9.5H x 7.875W inches
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D. F., Third Gallery is a photograph of a section of a mural by Diego Rivera in the Ministry of Education in Mexico City. Rivera painted over a hundred frescoes throughout the courtyard of the building, an early mural series that helped revive and popularize the art of mural painting. Modotti, a friend of Rivera’s, took hundreds of photographs of the frescoes which depict divisions of labor in Mexican society. This particular photograph focuses on Rivera’s rendering of a dinner of the elite, feasting and reading a stock ticker.
Tina Modotti was an Italian film actress and photographer. As a photographer, she collaborated with Edward Weston and extensively documented the Mexican mural movement. In addition to her photography of Diego Rivera’s murals, she is also depicted in five of them. Modotti was involved in both the artistic and political avant-gardes of Mexico City, befriending members of and eventually joining the Mexican Communist party. Political repression forced her to move back to Europe, and she eventually lived in Moscow before moving to Spain when the Civil war began in 1936. In 1939, she returned to Mexico, where she died in 1942.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
Yangon's well loved Palace of Literature (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 3, 2018 The four storey yellow painted building with big masonry work of books in black and white pages for its motif loomed high at the corner of Merchant Road and 37th street...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Prison Bakery at Pompeii Sheds Light on Slavery in the Ancient World – ARTnews.com Skip to main content By Francesca Aton Plus Icon Francesca Aton Associate Digital Editor, ARTnews and Art in America View All December 12, 2023 12:47pm Prison bakery identified at Pompeii Archaeological Park, Italy...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...