339 items, 59ms

» Refine your search

"Erika Tan"

Related Searches:




Nationality

Classification

Mentions Per Year

Decade Work Created

Artist Name

Object Sub Type

Object Type

Artist Traits

Collections

Region

Organization

The Weaver's Lament
© » KADIST

Erika Tan

Film & Video (Film & Video)

Part of an installation commissioned by National Gallery Singapore, The Weaver’s Lament by Erika Tan addresses the invisibility of women textile artists and their labor. Tan’s video focuses on the story of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya, Abdullah’s loom was left behind at the end of the exhibition, now residing in the Victoria and Albert Museum.

APA JIKA, The Mis-Placed Comma
© » KADIST

Erika Tan

Film & Video (Film & Video)

APA JIKA, The Mis-Placed Comma is one of three works Erika Tan filmed within exhibition spaces during the final stages of their transition from colonial period law courts to the National Gallery Singapore. Part of an on-going body of work, this video focuses on the figure of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya (today, Singapore and Malaysia), Halimah exists as a series of footnotes, gaining historical attention only for the act of a premature death from pneumonia, in London and away from home.

Two Eyes Two Mouth
© » KADIST

Erika Verzutti

Painting (Painting)

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.

Biennale, Dog
© » KADIST

Xu Tan

Drawing & Print (Drawing & Print)

Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities.

Shanghai Biennale Awaiting Your Arrival
© » KADIST

Xu Tan

Drawing & Print (Drawing & Print)

Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)

Pest Control 1110, 709, 428 (or, a Myth for Another)
© » KADIST

Tan Zi Hao

Installation (Installation)

Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll. Tan Zi Hao’s work is a commentary on the Bersih protest movement; “Bersih” is the Malay word for “clean” and the movement was an important precursor to the changes in Malaysia following the 2018 elections when the Barisan Nasional coalition lost power for the first time since the country’s independence in 1957. Najib Razak, the prime minister ousted in those elections and the focus of some of the biggest demonstrations during the Bersih movement was sent to prison in 2020 after being found guilty of massive theft of public funds.

La Ruta
© » KADIST

Natalia Lassalle-Morillo

Film & Video (Film & Video)

La Ruta by Natalia Lassalle-Morillo follows the Panoramic Route, a now weakened infrastructure that meanders through untouched natural landscapes and off-road destinations on the island of Puerto Rico. The Panoramic Route was designed for residents and tourists to connect with the traditional center of the island, as part of a political agenda to modernize the country through infrastructure and social programs. Today, the highway is notorious for dismal road conditions, resulting in isolation between more densely populated metropolitan areas and contributing to a loss of cultural sites and practices that once took place along the Route.

Receding Triangular Square
© » KADIST

Virlani Hallberg

Film & Video (Film & Video)

In collaboration with psychoanalyst and cultural theorist Leon Tan, Receding Triangular Square explores traditional Chinese and Taiwanese modalities of psychological healing as alternatives to dominant Western psychiatric and therapeutic practices. By juxtaposing the differing modalities, Hallberg and Tan make connections between psychological practices and histories of colonization and de-colonization. They challenge Western scientific standards of universality, rationality, and truth.

In the Collage II (Marie)
© » KADIST

Collier Schorr

Photography (Photography)

In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop. Although photographed topless, Marie is depicted in slightly contorted poses that emphasize the curves of her figure while also obstructing the viewer’s gaze. Printed on high gloss paper, Marie’s portrait has the polished veneer of magazine spread, and the two portraits on display offer different vantages of the same subject.

Collective Memories: Beijing Hotel
© » KADIST

Chen Shaoxiong

Painting (Painting)

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” Chen’s series Collective Memories depicts some of the most important architectural works and urban sites in modern Chinese society, especially those related to the history of revolutions. Instead of reproducing the images himself, Chen invited the public to participate in their making by using their fingers to paint directly on the paper or canvas.

Ink Diary
© » KADIST

Chen Shaoxiong

Film & Video (Film & Video)

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.

Erika Tan

Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices...

Xu Tan

Chen Shaoxiong

Collier Schorr

Virlani Hallberg

Virlani Hallberg is a video and photographic artist living and working in Berlin...

Erika Verzutti

Natalia Lassalle-Morillo

Natalia Lassalle-Morillo’s films explore familial, neighborly, and citizen relationships in the context of Puerto Rico’s fraught history with the United States and the resulting imperialist oppression that has altered generations of families’ material and spiritual trajectories...

Tan Zi Hao

Tan Zi Hao is a multi-disciplinary artist who works predominantly with installation and performance art...

© » TWOCOATSOFPAINT

about 8 months ago (02/07/2024)

A gathering at Tappeto Volante – Two Coats of Paint Tapetto Volante: La Banda 2024, Installation View ...

© » HYPERALLERGIC

about 8 months ago (02/07/2024)

Once Upon a Time in Brighton Beach Skip to content Still from Brighton Beach , directed by Carol Stein and Susan Wittenberg (image courtesy IndieCollect) Two documentaries are playing revival runs at Anthology Film Archives this month...

© » SOUTH CHINA MORNING POST

about 9 months ago (02/01/2024)

Opinion | This Chinese ballet pushing Communist propaganda may seem ironic – but it’s incredible | South China Morning Post Advertisement Advertisement Dancers from the National Ballet of China perform “The Red Detachment of Women” at the Hong Kong Cultural Centre in January...

© » SOUTH CHINA MORNING POST

about 9 months ago (01/29/2024)

She photographs him naked or scantily clad in submissive poses...

© » LITHUB

about 10 months ago (01/05/2024)

On the Serious Business of 19th-Century Fairy Paintings ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Pegasus Books On the Serious Business of 19th-Century Fairy Paintings Jennifer Higgie Considers the Significance of a Mystical Artistic Tradition By Jennifer Higgie January 5, 2024 Featured Image: Oberon, Titania and Puck with Fairies Dancing, by William Blake Much like the present moment, the nineteenth century was a time of rapid social and technological change and political turmoil...

© » ARTFORUM

about 10 months ago (12/14/2023)

Anonymous Was a Woman Names 2023 Grantees – Artforum Read Next: AMY HAU TO LEAD NOGUCHI MUSEUM Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

© » SOUTH CHINA MORNING POST

about 11 months ago (11/19/2023)

South Korean artist Yi Yi Jeong Eun’s impasto oil paintings – now on show in Hong Kong – convey nature in its many forms | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “There, Breaking Through The Ground” (2023) by Yi Yi Jeong Eun...

© » ART AND CAKE

about 16 months ago (06/15/2023)

Artist Spotlight: Erika Lizée – Art and Cake June 15, 2023 June 11, 2023 Author Artist Spotlight: Erika Lizée Erika Lizeé at Mesa Contemporary Arts Museum with the 2023 Installation of Seed of Life, Acrylic on Duralar, 8′ x 22′ x 3′ What inspires you? I am inspired by the world around us and the possibilities that exist beyond what we currently understand...

© » ART AND CAKE

about 16 months ago (06/15/2023)

Artist Spotlight: Erika Lizée – Art and Cake June 15, 2023 June 11, 2023 Author Artist Spotlight: Erika Lizée Erika Lizeé at Mesa Contemporary Arts Museum with the 2023 Installation of Seed of Life, Acrylic on Duralar, 8′ x 22′ x 3′ What inspires you? I am inspired by the world around us and the possibilities that exist beyond what we currently understand...

© » ARTS EQUATOR

about 28 months ago (07/14/2022)

Tan Boon Hui: A Cultural Leader Of Grace and Courage | ArtsEquator Skip to content The Executive Director of Singapore's Arts House Limited's untimely death last week reverberated through the international art world...

© » ARTS EQUATOR

about 31 months ago (03/26/2022)

5 Thought-Provoking Articles On Art You Should Be Reading Skip to content The Southeast Asian art scene is a constantly evolving, complex tapestry...

© » THE INDEPENDENT

about 34 months ago (12/21/2021)

Reviews | The Independent Reviews Reviews Emily Ratajkowski’s My Body is a candid critique on fetishisation Books The Saga of Erika Girardi Reviews Sally Rooney’s new book is stimulating, but not aimed at the olds Reviews Sarah Ferguson’s Mills & Boon novel is too chaste to set pulses racing Independent Premium Martin Chilton Books of the Month: From Sinead O’Connor to Lisa Taddeo Reviews Finally, the Fifty Shades franchise can be put to bed Reviews Chimamanda Ngozi Adichie’s new book captures the messiness of loss Reviews Seth Rogen’s Yearbook is memoir at its most sardonic and mischievous Reviews The greatest fictional detective? A new book tells us why it’s Poirot Reviews The Coven: a witchy dystopia that doesn’t quite go far enough Culture Martin Chilton Books of the month: From Insatiable to Brown Baby Culture Books of the month, from ‘How to Write One Song’ to ‘Jew(ish): A Plea’ Reviews Barack Obama’s A Promised Land is an elegant, thoughtful memoir Reviews Review: How to Make the World Add Up, by Tim Harford Culture Ties That Tether is an intriguing look at family dynamics Reviews Midnight Sun review: Time’s up for Twilight’s twisted romance Reviews Lana Del Rey’s ardent poems will delight and disappoint Reviews The Mirror & the Light is another Hilary Mantel masterpiece – review Reviews Five of the biggest books released this month Reviews Elton John’s autobiography is full of warmth and candour Reviews Girl by Edna O'Brien: Unsentimental but devastating read Reviews Year of the Monkey by Patti Smith: A moving account of deep loss Reviews Akin by Emma Donoghue: A complete departure from Room Reviews Quichotte by Salman Rushdie is bogged down by exhausting accumulations Reviews Margaret Atwood’s Handmaid’s Tale sequel is surprisingly fun – review Reviews Stephen King’s The Institute, review: Crackles with delicious unease Reviews Trick Mirror by Jia Tolentino, review: A profound 2019 survival guide Reviews Is There Still Sex in the City? review: It’s out of touch Reviews The Perfect Wife by JP Delaney, review: An intoxicating thriller Reviews Lady in the Lake by Laura Lippman, review: Fascinating and unforgiving Reviews I Am Sovereign by Nicola Barker, review: Blurs fiction and real life Reviews Sweet Sorrow by David Nicholls, book review: Utterly heartfelt Reviews The Most Fun We Ever Had by Claire Lombardo, review: Intriguing debut Reviews Howard Jacobson's Live a Little review: Impressive novel about old age Reviews Night Boat to Tangier: Captures male friendship with rare brilliance Reviews Game Changer by Shahid Afridi review: Very honest and entertaining Reviews Big Sky by Kate Atkinson review: An exuberant, entertaining read Reviews The Bride Test review: sweet romance that explores autism Reviews City of Girls by Elizabeth Gilbert, review: Moving coming-of-age story Reviews The Ottoman Secret by Raymond Khoury: Wears it smartness on its sleeve Reviews Frankissstein by Jeanette Winterson review: Gleefully gothic Reviews Juliet the Maniac by Juliet Escoria: Honest tale about mental illness Reviews The Porpoise by Mark Haddon review: ‘A glittering tapestry of a novel’ Reviews Roar by Cecelia Ahern is funny, wise and weighty in a very good way Reviews Ian McEwan’s Machines Like Me, review: Pleasurably dizzying Reviews The Parisian by Isabella Hammad, review: Highly personal and striking Reviews The Rosie Result by Graeme Simsion, review: Brave and funny Reviews Spring by Ali Smith: A timeless novel that burns with moral urgency Reviews Memories of the Future by Siri Hustvedt review: Bursting with rage Reviews The Parade by Dave Eggers review: Stylish and slick Reviews Lanny by Max Porter review: A wonderful piece of work Reviews Black Leopard, Red Wolf review: A vivid, bloody fantasy epic Reviews Toni Morrison – Mouth Full of Blood review: Unashamedly ambitious Reviews Late in the Day review: A nuanced account of social class Reviews Eric Hobsbawm: A Life in History review: Fair, despite some indulgence Reviews Adèle by Leila Slimani review: A dazzling novel Reviews You Know You Want This by Kristen Roupenian review Reviews The Wall by John Lanchester, review: Almost unbearably timely Reviews The Fall and Rise of the Amir Sisters by Nadiya Hussain review Reviews Once Upon a River by Diane Setterfield review: A Gothic tale of loss Reviews Freefall by Jessica Barry, review: A scintillating thriller Reviews Hollywood's Eve by Lili Anolik, review: Eve Babitz biography is a hot Reviews The Gown: A Novel of the Royal Wedding by Jennifer Robson, review Reviews North of Dawn by Nuruddin Farah, review: Channels pain into fiction Reviews Keeping At It by Paul A Volcker, review: Delivers a powerful message Reviews Hazards of Time Travel review: The horrors of our Orwellian era Reviews Reading George RR Martin's new book Fire and Blood feels like homework Reviews Becoming by Michelle Obama, review: 'An honest endeavour' Reviews Past Tense by Lee Child, review: 'I found myself absorbed' Reviews A Spark of Light review: The world needs to read Jodi Picoult now Reviews Noel Gallagher book review: 'An over-egged coffee table affair' Reviews This Will Only Hurt a Little by Busy Philipps: 'Warmly conversational' Reviews Fashion Climbing by Bill Cunningham review: 'Enjoy the glamorous ride' Reviews Melmoth by Sarah Perry, review: 'A haunting book' Reviews JK Rowling's new book is full of twists and turns, but it's bloated Reviews Sarah Moss's new novel Ghost Wall is like no other author's work Reviews Sebastian Faulks's Paris Echo is disappointingly swamped by ideas Reviews On Rape: 'Germaine Greer isn’t trying to disparage rape victims' Reviews Normal People by Sally Rooney, review: Enters the darker psyche Reviews The End, My Struggle, Karl Ove Knausgaard: Exerts a gravitational pull Reviews The Silence of the Girls by Pat Barker, review: An impressive feat Reviews The Drama Teacher review: Intriguing take on the domestic noir genre Reviews Bitter Orange by Claire Fuller, review: 'Perfect heatwave reading' Reviews Notes to Self: Essays by Emilie Pine, review Reviews Clock Dance by Anne Tyler, review: Less nuanced than her best work Reviews Days of Awe by AM Homes, review: As sharp-edged as broken glass Reviews Calypso by David Sedaris, review: Hilarious, moving Reviews The Death of Mrs Westaway by Ruth Ware, review Reviews Room to Dream by David Lynch and Kristine McKenna, review Reviews Old Baggage by Lissa Evans, review: A delight from start to finish Reviews Love and Ruin, Paula McLain, review Vouchers Marella Cruise Deals Marella Cruise Deals Get £150 off your holiday using this TUI voucher code ASOS Discount Code ASOS Discount Code 15% off first order over £20 using this ASOS Discount code Travelodge Discount Code Travelodge Discount Code 5% off rooms with this Travelodge discount code The Body Shop Discount Code The Body Shop Discount Code £5 off all orders over £30: The Body Shop promo code Domino's Voucher Code Domino's Voucher Code Save 35% on £40+ orders with this Domino's voucher code nationwide ao.com Discount Code ao.com Discount Code 25% off kitchen appliances, laptops, TVs & more - ao discount Cult Beauty Discount Code Cult Beauty Discount Code 30% discount in the Cult Beauty sale...

© » ARTS EQUATOR

about 44 months ago (03/17/2021)

Alternative Lessons for Women: Sonia Kwek and Tan Weiying on sex, desire and the erotic | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Charmaine Poh March 17, 2021 By Aditi Shivaramakrishnan Adapting its title from Lessons for Women << 女诫>>, a text by the first known female Chinese historian, Ban Zhao, Alternative Lessons for Women is a double-bill of two solo works: Hymen Instinct created and performed by Sonia Kwek and What? That’s It? created and performed by Tan Weiying....

© » ARTS EQUATOR

about 47 months ago (11/23/2020)

(Episode 2) What's in a Scene - Nothing by Cake | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 23, 2020 ‘We are all but moving shadows and all our busy rushing ends up in nothing’ In this episode, Natalie Hennedige and Siti Khalijah Zainal unpack a scene from Cake ‘s Nothing and talk about the process and the inspiration behind the creation of the play, from the characters to multimedia design and more...

© » ARTS EQUATOR

about 48 months ago (11/16/2020)

(Episode 1) What's in a Scene - 《大狗民》Citizen Dog by The Finger Players | ArtsEquator Skip to content In this episode, Liu Xiaoyi and Oliver Chong unpack a scene from The Finger Players 十指帮 ‘s 《大狗民》Citizen Dog and talk about the set design, costume design and more...

© » ARTS EQUATOR

about 56 months ago (03/04/2020)

Draconic Self-Portrait: An intimate conversation with Margaret Leng Tan on Dragon Ladies Don’t Weep | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pier Carthew March 4, 2020 By Shahril Salleh (1,357 words, 4-minute read) Doyen...

© » ARTS EQUATOR

about 56 months ago (03/02/2020)

Dragon Ladies Don’t Weep: Brilliance Is Margaret Leng Tan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pia Johnson March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 5-minute read) Note: This review may contain some minor spoilers for Dragon Ladies Don’t Weep by Margaret Leng Tan...

© » ARTS EQUATOR

about 61 months ago (10/14/2019)

CRITICS LIVE: A post-show response to "Merdeka" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 14, 2019 Join critics Corrie Tan, Nabilah Said, Carolyn Oei and Teo Xiao Ting in a post-show conversation about W!ld Rice’s Merdeka ...

© » ARTS EQUATOR

about 62 months ago (09/05/2019)

Love me tender: "Eat Duck" by Checkpoint Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Crispian Chan September 5, 2019 By Nabilah Said (1,119 words, 6-minute read) There is a Malay proverb: “sedangkan lidah lagi tergigit”, that roughly translates as “even the tongue can get bitten”...

© » ARTS EQUATOR

about 62 months ago (09/01/2019)

Podcast 64: The Orange Production 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Gabriel Chia September 1, 2019 Duration: 37 min In this latest podcast, ArtsEquator editor Nabilah Said and theatre reviewer Naeem Kapadia discuss the productions We Were So Hopeful Then (written by Ellison Tan and directed by Alvin Tan) and Acting Mad (with texts by Haresh Sharma, Harris Albar and Maryam Noorhimli and directed by Haresh Sharma), presented as part of The Orange Production 2019 by The Necessary Stage...

© » ARTS EQUATOR

about 63 months ago (08/28/2019)

Instructions for reheating: “Forked” by The Finger Players | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 28, 2019 By Nabilah Said (820 words, 5-minute read) In the pre-show for Forked , playwright and performer Jo Tan is warming up, prepping her body...

© » ARTS EQUATOR

about 68 months ago (03/26/2019)

Podcast 54: "FOUR FOUR EIGHT" by Emergency Stairs | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan March 27, 2019 Duration: 41 min As part of ArtsEquator’s Critics Reading Group programme, we got together three arts writers – Corrie Tan, Jocelyn Chng and Loo Zihan – to discuss FOUR FOUR EIGHT by Emergency Stairs ...

© » ARTS EQUATOR

about 70 months ago (01/03/2019)

ArtsEquator's Top 10 Articles of 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 3, 2019 Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order...

© » ARTS EQUATOR

about 71 months ago (12/19/2018)

Sandi Tan’s "Shirkers": Moving Backwards in Order to Move Forwards | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles December 19, 2018 By Ke Weiliang (1180 words, six-minute read) NB: It is important to differentiate between the two versions of Shirkers that were filmed...

© » ARTS EQUATOR

about 72 months ago (11/27/2018)

Down the Fast Food Chain of Desire in "The Reunification of the Two Koreas" Thinking and Talking about Arts and Culture in Southeast Asia Articles Crispian Chan, crispi photography November 27, 2018 By Teo Xiao Ting Click here to open the Twine in a new tab (if you’re reading this on a mobile browser, or otherwise have trouble viewing the Twine.) The Reunification of the Two Koreas by TheatreWorks was originally written in French by Joël Pommerat...

© » ARTS EQUATOR

about 74 months ago (09/06/2018)

Podcast 47: TheatreWorks' "13.13.13" and SRT The Young Company's 'The Fall' | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 6, 2018 Duration : 33 mins Theatreworks’ 13.13.13 and SRT’s The Young Company’s The Fall are the two works discussed in this month’s podcast...

© » ARTS EQUATOR

about 75 months ago (08/30/2018)

AExGTF Chats: Prof Tan Sooi Beng of Ombak Potehi at George Town Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles https://artsequator.com/wp-content/uploads/2018/08/Ombak-potehi_1.mp4 August 30, 2018 Potehi puppet theatre is a traditional Hokkien art form brought to Southeast Asia by immigrants from southern China several centuries ago...

© » ARTS EQUATOR

about 76 months ago (08/02/2018)

Podcast: Singapore Theatre Festival 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 2, 2018 Duration: 48 min Matt Lyon and Naeem Kapadia are back on ArtsEquator’s theatre podcast, and with a bang: nearly an hour’s worth of discussion on the Singapore Theatre Festival 2018 which just ended on 22 July...

© » ARTS EQUATOR

about 76 months ago (07/25/2018)

OPEN CALL: Performance Criticism Mentorship with Corrie Tan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 25, 2018 Performance Criticism Mentorship by Corrie Tan, Resident Critic, ArtsEquator.com How does it work? You’ll attend six performances between September 2018 – March 2019 ...

© » ARTS EQUATOR

about 76 months ago (07/16/2018)

Weekly Picks: Singapore (16 - 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 16, 2018 SINGAPORE THEATRE FESTIVAL 2018 FAGHAG 19 – 22 July 2018 Join Pam Oei in this rainbow-coloured cabaret and see her demonstrate why she deserves to be called Singapore’s Number One Faghag! Join her as she plays multiple characters, tell jokes and heart-warming tales while being accompanied by maestro Julian Wong on the piano in this entertaining performance! More information here....