Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.
Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole. Despite its dismantled form, the screen still functions, a simple, mountain-range desktop background clearly visible with no distortion. As with much of Beshty’s work, Office Work thematizes its own construction, in this case, through a clearly deconstructive action that preserves the technological ontology present through the monitor.
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture. In the background, the steel pillars creates a division of space implying a separation the two men according to their geographic regions of origin or residence, their vocations, their ethnicities, and their attitudes toward war. Yet, the mirrored body language of the two characters also suggests their reconciliation into a dialogue perhaps characterized by the protagonists’ physical and spiritual conversation.
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo. The materiality and form of this traditional headpiece represents the strength and fierceness of forest warriors. Their ‘chimneys’ on top are intended to resemble trees in the jungle onto which hornbill feathers would once have been stuffed.
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico. She had a keen eye for architectural composition, and captured eloquent details using a delicate platinum print process. In 1929 she was deported from Mexico because of her involvement in the Communist party and went to Europe.
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris. If Yto Barrada was initially interested in the architectural heritage of the city, today the core of her research focuses on risks around landscape and its heritage. The iris, found bordering the city, carries the name of the city, and is an emblem of Tangier.
PANGKIS by Yee I-Lann is a looped video performance. The work is named after the triumphant warrior cry, an animistic guttural call, which punctuates the traditional Dusun Sumazau dance. For this work, the artist collaborated with Tagaps Dance Theatre, a group of young dancers whose practice merges traditional and contemporary styles.
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors. The artwork belongs to Yee’s series Picturing Power (2013) that deals with the destabilizing impacts of neo-colonialism and globalization on Southeast Asia’s history. Yee approaches the aesthetics and politics of the ethnographic gaze with both irony and humanity, challenging the modes of seeing inherent to the British colonization of Malaysia.
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe. They become like abstract paintings that recall Modernist formal experimentation. They are somehow symptomatic of the circulation of goods and people that is made to sound so abstract.
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D. F., Third Gallery is a photograph of a section of a mural by Diego Rivera in the Ministry of Education in Mexico City. Rivera painted over a hundred frescoes throughout the courtyard of the building, an early mural series that helped revive and popularize the art of mural painting. Modotti, a friend of Rivera’s, took hundreds of photographs of the frescoes which depict divisions of labor in Mexican society.
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth. Opie is known for her honest portraits of diverse individuals, from LGBT people to football players, and the self-portrait has also been a long-standing and important part of her practice. Instead of hiding her sexuality and interest in sadomasochism, Opie wears it proudly.
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain. She wears an expression of both pleasure and intensity as she points a gun at someone or something outside of the frame. Raven (gun) (1994) is not so much threatening as full of sexuality and potential energy.
Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.
The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Gary Gilpatrick, Insulator (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface.
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Stanley “Tom” Durrell, Tinsmith (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace.
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community. Lockhart traveled around California’s Central Valley, spending time with cattle ranchers on their properties and attending livestock auctions with them and getting a sense of the rhythm of their lives. Throughout this time, the artist shot more than one hundred four-by-five-inch negatives but chose to print just this one from the series.
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness.
Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence. It looks at the role of popular culture and labor strikes through the 40s and 50s following the band Ngola Ritmos who embarked upon a consciousness-raising mission with their pro-independence political music. Through both their clandestine activities and their music, the band is credited with aiding political mobilization take off in Angola.
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye. Towards the end of 2020, I was feeling very much that I couldn’t take in any more information visually. That was when I made Instruments of Air.
Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography. Close-ups and attention to detail reveal something different: a portrait of what is usually discarded or missing, like unassuming weep holes in Alameda Street or minuscule weeds making their way up through the pavement in Chestnut Street . But these details are subtle to the point of being conceptual; from afar both images appear to be monochromes.
In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977). PoT was an IBM sponsored documentary that visualized the relative scale and limits of the known universe, both macro and microscopic, through a sequence of magnifications by 10-to-the-x-power. Using the picnic as human-scale index, Futurefarmers capture their meetings with scholars through audio, photography, and then distributed the results publicly through a website and publication .
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Harit Srikhao perceives photography as a culturally determined medium...
Claudia Andujar was born in Switzerland in 1931, and then moved to Oradea, on the border between Romania and Hungary, where her paternal family, of Jewish origin, lived...
Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...
Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Birender Kumar Yadav is a multi-disciplinary artist who experiments with various media including painting, sculpture, photography, installation, etching, found and man-made objects, as well as live documentary...
Laura Henno was trained as a photographer and studied film at Le Fresnoy – Studio National des Arts Contemporains...
Bruno Serralongue integrates his practice into the processes of production and distribution of information via images...
Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...
Luka Yuanyuan Yang is a photographer, filmmaker and visual artist based in Beijing...
Che Onejoon started working with photography in mandatory military service as an evidence photographer for the South Korean Combat Police recording different incidents for proof...
Patrick Bernier and Olive Martin are a duo of artists collaborating since 1999...
Futurefarmers is an international, trans-disciplinary network...
Visual artist and performer, Otobong Nkanga’s (b...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
This Björk-narrated fungi documentary is enough to make you trip | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Film & TV Feature Directed by Merlin Sheldrake, Fungi: Web of Life features jaw-dropping time-lapse footage in which fungi germinate like majestic, otherworldly creatures 12 February 2024 Text Nick Chen Fungi: Web of Life 8 The British biologist and writer Merlin Sheldrake is to mushrooms what Björk is to music...
Aesthetica Magazine - Highlights from the Sony World Photography Awards 2024 Highlights from the Sony World Photography Awards 2024 A hand-crafted flower, tipped on its head...
How can photography heal past trauma? Ask a friend - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images © Sophie Russell-Jeffrey Collaborating with her childhood friend, Sophie Russell-Jeffrey was able to access the most difficult episodes of their past – and push her portraiture into raw new territory Sophie Russell-Jeffrey was born and raised in Towcester, a small East Midlands town of around 10,000 people where “everyone knows everyone’s business”...
RaMell Ross – Spell, Time, Practice, American, Body – AMERICAN SUBURB X Skip to content An image I find myself returning to over and over again is a photograph by RaMell Ross titled Dream Catcher (2014)...
© 2023 All rights reserved - The Eye of Photography Imagine – a word that evokes imagination, creativity, and limitless possibilities...
Danny Franzreb – Proof of Work – AMERICAN SUBURB X Skip to content My initial response to the massive swell of attention that cryptocurrency received in 2021, and more specifically to the non-fungible token (NFT) hysteria that gripped so much of cultural discourse online and in the press, was a dismissive roll of the eyes...
Shepard Fairey: “Raise the Level” | New Short Documentary | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY As we usher in the new year, it’s exhilarating to embrace a project that embodies a powerful message: “Raise the Level.” This initiative, resonating with the ethos of elevating our discourse on critical issues, reminds us that respectful, high-quality debate is not only possible but necessary...
Toshio Shibata Day For Night – AMERICAN SUBURB X Skip to content The work of Toshio Shibata is not easy to categorize by genre...
The Jimei × Arles festival is a feast – will it boost Chinese photography for good? - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Operating room party (Grand), 2022, from the series Baby’s Baby © Wu MeiChi Now in its ninth year, the festival brings works from Les Rencontres d’Arles alongside its own cutting-edge programme...
From Juergen Teller and Mary Manning to the debates around AI’s influence on image-making, here are this year’s highlights in photography and ideas....
Aesthetica Magazine - Curator Interview: 130 Years of Native Photography Curator Interview: 130 Years of Native Photography In Our Hands: Native Photography, 1890 to Now is a major exhibition at the Minneapolis Institute of Art, spanning 130 years of work by First Nations, Métis, Inuit, and Native American photographers...
Curran Hatleberg – Lost Coast & River’s Dream – AMERICAN SUBURB X Skip to content There is a strange and perplexing photograph in Curran Hatleberg’s photobook, River’s Dream (TBW, 2022), which shows a man with a large swarm of bees attached to his face and body...
Collective Week: Kinship Photography Collective - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Collective Week: Kinship Photography Collective by Kassandra Eller December 12, 2023 ©Kimberly Anderson, We Still Have The Seeds In the past few years, the term artist collective has become common, especially in larger cities where hubs of creativity form...
Five Photobooks from 2023 – AMERICAN SUBURB X Skip to content For the complete list, please consult the Nearest Podcast in the following weeks, where I will MC over a much longer list of the great books published this year...
Joachim Brohm LESSMORE Interview – AMERICAN SUBURB X Skip to content Joachim Brohm’s work has influenced my way of thinking about photography, particularly his work regarding architecture...
A New Documentary Examines the ‘Star Wars Holiday Special’ and Asks: Why? | KQED Skip to Nav Skip to Main Skip to Footer The Do List A New Documentary Examines the ‘Star Wars Holiday Special’ and Asks: Why? Linda Holmes Dec 6 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A moment from the infamous ‘Star Wars’ holiday special....
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
‘With a documentary, you’re beholden to the truth’: Director Paul Sng on telling Tish's story - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Tish Murtha, Kenilworth Road Kids, Cruddas Park, Juvenile Jazz Bands , 1979 © Ella Murtha This article appears in the forthcoming Portrait issue of British Journal of Photography...
© 2023 All rights reserved - The Eye of Photography The Schall Collection will show 50 previously unseen works based on the quintessential photography of Roger Schall, described in his day as a “master of light”...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78 - The New York Times Movies | Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78 https://www.nytimes.com/2023/09/01/movies/nancy-buirski-dead.html Share full article Advertisement SKIP ADVERTISEMENT Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan...
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
© 2023 All rights reserved - The Eye of Photography Fuji San 1992 © Xavier Lambours Signatures Japon © Thierry Clech Marché de l'occasion et des antiquités photographiques © Schneck The 59th International Photography Fair of Bièvres will be held on June 3rd and 4th...
New Documentary Offers Touching Portrait of Collector and Philanthropist Agnes Gund - via ARTnews...
Mari Katayama's photography uses her own body as one of her materials...
Rage or Loss: Women in Photography 2019 | Remedy For Rage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 7, 2019 By Elaine Chiew (1,050 words, 6-minute read) Now in its fifth edition, Objectifs returns with its annual showcase in the Women in Film and Photography series...
Vietnam's Award-Winning Documentary About a Trans Woman (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 8, 2018 A critically acclaimed documentary about a member of Vietnam’s trans community will finally see an official premiere in Vietnam next month...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
His series, The Golden State, harkens back to his early career and his photographic training...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography...
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
Vandy Rattana’s Bomb Ponds series was made following a transformative encounter with the craters left over from 2,756,941 tons of bombs dropped by U...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...
In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977)...
In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Drawing & Print
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
When Need Moves the Earth is a three-channel video that combines elements of documentary footage, archival material and abstract aerial shots to encompass a painterly yet forthright exploration of a coal mine and a water dam in Thailand...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...
The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
Drawing & Print
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
N°001 Djoubi et sa meute is part of a series of photographs by Laura Henno titled Ge Ouryao! ...
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade...
Che Onejoon’s unsettling video My Utopia opens with a round table of women asking and answering the questions “Who am I? Where did I come from? Where should I go?” One of the women featured is Monique Macías, the daughter of Francisco Macías Nguema, the first Prime Minister of Equatorial Guinea...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian...
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta...
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
In the islands of the Strait of Hormuz off the southern coast of Iran, a distinctive local culture has emerged as the result of many centuries of cultural and economic exchange, the traces of which are seen not only in the material culture of these islands but also in the customs and beliefs of their inhabitants...