artist, writer and curator, Pu Yingwei’s practice addresses key issues of our contemporary world linked to collective memory, personal history, utopia, identity, and geopolitics...

Hong Hao

Spanning photography, painting, installation, as well as behavior and performance art, Hong Hao’s artistic exploration is informed by the many cultural, political, and economic shifts in his lifetime...

Harm van den Dorpel

Harm van den Dorpel’s practice focuses on emergent systems and the role technology plays in their development and meaning...

Toyin Ojih Odutola

Though born in Nigeria, artist Toyin Ojih Odutola was raised largely in the United States, living in Alabama, California, and now New York...

Xiaoyun Chen

Chloe Piene

Christopher Badger

Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion...

John Houck

Ranu Mukherjee

Matthew Darbyshire

Matthew Darbyshire is interested in the non-specificity of today’s design language...

Jeffrey Vallance

Ruijun Shen

Ruijun Shen conceptualizes her painting-based practice as a form of extended meditation and a means of processing tensions between time and space in the world around us...

Taus Makhacheva

Taus Makhacheva’s performance and video works critically examine what happens when different cultures, traditions come into contact with one another...

Cally Spooner

The work of Cally Spooner (b...

Jessie Stead

Jessie Stead is as much a musician as she is a visual artist...

Randa Maddah

Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan...

Shi Guowei

Shi Guowei is concerned with notions of historical and cultural traditions as they relate to current socio-political issues...

Mike Kelley

Sahana Ramakrishnan

Sahana Ramakrishnan creates images that are complicated, dissonant, and abject in ways that open the heart and mind...

Dread Scott

Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society...

© » ARTSY

about 11 months ago (02/12/2024)

Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty | Artsy Skip to Main Content Advertisement Art Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty Casey Lesser Feb 12, 2024 2:00PM Portrait of Savannah Marie Harris...

© » THE GUARDIAN

about 11 months ago (02/11/2024)

When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...

© » HYPERALLERGIC

about 11 months ago (02/11/2024)

Harriet Korman’s Nonchalant Rigor Skip to content Harriet Korman, "Untitled" (2022), oil on canvas, 24 x 30 inches (all images courtesy the artist and Thomas Erben Gallery) Harriet Korman’s paintings are simultaneously rigorous and nonchalant...

© » HYPERALLERGIC

about 11 months ago (02/08/2024)

ArtTable Survey Sheds Light on Hardships Faced by Arts Workers of Color Skip to content Protesters outside the since-removed Roosevelt statue in front of the American Museum of Natural History in a 2017 protest (photo Hrag Vartanian/ Hyperallergic ) It’s no secret that women and non-men, especially those of color, have historically been subjected to structural pay inequities...

© » ARTNEWS MARKET

about 11 months ago (02/08/2024)

Mexico City’s Material Fair Celebrates Its 10th Anniversary Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All February 8, 2024 5:00am The 2023 edition of Material...

© » TWOCOATSOFPAINT

about 11 months ago (02/07/2024)

Elizabeth Hazan: Playful visionary – Two Coats of Paint Elizabeth Hazan, Glade, 2022, oil on linen, 66 x 55 inches Contributed by Patrick Neal / Elizabeth Hazan’s exhilarating oil paintings, on view at Hesse Flatow gallery in Chelsea, marry old-school color field abstraction and loopy, gestural shorthand...

© » THE GUARDIAN

about 11 months ago (02/05/2024)

Beyond Form review: the dogged gunk rockers who besieged the art world – and the disco | Art and design | The Guardian Skip to main content Skip to navigation Skip to navigation Stuck on you … Lynda Benglis pouring Adhesive Products (1971)...

© » ARTSY

about 11 months ago (02/02/2024)

Anselm Kiefer’s Intimate Watercolors Reveal His Softer Side | Artsy Skip to Main Content Advertisement Art Anselm Kiefer’s Intimate Watercolors Reveal His Softer Side Katie Tobin Feb 2, 2024 4:07PM Anselm Kiefer, Für Adalbert Stifter: Waldsteig, 2015...

© » MODERN MET ART

about 11 months ago (01/31/2024)

Open-Impressionist Paintings Capture Kaleidoscopic Nature Scenes Home / Painting / Oil Painting Glorious Explosions of Color Capture the Beautiful Symphony of Nature in Oil Paintings By Margherita Cole on January 31, 2024 In the late 19th century, Impressionism blossomed under the talents of Claude Monet and Pierre Auguste-Renoir...

© » MUTUALART

about 13 months ago (12/18/2023)

Inspired by his own lineage of sculpting, and a close acquaintance with Frida Kahlo and Diego Rivera, Gabriel Ponzanelli’s became one of Mexico’s greatest......

© » TWOCOATSOFPAINT

about 13 months ago (12/17/2023)

Patricia Satterlee and Fran Shalom: Heirs to Nozkowski – Two Coats of Paint Fran Shalom, Start from Zero, 2023, oil on canvas, 24 x 24 inches Patricia Satterlee, RYB 4, 2023, 2023, Flashe paint and graphite on linen panel, 42 x 46 inches Contributed by Sharon Butler / Abstract painter Thomas Nozkowski was widely and deservedly recognized for making intimately scaled abstract paintings using an idiosyncratic visual language that was derived from the visual and emotional stimuli of everyday life...

© » HYPERALLERGIC

about 13 months ago (12/14/2023)

Talia Chetrit Treads the Line Between Style and Substance Skip to content Talia Chetrit, "Roman on Denis" (2022) (all images courtesy the artist, kaufmann repetto, Sies and Hoke, and Hannah Hoffman) HARTFORD, Conn...

© » HYPERALLERGIC

about 13 months ago (12/12/2023)

The Pantone Color of the Year “Conspiracy,” Explained Skip to content Viva Magenta-tinted dollar bills against a Peach Fuzz background (edit Valentina Di Liscia/ Hyperallergic ) The holiday season has always been more than just a special time to spend with loved ones, as corporations seize the moment to create memorable marketing campaigns that will have the public talking well into the new year...

© » ART & OBJECT

about 13 months ago (12/12/2023)

Pantone Names 'Peach Fuzz' the 2024 Color of the Year | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ARTNEWS

about 13 months ago (12/12/2023)

The Best Art Gifts for Artists and Art Lovers: Updated for Holiday 2023 – ARTnews.com Skip to main content By The ARTnews Recommends Editors Plus Icon The ARTnews Recommends Editors View All December 12, 2023 1:00pm Zakka Joy If you purchase an independently reviewed product or service through a link on our website, ARTNews may receive an affiliate commission...

© » GALERIE MAGAZINE

about 13 months ago (12/11/2023)

8 Emerging Artists Who Made a Splash at This Year’s NADA and Untitled Art in Miami - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of Henrik Godsk at Vigo Gallery at Untitled Art 2023...

© » SLASH PARIS

about 13 months ago (12/10/2023)

A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back A line is not a border — Group show Exhibition Installation, painting, photography, sculpture.....

© » SLASH PARIS

about 13 months ago (12/10/2023)

A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A line is not a border — Group show Exposition Installations, peinture, photographie, sculpture.....

© » MODERN MET ART

about 13 months ago (12/10/2023)

Over 400 Pyramids in Abu Dhabi Form Incredible Piece of Land Art Home / Art / Installation 448 Hand-Formed Pyramids Form Mesmerizing Mandala in Abu Dhabi By Jessica Stewart on December 10, 2023 American artist Jim Denevan has created one of his most ambitious installations to date as part of Abu Dhabi's public art initiative, Manar Abu Dhabi ...

© » ARTSY

about 13 months ago (12/08/2023)

Pantone names its 2024 Color of the Year: Peach Fuzz...

© » OBSERVER

about 13 months ago (12/01/2023)

Review: ‘Glory of the World: Color Field Painting (1950s to 1983)’ | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention...

© » FAD MAGAZINE

about 14 months ago (11/24/2023)

Morán Morán now represent Ryan Trecartin - FAD Magazine Skip to content By Mark Westall • 24 November 2023 Share — Morán Morán has announced the gallery representation of Ryan Trecartin...

© » LARRY'S LIST

about 15 months ago (10/05/2023)

French Actor Gérard Depardieu to Auction Art Collection Including Works by Rodin and Duchamp - via Euronews...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Francie Bishop Good, an artist herself, can’t resist adding to the collection she and her husband have amassed....

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Bronx Museum Trustee and Collector Richard Torres on Supporting Artists of Color, and the Picasso He’d Most Love to Pilfer - via artnet news...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Prague’s First Private Museum Is Haunted by the Specter of Communism - via Hyperallergic...

© » THE JEALOUS CURATOR

about 34 months ago (03/12/2022)

SO, where to begin? At the beginning, of course...

© » ARTS EQUATOR

about 40 months ago (09/29/2021)

Performance Making during a Pandemic: Of Innovation, Form and Embeddedness | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kornkarn Rungsawang September 29, 2021 By Adriana Nordin Manan (1,000 words, 3-minute read) If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more about sharing examples of performances that exemplify the act of moving ahead despite the barriers...

© » ARTS EQUATOR

about 55 months ago (07/13/2020)

Purⓔ《纯ⓔ》: How do we talk about Art Form X? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of M1 CONTACT July 13, 2020 By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ 《 纯 ⓔ》 , I did it feeling a bit like a shipwreck survivor re-approaching water for the first time...

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about 70 months ago (03/29/2019)

Stan Mir reviews an exhibition of new paintings by Evan Fugazzi at Gross McCleaf Gallery, Philadelphia, on view through March 30, 2019...