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This Exhibition
© » KADIST

Tino Sehgal

Performance (Performance)

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space. Upon hitting the cold, hard gallery floor, the seemingly confused interpreter writhes slowly on the ground while reciting a few lines from the curatorial statement in a whispered moan.

From the North Tower of the Golden Gate Bridge San Francisco and Nob Hill San Francisco
© » KADIST

John Gutmann

Photography (Photography)

Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works. Distinctly modernist in style, the photos depict two of San Francisco’s most recognizable sites—the affluent neighborhood of Nob Hill and the iconic Golden Gate Bridge—through extremely estranged angles and balanced compositions. Moreover, these two images are representative of Gutmann’s work inasmuch as they epitomize two of the photographer’s visual obsessions: the automobile and the city of San Francisco.

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

Film & Video (Film & Video)

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

Photography (Photography)

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.

Versions
© » KADIST

Oliver Laric

Film & Video (Film & Video)

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.

Ghost games
© » KADIST

Anri Sala

Film & Video (Film & Video)

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach. The video produces a surreal impression, typical of Sala’s work, with no plot in the classical sense, no story being told. Like in Blindfold (2002), in which a sunrise is reflected in urban billboards, and Time After Time (2001), in which the figure of a horse emerges from darkness lit by the headlights of an automobile, Sala likes to explore the phenomenon of light and its effects; In Ghost Games , he uses the threatening reflection of the flash light through the darkness of the beach.

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

Painting (Painting)

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.

Making Chinatown
© » KADIST

Ming Wong

Film & Video (Film & Video)

Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space.

The Making of Monster
© » KADIST

Douglas Gordon

Film & Video (Film & Video)

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).

Corrupted file from page 14, (V1)
© » KADIST

Alessandro Balteo Yazbeck

Photography (Photography)

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.

Untitled (Rolled up)
© » KADIST

Jonathan Monk

Sculpture (Sculpture)

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube?

Meeting #100
© » KADIST

Jonathan Monk

Drawing & Print (Drawing & Print)

Meeting #100 is one in a series of text works by Jonathan Monk. In this series, the artist attempts to organize meetings somewhere in the world. The audience is given the details of a meeting—the place, date and time—and nothing more.

Good Life
© » KADIST

Danh Vo

Installation (Installation)

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.

Baobab
© » KADIST

Tacita Dean

Film & Video (Film & Video)

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.

Pair of shoes / Shoes with eggs
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.

Les Fleurs d’intérieur
© » KADIST

Danh Vo

Sculpture (Sculpture)

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.

Teapot with shadow
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot.

Hat with photograph
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Hats and photographs are regularly part of his appropriations and arrangements. He famously made numerous trips to England in search of old photographs when he was an antique dealer, and then worked in a gift store with his wife when he left the art world in the 1980s.

Map (from Uncertain Pilgrimage), 2006-2009
© » KADIST

Gareth Moore

Sculpture (Sculpture)

Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.

Office Voodoo
© » KADIST

Haegue Yang

Sculpture (Sculpture)

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

Sculpture (Sculpture)

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.

No Position Available
© » KADIST

Ceal Floyer

Installation (Installation)

NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist. The “billboard sign,” like a ready-made, plays with the different meanings of the title, literally and abstractly. The repetition of the sign, as it has used in Minimal and Conceptual art, fills the space.

Donald of Doom Tank
© » KADIST

Kristen Morgin

Sculpture (Sculpture)

Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other. During World War II, the Walt Disney Company produced series of cartoon shorts that featured Donald Duck’s nightmare of working in an inhumane artillery factory in Nazi Germany and serving in the U. S. Army. By animating and normalizing war and military life, these cartoons not only achieved widespread popularity, but functioned as government propaganda.

Muster
© » KADIST

Clemens von Wedemeyer

Film & Video (Film & Video)

Clemens von Wedemeyer has imagined a trip back in time at Breitenau. Starting with events that happened there from 1933 to 1945, the German artist has composed three stories that reach the years of the women’s reformatory, in the 1970s, with a different protagonist for each era. A work that attempts to bring out the “pathology” of the site, as the artist tells Bert Rebhandl, and at the same time its “unforgettable” status as a black hole in the history of Germany, that sucked up innocent lives for almost a century.

Zeppelintribüne
© » KADIST

Artur Zmijewski

Film & Video (Film & Video)

Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich. The 360-metre-long structure is part of a larger architectural complex called the Zeppelinfeld, which the National Socialist used for their marches and rallies. The Zeppelintribune was immortalized in the Leni Reifenstahl’s film-propaganda masterpiece the Triumph of the Will, a record of a 1934 Nazi Party rally.

I heard stories
© » KADIST

Marwa Arsanios

Film & Video (Film & Video)

I’ve heard stories (2008) is one of Marwa Arsanios early works. It is a short animated film staging a story that took place at the Carlton hotel in Beirut. This work is the first part of a longer project on this iconic building.

9 O’clock? (my time is not your time)
© » KADIST

Tobias Rehberger

Drawing & Print (Drawing & Print)

9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007. The notion of time is a recurring theme in Tobias Rehberger’s work. We can recall the exhibition ‘Night Shift’ at the Palais de Tokyo ( Paris) in 2002 where the works could be seen only from the angle of the sun, exploring the relationship between day, night, and other natural cycles like the sun and moon, life and death.

La Sombra (The Shadow)
© » KADIST

Regina José Galindo

Film & Video (Film & Video)

La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank. The artist runs until exhaustion across a dirt field in what looks like a military site. Recorded for the camera, and projected on loop, the video performance was created for Documenta 14.

Jonathan Monk

Taiyo Kimura

Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...

Charlotte Moth

Charlotte Moth has been constituting an image bank since 1999...

Hans-Peter Feldmann

Haris Epaminonda

Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...

Douglas Gordon

Clemens von Wedemeyer

Haegue Yang

Marwa Arsanios

Marwa Arsanios is born in 1978 in Washington, United-States...

Danh Vo

Thomas Kilpper

Kitty Kraus

Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...

Peter Friedl

Many of the projects of Peter Friedl, in their heterogeneous medium and style, function as intersection points between countless lines of thought and reference, creating a vast didactic network where dialogues simultaneously merge with critical logic and narrative...

Carlos Garaicoa

Matti Braun

Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...

Nathalie Djurberg

In the late 1990s, Nathalie Djurberg started to work with Super 8 film, then video, staging plasticine models or puppets...

Aykan Safoglu

Aykan Safoglu is a Turkish-German artist whose works cultivate relationships among cultural, geographical, linguistic, and temporal boundaries...

Oliver Laric

Meiro Koizumi

Meiro Koizumi is a Japanese video and performing artist, born in 1976...

Markus Amm

Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany...

Ceal Floyer

Oded Hirsch

John Gutmann

Ha Tae-Bum

Ha Tae-Bum (b...

Gareth Moore

Maria Bussman

Maria Bussmann’s works represent an insistent attempt to fathom the epistemological quality of her medium, drawing...

Nora Schultz

Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...

Anri Sala

Christoph Keller

Christoph Keller’s works function between science and art and have a practical as well as an aesthetic application...

Christian Jankowski

© » THEARTNEWSPER

about 11 months ago (02/12/2024)

Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests A statement from the museum says the incident involved activists using “hate speech” towards one of the readers and a museum director Gareth Harris 12 February 2024 Share Tania Bruguera invited artists, activists and members of the public, read from Hannah Arendt’s The Origins of Totalitarianism © Estudio Bruguera / Nationalgalerie – Staatliche Museen zu Berlin / Jacopo La Forgia The artist and activist Tania Bruguera’s non-stop reading of Hannah Arendt’s The Origins of Totalitarianism at Hamburger Bahnhof in Berlin was halted on Saturday (10 February) after pro-Palestine protestors disrupted the event...

© » ARTSY

about 11 months ago (02/12/2024)

Neo-Expressionist artist Karl Horst Hödicke has died at 85...

© » KADIST

about 11 months ago (02/12/2024)

OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...

© » BOOOOOOOM

about 11 months ago (02/07/2024)

Artist Spotlight: Tim Sandow – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Tim Sandow (previously featured here )...

© » ART PIL

about 11 months ago (02/06/2024)

The Berlinale is a unique place of artistic exploration and entertainment...

© » THE GUARDIAN

about 11 months ago (02/02/2024)

An eyeful of Soho sinners: Douglas Gordon’s All I Need Is a Little Bit of Everything review | Douglas Gordon | The Guardian Skip to main content Skip to navigation Skip to navigation Male gaze … a still from 2023EastWestGirlsBoys...

© » ARTSY

about 11 months ago (02/01/2024)

Tesfaye Urgessa will represent Ethiopia at the 2024 Venice Biennale...

© » FAD MAGAZINE

about 11 months ago (02/01/2024)

Public Gallery now represent Nils Alix-Tabeling - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Public has announced the representation of French artist Nils Alix-Tabeling (b...

© » ASX

about 11 months ago (01/28/2024)

Loredana Nemes – Graubaum und Himmelmeer – AMERICAN SUBURB X Skip to content Look up the beech in a book for plant taxonomy and you will find a picture of a tall tree with a strong trunk and long branches that form a symmetrical crown...

© » IGNANT

about 12 months ago (01/11/2024)

Blending In While Standing Out: The Duplex, By Atelier ST - IGNANT Name Atelier ST Project Duplex House Images Clemens Poloczek Words Marie-Louise Schmidlin The German word Geborgenheit describes an emotional experience that encapsulates a sense of security, warmth, comfort, and being cared for...

© » THEARTNEWSPER

about 13 months ago (12/14/2023)

Berlin’s state museums raise ticket prices as costs climb Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Berlin’s state museums raise ticket prices as costs climb “We have to increase income and reduce spending,” says Hermann Parzinger, the president of the Prussian Cultural Heritage Foundation Catherine Hickley 14 December 2023 Share Tickets to Berlin's Bode Museum will increase from €10 to €12 © Fi onn Große Admission to Berlin’s state museums will increase next year to cover rising costs, the Prussian Cultural Heritage Foundation has announced...

© » HYPERALLERGIC

about 13 months ago (12/13/2023)

German School Cancels Forensic Architecture Lecture on Police Killing Skip to content A video piece by Forensic Architecture screens during the Turner Prize Photocall at Tate Britian on September 24, 2018 in London, England (photo by Mark Milan/Getty Images) Over 200 students, faculty members, and alumni at Germany’s Rheinisch-Westfälische Technische Hochschule (RWTH) Aachen University signed an open letter published yesterday, December 12, condemning the school’s cancellation of a lecture with Forensic Architecture (FA), a research firm that investigates human rights concerns worldwide...

© » ARTNET

about 13 months ago (12/12/2023)

Increasingly, cultural workers are discussing boycotting Germany...

© » ART & OBJECT

about 13 months ago (12/12/2023)

Documenta Team Resigns Over Israel-Hamas Conflict | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ASX

about 13 months ago (12/11/2023)

Uta Genilke – Replikant – AMERICAN SUBURB X Skip to content I did not want to use Bladerunner as an analogy for this photobook simply because the title implies an association...

© » ASX

about 13 months ago (12/06/2023)

Joachim Brohm LESSMORE Interview – AMERICAN SUBURB X Skip to content Joachim Brohm’s work has influenced my way of thinking about photography, particularly his work regarding architecture...

© » HYPERALLERGIC

about 13 months ago (12/06/2023)

Sergio Zevallos’s Rituals of Disobedience Skip to content Sergio Zevallos, from the series Que tu Carne es el cielo recién nacido (1983), color chalk drawings (all images courtesy the artist unless otherwise noted) BERLIN — Peruvian artist Sergio Zevallos is a cult figure in Latin American art...

© » ASX

about 13 months ago (12/05/2023)

Henry Schulz – People Things – AMERICAN SUBURB X Skip to content The photographs in this series were taken between 2020-2022 in Germany...

© » SOUTH CHINA MORNING POST

about 14 months ago (11/18/2023)

Transcending the Israeli-Palestinian conflict, this musical ensemble plays a message of hope for the Middle East | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The West-Eastern Divan Ensemble at the Pierre Boulez Saal concert hall in Berlin, Germany...

© » IGNANT

about 14 months ago (11/13/2023)

On The Cusp Of Her Next Era, Anahita Sadighi Is Redefining The Role Of The Gallerist - IGNANT Name Anahita Sadighi Images Clemens Poloczek Words Anna Dorothea Ker Activist...

© » LARRY'S LIST

about 15 months ago (10/05/2023)

According to the art collector data company Larry's List, the burgeoning private museums sector now comprises 446 institutions worldwide, 111 of which have opened since 2016...

© » FRANCE24

about 16 months ago (08/31/2023)

Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' - arts24 Skip to main content Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' Issued on: 31/08/2023 - 16:57 11:45 ENCORE!...

© » LENS CULTURE

about 18 months ago (07/26/2023)

Steindamm-Atlas - Photographs and text by Alexandra Polina | LensCulture Feature Steindamm-Atlas A visual catalog of the vibrant and chaotically diverse “stuff of life” that can be found within just a few city blocks of one neighborhood in Hamburg, Germany — It’s a look at consumerism, fashion, excess and bling with a touch of humor, delight and disbelief...

© » FRANCE24

about 18 months ago (07/13/2023)

France fast-tracks Jewish claims on artwork stolen during WWII Skip to main content France fast-tracks Jewish claims on artwork stolen during WWII France on Thursday passed a law making it easier to return the works of art seized by Nazi Germany which ended up in French museums to their Jewish owners...

© » HUFFINGTON POST

about 26 months ago (11/12/2022)

It's been a knockout in Germany...

© » LARRY'S LIST

about 27 months ago (10/18/2022)

Collector Patrizia Sandretto Re Rebaudengo Reflects on Her Grand Tour of Europe This Past Summer - via ARTnews...

© » RANDIAN

about 62 months ago (11/18/2019)

A total of 352 artworks worth around 300 million Euros by Anselm Kiefer, Markus Lüpertz and Renate Graf are supposedly withheld from its owner...

© » RANDIAN ART MARKET

about 65 months ago (09/03/2019)

by Chris Moore The China art market faces its most difficult period since 2008...

© » UNRATED

about 77 months ago (09/17/2018)

1010 — UNRTD™ 1010 Graffiti artist 1010 (pronounced ten-ten) first took to the streets in 1994...

© » ARTS EQUATOR

about 77 months ago (09/12/2018)

Q&A: AO Show Creative Director Tuan Le Had a Vision for Performance Art in Vietnam (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 Some may say that modern performance art in Vietnam looks the way it does thanks to the works of Tuan Le and his colleagues...

© » KADIST

about 21 months ago (04/20/2023)

© » KADIST

about 43 months ago (07/06/2021)

© » KADIST

about 44 months ago (05/20/2021)

© » KADIST

about 51 months ago (11/03/2020)

© » KADIST

about 58 months ago (03/30/2020)

© » KADIST

about 63 months ago (11/15/2019)

© » KADIST

about 63 months ago (11/09/2019)

© » KADIST

about 116 months ago (06/23/2015)

© » KADIST

about 138 months ago (09/03/2013)

© » KADIST

about 148 months ago (10/31/2012)

© » KADIST

about 150 months ago (09/15/2012)

© » KADIST

about 177 months ago (06/23/2010)

© » KADIST

about 204 months ago (04/11/2008)

© » KADIST

about 218 months ago (01/25/2007)