655 items, 26ms

» Refine your search

"Blue Firth"

Related Searches:




Object Type

Organization

Classification

Nationality

Collections

Decade Work Created

Region

Artist Name

Mentions Per Year

Object Sub Type

Genres

Artist Traits

Untitled (blue)
© » KADIST

Chris Duncan

Painting (Painting)

Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I . This title references Duncan’s early artistic influences from the punk and hardcore music communities in tandem with his conceptual interest in perception and optics. This small painting features a glowing cluster of colorful dots on a bright blue background, also created from an accumulation of blue dots in varying tones.

Half Blue
© » KADIST

Joe Namy

Installation (Installation)

Joe Namy’s Half Blue is an installation consisting of a video, a sound, and a sculpture, that triangulates a personal experience of the artist’s cousin Khalid Jabara, who was murdered by hate crime in Tulsa, Oklahoma, U. S. A in 2016. An event that garnered international attention, Jabara’s murder led to the Jabara-Heyer NO HATE Act passed by US Congress in 2021. The act was named after Jabara and Heather Heyer, two hate crime victims whose murders were prosecuted as hate crimes but not reported in hate crime statistics.

Blue Elbow (Coude Bleu)
© » KADIST

Jumana Manna

Sculpture (Sculpture)

Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow .

I Am Blue, 1
© » KADIST

American Artist

Sculpture (Sculpture)

From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control. The color blue is a proxy for both sadness, and a color that is emblematic of American law enforcement services. I Am Blue, 1 by American Artist is a sculpture that fuses a school desk with a ballistic shield.

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

Painting (Painting)

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.

Pop (blue time)
© » KADIST

Saâdane Afif

Installation (Installation)

Blue time is a song co-written by artists Saâdane Afif and Lili Reynaud Dewar. Collaborations are frequent in the work of the Afif, as is the case of the exhibition “Lyrics” which opened at the Palais de Tokyo in 2005, in which Saâdane Afif asked artists and musicians to translate his artworks into song lyrics and interpret them. The lyrics written on the wall produced a silent story, in a musical way that remains implicit (unlike certain installations by the artist where lyrics can be heard on headphones).

Man with Blue Tie
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Head-Portrait with Red and Blue Background
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke
© » KADIST

Andrew Norman Wilson

Film & Video (Film & Video)

Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank. The video utilizes transparency and opacity effects in multimedia software to question the perceptibility of finance. It offers a complex metaphor (toxic assets, emergency flares, house/mortgage on fire) about the financial sector and the effects of the ‘crisis’ that led to the disappearance (and the ghostly memory) of many local and regional banks.

20
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

Dancing Free I
© » KADIST

Jarrett Key

Painting (Painting)

Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance. Dancing Free I , painted in wet cement, like a fresco, is part of a current series of paintings titled Leaving the City , which depicts Black people they know in lush, pastoral landscapes. Raised in rural Alabama, Key’s series grew out of a few experiments conducted with visitors to their studio.

11
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

1997 – The Brute Force ("The Unmanned" series)
© » KADIST

Fabien Giraud & Raphael Siboni

Film & Video (Film & Video)

– In which defeated he leaves the scene and the stage is left in search of its scale – Second episode of The Unmanned series, “The Brute Force” reconstructs the minutes following Garry Kasparov’s defeat against the IBM Deep Blue computer on 11 May 1997. A camera with computer-programmed movements scrutinises the elements of an empty setting after the chess champion has left the scene, thus abandoning it to the disproportion of a world without its own scale.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Stamp -X, Stamp -Y
© » KADIST

John Houck

Photography (Photography)

John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements. Stamp -X, Stamp -Y consists of a careful collage of uneven scraps of paper. On their versos, these fragments of blue, white, and manila papers hold the artist’s childhood stamp collection; turned as they are, these shards of envelope become planes of colors that Houck manipulates in a vaguely grid-like fashion.

Something to Do with Being Held
© » KADIST

Jordan Ann Craig

Painting (Painting)

Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.

Central Station
© » KADIST

Firenze Lai

Painting (Painting)

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. Central Station shows a character reaching to wipe a tear from her face as the blues of her wardrobe seem to blend in with the dismal blue of the background.

Dislocation Blues
© » KADIST

Sky Hopinka

Film & Video (Film & Video)

Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota. Working against grand narratives and myth-making, Hopinka attempts to provide a clear look towards the participants of the protest movement and the protectors of the water – their testimonies, reflections, and histories. In the film, Cleo Keahna tells about the everyday life of the camp and its difficulties and Terry Running Wild shares his dreams for the future.

Too fragile to handle it without
© » KADIST

Tirdad Hashemi

Drawing & Print (Drawing & Print)

The Blue Poisoning series , reveals the outcome of artist Tirdad Hashemi’s weary and depressed days in the winter of 2022, following their second migration from Paris to Berlin. The color blue expresses the feelings of sadness and loneliness felt by the artist in the frozen Berlin cold. In the drawing, lonely and tormented bodies seem to struggle to live; despite their suffering, they still hope.

Untitled (Men)
© » KADIST

Matt Lipps

Photography (Photography)

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.

Periquitos (Parakeets)
© » KADIST

Marepe

Sculpture (Sculpture)

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture. Periquitos (Parakeets, 2005) is a cartoonlike giant television with a screen made of four vertical strips of blue, yellow, green, and red acetate. There is a recurring figure on the screen, which is taken from a photograph of the artist at age six.

Radical Hospitality
© » KADIST

Andrea Bowers

Sculpture (Sculpture)

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.

Megan and Hazel Sue at Creekmore House
© » KADIST

Carolyn Drake

Photography (Photography)

Megan and Hazel Sue at Creekmore House by Carolyn Drake is from a series of works titled Knit Club . For this project, Drake collaborated with an enigmatic group of women in Mississippi who loosely call themselves “Knit Club”. The subject matter of this photograph centers on the relationship between the girl and doll in the painting, and the woman and girl in the photograph.

The End
© » KADIST

Dennis Adams

Photography (Photography)

Observing the sky after 11 September 2001, Dennis Adams photographed elements which had been lifted by drafts and were floating above the city of New York. The artist was only able to identify the objects after developing and enlarging the prints: you can read “He’s no terrorist”. The front page of the newspaper thrusts back to ‘the event’ of the 21st century and is revealed only through the detailed observation of the image; the painful twist of the newspaper could be a rustling wing.

Untitled
© » KADIST

Tessa Mars

Painting (Painting)

In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience. Drawing on her interest in retelling stories of her native country, and confronting the past and the present, Mars portrays her cultural essence and heritage by imagining spiritual spaces that connect people and land across time. With a pictorial practice that highlights pastel colors, the divinisation of the figures on the canvas and the spiritual elements within the composition ultimately enhance the narrative of her Caribbean ancestry while conflating the distinctions between autobiographical and historical events.

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

Installation (Installation)

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube. The work refers to the positive occupations of space and the absence of form and structure, to the relationship between the visible and the invisible, to memory, and to the relationship we have to images and to our history. The work refers to childhood, biography and learning to question how meaning is made and how history is remembered and performed.

Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

Photography (Photography)

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.

City Song of Rug
© » KADIST

Nora Schultz

Installation (Installation)

Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made.

Landed / Untitled XII (orange string)
© » KADIST

Moshekwa Langa

Painting (Painting)

Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space. Through the combination of ready-found materials with drawing, in the case of “Landed / Untitled XII (orange string)”, employing string, Moshekwa’s creates tension lines across the image, both physical and metaphysical to explore the traumatic events of South Africa and more specifically the passing of his grandmother. Referencing gestural painting of the 1940s and 50s, “Landed / Untitled XII (orange string)” is a disfigured and layered mapping of both the African and psychological landscape.

Moshekwa Langa

The oeuvre of Moshekwa Langa (b...

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Chris Wiley

Marwan Rechmaoui

Clarissa Tossin

Pu Yingwei

Working as an artist, writer and curator, Pu Yingwei’s practice addresses key issues of our contemporary world linked to collective memory, personal history, utopia, identity, and geopolitics...

Masaya Chiba

Masaya Chiba utilizes painting, sculpture, and installation to create dreamlike works that respond to Surrealism traditions while also exploring the limits of representation and translation...

Carolyn Drake

Carolyn Drake works on long term photo-based projects that involve travel and collaboration...

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Jarrett Key

Jarrett Key’s work addresses their concerns about the state of their freedom in America...

John Houck

Ruijun Shen

Ruijun Shen conceptualizes her painting-based practice as a form of extended meditation and a means of processing tensions between time and space in the world around us...

Mandy El-Sayegh

Beginning with rigorous research and resulting in a wide range of media, from layered paintings, to installation, diagram, sculpture, sound and video, El-Sayegh’s work is about systems of bodily, linguistic and political order among others, and their disintegration...

Paulo Nazareth

Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...

Nora Schultz

Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...

Jordan Ann Craig

Jordan Ann Craig is a Northern Cheyenne artist born and raised in the Bay Area; she invests her work with a strong interest in Indigenous culture and the history of its destruction by settlers...

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Li Ran

Tun Win Aung and Wah Nu

Wah Nu and Tun Win Aung, respectively born in 1977 and 1975, Yangon, Myanmar...

Andrea Bowers

Jumana Manna

Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...

Mateo Lopez

Robert Therrien

Minia Biabiany

Minia Biabiany’s practice is concerned with the past and ongoing effects of colonialism, exploring the poetics of resistance embedded in everyday life practices, and translating this research into the exhibition space through careful consideration of the cultural and spiritual implications of the material she uses, and the techniques she employs...

Sriwhana Spong

Indonesian-New Zealand artist Sriwhana Spong’s practice invests in notions of transition, memory, translation, and the relationship between public and private space, the intuitive and the cerebral, and the body and its surroundings...

John Lucas and Claudia Rankine

John Lucas and Claudia Rankine are interdisciplinary thinkers and makers committed to exploring the nuances of race and power in our daily lives...

Maryam Hoseini

Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...

Joe Namy

Artist and musician Joe Namy’s practice encompasses sound, its history, and impact on the built environment...

Andrew Norman Wilson

Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...

© » TATE EXHIBITIONS

about 11 months ago (02/12/2024)

Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...

© » ARTSJOURNAL

about 11 months ago (02/12/2024)

Happy Birthday to the “Worst Masterpiece” | Unanswered Question Skip to main content Skip to primary sidebar February 12 marks the 100 th birthday of Rhapsody in Blue ...

© » THE GUARDIAN

about 11 months ago (02/11/2024)

The big picture: Bert Hardy’s portrait of striking Chinese seamen in 1940s Liverpool | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation A group of men in a Chinese hostel in Liverpool, May 1942...

© » AESTHETICA

about 11 months ago (02/11/2024)

Aesthetica Magazine - A Space Between Worlds A Space Between Worlds For Taysa Jorge, art is a bridge...

© » OBSERVER

about 11 months ago (02/02/2024)

Review: “The Realm of Appearances” at the Museum of Fine Arts Boston | Observer An exhibition view of ‘Matthew Wong: The Realm of Appearances’...

© » MODERN MET ART

about 11 months ago (01/31/2024)

Open-Impressionist Paintings Capture Kaleidoscopic Nature Scenes Home / Painting / Oil Painting Glorious Explosions of Color Capture the Beautiful Symphony of Nature in Oil Paintings By Margherita Cole on January 31, 2024 In the late 19th century, Impressionism blossomed under the talents of Claude Monet and Pierre Auguste-Renoir...

© » ARTSY

about 11 months ago (01/30/2024)

David Hockney pool painting, estimated at $20 million, will go on sale at Christie’s...

© » SLASH PARIS

about 12 months ago (01/24/2024)

Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Galerie michèle didier — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Galerie michèle didier — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée Exposition Techniques mixtes À venir Jack Goldstein, The Burning Forest, on marbled red and white vinyl, 1976 Courtesy Galerie michèle didier Jack Goldstein La fulgurance de l’instant ou l’histoire fragmentée Dans 17 jours : 29 février → 4 mai 2024 Jack Goldstein (1945, Montréal — 2003, San Bernardino) est peintre et également auteur de films, d’enregistrements sur disques vinyles et de poèmes...

© » SLASH PARIS

about 12 months ago (01/24/2024)

Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Michèle didier Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Michèle didier Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée Exhibition Mixed media Upcoming Jack Goldstein, The Burning Forest, on marbled red and white vinyl, 1976 Courtesy Galerie michèle didier Jack Goldstein La fulgurance de l’instant ou l’histoire fragmentée In 17 days: February 29 → May 4, 2024 Jack Goldstein (1945, Montréal — 2003, San Bernardino) est peintre et également auteur de films, d’enregistrements sur disques vinyles et de poèmes...

© » COLOSSAL

about 13 months ago (12/17/2023)

Brazilian artist Rafael Silveira supplants heads with bunches of flowers, flocks of birds, and plumes of smoke in fantastical portraits that delve into the inner workings of the human psyche...

© » TWOCOATSOFPAINT

about 13 months ago (12/15/2023)

Brice Marden’s valedictory courage – Two Coats of Paint Brice Marden, Blue Painting, 2022-2023, oil on linen, 72 x 96 inches Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023...

© » SLASH PARIS

about 13 months ago (12/12/2023)

Guy Leclercq — Épures et couleurs — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guy Leclercq — Épures et couleurs Exhibition Painting View of the artist’s studio Guy Leclercq Épures et couleurs Ends in 27 days: December 7, 2023 → January 13, 2024 Dutko Gallery is pleased to present from December 7th until January 13th a selection of the most recent works by Belgian artist Guy Leclercq...

© » GALERIE MAGAZINE

about 13 months ago (12/11/2023)

7 Extraordinary New Watches to Gift This Holiday Season - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe 7 Extraordinary New Watches to Gift this Holiday Season Photo: courtesy of the respective brands 7 Extraordinary New Watches to Gift This Holiday Season These eye-catching and colorful timepieces are sure to impress even the most discerning recipient By Lucy Rees December 11, 2023 From Richard Mille’s Memphis-inspired collection to Omega’s stunning constellation watch with bold Aventurine blue stone, these artful watches are guaranteed to stand the test of time this holiday season and beyond...

© » OBSERVER

about 13 months ago (12/07/2023)

Highlights from Art Basel Miami Beach 2023 | Observer The art world is a cold place; Miami is even colder...

© » SOUTH CHINA MORNING POST

about 13 months ago (12/05/2023)

Christie’s Hong Kong autumn 2023 auctions fetch US$384 million, see strong demand for Asian masterpieces | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “Bad Barber” (2000), by Yoshitomo Nara, sold for HK$51.2 million including fees on November 28 during Christie’s 20th- and 21st-century art evening sale in Hong Kong, part of the auction house’s 2023 autumn sales...

© » SLASH PARIS

about 13 months ago (11/29/2023)

Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Paul Lepetit — Not so Blue Exhibition Mixed media Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Ends in 12 days: November 24 → December 23, 2023 The Skogyrkogarden Cruise: Rambling in the Lands of Sexual Dissidence “Be proud and happy of what your body exults...

© » SLASH PARIS

about 13 months ago (11/29/2023)

Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Paul Lepetit — Not so Blue Exposition Techniques mixtes Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Encore 12 jours : 24 novembre → 23 décembre 2023 L’exposition Not so Blue de Paul Lepetit aux Bains-Douches d’Alençon est présentée dans le cadre de « maintenant et demain 2023 » programme de résidence et exposition mis en place par le Conseil Départemental de l’Orne et Les Bains-Douches...

© » ARTNEWS REVIEWS

about 15 months ago (10/11/2023)

A Quiet Luxury Vibe Pervades the Art in LA’s Blue-Chip Galleries – ARTnews.com Skip to main content By Janelle Zara Plus Icon Janelle Zara View All October 11, 2023 1:00pm Steve McQueen’s sculpture, Moonlit (2016), inaugurates Marian Goodman’s luxuriously spacious new Hollywood gallery...

© » HUFFINGTON POST

about 18 months ago (07/24/2023)

Artist Martin Grasser, who helped design Twitter's iconic bird logo, said the symbol "did so much" since it was launched in 2012....

© » LENS CULTURE

about 19 months ago (06/06/2023)

Endless Forms Most Beautiful - Photographs by Janelle Lynch | Essay by Joanna L...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Who Bought Elizabeth Peyton’s $2.1 Million David Bowie Portrait at Sotheby’s? This NFT Collector Diversifying Into Blue-Chip Art - via artnew news...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Treasures From the Blue-Chip Art Collection of Texas Oil Heiress Anne Marion Could Fetch $150 Million at Sotheby’s - via artnet news...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Over the course of 40 years, Alvin Hall has amassed a trove of blue-chip artists merely by trusting his eye....

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Blue Ivy's grandma tells how she introduced her kids to paintings at an early age while at The Broad's Soul of a Nation: Art in the Age of Black Power exhibit...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Phoebe Saatchi Yates, daughter of noted collector Charles Saatchi, has announced plans to open a 10,000-square-foot gallery in London that will exhibit the work of “unknown” and “unseen” artists...

© » PIER 24

about 29 months ago (08/23/2022)

Pier 24 Looking Forward reviewed by SF Examiner - Pier 24 Looking Forward reviewed by SF Examiner August 23, 2022 Daniel Postaer, San Francisco, University Club , 2018...

© » PIER 24

about 39 months ago (10/24/2021)

Pier 24 Looking Back reviewed in The Potrero View - Pier 24 Looking Back reviewed in The Potrero View October 24, 2021 This month’s issue of The Potrero View featured a review of Looking Back by arts critic, Max Blue...

© » ARTS EQUATOR

about 67 months ago (07/08/2019)

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 This is the second resin eye that was inside the crocodile (the first is in the NUS Museum)...

© » KUMI CONTEMPORARY JAPANESE ART

about 78 months ago (07/28/2018)

We’re thrilled to offer a new Takashi Murakami’s gem titled Vapor Trail in the Blue Summer Sky...

© » THE RE:ART

about 94 months ago (04/18/2017)

Mobius Gallery: Out of the Blue group show - The re:art Mobius Gallery: Out of the Blue group show Immerse yourself in a blue state of existence, an experience of the absence of time allowing full awareness of the space where all meanings collide, change or quietly fade into nothingness...