Drawing & Print (Drawing & Print)
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities.
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it.
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc. The display is a collection of selected objects chosen in response to the reading of a text by Alain Badiou (the first chapter of the seminar “Le réel est l’impasse de la formalisation; la formalisation est le lieu de passe en force du réel” from February 4, 1975). The elements are a visual way to question the transposition of an idea into reality.
Drawing & Print (Drawing & Print)
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico. Working with this unsettled mystery, De La Torre’s video inquires into the historical and continuing tensions between Chinese and Mexicans. As such, Nuevo Dragon City depicts a symbolic act of self-entrapment in which six untrained actors of Chinese descent silently blockade themselves inside in an empty Tijuana storefront.
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic. The mural contrasts and mixes multiple layers of these satellite images capturing the progressive devastation of the El Quimbo dam on the Yuma river (Magdalena), in the Department of Huila. The project was originally produced for the 8th Berlin Biennale, and developed out of the artist’s research into waterways, their political and cultural impact, and their historical development.
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion. The plane appears as an anthropomorphized figure: lying on the sands of the beach without its wings, it resembles a sculptural torso that has lost all its limbs, with cables coming out of its body appearing as internal organs. These injuries remind the viewer of the danger inherent in these artifacts, and the potential for both heroism and death implicit in flying them to far-away territories.
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there. The neon translates as “this is not in Spanish,” making reference to both the famous Rene Magritte painting “Ceci n’est pas une pipe” as well as signs posted in the windows of Chinese establishments in Mexico.
Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces. Although the damage is obvious, as the camera navigates across the elaborate, handmade dioramas, the inhabitants of La Town carry on with their activities and the normality of everyday life pervades. As the film progresses, the latent chaos and violence begin to emanate from every corner of the miniature city: a bloody briefcase left on the ground, a kidnapping scene, an axe murderer on the loose, a ferocious man-eating octopus—all rendering the darkness of this new post-apocalyptic world order.
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention.
In Centro Espacial Satelital de Colombia (Colombian Satellite Space Center) , Calderón & Piñeros (La Decanatura) play tribute to two “stunning” satellite antennas installed in the small municipality of Chocontá where, in 1970, the Space Communications Center of Colombia was inaugurated. That same year, the first antenna, responsible for the transmission (via microwave) of radio and telephone signals was put in place and eleven years later, the second antenna or Ground Station for International Communications would complete the complex known as Space Communications Center. Excursions to visit what became known as the “Satellite City of Colombia” were common for decades.
La Ruta by Natalia Lassalle-Morillo follows the Panoramic Route, a now weakened infrastructure that meanders through untouched natural landscapes and off-road destinations on the island of Puerto Rico. The Panoramic Route was designed for residents and tourists to connect with the traditional center of the island, as part of a political agenda to modernize the country through infrastructure and social programs. Today, the highway is notorious for dismal road conditions, resulting in isolation between more densely populated metropolitan areas and contributing to a loss of cultural sites and practices that once took place along the Route.
La libertad is a “greca” film, a meander film, with no beginning nor end, weaving together fragments of daily life at the Navarro´s, counting threads and time, wondering and wandering around words as emancipation, labor, and freedom (la libertad), the word that most appeared in our conversations. The “greca”, the meander, is the main symbol weaved in the textiles made by the Navarro sisters, from Santo Tomás Jalieza, México. A geometrical form of an endless braid of diamonds, the “greca” represents corn, an entity worshiped by the pre-hispanic civilisations of Mesoamerica.
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago. The series, whose subjects were extremely subversive, as well as critically vulnerable to the repressive political regime, were finally shown in Chile shortly before the end of the dictatorship in 1990, and later compiled in a book of the same title with texts by Peruvian writer Claudia Donoso. This work portrays a scene at La Palmera brothel in Santiago.
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
In the film La Edad de Oro (The Golden Age) Javier Castro asks several children to describe what they want to be when they grow up and what their best career option is in Cuba. Their responses are telling: some hopeful or playful in nature as one would expect, and others crudely revealing the harsh reality that the children perceive. The work takes its title from a children’s magazine produced by José Martí in 1889, during the years leading to the Cuban War of Independence from Spain in which Marti lost his life.
During the years of President Senghor, Papa Ibra Tall was influential in the cultural dimension of Senegalese politics, participating in the implementation of the Dakar School, a movement of artistic renewal born at the dawn of the country’s independence between 1960 and 1974 and which was encouraged by President Senghor. The artist set out to transcribe ‘negritude’ in his works, according to Senghor’s definition in Problème de la Négritude: “To assume the values of civilization of the Black world, to actualize them and to fertilize them, if necessary with the foreign contributions, to live by oneself and for oneself, but also to make them live by and for others, thus bringing the contribution of the new Negroes to the civilization of the universal.”
La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank. The artist runs until exhaustion across a dirt field in what looks like a military site. Recorded for the camera, and projected on loop, the video performance was created for Documenta 14.
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839.
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible . Other well known works by Ramirez feature the movement and endless symbolism of the sea—like the simultaneous engagement and retreat of the tide—but La Memoria Verde takes the land, plant life, and its human inhabitants as its subject. The film begins with a soft, green, algae-like image that waxes and wanes in focus, then gives way to swaying treetops blowing in a soft wind.
The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years. It was a playground for the rich in the 19th century and where Old New York had its summer homes and diversions. The center image is a portrait of the artist’s grandmother when she was 16 in 1949.
La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection. By creating this work in the Villa Medici in Rome, the neutral space—neither France nor Morocco—allowed the artist to distance himself with his history in the examination process. The series looks at Morocco through the eyes of his children and object belonging to his grandmother: a scarf, a cushion and a book in Arabic.
Drawing & Print (Drawing & Print)
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico. I painted them sky blue, creating a “Hole in the Wall” This deconstruction of “feminized” work explores the difficulties in reconciling both low wages and undervalued work via social and political infrastructures, confronting issues of labor and power. The images that I myself perform, present a duality: women dressed in a black tango dance attire while engaging in de-skilled domestic chores; the surreal within non-fiction.
Drawing & Print (Drawing & Print)
Like many of Dr. Lakra’s works, Cortes y la malinche is a drawing done on a found vintage magazine page. The text at the bottom of the page, “reclinandose inocentemente sobre el regazo de Hernan-Cortés,” translates to, “reclining innocently in the lap of Hernan Cortés,” and refers to the Spanish conquistador who brought down the Aztec empire. Malinche was a native Mexican who served both as Cortés’s translator in both the Mayan and Aztec languages, as well as his lover.
La Cultura de la Felicidad (The Culture of Happiness) is a series of five photographs addressing everyday life—a couple in a bed, lovers on a bench and a family reunion. The subjects wear masks made of white cardboard. The series suggests the idea of a reality hidden under the appearances of the power in place that denies violence to citizens.
Drawing & Print (Drawing & Print)
Ranging from Baudelaire to the Koran, each of Hassan Massoudy’s drawings are titled with a quotation from a text. In the case of La beauté sauvera le monde, the text originated from Dostoyevsky’s The Idiot , alluding to aspirations, models of behavior and words of wisdom. The image itself, though generated in a hybrid manner relating to Arabic and Japanese calligraphy, suggests both fluttering flags and buildings rising high out of the desert as one would see in many developing Middle Eastern countries.
A woman pronounces parts of sentences. Via rigorous editing, the artist creates anticipation with the silences, rhythm by the repetitions, temporal ellipses with music. The recording is diffused by a loud speaker placed on a plinth which gives the whole an anthropomorphic status which reminds one of Box with the sound of its own making by Robert Morris.
Les princes de la rue by Clarisse Hahn is part of Boyzone , a long term project in which the artist observes how men’s bodies reflect their relationships to public and private spaces. Hahn’s photographs move beyond gazing at the Other; they demonstrate how outcast, among themselves, can reproduce the gaze that is cast on them as a means of expression. As such, this series makes space for Hahn’s subjects to intimately express their strength, fragility, and pain, as well as their history.
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico. The title refers to how a shooting star was (in local mythology) interpreted as a head without a body, crossing the sky, signaling the arrival of chaos and destruction. The actor in the video, Michelle Nonó, is in touch with native plants—she’s a medicinal botanist but also a cultural activist.
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...
Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics...
Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...
born in 1961 in Cotonou, Benin...
Bruno Serralongue integrates his practice into the processes of production and distribution of information via images...
Through her films, photographs and video installations, Clarisse Hahn continues a documentary research on communities, behavioral codes and the social role of the body...
Described as a ‘spatial interventionist’, Corey McCorkle is a New York-based artist and trained architect, working in photography, architectural interventions, sculpture, installations, and films...
African American artist Abigail DeVille’s large sculptures and installations reflect on social and cultural oppression, racial identity, and discrimination in American history...
Argentinian artist, born in 1940, Luis Pazos transitioned from an experimental poetry and editing practice to the creation of actions and happenings in the 1970s...
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
A crucial figure in the history of African modernism, Papa Ibra Tall was a renowned tapestry weaver, painter, and illustrator...
Natalia Lassalle-Morillo’s films explore familial, neighborly, and citizen relationships in the context of Puerto Rico’s fraught history with the United States and the resulting imperialist oppression that has altered generations of families’ material and spiritual trajectories...
Dominique Petitgand makes sound pieces...
Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies...
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...
Caroline Fusilier’s paintings are dark, foreboding, and ominous...
The practice of the French-Moroccan artist Malik Nejmi (b...
Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...
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The Best Booths at Zona Maco 2024 Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All February 8, 2024 9:00am The entrance to the 2024 edition of Zona Maco...
Russia to Sit Out Sixtieth Venice Biennale – Artforum Read Next: FRIEZE ANNOUNCES PARTICIPANTS IN 2024 NEW YORK EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 Managed by the Institute of Creative Repair, the exhibition, titled Quiet Ground, is curated by Portia Malatjie and will feature new work by MADEYOULOOK....
Tesfaye Urgessa will represent Ethiopia at the 2024 Venice Biennale...
Cet article est à lire dans Society #223, disponible en kiosque du 01 au 14 fÉvrier....
Was Rauschenberg’s grand prize win at the 1964 Venice Biennale a US plot, or just good PR? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Film review Was Rauschenberg’s grand prize win at the 1964 Venice Biennale a US plot, or just good PR? A new documentary delves into the machinations that led to the upstart American artist’s stunning triumph at the art world’s Olympics David D'Arcy 15 December 2023 Share Robert Rauschenberg (right foreground) receives from Italian Minister of Education, Luigi Gui (left foreground), the top prize for the best foreign painting at the Venice Biennale in 1964 Associated Press / Alamy Stock Photo In 1964, the American artist Robert Rauschenberg was awarded the grand prize at the Venice Biennale....
La mort du commissaire d’exposition Daniel Abadie, ancien directeur de la galerie du Jeu de paume Offrir Le Monde Article réservé aux abonnés Daniel Abadie, à New York, en 1998...
Can photography be a form of play? The recent Foto/Industria Biennale shows how improvisation and mugging for the camera are as old as the medium....
Details for First-Ever Malta Biennale Announced – Artforum Read Next: ARGENTINIAN PRESIDENT JAVIER MILEI SHUTTERS MINISTRY OF CULTURE Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
The 2024 Biennale für aktuelle Fotografie is cancelled - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW The three curators of the 2024 Biennale fur aktuelle Fotografie in Germany, which has now been cancelled...
Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Louidgi Beltrame — La huaca pleure Exhibition Mixed media Upcoming Visuel créé par le Studio Kiosk, d’après une encre sur toile de Louidgi Beltrame Louidgi Beltrame La huaca pleure In about 1 month: January 21 → March 31, 2024 Louidgi Beltrame has been developing a research in Peru since 2012...
"Wang Bing : un paysagiste de la mémoire" - artpress X 28 novembre 2023 Dans AP Web , arts visuels “Wang Bing : un paysagiste de la mémoire” Par Laurent Quénéhen...
Nil Yalter — Exile is a hard job — Galerie Berthet – Aittouarès — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nil Yalter — Exile is a hard job — Galerie Berthet – Aittouarès — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Nil Yalter — Exile is a hard job Exposition Techniques mixtes, vidéo Derniers Jours Nil Yalter, La Femme sans tête, 1974 Vidéo en noir et blanc, 24" — Edition de 5 exemplaires Nil Yalter Nil Yalter Exile is a hard job Encore 5 jours : 2 novembre → 16 décembre 2023 Nil Yalter, Lion d’or Biennale de Venise 2024 — Galerie Berthet-Aittouarès La galerie Berthet-Aittouarès accueille depuis début novembre une exposition de Nil Yalter, figure d’un art engagé et ancré dans la société dont elle observe les ruptures et les mises au ban...
Cet article est à lire dans Society #217, disponible en kiosque du 26 octobre au 8 novembre 2023....
Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Kyiv Biennial 2023 — La Biennale de Kyiv Exposition Techniques mixtes Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Encore 18 jours : 5 octobre → 29 décembre 2023 La cinquième édition de la Biennale de Kyiv sera internationale et se tiendra à Kyiv, Ivano-Frankivsk, Uzhhorod, Vienne, Varsovie et Berlin...
Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exhibition — Slash Paris Login Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Kyiv Biennial 2023 — La Biennale de Kyiv Exhibition Mixed media Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Ends in 18 days: October 5 → December 29, 2023 The fifth edition of Kyiv Biennial will be international and will take place in Kyiv, Ivano-Frankivsk, Uzhhorod, Vienna, Warsaw and Berlin...
Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sinae Lee — Exposition personnelle Exposition Vidéo À venir Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle Dans 8 mois : 2 → 23 mars 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
Sinae Lee — Exposition personnelle — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Sinae Lee — Exposition personnelle Exhibition Video Upcoming Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle In 8 months: March 2 → 23, 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Biennale de Lyon — 2024 Exposition Techniques mixtes À venir © Biennale de Lyon 2024 Biennale de Lyon 2024 Dans plus d’un an : 1 septembre 2024 → 1 janvier 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Lyon — 2024 Exhibition Mixed media Upcoming © Biennale de Lyon 2024 Biennale de Lyon 2024 In over 1 year: September 1, 2024 → January 1, 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
Biennale de Venise — 2024 — 60e édition — Jardins de la Biennale de Venise — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Biennale de Venise — 2024 — 60e édition — Jardins de la Biennale de Venise — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Biennale de Venise — 2024 — 60e édition Exposition Techniques mixtes À venir Biennale de Venise © Slash-Paris, 2022 Biennale de Venise 2024 — 60e édition Dans 12 mois : 20 avril → 24 novembre 2024 Placée sous la direction du commissaire d’exposition brésilien Adriano Pedrosa, la Biennale de Venise 2024 tiendra sa soixantième édition du 20 avril au 24 novembre 2024...
Biennale de Venise — 2024 — 60e édition — Jardins de la Biennale de Venise — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Venise — 2024 — 60e édition — Jardins de la Biennale de Venise — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Venise — 2024 — 60e édition Exhibition Mixed media Upcoming Biennale de Venise © Slash-Paris, 2022 Biennale de Venise 2024 — 60e édition In 12 months: April 20 → November 24, 2024 STATEMENT FROM PRESIDENT ROBERTO CICUTTO : “The choice of Adriano Pedrosa as curator of the 60th International Art Exhibition of La Biennale di Venezia is the result of a process that grew out of our experience of working with Cecilia Alemani...
Natasha: A Biennale By Any Other Name | ArtsEquator Skip to content Striving to experience Natasha on their own terms, Xiao Ting Teo runs through the gamut of emotions, from exhaustion to uncertainty, to amusement, to moments of connection at the Singapore Biennale 2022...
Makassar Biennale: Gagasan Literasi Warga dan Pertanyaan Artistik Yang Abadi | ArtsEquator Skip to content Wilda Yanti Salam berbagi pandangan orang dalam tentang upaya berkelanjutan Makassar Biennale untuk membongkar konvensi penyelenggaraan biennale pada biennale pertama di Indonesia bagian timur...
Careening Into “The Milk of Dreams”: Southeast Asia at the 59th Venice Biennale | ArtsEquator Skip to content While the stated theme of the Biennale is to challenge the hegemony of the West, Nicole Wong finds that the spaces created for these interventions to happen struggles against the behemoth of the Biennale itself...
Weekly Southeast Asia Radar: The passing of Salleh Ben Joned, Bangkok protests stir biennale artists | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Geem Drake/SOPA Images/LightRocket via Getty Images...
Singapore Biennale 2019: Interview with artistic director and curators | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Singapore Art Museum October 13, 2019 By Lee Weng Choy (1,969 words, 7-minute read) Contemporary visual art exhibition the Singapore Biennale 2019 will return on 22 November with Every Step In The Right Direction , featuring artworks by over 70 artists from Singapore, Southeast Asia and beyond...
Contortions and Gentle Songs: SEA at Venice Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Olivia Kwok October 2, 2019 By Teo Xiao Ting (1,414 words, 6-minute read) A vivacious viscous zoo swirling with prestige and art, the Venice Biennale spins me exhausted after 45 days...
Biennale seen posing challenges for artists (via The Nation) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 18, 2018 The Bangkok Art Biennale beginning on October 19 will have as its theme “Beyond Bliss”...
La Cultura de la Felicidad (The Culture of Happiness) is a series of five photographs addressing everyday life—a couple in a bed, lovers on a bench and a family reunion...
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
Drawing & Print
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions...
Drawing & Print
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions...
This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Drawing & Print
Ranging from Baudelaire to the Koran, each of Hassan Massoudy’s drawings are titled with a quotation from a text...
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Drawing & Print
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Drawing & Print
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
In the film La Edad de Oro (The Golden Age) Javier Castro asks several children to describe what they want to be when they grow up and what their best career option is in Cuba...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Drawing & Print
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico...
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
In Centro Espacial Satelital de Colombia (Colombian Satellite Space Center) , Calderón & Piñeros (La Decanatura) play tribute to two “stunning” satellite antennas installed in the small municipality of Chocontá where, in 1970, the Space Communications Center of Colombia was inaugurated...
-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
La libertad is a “greca” film, a meander film, with no beginning nor end, weaving together fragments of daily life at the Navarro´s, counting threads and time, wondering and wandering around words as emancipation, labor, and freedom (la libertad), the word that most appeared in our conversations...
Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...
Drawing & Print
La Masacre de el Aro (The Massacre of El Aro) by Jorge Julián Aristizábal refers to a massacre in Colombia which occurred on October 22, 1997 in the municipality of Ituango, Department of Antioquia...
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
La Ruta by Natalia Lassalle-Morillo follows the Panoramic Route, a now weakened infrastructure that meanders through untouched natural landscapes and off-road destinations on the island of Puerto Rico...
La Forma del Presente (The Shape of Now) by Manuel Correa follows a group of survivors of Colombia’s 50-year long armed conflict facing the impossible task of agreeing on a shared past...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Les princes de la rue by Clarisse Hahn is part of Boyzone , a long term project in which the artist observes how men’s bodies reflect their relationships to public and private spaces...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Sofía Córdova’s film dawn_chorusiii: the fruit they don’t have here / coro_del_albaiii: la fruta que no tienen aquí weaves together six California migration stories that resist dominant social narratives that flatten the experience of migrants...
Miercoles cerca de las 7 de la tarde by Caroline Fusilier portrays two quantum computers that are mobile, with human-esque legs, these are systems at the edge of biology...