© » KADIST
Jonas Van and Juno B
Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay. The mythical figure Boitatá is a protector of jungles and forests. In GuaraníBoitatá is the union of two words: Mbói (snake) and tatá (fire).
© » KADIST
Jibade-Khalil Huffman
Jibade-Khalil Huffman’s work brings together spoken and written language, photography, vintage television and computer animation to pay homage to African-American popular culture. Figuration (B) is a mediatic dumpster dive through the not-yet-historical past, its fantasia of purloined images flowing to an interruptive, channel-surfing logic. A stream of TV clips, commercials, news segments, video memes, and movie scenes—at times run backwards, doubled, or layered over other clips—incorporate archival and pop cultural sources layered with a soundtrack constructed of found and made sources to make something akin to a video mixtape.
© » KADIST
Nguyen 'Quoc' Thành
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
© » KADIST
Emily Mast
Like several of Mast’s works, B!RDBRA!N (Addendum) is the result of the accumulation of details from the various chapters and formats of an evolving project. The work is comprised by a sculptural set, a text piece that originates from an instructional score, and footage filmed during rehearsals for B!RDBRA!N , a play that was first performed in theaters in Los Angeles. Originally conceived of as a live response to the legacy of the historical French artist Guy de Cointet, Mast set out to investigate and interrogate Cointet’s work while incorporating the true story of Alex, an African Gray parrot who was the subject of a thirty-year avian language experiment.
© » KADIST
Mathieu Abonnenc
Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another. Mathieu Kleyebe Abonnenc invites us to follow a main character, Betty, an ethnographer currently leading research in the archives of the Theodore Monod Museum for African Arts, in Dakar. Punctuated by an anguished soundtrack and borrowing tropes from thriller genre films to create a sense of oddity, the film comments on the contemporary effects of colonial legacy in cultural institutions.
© » KADIST
Leonardogillesfleur
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park. Pedestrian pass by with boom box, fire truck sirens and baseball-bat sounds suggest they are in New York. But the kiss is not accomplished and saliva drips from the lover’s open mouth like a fountain of unfulfilled desire.”
© » KADIST
Amalia Pica
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013).
© » KADIST
Leonardogillesfleur
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am. The photographic moment of a photo album which could have been taken by anybody in any familiar situation with the intention to immortalize that moment.”
© » KADIST
Leonardogillesfleur
Of Action 26:15 leonardogillesfleur notes: “There is almost an ice-cream store in every corner of Buenos Aires. The family [in the video] is having an ice-cream in the hot summer afternoon. Small tics appear on people’s faces from a fly or the attempt to hold still while the ice-cream top melts or drops off its sugar-cone.”
© » KADIST
Colectivo Tercerunquinto
Drawing & Print (Drawing & Print)
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey. It includes a photograph, a collage, sketches and notes. The intervention consists in the seamless extension of the wall of the BF15 gallery beyond the property boundaries, invading the sidewalk and the street, entering public space.
© » KADIST
Colectivo Tercerunquinto
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it.
© » KADIST
Nicolás Consuegra
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community. An important town during the colonial era as the main port on the Magdalena River, Honda is presently rife with poverty, unemployment, and environmental deterioration. Here he produced the work Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks) , a variable arrangement of cut glasses in front of a mirror so that they appear whole.
© » KADIST
A.K. Burns
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious. In a trilogy of nearly identical sculptures by A. K. Burns, the artist conjures the same string of word compounds on a metal gate nearly 15 years after Rumsfeld’s infamous statement. Resembling ubiquitous black fences across New York City, Unknown Unknown presents the paradox of this statement as a physical division and linguistic deviation, acting jointly as both a threshold and obstacle.
© » KADIST
Nicolás Consuegra
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision. As a metaphor for this process, he looks to the afterlife of the image as evidenced in signs. When a company goes out of business or moves, their sign often lingers and slowly fades creating a ghosted image of their sojourn.
© » KADIST
Félix González-Torres
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).
© » KADIST
Matthieu Saladin
Drawing & Print (Drawing & Print)
L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B. C. of 150 historical episodes of debt cancellation (one event per poster). Unlike usual stacks, each poster is different, in its content, but equally in its design (realized by the graphic studio Vier5). As the public takes the posters, the artwork developed into a verified history of cancellation that emerges, a kind of counter-history of indebtedness.
© » KADIST
Ha Tae-Bum
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis. The artist eliminates human presence, miscellaneous details, and all color from the images, then “rebuilds” them into quiet, achromatic models with thin white paper. Once complete, the models are photographed in a nearly identical composition as the original image.
© » KADIST
Nicolás Consuegra
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist. Consuegra’s mirrored Colombia is similar to an earlier version, made to be show opposite a mirror of the United States. Whether reflecting his two homes within one another (Consuegra studied in the US and has made several works about this experience of living in exile from his homeland), or simply reflecting its surroundings, Colombia is a simple yet evocative work about the identity of a nation, and the things that we project—really and metaphorically—onto its form.
© » KADIST
Baris Dogrusöz
The series of works gathered under the title Heure de Paris combines footage of Turkey from Turkish and French media reportage from the 1980s. Using archival material, including maps, television emissions, footage, Dogrusöz’s brings to light the state monopoly on radio and TV that ended in 1994 and the impact this had on documentation and reportage in this period. In Heure de Paris: The map and the territory , Dogrusöz collected and displays all the occurrences where maps of Turkey, frequently used in public French television, were reported.
© » KADIST
Yangjiang Group
Drawing & Print (Drawing & Print)
One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal. The eponymous text: “One day in mountain is worth two thousands years in the world.” is written horizontally from left to right in both English and Chinese, following the writing order of modern Chinese instead of the traditional vertical right to left. With the word “is” migrating from the middle of the English phrase to be surrounded by Chinese characters, the resultant text appears to be spatially illustrating the meaning of being isolated in the mountain.
© » KADIST
Zanele Muholi
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.
© » KADIST
Zanele Muholi
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.
© » KADIST
Zanele Muholi
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.
© » KADIST
Clément Rodzielski
Drawing & Print (Drawing & Print)
These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011). There, Clément Rodzielski had chosen to exhibit the series called Miroirs noirs ( Black Mirrors , black and white abstract screen prints) which is emblematic of his work. The piece of painted wood was not shown to the public; it moves and invests the space enigmatically.
© » KADIST
Binelde Hyrcan
Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand. Weaved through the seemingly naïve game are themes of poverty, migration and inequality. Speaking of ‘the good life’ in the United States of America, the young boys discuss separated families as a result of migration, unemployment and education, poverty, the dream of leaving the slum for a building with walls made not of tin, and the luxury of the accessibility of transport.
© » KADIST
Bruce Conner
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience. The video presents us with a reinterpretation of footage from his unreleased avant-garde film, Easter Morning Raga , from 1966. In contrast to his more famous pieces like A Movie (1958) and Crossroads (1976) which are juxtapositions of fragments from newsreels, soft-core pornography, and B movies, the images in EASTER MORNING serve as a reinterpretation of footage.
© » KADIST
Jess
Drawing & Print (Drawing & Print)
The Antique Gem is a collage by Jess comprised of eight fantastical scenes featuring the Cupid as its central protagonist. The title of the work and the oval shape of these scenes, refer to ancient engraved gems, a form of fine art dating back thousands of years B. C. Underneath each of the scenes we can also see lines from a poem, which the artist cut out of the book Gems: Selected from the Antique — a 1804 publication by British painter and illustrator Richard Dagley that is considered an important document for the study of engraved gems and a historical artifact itself. The original poem, as Dagley explains in the publication, is an ancient Greek epigram by Aulus Licinius Archias found engraved in a sardonyx (a variety of rock-forming mineral) gem depicting the figure of Cupid curbing a lion.
© » KADIST
Saâdane Afif
In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles. Cadere’s sculptures, batons constituted with a mathematical chain of painted wood segments containing one error in the succession of colors, can be presented according to any possible configuration (on the wall, floor, hung or not). In the catalogue documenting the project, Power chords, there is a facsimile (another type of quotation) of one of Cadere’s conferences: “Présentation d’un travail, utilisation d’un travail” (presentation of a work, use of a work).
© » KADIST
Kameelah Janan Rasheed
Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W. E. B. Du Bois’s iconic data portraits in The Exhibit of American Negroes . This was a landmark exhibit within the Palace of Social Economy at the 1900 World’s Fair in Paris that demonstrated the progress of Black Americans through the visual display of quantitative sociological information.
© » KADIST
Rossella Biscotti
In a broader sense, the meaning of ‘blackout’ —primarily an electrical failure or momentary interruption, opens up to new organizations, perceptions and different ways of experiencing time and space. Every person caught in a blackout must redefine the potentiality of public space, relate to strangers and invent new temporary forms of organization. A blackout acts as the breaking point of an established order, on a personal level as a loss of consciousness or on a collective level, as the temporary disruption of political institutions for example.
Santu Mofokeng
The photographic artwork of Santu Mofokeng (b...
Zanele Muholi
- year born: 1972
- gender: female
- nationality: South African
- home town: Umlazi, Durban, South Africa
Leonardogillesfleur
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b...
Mariana Castillo Deball
- location: Amsterdam & Berlin
- year born: 1975
- gender: female
- nationality: Mexican
- home town: Mexico City, Mexico
Moshekwa Langa
The oeuvre of Moshekwa Langa (b...
Gabriel Pericas
Gabriel Pericàs (b...
Colectivo Tercerunquinto
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
Otobong Nkanga
Visual artist and performer, Otobong Nkanga’s (b...
Sue Williamson
Sue Williamson (b...
Mikhael Subotzky
Mikhael Subotzky’s (b...
Carey Young
- location: Lusaka, Zambia
- year born: 1970
- gender: female
- nationality: Zambian
Shahryar Nashat
The work of Shahryar Nashat (b...
American Artist
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Rossella Biscotti
Departing from social and political history, the work of Rossella Biscotti (b...
Malik Nejmi
The practice of the French-Moroccan artist Malik Nejmi (b...
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Polina Kanis
Polina Kanis (b...
Trisha Donnelly
- location: New York, New York
- year born: 1974
- gender: male
- nationality: American
- home town: San Francisco, California
Yangjiang Group
Zheng Guogu founded the artistic group Yangjiang Group in 2002 with Chen Zaiyan (b...
Jibade-Khalil Huffman
Jibade-Khalil Huffman uses performance, photography, and video that pushes the capabilities of text and image to tell stories and convey meaning...
Ha Tae-Bum
Ha Tae-Bum (b...
Cally Spooner
The work of Cally Spooner (b...
Haroon Gunn-Salie
Haroon Gunn-Salie (b...
A.K. Burns
A.K...
Yogesh Barve
Yogesh Barve (b...
Mathieu Abonnenc
Mathieu Kleyebe Abonnenc’s practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society...
Jonas Van and Juno B
Although Jonas Van and Juno B do not belong to a collective, this collaborative video reflects their individual practices and their complex subjectivities...
Tracey Rose
Tracey Rose, (b...
Lawrence Abu Hamdan
What are the political implication of our sounds and voices? How is it heard and used for or against us? These are questions posed by Lawrence Abu Hamdan (b...
Binelde Hyrcan
Growing up during the Angolan Civil War, Binelde Hyrcan (b...
© » EYE OF PHOTOGRAPHY
about 9 months ago (04/04/2024)
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
© » COLOSSAL
about 11 months ago (02/12/2024)
The Book of Genesis , which is thought to have been written around the 5th century B...
© » AESTHETICA
about 11 months ago (02/09/2024)
Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...
© » AESTHETICA
about 11 months ago (02/05/2024)
Aesthetica Magazine - 5 To Know: Installation Shows 5 To Know: Installation Shows The following installations, on view across the UK and USA, stimulate the senses...
© » FAD MAGAZINE
about 11 months ago (02/01/2024)
Public Gallery now represent Nils Alix-Tabeling - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Public has announced the representation of French artist Nils Alix-Tabeling (b...
© » ARTSY
about 12 months ago (01/23/2024)
10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...
© » ARTOMITY
about 12 months ago (01/17/2024)
Léon Wuidar at White Cube Hong Kong – ARTOMITY 藝源 Léon Wuidar / Jan 17 – Mar 16, 2024 / White Cube Hong Kong / 50 Connaught Road, Central / Hong Kong / +852 2592 2000 / Tuesday – Saturday, 11am – 7pm / whitecube.com Marking the artist’s inaugural show in Asia, White Cube is pleased to present a solo exhibition of paintings and works on paper by Léon Wuidar (b...
© » ARTSY
about 13 months ago (12/14/2023)
The Most Influential Artists of 2023 | Artsy Skip to Main Content Advertisement The Year in Art 2023 Art The Most Influential Artists of 2023 Allyssia Alleyne Dec 14, 2023 4:07PM What does it mean to wield influence in 2023? As institutions are questioned, gatekeepers are unseated, and social media is giving a microphone to the masses, it’s clearer than ever that it’s not just about the size and strength of the platform you’ve built, but what you choose to do with it...
© » WALLPAPER*
about 13 months ago (12/12/2023)
B&B Italia Miami studio opens with re-edited Camaleonda sofa | Wallpaper (Image credit: Emilio Collavino) By Adrian Madlener published 12 December 2023 Stella McCartney’s iconic S-Wave monogram has become synonymous with her sustainability-forward brand...
© » ART & OBJECT
about 13 months ago (12/12/2023)
10 Stunning Prehistoric Sculptures from The Met's Collection | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ART & OBJECT
about 13 months ago (12/12/2023)
10 Standout Works from the 2023 Hammer Biennial | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » LE MONDE
about 13 months ago (12/09/2023)
Sélection galerie : Bertrand Lavier chez Kamel Mennour et Dennis Morris chez agnès b Offrir Le Monde Article réservé aux abonnés Bertrand Lavier à la Galerie Kamel Mennour « Aronde » (2023), de Bertrand Lavier, à la galerie Kamel Mennour, à Paris, en novembre 2023...
© » THEARTNEWSPER
about 13 months ago (12/09/2023)
Art Basel in Miami Beach Diary: B-52s monkey around, channelling Marina Abramović and the Pérez gets its funk on Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 blog Art Basel in Miami Beach Diary: B-52s monkey around, channelling Marina Abramović and the Pérez gets its funk on Plus: Scope gets in a pickle(ball), Perrotin says do look up and Elberto Muller takes the slow train The Art Newspaper 9 December 2023 Share Kate Pierson, singer with the 1980s band the B-52s, with one of the works on show at the Spectrum Miami art fair that were jointly created by band members and a group of chimps...
© » AESTHETICA
about 13 months ago (12/09/2023)
Aesthetica Magazine - 50 Years of Hip Hop 50 Years of Hip Hop “I was watching a crowd, and everybody was waiting for the breaks to come in...
© » MODERN MET PHOTOGRAPHY
about 13 months ago (12/02/2023)
100+ Photographers Help Raise Funds for 13 Orphaned Elephants Home / Photography 100+ Photographers Contribute Their Work To Raise Funds for 13 Orphaned Elephants By Regina Sienra on December 2, 2023 Photo: Ami Vitale/Courtesy of Vital Impacts “Lorok and Ngilai comfort one another as they explore the wilderness at Reteti Elephant Sanctuary in northern Kenya...
![](https://s.france24.com/media/display/9f04b126-3861-11ee-bbea-005056bfb2b6/w:1280/p:16x9/m:{"brand":"FRANCE24","lang":"EN","program":"","cartouche":"RAPTURE%3A%20HIP%20HOP%20AT%2050","hash":"00a718a5b4de11aebff5479b4008f47ba0792b05b28b43dbd8123f4cdbada2ab","title":"Philosophy%20of%20'empowerment'","id":"25aba80c-45fb-11ec-90e2-005056bf30b7"}/EN_20230811_161102_161651_CS.jpg)
© » FRANCE24
about 17 months ago (08/11/2023)
'Lasting power' of Hip Hop: Philosophy of 'empowerment and changing society' - France 24 Skip to main content 'Lasting power' of Hip Hop: Philosophy of 'empowerment and changing society' Issued on: 11/08/2023 - 18:10 Modified: 11/08/2023 - 18:28 05:48 © 2023 Video by: Monte FRANCIS Follow It was born in the break, all those decades ago — that moment when a song's vocals dropped, instruments quieted down and the beat took the stage...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Hong Kong Collector Adrian Cheng Expands to Mainland China with $1.4 B...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Stefan Edlis, Chicagoâs Impresario Collector of Mischievous Art: âYou Will Never See a B-Grade Piece by an A-Grade Artistâ - ARTnews...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
This Sotheby’s sale of works by Basquiat, Warhol and other stars is expected to raise nearly a million dollars for the Center, an L...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Hans Rasmus Astrup, Savvy Collector Who Transformed Norwayâs Art Scene, Is Dead at 82 - via ARTnews...
© » ARTS EQUATOR
about 28 months ago (09/29/2022)
Podcast: Freedom for Artistic Expressions in Vietnam | ArtsEquator Skip to content Researcher Linh Le interviews artist-curator Bill Nguyễn, in a wide ranging conversation about historical and contemporary censorship in Vietnam...
© » ARTS EQUATOR
about 32 months ago (05/11/2022)
Quiz: How well do you know Southeast Asian films? | ArtsEquator Skip to content While the works of Steven Spielberg, Wong Kar-wai and Bong Joon-ho have left a mark on the world, we should not forget our homeground talents, from the late Malaysian director Yasmin Ahmad, to Indonesian actor Iko Uwais, and father of Philippines cinema, José Nepomuceno...
© » HIGH FRUCTOSE
about 62 months ago (12/03/2019)
With “A Volta,” Allouche Gallery looks at the evolution of the legendary b-boy and street artist Doze Green through paintings and drawings...
© » ARTS EQUATOR
about 69 months ago (05/06/2019)
Podcast 58: Research and Practice in Performance-Making | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Performance (Podcast) May 6, 2019 Duration: 29 min As emerging art-makers having recently graduated from B...
© » ARTS EQUATOR
about 78 months ago (08/14/2018)
“Between Tiny Cities (រវាងទីក្រុងតូច)”: De-cyphering Conversation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Vincent August 14, 2018 By Nah Dominic (1080 words, five-minute read) A white circle 10 metres in diameter greets us on entering the flexible performance space in Loft 29...
© » ARTS EQUATOR
about 78 months ago (08/08/2018)
AExGTF Chats: "Between Tiny Cities (រវាងទីក្រុងតូច)" at George Town Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles https://artsequator.com/wp-content/uploads/2018/08/Between-Tiny-Cities.mp4 August 8, 2018 Between Tiny Cities (រវាងទីក្រុងតូច) , a two-hander dance performance dovetailing b-boy vocabulary with contemporary dance, was the result of a three-year cultural exchange between Tiny Toones in Cambodia and Darwin City Rockers in Australia...
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1970-1979
David Goldblatt
1979David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
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1980-1989
Martha Araújo
1982In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
Santu Mofokeng
1985Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships...
Jess
Drawing & Print
1986(Drawing & Print) The Antique Gem is a collage by Jess comprised of eight fantastical scenes featuring the Cupid as its central protagonist...
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1990-1999
Santu Mofokeng
1990Mofokeng’s experiences during the turbulent time of the 1980s in South Africa led to a turn in his practice, opting to turn to the crowd, focusing on individual faces and bodies within the masses to tell a story of the collective resistance that is present in the daily life and surroundings of South African townships...
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Colectivo Tercerunquinto
Drawing & Print
1999(Drawing & Print) BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
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2000-2009
Tracey Rose
2001“Maqe II” is at first glance a romantic image of three diaphanous angels hovering in the luminous sky over a South African township...
Sue Williamson
2003In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Sue Williamson
2003In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Moshekwa Langa
2004Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space...
Mikhael Subotzky
2004“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...
Leonardogillesfleur
2005Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am...
Leonardogillesfleur
2005Of Action 26:15 leonardogillesfleur notes: “There is almost an ice-cream store in every corner of Buenos Aires...
Saâdane Afif
2005In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
Leonardogillesfleur
2006Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
Colectivo Tercerunquinto
2006Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
Moshekwa Langa
Drawing & Print
2006(Drawing & Print) In “Untitled II (Mapping text)”, 2009, Langa abstracts language in an attempt to change the familiar into the absurd...
Mikhael Subotzky
2006At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Carey Young
2007“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations...
Nicolás Consuegra
2008In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Otobong Nkanga
2008Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
Mariana Castillo Deball
2009Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...
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2010-2019
Ha Tae-Bum
2010Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
Clément Rodzielski
Drawing & Print
2011(Drawing & Print) These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011)...
Binelde Hyrcan
2011Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand...
Polina Kanis
2011In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Emily Mast
2012Like several of Mast’s works, B!RDBRA!N (Addendum) is the result of the accumulation of details from the various chapters and formats of an evolving project...
Nicolás Consuegra
2012A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Yangjiang Group
Drawing & Print
2012(Drawing & Print) One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal...
Amalia Pica
2013Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
Jessica Warboys
2013The ongoing “Sea Paintings” series is central to the practice of Jessica Warboys...
Haroon Gunn-Salie
2013Executed on Sunday 17 August 2013, “Zonnebloem renamed” is a site-specific performative video film marking the centenary of the 1913 Natives Land Act in South Africa...
Chris Huen Sin-Kan
2013Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
Yogesh Barve
2013Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India...
Nicolás Consuegra
2014Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Baris Dogrusöz
2014The series of works gathered under the title Heure de Paris combines footage of Turkey from Turkish and French media reportage from the 1980s...
Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Rossella Biscotti
2014Rossella Biscotti’s “10×10” series investigates the relationship between demographics, data processing, textile manufacturing and social structure...
Gabriel Pericas
2014“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
Shahryar Nashat
2014In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
Gabriel Pericas
2014“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
Cheikh Ndiaye
2014Adjamé, Charbon reflects on both global environmental discourses and domestic impacts of the use and trade of coal...
Trevor Yeung
2014“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals...
Volker Eichelmann
2014In his new series of collages, Eichelmann takes his starting point from the “Belvedere Torso” in the Vatican Museum...
Malik Nejmi
2014La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...
Mathieu Abonnenc
2015Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another...
Otobong Nkanga
2015Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Nina Könnemann
2015For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin...
Shahryar Nashat
2015Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter...
Elham Rokni
2015“The Wedding” is the centerpiece of a series of works centered on a film of the artist’s parents’ wedding in 1978, the year before the Iranian revolution that gave power to a religious fundamentalist regime...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Mariana Castillo Deball
2015Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Michael Armitage
2015In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...
Julia Rommel
2015On the artwork, Rommel states: “I was reading Jonathan Franzen’s new novel Purity, where they take a lot of walks through the jungle in Uruguay, or Paraguay, I can’t remember...
A.K. Burns
2016In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
Matthieu Saladin
Drawing & Print
2016(Drawing & Print) L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...
Lawrence Abu Hamdan
2016In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank)...
Cally Spooner
2016The installation Self Tracking (the five stages of grief) was realized from a performance that is to be re-activated...
Jibade-Khalil Huffman
2017Jibade-Khalil Huffman’s work brings together spoken and written language, photography, vintage television and computer animation to pay homage to African-American popular culture...
Kameelah Janan Rasheed
2019Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W...
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2020-2029
Jonas Van and Juno B
2021Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
American Artist
Drawing & Print
2022(Drawing & Print) American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
American Artist
Drawing & Print
2022(Drawing & Print) American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
