This work was filmed on the shores of Jelly Bowl beach in Carpinteria, California, after Jennifer West was taken by the sight of a coastal family home owned by surfer Andy Perry. After conversing with Perry, spending time in the site, and engaging with several other locals, West wanted to produce a film that documented this idyllic Californian lifestyle and that embodied the sense of joy, warmth and nostalgia that multiple generations of surfers and their families had shared in this site. In the footage we see a couple of silhouettes wrapped up in blankets as they watch their beloved ones surfing at dawn—including surfers Andy Perry, and siblings Makela, Alana and Zach Moore.
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.
Polanszky’s sculpture is made from raw, found materials that have the patina of age. He brings together disparate material discarded by society to form aggregates. Although it is not his intention to make works of meaning the viewer endows them with poetic meanings and constructs.
At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West. The 1,200-mile highway joins the northern provinces of the country to the south cuts through. Beaufort West becomes the main strip of the township, whereby the thousands of commuters passing through are thus forced to witness the town’s squalid social and economic condition.
En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know.
Drawing & Print (Drawing & Print)
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve. In the foreground of the album’s cover, a drawing of an empty, round vessel is framed underneath the text “POP IN”, suggesting an invitation to listen to the record, a nod to pop music, or perhaps a literal proposal to enter the vessel or the work. In the background, partly hidden by the round form, Kippenberger’s hand-drawn self portrait glares back at the viewer.
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings. Untitled is a collage on paper work by Kippenberger that typifies his everything-goes approach: a barely discernible, sliced image of Michael Jackson’s face is overlaid and woven with strips and triangular shapes from a different source into a single composition. Blue tones come from torn out pages of a book where fragments of illustrations can be seen.
Drawing & Print (Drawing & Print)
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany. Text cut out from a Newspaper spells out in German “Egg hunting in the Bavarian forest” and an additional piece of text reads in all capitals “BIN DABEI DU AUCH” (“I’m here too” in English). Together, all the messages and geographies from the separate elements suggest an alternative, highly stylized portrait of the artist; in this case, a fragmented, fluid, and itinerant sense of identity.
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater.
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Horseback is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Horseback is a black and white photograph that depicts the arched shoulders of a horse, its slick mane splayed across its neck.
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision. This photograph was taken at Half Dome, a frequently visited granite rock formation in Yosemite National Park, California. For this work, Paglen created a digital file of the 8 x 10 inch photographic negative so that the artificial intelligence program can apply computer vision to evaluate the content of the image.
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works. Here, McCarthy squirts liquid out of a bottle held near his crotch onto a stuffed animal in the shape of a lion. The costuming, materials, and simulated bodily functions frequently appear in McCarthy’s work, which often disturbingly juxtaposes visceral and startling manipulation of the body with the cheerful artifacts of popular consumer culture.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture. In fact, one could go as far as to say that these pieces connect with different lines running through the 101 collection: they combine both the appropriation of found materials that responds to a very common practice in certain forms of West Coast avant-garde with an interest in the intersection of art and design (something that is present to a certain extent in more slick, design-oriented pieces such as Chadwick Rantanen’s Telescopic Poles for example).
Drawing & Print (Drawing & Print)
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness. Biernoff’s choice of Everett Ruess, Percy Fawcett, and the conceptual artist Bas Jan Ader is particularly telling. On one level, the Last Postcards analogize the nineteenth-century explorer with the contemporary artist who looks for purpose in their work.
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
Wheat Mollah ( 2011) is one of Slavs and Tatars composite object. The title Wheat Mollah has various interpretations, from “master” or spiritual authority for Shiites and “friend” for Sunnis. The turban is also worn in a diversity of cultures and religions in Africa, Asia and India.
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.
Heba Y. Amin’s 2016 film As Birds Flying uses found footage from drones in an allegorical response to a 2013 news story of a migratory bird with an electronic device attached to its ankle who was detained by the Egyptian authorities, suspected of espionage. For the artist, the story represents the paranoia and suspicion endemic to a context of global surveillance. Filmed from a bird’s-eye perspective, or a spy’s perspective, the images span the savannas and wetlands of Galilea.
Drawing & Print (Drawing & Print)
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.
This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito. Tito created the fair to signify the exemplary economic exchange between the East and West. The film’s setting takes place at the Italian pavilion, where several young people are seen sitting in cars, trying to repeat sentences in English.
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Kelly Sinnapah Mary is a multidisciplinary artist who’s work is informed by the diasporic journey of her ancestors...
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...
Mikhael Subotzky’s (b...
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
Working in photography, Dannielle Bowman’s photographs are multilayered, pushing a more nuanced understanding of American history and culture across various physical locations and time periods...
Spanning painting, drawing, and sculpture, Troy Chew’s practice reflects on the legacy of the African diaspora through the lens of urban culture...
In line with the work of well-established West Coast conceptualists like John Baldessari, Ilene Segalove has been producing works in video, sculpture, photography, and mixed media for the past twenty-five years...
Meiro Koizumi is a Japanese video and performing artist, born in 1976...
Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...
Ha Tae-Bum (b...
Visual artist and performer, Otobong Nkanga’s (b...
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...
The city, the landscape and the exhibition space are Katinka Bock’s favored playgrounds...
The work of Julien Creuzet reveals painful stories – both personal and political – making it impossible separate one from the other...
Born 1964 in Trishur, Kerala, India Lives and works in Bangalore, India First trained as a Marine radio officer at the All India Marine College in Kochi, Vivek Vilasini obtained a Bachelor’s degree in Political Science from Kerala University in 1987 before turning to art and studying traditional Indian craftspeople’s sculpture...
What are the political implication of our sounds and voices? How is it heard and used for or against us? These are questions posed by Lawrence Abu Hamdan (b...
Ciprian Muresan appropriates historical, political, social and cultural (essentially artistic, literary and cinematographic) references which he re-contextualizes...
Carlos Motta’s is a multi-disciplinary artist whose work seeks to document the social conditions and political struggles of sexual, gender, and ethnic minority communities through a variety of variety of mediums including video, installation, sculpture, drawing, web-based projects, performance, and symposia...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...
When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...
Is censorship on the rise in the West? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Is censorship on the rise in the West? Plus, Frank Auerbach at the Courtauld and an Indian painting from Howard Hodgkin’s collection Hosted by Ben Luke ....
Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...
Ai Weiwei criticises ‘fragile’ state of Western democracy following Sky News interview Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artists news Ai Weiwei criticises ‘fragile’ state of Western democracy following Sky News interview The dissident artist argues that restrictions manifest more subtly in Europe and the US Gareth Harris 6 February 2024 Share Ai tells The Art Newspaper that the idea that "the West embodied greater freedom of speech and press" is an illusion Courtesy skynews.com The Chinese artist and activist Ai Weiwei has gone into more detail about his views on censorship in the West after telling Sky News in an interview at the weekend that “in universities, in the media, political sector, everywhere—you cannot talk about the truth”...
After one of China’s most famous 20th-century artists left his homeland, his life was a mystery...
In Schubert recital series in Hong Kong, pianist Paul Lewis brings out the complex layering of composer’s musical ideas | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Pianist Paul Lewis performs during the fourth and final part of the “Schubert’s 12 Piano Sonatas with Paul Lewis” concert series at the Grand Hall, Lee Shau Kee Lecture Centre, University of Hong Kong on January 28, 2024...
The longstanding legal saga surrounding the estate of renowned Austrian sculptor Franz West has been resolved after years of contestment...
Supreme court ruling concludes lengthy battle over Franz West estate Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist estates news Supreme court ruling concludes lengthy battle over Franz West estate The Austrian sculptor's art will go to his private foundation, represented by Gagosian, overturning previous decision granting ownership to West's widow and children Anny Shaw 18 December 2023 Share Franz West in his studio, 2009 © roessle A long-running inheritance row over the estate of Franz West, reportedly worth more than $50m, has finally been resolved after the Austrian supreme court last month concluded that all of the Austrian sculptor’s art should be donated to the Franz West Private Foundation, which is represented by Gagosian...
Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...
The Los Angeles-based artists paints dark scenes of a society destined for doom, all the while selling his art to the subjects of his creations....
Kevin Tervala Named Chief Curator at BMA – Artforum Read Next: THE WHITNEY’S JANE PANETTA DECAMPS FOR THE MET Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
NYC Selected Gallery Guide: Dec 2023 – Two Coats of Paint Bortolami: Jutta Koethe in “ Good Luck Spot ” Hey galleries and artists! If you have enjoyed being included in our NYC Selected Gallery Guide and find it a helpful way to get the word out to promote your exhibitions, please consider making a tax deductible contribution to Two Coats of Paint ...
Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...
Accidentally Wes Anderson Exhibition | Londonist An 'Accidentally Wes Anderson' Exhibition Is Coming To West London By Will Noble Will Noble An 'Accidentally Wes Anderson' Exhibition Is Coming To West London Image by @matthijsvmierlo - not Wes Anderson...
300-year-old painting stolen by American soldier during World War II returned to German museum | TribLIVE.com Art & Museums 300-year-old painting stolen by American soldier during World War II returned to German museum Associated Press Friday, Oct...
Henry Taylor, I Got Brothers All Ova The World But They Forget We’re Related (2023), via Hauser & Wirth Marking its inaugural outing at its new Paris exhibition space, Hauser & Wirth looks west to the work of critically acclaimed Los Angeles artist Henry Taylor, whose major career survey arrives at the Whitney Museum of American […]...
Museum Worker Replaced Works With Forgeries | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Kyiv Biennial 2023 — La Biennale de Kyiv Exposition Techniques mixtes Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Encore 18 jours : 5 octobre → 29 décembre 2023 La cinquième édition de la Biennale de Kyiv sera internationale et se tiendra à Kyiv, Ivano-Frankivsk, Uzhhorod, Vienne, Varsovie et Berlin...
Collector Qiao Zhibing's Tank Shanghai Museum Opens on West Bund Waterfront - via The Art Newspaper...
Inspired by her native Sierra Leone, this designer’s Victorian home is full of vibrant fabrics and West African touches...
Pragueâs First Private Museum Is Haunted by the Specter of Communism - via Hyperallergic...
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
The paintings of Jean Paul Langlois blend memories of 1970s sci-fi and Westerns of his youth, while also exploring the artist’s connection to his own native and non-native roots...
Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Liu Chen-hsiang April 8, 2019 By Stephanie Burridge (800 words, four-minute read) Sustainability, remaining fresh and engaging is challenging in the present day, content-saturated global world...
Asian Restored Classics 2018: Revisiting the Past In New Light | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Made in Hong Kong (1997, dir...
Invisible Ink – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All March 3, 2014 2:10am View Gallery 6 Images “ Ink Art: Past as Present in Contemporary China ,” now at New York’s Metropolitan Museum of Art , seems at first to be a long-awaited corrective to Western myopia in regard to Chinese ink painting and calligraphy...
Carib Carnival illustrates Aubrey Willams’s unique artistic language, combining Pre-Columbian iconography with abstraction...
Drawing & Print
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Drawing & Print
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Drawing & Print
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
This early photographic work by Fre?de?ric Nauczyciel, titled Untitled (Boîte à prière, Istanbul, Novembre 2005) , features a young man in religious attire reading a religious text from inside a glass prayer box...
“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...
Polanszky’s sculpture is made from raw, found materials that have the patina of age...
This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito...
The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...
At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
Annie Pootoogook created COMPOSITION (EEGYVUDLUK DRINKING TEA) at a pivotal moment in her career...
«I will put two heavy stones in my jacket pockets that way my body will sink deep like a deflated truck tire, no one will notice», this excerpt from “Quay West” by Koltès could echo the story depicted by Katinka Bock: the shipwreck of a small boat full of stones...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black...
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Drawing & Print
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Drawing & Print
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
This work was filmed on the shores of Jelly Bowl beach in Carpinteria, California, after Jennifer West was taken by the sight of a coastal family home owned by surfer Andy Perry...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
Filmed in Morocco, the film Atlas by Karthik Pandian continues his investigation into history, site and monument...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...
Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...
In his work Housing Dreams Walls , the houses photographed are from a closely-knit locale in Kerala – a significant and rapidly popular pattern in this part of the country...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank)...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...
Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Addressing the 1966 XVII World Chess Olympics, Pataki 1921 by Ulrik López continues the artist’s interest in chess as a subject and as a symbol for various world affairs and political confrontations...
Vision (Bump’n’Curl) by Dannielle Bowman is from a series of photographs titled What Had Happened ...
Natura Negra , which translates to “Black Nature”, is a black-and-white photographic series by Chanell Stone that explores the connection between the Black body and nature within man-made environments...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
Jepira is a mythical and essential place of the spiritual dimension for the Wayuu people...