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"Haris Epaminonda"



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Tarahi IV
© » KADIST

Haris Epaminonda

Film & Video (Film & Video)

Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)

Tarahi VI
© » KADIST

Haris Epaminonda

Film & Video (Film & Video)

Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)

Tarahi V
© » KADIST

Haris Epaminonda

Film & Video (Film & Video)

Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach. The images have lost their context and original meaning to then be re-assembled, confronted to each other and superimposed with other elements, to reveal new sequences. The narration has disappeared from the sequences and the spectator waits in vain for something to happen.

Hermit Crab Project
© » KADIST

Charwei Tsai

Photography (Photography)

Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements.

The Tower of Babel: Independence of the country
© » KADIST

Du Zhenjun

Photography (Photography)

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.

The Tower of Babel: Destruction
© » KADIST

Du Zhenjun

Photography (Photography)

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.

The Tower of Babel: The Carnaval
© » KADIST

Du Zhenjun

Photography (Photography)

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.

Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City.

Cemetery #1
© » KADIST

Gabriel Orozco

Photography (Photography)

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July. I traveled to Mali for three weeks and took some photographs related to my work. They are very different, but there are links as the graveyard of Timbuktu, which I discovered during the trip.

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

Photography (Photography)

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.

Gabriel Orozco

Haris Epaminonda

Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...

Du Zhenjun

Charwei Tsai

© » FLASH ART

about 10 months ago (12/22/2023)

Haris Epaminonda "VOL...

© » ARTS EQUATOR

about 24 months ago (10/18/2022)

Yang Ditapis, Yang Terlepas | ArtsEquator Skip to content Zikri Rahman menghuraikan tentang filem-filem yang ditapis secara tegas dan peluang yang terlepas akibat tindakan tersebut...

© » ARTS EQUATOR

about 25 months ago (09/15/2022)

Berak: Letting it Go | ArtsEquator Skip to content Naeem Kapadia reviews ‘Berak' by Singapore's Teater Ekamatra and comes away moved by the sensitive trancreation of the original play by Chong Tze Chien...

© » ARTS EQUATOR

about 26 months ago (08/25/2022)

Menyensor Pandemi di Indonesia | ArtsEquator Skip to content Adrian Jonathan Pasaribu mombongkar masalah yang dihadapi oleh bidang seni pada masa pandemi...

© » ARTS EQUATOR

about 26 months ago (08/18/2022)

Makassar Biennale: Gagasan Literasi Warga dan Pertanyaan Artistik Yang Abadi | ArtsEquator Skip to content Wilda Yanti Salam berbagi pandangan orang dalam tentang upaya berkelanjutan Makassar Biennale untuk membongkar konvensi penyelenggaraan biennale pada biennale pertama di Indonesia bagian timur...

© » ARTS EQUATOR

about 26 months ago (08/16/2022)

Kuiz: Sejauh Manakah Pengetahuan Anda Tentang Penapisan Seni di Malaysia? | ArtsEquator Skip to content Baik buku yang dilarang mahupun frasa yang tabu, dunia seni kita telah menyaksikan semuanya...

© » ARTS EQUATOR

about 29 months ago (06/14/2022)

Ke Mana Tumpahnya Tuah.....

© » ARTS EQUATOR

about 32 months ago (03/14/2022)

Dalam kenangan: Rahman B...

© » ARTNEWS

about 32 months ago (02/26/2022)

Moscow’s Garage Museum Halts Work on Exhibitions Due to War in Ukraine – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All February 26, 2022 10:56am The Garage Museum of Contemporary Art...

© » ARTS EQUATOR

about 33 months ago (01/26/2022)

10 Things You Should Know About: Baju Melayu | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 26, 2022 10 Things You Should Know is a series of short animated videos on aspects of Malay culture and heritage, made in partnership with Wisma Geylang Serai...

© » ARTS EQUATOR

about 38 months ago (09/07/2021)

10 Things You Should Know About: Malay Dance | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 7, 2021 10 Things You Should Know is a series of short animated videos on aspects of Malay culture and heritage, made in partnership with Wisma Geylang Serai...

© » ARTS EQUATOR

about 49 months ago (10/13/2020)

10 Things You Didn't Know About Dikir Barat | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Joy Ho / Jawn October 13, 2020 Most Singaporeans recognise traditional artforms such as Bharatanatyam, wayang kulit and wushu...

© » ARTS EQUATOR

about 51 months ago (08/05/2020)

Orang Phebien: Telling the story of the Baweanese | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Illustration: Hadi Osni August 5, 2020 Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation ...

© » ARTS EQUATOR

about 52 months ago (07/23/2020)

Weekly Southeast Asia Radar: The Archipelago for the sidelined; Khmer puppet master returns | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Hean Rangsey July 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 57 months ago (02/20/2020)

Weekly Southeast Asia Radar: The woes of Ballet Philippines; Saigon's forgotten museum | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto...

© » ARTS EQUATOR

about 57 months ago (01/29/2020)

Podcast 74: M1 Singapore Fringe Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles André Chong January 29, 2020 Duration: 30 min Matt Lyon, Naeem Kapadia and Nabilah Said discuss three productions at this year’s edition of the M1 Singapore Fringe Festival – Contemplating Kopitiam & Kampong Wa’ Hassan by NAFA and Oliver Chong; A Tiny Country by Attempts; and Secretive Thing 215 by Lemon & Koko...

© » ARTS EQUATOR

about 59 months ago (12/11/2019)

Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 62 months ago (09/18/2019)

Weekly Southeast Asia Radar: Ultraman Buddha hotly traded; Course on democratic dissent cancelled in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: Chardchakaj Waikawee / Facebook September 18, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 68 months ago (04/01/2019)

Weekly Picks: Indonesia (1 - 7 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 1, 2019 Top Picks of Indonesia art events in Bali and Jakarta from 1-7 April 2019 Every year, on the 21st of April, Indonesia celebrates the life of one of her women’s emancipation figures, Kartini...

© » ARTS EQUATOR

about 68 months ago (03/04/2019)

Weekly Picks: Indonesia (4 - 10 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 Top Picks of Indonesia art events in Jakarta, Surabaya and Bali from 4-10 March 2019 In order to understand the contemporary art and society, we have to take our understanding beyond the principles of modernism...

© » ARTS EQUATOR

about 68 months ago (03/04/2019)

Weekly Picks: Malaysia (4–10 Mar 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 For events in Penang this week, go to the Penang Free Sheet ...

© » ARTS EQUATOR

about 74 months ago (09/11/2018)

"One Two Jaga": Keberanian Baharu Sinema Malaysia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 11, 2018 Oleh Daniyal Kadir (1260 patah kata, 5-miinit bacaan) Penyampaian kritikan sosial atau politik dalam filem-filem Malaysia jarang berlaku melalui suasana yang berani dan mendatangkan ghairah...

© » ARTS EQUATOR

about 76 months ago (07/11/2018)

Masalah Sastera Di Malaysia Baharu | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 11, 2018 Oleh Faisal Tehrani (1, 175 patah kata, 9-minit bacaan) Click here to read this article in English...

© » KADIST

about 142 months ago (03/01/2013)