© » KADIST
Brody Condon
Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy. Future Gestalt is not a video of a performance, rather, it is a documentation of the last of four unscripted sessions of guided participation led by the artist. Through the title and form, the sessions suggest Gestalt therapy, promoted as a form of personal transformation in California at the Esalen Institute.
© » KADIST
Asli Çavusoglu
Drawing & Print (Drawing & Print)
Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting. The 2016 coup d’etat led to the closure of many news sources and the incarceration of writers and journalists. Following the growing censorship and shift away from the rule of law, the number of fortunetellers and astrologers is steadily increasing.
© » KADIST
Carlos Amorales
Drawing & Print (Drawing & Print)
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive. and abstract silhouetted motifs, in a black and white palette, are combined to create a world lodged between fantasy and reality typical of the tarot game. Airplanes, letters, naked women, Osama Bin Laden, Che Guevara, mythological figures, skulls, wrestlers’ masks are some of the visuals that populate this printed object.
© » KADIST
Laurent Montaron
This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937. The power of these images, which were widely diffused in the press, had a profound haunting impact on people’s consciousness. This mode of transport – both futuristic and obsolete – crystallizes a collective imaginary which was fed by cinematic, literary and mythological fiction as Barthes would put it.
© » KADIST
Arseny Zhilyaev
This work was conceived by Zhilyaev as part of the M. I. R.: Polite Guests from the Future exhibition. This iteration of the imagined Museum of Russian History (M. I. R.) is seen from a distant future standpoint. The Russian word ‘mir’ means both peace as well as ‘the world’, and is also the name of the first space station to ever orbit earth.
© » KADIST
Prabhakar Pachpute
“Dark Clouds Of The Future” is a cinematographic video animation of the abandoned gold mine in Brazil, Serra Pelada (“Naked Mountain”). Thought to be one of the largest mines in the world, made famous by the photographs Alfredo Jaar and later by Sebastião Salgado, the hand-dug mine is now a mercury-polluted lake. During his research trip to Brazil, Pachpute met many former gold diggers who used to work at Serra Pelada, inciting his interest in the concept of the witness.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Heman Chong
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096. Yet Chong photographed these public spaces (shopping centers, museums, MRT stations and schools) between 2004 and 2010. Calendars continues Hong’s conceptual investigation of the intersections between time, space and situation.
© » KADIST
Rajni Perera
Drought Mask by Rajni Perera is a prototype that is suggestive of dire implications for human survival. Directly addressing the urgent climate crisis, specifically wide-spread drought, this sculpture imagines hybrid cultural aesthetics of the near-future after global collapse. Composed of various woven textiles complete with frills and fringes, leather, a gas mask, and pencil, Rajni’s mask prefigures future dystopian characters who are resilient and resourceful; self-fashioning tools for survival.
© » KADIST
Vincent Leong
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city. This images reflect on a dystopian future of the country, perhaps drawing parallel with the political changes in Malaysia.
© » KADIST
David Maljkovic
This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito. Tito created the fair to signify the exemplary economic exchange between the East and West. The film’s setting takes place at the Italian pavilion, where several young people are seen sitting in cars, trying to repeat sentences in English.
© » KADIST
Bahar Noorizadeh
After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy. If history at its best is a blueprint for science-fiction, revisiting contingent histories of economic technology might enable an access to the future. Vindicating this other internet , the work presents the economic application of socialist cybernetic experiments as extraordinary to financial arrangements and imaginations of our time.
© » KADIST
Adrian Villar Rojas
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies). They are studies for two large sculptures that explore the role of monuments and emblems in the configuration of Latin American national identities. The first drawing reproduces an equestrian statue of Juan Lavalle, one of Argentina’s independence heroes.
© » KADIST
Amie Siegel
Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition. Shot in the white-washed homes of New Zealand architect Ian Athfield, including his own communal compound high above Wellington harbor, the film suggests various temporal and cultural conditions of instability, hinting at concerns of global warming and nuclear accidents, pushing at the boundaries of science fiction, stripped of narrative explication and causal explanation.
© » KADIST
Alexis Smith
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage. The surfboard, an emblem of Southern California, emblazoned with the image of an eight-ball, references numerous tropes and clichés of American popular culture, specifically subcultures related to pool halls, surfing, and beaches. Indeed, this model-scale surfboard may be a future pop-culture relic, referencing a particular surfer or era of board design.
© » KADIST
Javier Castro
In the film La Edad de Oro (The Golden Age) Javier Castro asks several children to describe what they want to be when they grow up and what their best career option is in Cuba. Their responses are telling: some hopeful or playful in nature as one would expect, and others crudely revealing the harsh reality that the children perceive. The work takes its title from a children’s magazine produced by José Martí in 1889, during the years leading to the Cuban War of Independence from Spain in which Marti lost his life.
© » KADIST
Citra Sasmita
The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works. It represents female figures, flames, and various natural elements, permutating whimsically in a narrative of pansexual energy. While rooted in mythological thinking, with specifically Hindu and Balinese references, the scenes are equally part of a contemporary process of imagining a secular and empowered mythology for a post-patriarchal future.
© » KADIST
Adrian Villar Rojas
Drawing & Print (Drawing & Print)
Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval. Untitled (Set of Six Drawings) (2012) is an intricate watercolor of a child sitting cross-legged with its head stuck inside a giant mask resembling a duck head covered with eyes. It looks like a scene snatched from science fiction or a surreal dream; it is tempting to see in it some kind of warning sign, or an ominous vision of the future.
© » KADIST
Will Rogan
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future. The video follows a moped carrying a woman holding a very large mirror. The mirror is large enough that she can’t see what lies ahead, she can only see what has already come as reflections in the mirror.
© » KADIST
Ho Rui An
The lecture performance, Screen Green takes the telecast of a speech made by the Prime Minister of Singapore, Lee Hsien Loong, during which he was pictured against a homogenous green backdrop commonly used for visual effects or post-production in film, as a point of departure. Taking the lush, botanical landscape of Singapore, administered through a series of governmental gardening efforts, Ho offers a speculative narrative through the metaphor of a space of future possibilities that are simultaneously a method to limit and modulate its citizens.
© » KADIST
Arseny Zhilyaev
The Bolotnaya Battle Park Complex is the future home for the Museum of Russian History (M. I. R.). Located on the grounds of Bolotnaya square in Moscow, this park sits on top of what once was a swamp. Above the main building stand two bio-engineered ‘living sculptures’, which strike various poses to commemorate the brave acts of those defending the federation from foreign intervention during protests of May 6th, 2012.
© » KADIST
Karan Shrestha
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures. From accessing essentials to employment, education, compensation, legal justice, health facilities, and human rights, the people of Nepal have been forced to wait. Meanwhile by Karan Shrestha records moments of impasse as the post-conflict period dragged on.
Lim Sokchanlina
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...
Du Zhenjun
- location: Paris, France
- location: Shanghai, China
- year born: 1961
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Hikaru Fujii
Hikaru Fujii utilizes film to bridge art and social activism...
Naoya Hatakeyama
- location: Iwate, Nihon
- year born: 1958
- gender: male
- nationality: Japanese
Marwa Arsanios
Marwa Arsanios is born in 1978 in Washington, United-States...
Adrian Villar Rojas
- year born: 1980
- gender: male
- nationality: Argentinean
Bahar Noorizadeh
Bahar Noorizadeh is filmmaker, writer, and platform designer...
Jakob Kudsk Steensen
Jakob Kudsk Steensen employs a formally rigorous approach to creating multi-layered VR environments that engage with the contemporary issue of extinction...
Arseny Zhilyaev
Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...
Chitra Ganesh
Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images...
Subash Thebe Limbu
Subash Thebe Limbu considers his works to be science fiction through an Indigenous lens, rooted in the language, script, songs, and symbols of the Yakthung (Limbu) peoples...
Matthew Angelo Harrison
Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...
Carolina Fusilier
Caroline Fusilier’s paintings are dark, foreboding, and ominous...
Kwan Sheung Chi
Kwan Sheung Chi obtained a third honor B.A...
Minouk Lim
- location: Seoul, South Korea
- year born: 1968
- gender: female
- nationality: Korean
Kent Chan
As an artist, curator, and filmmaker; Kent Chan’s practice revolves around encounters with art, fiction, and cinema that form a trio of practices porous in form, content, and context...
Carlos Amorales
- year born: 1970
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Malik Nejmi
The practice of the French-Moroccan artist Malik Nejmi (b...
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Amie Siegel
- year born: 1974
- gender: female
- nationality: American
- home town: Chicago, Illinois
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Will Rogan
- location: Albany, California
- year born: 1975
- gender: male
- nationality: American
Citra Sasmita
Artist Citra Sasmita’s work is inscribed with originality in a pan-Asian effort to revisit traditional artistic languages as tools of expression in contemporary society...
Tadasu Takamine
Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...
biarritzzz
biarritzzz is a Brazilian artist who inserts epistemological conversations through mass communication, specifically on and from the internet...
David Maljkovic
- location: Rijeka, Hrvatska
- year born: 1973
- gender: male
- nationality: Croatian
Rindon Johnson
Rindon Johnson’s work in sculpture, video, poetry, and virtual reality deals with technologies that enable captivity and the harnessing and transformation of nature from a gender- and race-critical perspective...
Connie Zheng
Connie Zheng is an artist, writer, filmmaker, and field recordist...
Willie Doherty
- location: Derrybrien, Éire
- year born: 1959
- gender: male
- nationality: Irish
© » TATE EXHIBITIONS
about 10 months ago (03/10/2024)
Future Forecast | Tate Liverpool + RIBA North See an audio-visual work created by the Greenhouse Project Young Event Producers Produced by a group of young people from Toxteth called the Greenhouse Project Young Event Producers, this 24-minute film is an imagined vision of the future, where extreme weather conditions have changed the landscape of Liverpool, and the rest of the world...
© » HYPERALLERGIC
about 11 months ago (02/06/2024)
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...
© » THEARTNEWSPER
about 11 months ago (02/05/2024)
Those who stay: the Hong Kong artists fighting for a brighter future Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Hong Kong analysis Those who stay: the Hong Kong artists fighting for a brighter future Despite governmental intimidation of arts entities, the high cost of living and the lure of better opportunities abroad, many artists are choosing to remain in the city Lisa Movius 5 February 2024 Share The satirical cartoonist Wong Kei-kwan, who uses the pen name Zunzi, had his comic strip in the Hong Kong newspaper Ming Pao cancelled following government pressure, but he continues to live in the city Photo: Reuters/Tyrone Siu Some call it the great exodus: the family company owners, the bankers and the expatriate businesspeople departing Hong Kong in droves during and since the Covid-19 years...
© » THEARTNEWSPER
about 11 months ago (02/05/2024)
Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Looted art news Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Disagreement centred over whether the painting, looted in 1868 and later sold to a private collector in Portugal, should be bought by the government and returned to Ethopia Martin Bailey 5 February 2024 Share The remarkably well-preserved Kwer’ata Re’esu was taken during the British military offensive in Ethiopia in 1868 Photo: © Martin Bailey, The Art Newspaper...
© » THE ARTBLOG
about 11 months ago (01/31/2024)
Artblog | ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future By Katie Dillon Low January 31, 2024 Katie Dillon Low writes a terrific piece on the "(re)FOCUS: Now" exhibit, one of two exhibits at the Galleries at Moore College of Art and Design; the other is "(re)FOCUS: Then" (with artists from the original 1974 exhibit)....
© » ASX
about 12 months ago (01/18/2024)
Max Pinckers & Thomas Sauvin – The Future Without You – AMERICAN SUBURB X Skip to content The introduction of computers in the workplace well prefigures the advent of the internet...
© » WALLPAPER*
about 13 months ago (12/18/2023)
Restaurant Tramo embraces a responsible future, bite by bite | Wallpaper (Image credit: Photography by Juan Baraja...
© » AESTHETICA
about 13 months ago (12/17/2023)
Aesthetica Magazine - Aesthetica Art Prize: Sculpting the Future Aesthetica Art Prize: Sculpting the Future Sculpture is constantly evolving, with its definition widening as we move into an increasingly digital world...
© » ART & OBJECT
about 13 months ago (12/12/2023)
Berlusconi Mull Over Future of His Art Collection | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » NYTIMES LENS
about 13 months ago (12/12/2023)
Gazing Into the Past and Future at Historic Observatories - The New York Times Travel | Gazing Into the Past and Future at Historic Observatories https://www.nytimes.com/2023/11/07/travel/historic-observatories.html Share full article 58 An archival photograph of the moon, taken at Lick Observatory, near San Jose, Calif...
© » THE GUARDIAN
about 13 months ago (12/12/2023)
‘Art helps us imagine a future we wish to remember’: the photographer finding art in a war zone | Art | The Guardian Skip to main content Skip to navigation Skip to navigation Poster by Kyiv designer Mykola Honcharov...
© » AESTHETICA
about 13 months ago (12/07/2023)
Aesthetica Magazine - Future Gardens Future Gardens The US had the largest area of genetically modified crops worldwide in 2019, at 71.5 million hectares, followed by Brazil with a little over 52.8 million...
© » ARTNEWS MARKET
about 13 months ago (12/06/2023)
Art Basel Arrives in Miami with a New Structure and Hints about Future – ARTnews.com Skip to main content By Daniel Cassady Plus Icon Daniel Cassady Senior Writer, ARTnews View All December 6, 2023 9:29am MIAMI, FLORIDA - NOVEMBER 30: An exterior view of Miami Beach Convention Center during Art Basel Miami Beach on November 30, 2021 in Miami, Florida...
© » LENS CULTURE
about 14 months ago (11/21/2023)
Days of Future Passed - Photographs by Florence Iff | Text by Marigold Warner | LensCulture Feature Days of Future Passed Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis...
© » ARTLYST
about 14 months ago (11/08/2023)
In an unparalleled move, leaders from 68 UK museums, sector bodies, and funders have come together for the first UK Museum COP summit...
© » IGNANT
about 15 months ago (09/30/2023)
Latika Nehra: Imagining The Future Through Clay - IGNANT Name Latika Nehra Images Clemens Poloczek Words Marie-Louise Schmidlin Latika Nehra creates objects that invite us into a cosmos where multiple stories intertwine...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The art market continues to be in a flux, all thanks to the pandemic...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Founder of Communic’Art Agency and French art collector, François Blanc, whose collection includes works by Gérard Garouste, Walead Beshty, Hannah Whitaker, Gilbert & George, Ulrich Lamsfuss, Louise Lawler, Iván Argote and Jean-Michel Alberola, shares his thoughts on art fairs in the COVID-19 era....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
This list features a group of Black collectors with distinct points of view on what artists they collect, how and why they purchase art, and the imprint they want their collections to leave on the world....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Collector George Wells on How His Gift to Morehouse College Raises Hope for Future Generations - via ARTnews...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
City-proud cultural polymath John Waters has bequeathed 375 artworks and objects from his fine-art collection to the Baltimore Museum of Art (BMA), the institution announced yesterday...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
For more than 40 years, Bernard and Shirley Kinsey have amassed one of the largest private collections of Black paintings, letters, books and other artifacts to teach the next generations what history has erased....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Future of Hope - Durjoy Bangladesh Foundation About Us Mission & Vision The Collection Partners Contact Us Projects & Programming Majhi International Art Residency Elephant in the room Bhumi Future of Hope No Place Like Home News Press releases & News Interviews Features Search Search About Us Mission & Vision The Collection Partners Contact Us Projects & Programming Majhi International Art Residency Elephant in the room Bhumi Future of Hope No Place Like Home News Press releases & News Interviews Features About Us Mission & Vision The Collection Partners Contact Us Projects & Programming Majhi International Art Residency Elephant in the room Bhumi Future of Hope No Place Like Home News Press releases & News Interviews Features Search Future of Hope আশা ! 9 Invited Artists & Their Works Creative Transmission During Pandemic History and Present Pandora, in Greek mythology, the first woman...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Billionaire Art Collector Xavier Niel Bought a $226 Million Paris Hotel Rumored to Be the Future Home of His Cultural Foundation - via artnet news...
© » ARTS EQUATOR
about 34 months ago (03/23/2022)
Do The Arts (And Artists) Have A Future In Singapore? Skip to content Without a doubt, Singapore has well-established its status as the premier financial hub in Southeast Asia...
© » ARTS EQUATOR
about 47 months ago (03/09/2021)
The future of The Substation: A timeline of events (Updated) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles The Substation Facebook Page March 9, 2021 By Ke Weiliang, with assistance from Nabilah Said Last updated: 12 Nov 2021 ArtsEquator has compiled a timeline of events that details recent developments surrounding the future of The Substation...
© » ARTS EQUATOR
about 47 months ago (02/12/2021)
The future of the arts in Singapore and Australia: Highlights from the Statistically Speaking webinar | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 12, 2021 ArtsEquator organised a webinar titled “Statistically Speaking: Analysing arts audience engagement in Singapore and Australia” on Thursday, 28 January...
© » ARTS EQUATOR
about 57 months ago (04/29/2020)
Weekly Southeast Asia Radar: The future of The Projector; mask theatre Lakhon Khol | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via South China Morning Post April 29, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
-
1990-1999
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
-
2000-2009
Clemens von Wedemeyer
2004Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
Carlos Amorales
Drawing & Print
2005(Drawing & Print) Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
David Maljkovic
2005This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito...
Laurent Montaron
2006This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937...
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Yael Bartana
2007Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
Ron Terada
Drawing & Print
2008(Drawing & Print) The three Maiko s were included in Ron Terada’s 2008 exhibition, Voight–Kampf , at Catriona Jeffries gallery...
Melvin Moti
2008“The Prisoner’s Cinema” is a phenomenon described in neurology as a hallucination, that appears after a prolonged absence of visual sensations...
Jiang Pengyi
2008Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Marwa Arsanios
2008Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut...
Matti Braun
2009During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker...
-
2010-2019
Adrian Villar Rojas
2010The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Tamar Guimarães
2010Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
Engel Leonardo
2011As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism...
Binelde Hyrcan
2011Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand...
Brody Condon
2012Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Heman Chong
2012The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Vincent Leong
2012The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Javier Castro
2012In the film La Edad de Oro (The Golden Age) Javier Castro asks several children to describe what they want to be when they grow up and what their best career option is in Cuba...
Adrian Villar Rojas
Drawing & Print
2012(Drawing & Print) Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval...
Tadasu Takamine
2012The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...
Amie Siegel
2013Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...
Pascual Sisto
2013All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
Miljohn Ruperto
2013Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Prabhakar Pachpute
2014“Dark Clouds Of The Future” is a cinematographic video animation of the abandoned gold mine in Brazil, Serra Pelada (“Naked Mountain”)...
Arseny Zhilyaev
2014The Bolotnaya Battle Park Complex is the future home for the Museum of Russian History (M...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Cheikh Ndiaye
2014Adjamé, Charbon reflects on both global environmental discourses and domestic impacts of the use and trade of coal...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Amor Muñoz
2014Yuca_tech: Energy by Hand is an installation by Amor Muñoz that resulted from a local technology lab in a small village in the Yucatán henequen zone, in the Mayan region of Mexico...
Malik Nejmi
2014La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...
Calderón & Piñeros (La Decanatura)
2015In Centro Espacial Satelital de Colombia (Colombian Satellite Space Center) , Calderón & Piñeros (La Decanatura) play tribute to two “stunning” satellite antennas installed in the small municipality of Chocontá where, in 1970, the Space Communications Center of Colombia was inaugurated...
Kate Mitchell
2015In Time is a 24-hour video in which the artist rests, hangs and clings onto the minute hand of a large clock, 4 x 4 meters in diameter, arduously counting out a full 24-hour cycle so that the video becomes a functional time-keeping device...
Ibro Hasanovic
2015Note on Multitude is a chilling black-and-white short movie recorded with a single camera in Prishtina, Kosovo, in 2015...
biarritzzz
2015biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism...
Matthew Angelo Harrison
2015In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans....
Himali Singh Soin
2016Developed especially for the KADIST-KHOJ collaborative exhibition, Frozen World of the Familiar Stranger , Radar Level is set in the world’s last geological minutes, in two ancient landscapes...
Matthew Angelo Harrison
2016In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Karan Shrestha
2017After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
Sky Hopinka
2017Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota...
Arin Rungjang
2017246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...
Asli Çavusoglu
Drawing & Print
2018(Drawing & Print) Future Tense (2017), a 16-page diary, is a project in the form of a newspaper that brings together 50 oracles by people from various political opinions and ethnicities who consulted sand, lead, tarot cards, coffee grounds, blank sheets of A4 paper, dreams, water, clairvoyance, astrology, pendulums and horoscopes in order to reveal the point that Turkey has reached in news casting...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Bahar Noorizadeh
2018After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy...
Chitra Ganesh
Drawing & Print
2018(Drawing & Print) Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...
Sofía Córdova
2018dawn chorus ii: el niagara en bicicleta is a work produced in Sofía Córdova native Puerto Rico and was largely shaped by the financial crisis, the islands’ histories under colonial rule and most recently, the climate-change related natural disasters which have affected the island...
Jakob Kudsk Steensen
Advanced Technology
2018(Advanced Technology) The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...
Christian Nyampeta
2018The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Lala Rašcic
2018In Greek mythology, Arachne was a talented mortal weaver who challenged Athena, goddess of wisdom and crafts, to a weaving contest; this hubris resulted in her being transformed into a spider...
Wingyee Wu, Lap-See Lam
2018Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic...
Camel Collective
2018Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Chitra Ganesh
2018Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...
Jakob Kudsk Steensen
Advanced Technology
2018(Advanced Technology) RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth...
Calderón & Piñeros (La Decanatura)
2018Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
Citra Sasmita
2019The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works...
Elsa Werth
2019In the video Color Strip by Elsa Werth two-dimensional versions of all the national flags of the world (197 in all) are compiled into a long horizontal strip...
Hikaru Fujii
2019Les nucléaires et les choses by Hikaru Fujii is the first video produced in the artist’s long-term project focusing on the Futaba Town Museum of History and Folklore, located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident in 2011...
Rosalind Nashashibi
2019Rosalind Nashashibi’s paintings incorporate motifs drawn from her day-to-day environment, often reworked with multiple variations...
Rindon Johnson
Advanced Technology
2019(Advanced Technology) The VR play Meat Growers: A Love Story by Rindon Johnson centers on two meat growers who work together in a meat processing factory in the year 2100...
Ad Minoliti
2019In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world...
Kudzanai-Violet Hwami
2019This painting is the direct result of the artist’s research into her roots...
Connie Zheng
2019The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined...
Kameelah Janan Rasheed
2019Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W...
-
2020-2029
Hikaru Fujii
2020The film The Anatomy Classroom is part of a research project developed by Hikaru Fujii around objects and artifacts evacuated from the Futaba Town Museum of History and Folklore, which is located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident...
Hikaru Fujii
2020COVID-19 May 2020 by Hikaru Fujii was filmed during the first months of the Covid-19 pandemic...
Minia Biabiany
2020Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
Rajni Perera
2021Drought Mask by Rajni Perera is a prototype that is suggestive of dire implications for human survival...
Subash Thebe Limbu
2021In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
Sofía Córdova
2021Set some time in the future, Sofía Córdova’s multi-channel film installation GUILLOTINÆ Wanna Cry, Act Yellow: Break Room imagines a public that worships pop stars and revolutionary leaders equally...
Subash Thebe Limbu
2021In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
Sofía Córdova
2021Sofía Córdova’s film dawn_chorusiii: the fruit they don’t have here / coro_del_albaiii: la fruta que no tienen aquí weaves together six California migration stories that resist dominant social narratives that flatten the experience of migrants...
Kent Chan
2021Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
Neïl Beloufa
2021The short video Inside the Studio by Neïl Beloufa follows a humorous Toy Story -esque conversation between the artworks inside the artist’s studio...
Leyla Stevens
2021Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
Bahar Noorizadeh
2022The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
Carolina Fusilier
2023Miercoles cerca de las 7 de la tarde by Caroline Fusilier portrays two quantum computers that are mobile, with human-esque legs, these are systems at the edge of biology...
