This work presents the image of an immolated monk engraved on a baseball bat. The flames surround him eroding the extremity of the bat. The delicate sculpture refers to the sacrifice of the Buddhist monk, Thich Quang Duc, who immolated himself on June 16th 1963, in reaction to the discrimination and the repressive politics of the Diem Catholic regime (regime installed by the Americans) towards the Buddhists.
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.
Drawing & Print (Drawing & Print)
Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse. Hence the title of this work, Tissue II , is a spare and elegant work, in which the artist combines hand sculpted paper with embossment and frottage for the first time in his practice. The effect recalls African weaving and skin embellishment, but also reflects the influence of his former job as an intensive-care nurse, seeking to heal the most damaged.
Tectonic Model is made from a number of leather bound books piled up in different formations that resemble architecture on top of a sawhorse desk. Tiny cranes of about ten centimetres in height are attached to the top of the books, which have their tassels laid out. The intricately balanced arrangements, with some books standing free and upright, gives the impression that the cranes might have stacked the books themselves by lifting the tassels.
Drawing & Print (Drawing & Print)
Creole Portraits III alludes to the 18th century practice by slave women on Caribbean plantations of using tropical plants as natural abortifacients. As an act of political resistance against their exploitation as “breeders” of new slaves and to protest the inhumanity of slavery, some slave women chose to either abort or kill their offspring. Armed with practical knowledge passed on orally from their African ancestors and/or Amerindian counterparts, enslaved Creole women collected the seeds, bark, flowers, sap, and roots from various plants which allowed them to secretly put an end to their pregnancies.
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo. The materiality and form of this traditional headpiece represents the strength and fierceness of forest warriors. Their ‘chimneys’ on top are intended to resemble trees in the jungle onto which hornbill feathers would once have been stuffed.
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest. The area is renowned for its roof tile factories, and the cup aims to celebrate the factory worker’s physiques, sculpted by intense, daily, physical labor. Togar based the idea of the cup on the simple notion of collectivity.
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest. The area is renowned for its roof tile factories, and the cup aims to celebrate the factory worker’s physiques, sculpted by intense, daily, physical labor. Togar based the idea of the cup on the simple notion of collectivity.
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made.
Drawing & Print (Drawing & Print)
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous. Set against a blank white background, as in Untitled (2015), Ojih Odutola’s figures are stark, resolute in their darkness. The surface of her subject’s skin becomes ribbon-like, lines weaving across the contours of their head and neck.
Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand. The simplicity of Ojih Odutola’s compositions enables a consideration of skin, blackness, surface, and detail, all hovering out of time and space.
Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way. Initially, Heinemann began this project by wanting to make a series of birdhouses, an interest of his that derived from walking in parks during lockdown, when bird life was so much more present as a result of the reduction in traffic noise and the absence of aircrafts. Though birdhouses may be safe spaces to nurture fledglings, they are also inherently absurd, as human constructs projected onto bird life.
Drawing & Print (Drawing & Print)
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island. Replete with its own population and constantly shifting topography, Avery’s intricately conceived project amounts to an ever-expanding body of drawings, sculptures, installations and texts which evince the island. Exhibited incrementally these heterogeneous elements serve as terms within the unifying structure of the island – as multiple emissions of an imaginary state, and as a meditation on the central themes of philosophy and the problems of art-making.
Untitled exemplifies the format that Anna Bella-Papp most commonly works in, using her hands to create delicate tablet-like reliefs within a rectangular form made out of clay. The lack of any glazes and other finishes used in traditionally in ceramics is a deliberate decision with an aim to preserve the pale hues and natural qualities of the clay. Papp’s decision to display the pieces resting flat on table tops, invites us to imagine them as landscapes or architectural structures seen from a bird’s-eye view.
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it. This is not Manila whittled down to a scale model but a re-imagination of the city by Ryan Villamael in his ardor to approximate its complexity both as a physical, urban fact and an evolving concept. Behold A City 4 features an entirely new topography and arrangement.
Drawing & Print (Drawing & Print)
Transaction/Evacuation is a collaborative painting by Khadim Ali and Sher Ali, and is part of a larger collaborative body of works by the artists, which share the same title. Like Khadim Ali, Sher Ali is also part of the Hazara people, and experienced massive personal and social trauma early in life, losing his parents at the age of ten and witnessing the devastation of the Afghan Civil War in his native Kabul. The horned figure in the foreground represents Rustam, a legendary hero in Iranian mythology and central character in the Shahnameh, who depicted here by the artists as a potbellied demon, stripped away of its heroism.
Anne Samat’s Puteri 3 references Ulek Mayang, a classical Malay dance, performed in a ritualistic pre-Islamic context. It is based on the myth of a princess from the sea who steals the soul of a fisherman she falls in love with, leaving his body lifeless. A battle ensues for the soul of the fisherman, between a shaman (bomoh) trying to bring back the spirit into the earthly flesh and the princess aided by five of her sisters.
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India.
Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical. Making use of old and new technologies, the work is a self-portrait. The sculpture features a soft and gentle human face made of 3D printed composite, sprouting from a clutter of clay and other materials.
Drawing & Print (Drawing & Print)
In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms.
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials. The title is a reference to a building Frank Lloyd Wright designed for Tokyo, which was completed in 1923. In its heyday, which lasted until after World War II, the hotel was reserved for elite personnel, many of them foreigners.
Drawing & Print (Drawing & Print)
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions. Untitled Inkblot Drawing (CT-1491) (1995) is representative of his aspect of his practice. It is a formal exploration related to many different things: the Rorschach inkblot testing used by psychologists, Japanese calligraphy, Egyptian hieroglyphs, and the intricate patterning Conner saw everywhere in the world around him.
Drawing & Print (Drawing & Print)
Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval. Untitled (Set of Six Drawings) (2012) is an intricate watercolor of a child sitting cross-legged with its head stuck inside a giant mask resembling a duck head covered with eyes. It looks like a scene snatched from science fiction or a surreal dream; it is tempting to see in it some kind of warning sign, or an ominous vision of the future.
“The Wedding” is the centerpiece of a series of works centered on a film of the artist’s parents’ wedding in 1978, the year before the Iranian revolution that gave power to a religious fundamentalist regime. Struggling to remember the details and the date of the event, Rokni’s relatives inadvertently embellish and recreate the excitement, confusion, and eventual disappointment of those historic months in Iran. The uncertainty about the wedding date seems to mirror the confusion of the historic turmoil about to sweep Iran.
Drawing & Print (Drawing & Print)
Sara Cwynar’s composite photographs of found objects and images court feelings of time passing. Using studio sets, collage, and re-photography, she produces intricate tableaux that draw from magazine advertisements, postcards, or catalogs. Cwynar is interested in how design and popular images work on our psyches, in how their visual strategies infiltrate our consciousness.
Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films. Here, the still images function in the same way as his cinematographic work: Highly aesthetic, they allow for the appearance of intricate visual patterns and layers of meaning that take scenes of everyday life as its source material. Both Dorsky’s cinematic and photographic works follow a stream of consciousness that rejects representation or fixed narrative structure.
Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt. Carmel in Israel to Venice, emerging underneath the Israeli pavilion in the Venetian Giardini. Upon their arrival, the motley group of 30 non-actor participants then sculpt self-portrait busts of themselves, with microphones embedded and protruding from the sculptures.
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page. Houck uses a series of self-designed software programs to create these intricate grids of color and line, riffing off of Sol LeWitt, perhaps, in a digital age. Houck takes the output of these programs and then manipulates them manually, creasing the pages of the index print, and then re-photographing them.
Olga Grotova is an artist and poet whose practice involves collecting and mapping stories of Soviet and Eastern-European women that have been erased from established historical narratives...
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Though born in Nigeria, artist Toyin Ojih Odutola was raised largely in the United States, living in Alabama, California, and now New York...
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Based in San Francisco, Audra Knutson is known for her delicate and intricate works that depict elements from nature as well as scenes and objects from the everyday...
Gilad Ratman’s videos and installations address the apparently untenable aspects of human behavior by exploring the need for community and by showing forms of resistance and the borders of self...
Pangrok Sulap is an Indigenous artist collective comprised of members from the Dusun and Murut clans of Malaysian Borneo...
Nathan Lewis’s unfeigned drawings have evolved out of the nine years he worked as a critical care nurse at a Washington, D.C...
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...
Cwyner is both related to a photo conceptual tradition of photography from Vancouver as well as to a new school of photography working with digital manipulation, scanners, stock photography and the notion of photography after image making, both of which are represented in the Kadist collection via artists such as Arabella Campbell, Ron Terada, Tim Lee, Rodney Graham, Ian Wallace from Vancouver and artists such as Chris Wiley, Lucas Blalock, Erin Shirreff or John Houck, who recently have explored the idea of photography beyond image making....
Euan Macdonald’s videos, drawings and sculptures are informed by a wide array of philosophical, musical, and literary references, but return repeatedly to the quotidian occurrence, the everyday as subject...
Ryan Villamael’s deeply layered practice is informed by a rare degree of skill and dexterity as well as by vivid imagination and haunting intellectual preoccupations...
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
Anna Bella-Papp recalls how intuitive it felt the first time she modelled something out of clay as a child...
An exuberant and precise sculptor, Anne Samat blends the aesthetic of international queer cultures – which she proudly represents as a transgender activist – with various textile and bricolage influences from South East Asia and beyond...
Committed to technique and the mastery of tools, for decades Auriea Harvey’s practice has included drawing, sculpting, and software coding...
Caspar Heinemann is a queer artist and writer who makes work that reflects and represents his gender and identity...
Nathaniel Dorsky belongs to a younger generation of filmmakers that follows key figures of the Bay Area avant-garde scene, like Bruce Conner, and is mainly associated with Canyon Cinema...
Joscelyn Gardner is a Caribbean / Canadian visual artist working primarily with printmaking and multimedia installation...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
The Living Legacy of Funerary Arts Skip to content Toraja people of Indonesia; central Sulawesi, Rongkong area, “Burial Cloth” (19th century), cotton, warp ikat, 65 1/2 x 152 x 107 1/2 inches (image via Wikimedia Commons) Death is one of life’s few universal experiences...
10 Statement-Making Gifts to Celebrate the Year of the Dragon - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Marni's Chinese New Year capsule collection...
Missing Mona Lisa: the story behind the 1911 theft of Leonardo’s masterpiece Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books feature Missing Mona Lisa: the story behind the 1911 theft of Leonardo’s masterpiece The author of a new book tells us why it was stolen and how Picasso got embroiled in the scandal Gareth Harris 6 February 2024 Share A museum worker called Vincenzo Peruggia stole the Mona Lisa in August 1911...
Illustrator Spotlight: Hoi Chan – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by Hong Kong-born illustrator Hoi Chan (previously featured here )...
Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...
Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Almine Rech Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Almine Rech Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations Exhibition Installation, painting, sculpture Seyni Awa Camara, John McAllister, Sculpting Earth, Painting Sensations, 2023 Galerie Almine Rech — Photographie : DR Seyni Awa Camara — John McAllister Sculpting Earth, Painting Sensations Ends in 13 days: January 11 → February 24, 2024 Almine Rech is pleased to present Sculpting Earth, Painting Sensations, an exhibition that creates a unique dialogue between the artists Seyni Awa Camara and John McAllister...
Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations Exposition Installations, peinture, sculpture Seyni Awa Camara, John McAllister, Sculpting Earth, Painting Sensations, 2023 Galerie Almine Rech — Photographie : DR Seyni Awa Camara — John McAllister Sculpting Earth, Painting Sensations Encore 13 jours : 11 janvier → 24 février 2024 Almine Rech présente Sculpting Earth, Painting Sensations, une exposition créant un dialogue unique entre les artistes Seyni Awa Camara et John McAllister...
15 Most Popular Photo Stories from LensCulture in 2023 | LensCulture Feature 15 Most Popular Photo Stories from LensCulture in 2023 Here are 15 of LensCulture’s most popular highlights from 2023 — a mix of new discoveries, photobook reviews, interviews, essays, exhibitions and visual stories...
Inspired by his own lineage of sculpting, and a close acquaintance with Frida Kahlo and Diego Rivera, Gabriel Ponzanelli’s became one of Mexico’s greatest......
MARQUIS DE SADE by Charles Daniel McDonald – A Shaded View on Fashion ´ Sade: Freedom or Evil ´ is an exhibition that delves into the influence and reputation of the infamous French writer and philosopher, the Marquis de Sade , from whom the term ´sadism´ derives and it’s a journey not for the faint-hearted...
Strips of cardboard, papier-mâché, and precision folding are just a few of the techniques artists employ as they explore of the endless potential of paper...
Public Art: 11 Amazing Examples Across the World | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
An Exemplary Tiffany Stained-Glass Window Is Coming to The Met Skip to content Agnes F...
Guy's Hosptial's Trio Of Ironwork Panels | Londonist Ever Noticed These Decorative Panels At Guy's Hospital? By M@ M@ Ever Noticed These Decorative Panels At Guy's Hospital? Walking past Guy's Hospital on Great Maze Pond recently, my eyes were drawn to this magnificent triptych of ironmongery....
Pesellino review – a lost star of the Florentine Renaissance shines again | Exhibitions | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Almost psychedelic blues, reds and golds’ … The Pistoia Trinity altarpiece, c 1455-60, showing in Pesellino: A Renaissance Master Revealed at the National Gallery...
‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...
Charles LeDray: Securing memory – Two Coats of Paint Charles LeDray, Shiner, 2015–2023, wood, mat board, acrylic paint, enamel paint, watercolor, polyurethane, fabric, leather, embroidery floss, acrylic yarn, silicone rubber, Lava soap, mother of pearl, Fimo, pretzel bits, rabbit fur, bubble gum, wax, cinnamon oil, shoe dye, metal, copper wire, electrical tape, acrylic, foil, pumice, plastic, eraser, letterpress print, printed paper, 5 3/4 x 34 x 23 7/8 inches Contributed by Barbara A...
Mark Bradford "Nobody Knows the Trouble I've Seen" Hauser & Wirth / Monaco | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Why I Make Art - Photographs by Mari Katayama | Essay by Marigold Warner | LensCulture Feature Why I Make Art Mari Katayama reflects on the roots of her intricately staged self-portraits, in which she uses her own body—often surrounded by objects and environments she has created herself—as a lens through which to reflect society...
Nepali art finds a new home | Nepali Times Nepali art finds a new home – Nepali Times Nepali art finds a new home MoNA is a permanent space for Nepali artists to showcase their work in Nepal itself Shristi Karki January 16, 2021 Museum of Nepali Art (MoNA), a private museum, opened to the public in February 2020...
Gwyneth Paltrow Owns a Fake Ruth Asawa, Gallery Confirms – ARTnews.com Skip to main content By Shanti Escalante-De Mattei Plus Icon Shanti Escalante-De Mattei View All February 3, 2022 11:41am Actress Gwyneth Paltrow zz/John Nacion/STAR MAX/IPx On Wednesday, an Architectural Digest story featuring a look inside actress Gwyneth Paltrow’s home went viral on social media because it included one unexpected object: what appeared to be a sculpture Ruth Asawa hanging not far from an Ed Ruscha painting...
Gas Gallery will be showing for the first time at the forthcoming Photo London Fair at Somerset House from 8 - 12 September showing the work of 2 abstract photographers Christine Wilkinson and Jo Bradford Jo Bradford's three new collections launching at Photo London are under the headings of Hours, Minutes and Seconds...
Master Conversations: Lighting Design with Lim Woan Wen and Daniel Teo | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 3, 2021 Singapore lighting designer Lim Woan Wen shares about her practice and process, and chats with critic Daniel Teo about the impact of lighting in a performance, and whether critics should be expected to write more about lighting design in a review...
Weekly Southeast Asia Radar: Jakarta's controversial Performance Art Club; Bangkok Art Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar 69 Performance Club January 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Southeast Asia Radar: Myanmar street dancers battling ethnic tensions; a decade of Thai theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Ozy.com January 2, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology...
Chad Jensen opened Method & Concept in Naples, Florida, in 2013 according to the Art Basel Miami Beach playbook...
If a Hirst breaks your budget, don't despair | The Independent | The Independent Sign up to our free IndyArts newsletter for all the latest entertainment news and reviews Sign up to our free IndyArts newsletter Please enter a valid email address Please enter a valid email address SIGN UP I would like to be emailed about offers, events and updates from The Independent...
Drawing & Print
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
His series, The Golden State, harkens back to his early career and his photographic training...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Drawing & Print
Creole Portraits III alludes to the 18th century practice by slave women on Caribbean plantations of using tropical plants as natural abortifacients...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Drawing & Print
Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge ...
Drawing & Print
Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death ...
Tectonic Model is made from a number of leather bound books piled up in different formations that resemble architecture on top of a sawhorse desk...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
Drawing & Print
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations...
This work presents the image of an immolated monk engraved on a baseball bat...
Drawing & Print
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Drawing & Print
Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...
Untitled exemplifies the format that Anna Bella-Papp most commonly works in, using her hands to create delicate tablet-like reliefs within a rectangular form made out of clay...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
Drawing & Print
Transaction/Evacuation is a collaborative painting by Khadim Ali and Sher Ali, and is part of a larger collaborative body of works by the artists, which share the same title...
Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Drawing & Print
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
“The Wedding” is the centerpiece of a series of works centered on a film of the artist’s parents’ wedding in 1978, the year before the Iranian revolution that gave power to a religious fundamentalist regime...
Drawing & Print
Sara Cwynar’s composite photographs of found objects and images court feelings of time passing...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Drawing & Print
In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...
Anne Samat’s Puteri 3 references Ulek Mayang, a classical Malay dance, performed in a ritualistic pre-Islamic context...
Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
Drawing & Print
In the first part of Cosmic Call by Angela Su the voiceover proposes in a neutral, documentary-like tone, a series of stories to rethink the way we usually understand, justify, or place blame for epidemiological events...
Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...
Drawing & Print
Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse...
Drawing & Print
All Nations are Created Special is a black and white woodcut print by the artist collective Pangrok Sulap...
Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way...
Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...