Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space. Upon hitting the cold, hard gallery floor, the seemingly confused interpreter writhes slowly on the ground while reciting a few lines from the curatorial statement in a whispered moan.
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works. Distinctly modernist in style, the photos depict two of San Francisco’s most recognizable sites—the affluent neighborhood of Nob Hill and the iconic Golden Gate Bridge—through extremely estranged angles and balanced compositions. Moreover, these two images are representative of Gutmann’s work inasmuch as they epitomize two of the photographer’s visual obsessions: the automobile and the city of San Francisco.
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.
Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach. The video produces a surreal impression, typical of Sala’s work, with no plot in the classical sense, no story being told. Like in Blindfold (2002), in which a sunrise is reflected in urban billboards, and Time After Time (2001), in which the figure of a horse emerges from darkness lit by the headlights of an automobile, Sala likes to explore the phenomenon of light and its effects; In Ghost Games , he uses the threatening reflection of the flash light through the darkness of the beach.
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space.
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube?
Drawing & Print (Drawing & Print)
Meeting #100 is one in a series of text works by Jonathan Monk. In this series, the artist attempts to organize meetings somewhere in the world. The audience is given the details of a meeting—the place, date and time—and nothing more.
Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.
The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Hats and photographs are regularly part of his appropriations and arrangements. He famously made numerous trips to England in search of old photographs when he was an antique dealer, and then worked in a gift store with his wife when he left the art world in the 1980s.
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist. The “billboard sign,” like a ready-made, plays with the different meanings of the title, literally and abstractly. The repetition of the sign, as it has used in Minimal and Conceptual art, fills the space.
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other. During World War II, the Walt Disney Company produced series of cartoon shorts that featured Donald Duck’s nightmare of working in an inhumane artillery factory in Nazi Germany and serving in the U. S. Army. By animating and normalizing war and military life, these cartoons not only achieved widespread popularity, but functioned as government propaganda.
Clemens von Wedemeyer has imagined a trip back in time at Breitenau. Starting with events that happened there from 1933 to 1945, the German artist has composed three stories that reach the years of the women’s reformatory, in the 1970s, with a different protagonist for each era. A work that attempts to bring out the “pathology” of the site, as the artist tells Bert Rebhandl, and at the same time its “unforgettable” status as a black hole in the history of Germany, that sucked up innocent lives for almost a century.
Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich. The 360-metre-long structure is part of a larger architectural complex called the Zeppelinfeld, which the National Socialist used for their marches and rallies. The Zeppelintribune was immortalized in the Leni Reifenstahl’s film-propaganda masterpiece the Triumph of the Will, a record of a 1934 Nazi Party rally.
I’ve heard stories (2008) is one of Marwa Arsanios early works. It is a short animated film staging a story that took place at the Carlton hotel in Beirut. This work is the first part of a longer project on this iconic building.
Drawing & Print (Drawing & Print)
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007. The notion of time is a recurring theme in Tobias Rehberger’s work. We can recall the exhibition ‘Night Shift’ at the Palais de Tokyo ( Paris) in 2002 where the works could be seen only from the angle of the sun, exploring the relationship between day, night, and other natural cycles like the sun and moon, life and death.
La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank. The artist runs until exhaustion across a dirt field in what looks like a military site. Recorded for the camera, and projected on loop, the video performance was created for Documenta 14.
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...
Charlotte Moth has been constituting an image bank since 1999...
Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...
Marwa Arsanios is born in 1978 in Washington, United-States...
Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...
Many of the projects of Peter Friedl, in their heterogeneous medium and style, function as intersection points between countless lines of thought and reference, creating a vast didactic network where dialogues simultaneously merge with critical logic and narrative...
Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...
In the late 1990s, Nathalie Djurberg started to work with Super 8 film, then video, staging plasticine models or puppets...
Aykan Safoglu is a Turkish-German artist whose works cultivate relationships among cultural, geographical, linguistic, and temporal boundaries...
Meiro Koizumi is a Japanese video and performing artist, born in 1976...
Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany...
Ha Tae-Bum (b...
Maria Bussmann’s works represent an insistent attempt to fathom the epistemological quality of her medium, drawing...
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...
Christoph Keller’s works function between science and art and have a practical as well as an aesthetic application...
Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests A statement from the museum says the incident involved activists using “hate speech” towards one of the readers and a museum director Gareth Harris 12 February 2024 Share Tania Bruguera invited artists, activists and members of the public, read from Hannah Arendt’s The Origins of Totalitarianism © Estudio Bruguera / Nationalgalerie – Staatliche Museen zu Berlin / Jacopo La Forgia The artist and activist Tania Bruguera’s non-stop reading of Hannah Arendt’s The Origins of Totalitarianism at Hamburger Bahnhof in Berlin was halted on Saturday (10 February) after pro-Palestine protestors disrupted the event...
Neo-Expressionist artist Karl Horst Hödicke has died at 85...
OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...
Artist Spotlight: Tim Sandow – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Tim Sandow (previously featured here )...
The Berlinale is a unique place of artistic exploration and entertainment...
An eyeful of Soho sinners: Douglas Gordon’s All I Need Is a Little Bit of Everything review | Douglas Gordon | The Guardian Skip to main content Skip to navigation Skip to navigation Male gaze … a still from 2023EastWestGirlsBoys...
Tesfaye Urgessa will represent Ethiopia at the 2024 Venice Biennale...
Public Gallery now represent Nils Alix-Tabeling - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Public has announced the representation of French artist Nils Alix-Tabeling (b...
Loredana Nemes – Graubaum und Himmelmeer – AMERICAN SUBURB X Skip to content Look up the beech in a book for plant taxonomy and you will find a picture of a tall tree with a strong trunk and long branches that form a symmetrical crown...
Blending In While Standing Out: The Duplex, By Atelier ST - IGNANT Name Atelier ST Project Duplex House Images Clemens Poloczek Words Marie-Louise Schmidlin The German word Geborgenheit describes an emotional experience that encapsulates a sense of security, warmth, comfort, and being cared for...
Berlin’s state museums raise ticket prices as costs climb Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Berlin’s state museums raise ticket prices as costs climb “We have to increase income and reduce spending,” says Hermann Parzinger, the president of the Prussian Cultural Heritage Foundation Catherine Hickley 14 December 2023 Share Tickets to Berlin's Bode Museum will increase from €10 to €12 © Fi onn Große Admission to Berlin’s state museums will increase next year to cover rising costs, the Prussian Cultural Heritage Foundation has announced...
German School Cancels Forensic Architecture Lecture on Police Killing Skip to content A video piece by Forensic Architecture screens during the Turner Prize Photocall at Tate Britian on September 24, 2018 in London, England (photo by Mark Milan/Getty Images) Over 200 students, faculty members, and alumni at Germany’s Rheinisch-Westfälische Technische Hochschule (RWTH) Aachen University signed an open letter published yesterday, December 12, condemning the school’s cancellation of a lecture with Forensic Architecture (FA), a research firm that investigates human rights concerns worldwide...
Increasingly, cultural workers are discussing boycotting Germany...
Documenta Team Resigns Over Israel-Hamas Conflict | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Uta Genilke – Replikant – AMERICAN SUBURB X Skip to content I did not want to use Bladerunner as an analogy for this photobook simply because the title implies an association...
Joachim Brohm LESSMORE Interview – AMERICAN SUBURB X Skip to content Joachim Brohm’s work has influenced my way of thinking about photography, particularly his work regarding architecture...
Sergio Zevallos’s Rituals of Disobedience Skip to content Sergio Zevallos, from the series Que tu Carne es el cielo recién nacido (1983), color chalk drawings (all images courtesy the artist unless otherwise noted) BERLIN — Peruvian artist Sergio Zevallos is a cult figure in Latin American art...
Henry Schulz – People Things – AMERICAN SUBURB X Skip to content The photographs in this series were taken between 2020-2022 in Germany...
Transcending the Israeli-Palestinian conflict, this musical ensemble plays a message of hope for the Middle East | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The West-Eastern Divan Ensemble at the Pierre Boulez Saal concert hall in Berlin, Germany...
On The Cusp Of Her Next Era, Anahita Sadighi Is Redefining The Role Of The Gallerist - IGNANT Name Anahita Sadighi Images Clemens Poloczek Words Anna Dorothea Ker Activist...
According to the art collector data company Larry's List, the burgeoning private museums sector now comprises 446 institutions worldwide, 111 of which have opened since 2016...
Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' - arts24 Skip to main content Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' Issued on: 31/08/2023 - 16:57 11:45 ENCORE!...
Steindamm-Atlas - Photographs and text by Alexandra Polina | LensCulture Feature Steindamm-Atlas A visual catalog of the vibrant and chaotically diverse “stuff of life” that can be found within just a few city blocks of one neighborhood in Hamburg, Germany — It’s a look at consumerism, fashion, excess and bling with a touch of humor, delight and disbelief...
France fast-tracks Jewish claims on artwork stolen during WWII Skip to main content France fast-tracks Jewish claims on artwork stolen during WWII France on Thursday passed a law making it easier to return the works of art seized by Nazi Germany which ended up in French museums to their Jewish owners...
Collector Patrizia Sandretto Re Rebaudengo Reflects on Her Grand Tour of Europe This Past Summer - via ARTnews...
A total of 352 artworks worth around 300 million Euros by Anselm Kiefer, Markus Lüpertz and Renate Graf are supposedly withheld from its owner...
by Chris Moore The China art market faces its most difficult period since 2008...
1010 — UNRTD™ 1010 Graffiti artist 1010 (pronounced ten-ten) first took to the streets in 1994...
Q&A: AO Show Creative Director Tuan Le Had a Vision for Performance Art in Vietnam (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 Some may say that modern performance art in Vietnam looks the way it does thanks to the works of Tuan Le and his colleagues...
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works...
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
Drawing & Print
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Peter Friedl’s projects place aesthetic questions within an expanded field that takes into account the social, political and philosophical context...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich...
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Silberhöhe , directed at Halle, located in the former GDR (German Democratic Republic), is the name of a neighborhood on the outskirts of the city, which was built in the 70’s and could accommodate more 40,000 people...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
Apparently Djurberg’s mother made a puppet theater and traveled around Göteborg performing during her childhood...
In Felicitas, we follow the converging routes of three characters: Felicitas, Michael and Andrew (the artist’s father-in-law who also features elsewhere)...
Drawing & Print
The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Drawing & Print
Baumgartner’s own excursion into war imagery is the diptych Formation ...
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...
Drawing & Print
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker...
Lifesize Draft is the second of two sculptures on a similar theme, the first one being Utopia Battery, (2008)...
Drawing & Print
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Drawing & Print
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
Charlotte Moth asked the art critic Francesco Pedraglio to write a text in response to the Man Ray film “Les Mystères du Château de Dé”, the decor of which was the Villa Noailles, built by Mallet-Stevens...
In Permanent Laughter (2011), dozens of portable compasses are scattered under a sheet of acrylic board, which is in turned covered with what appear to be the diffuse remains of an unidentified skeleton...
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
In her geometric paintings on wood panel, Madriz employs the Fibonacci numbers to illustrate, in simplified form, the pattern of natural plant growth—beginning from a single stem, and growing exponentially, rationally, and efficiently outward from there...
In his new series of collages, Eichelmann takes his starting point from the “Belvedere Torso” in the Vatican Museum...
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr...
For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity...
A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work...
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...