The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
Drawing & Print (Drawing & Print)
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series. It’s contrasting dark and vibrant tones presage his later series of works, exhibited at L. A.’s Hammer Museum as Scorched Earth. These larger works share a map-like quality, looking like aerial views of some scarred urban landscape.
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth. Opie is known for her honest portraits of diverse individuals, from LGBT people to football players, and the self-portrait has also been a long-standing and important part of her practice. Instead of hiding her sexuality and interest in sadomasochism, Opie wears it proudly.
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain. She wears an expression of both pleasure and intensity as she points a gun at someone or something outside of the frame. Raven (gun) (1994) is not so much threatening as full of sexuality and potential energy.
Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle. And though his works share a similar sensibility to Claes Oldenburg’s oversized sculptures from everyday objects, Choi draws from his immediate surroundings and life experience. Public sculptures with a flower theme are often used to decorate the rapidly urbanized cities in Asia, which are constructed with concrete and steel materials.
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious. Though tied to the ceiling by a chain, the suggested figure is literally light on her feet, with a pointed boot hovering just above the gallery floor. Non-parallel lines and inconsistent angles lend the sculpture a sense of airy haphazardness.
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism. The work is divided into four short stories: About Afghanistan and heroin , About Exposition Colonial and cow , About Jardin d’acclimatation and potato , and About Vietnam . The series of 14 painted panels draw upon the aesthetic of ex-votos, a genre of traditional religious folk painting that acts as a tribute for divine intervention in response to personal tragedy.
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu. The work is primarily structured around Magdalena J. Zaborowska’s scholarly reconstitution of Baldwin’s self-imposed exile in Istanbul, Ankara, and Bodrum between 1961 and 1971, as well as autobiographical notes and intimations gathered throughout the years. Safoglu produced Off-White Tulips early on in his career when he was in the process of acquiring permanent residency in Germany.
From Green to Orange is a series of silver films immersed in a bath of dye and rust. While the perception of the subject is made difficult by the chemical reaction, vegetation becomes discernible at a closer look. Thu Van Tran interferes in the depths of a mystery, in the density of a hallucinated dream.
The works of Fabrice Hyber provoke divergent ways of thinking. In a kindred spirit with Raymond Hains, image and writing are intertwined. Drawings and diagrams are visually direct, as shown in the series of “Peintures Homéopathiques” (“Homeopathic Paintings”), collages covered in transparent resin (1986-1988).
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey. The wigs portraying these grand figures also unambiguously recall Africa to mind. By declaring Cotonou, one of Benin’s cities, the Art Museum of Real Life, and by having thirty white-clad figures wearing Gaba’s latest series of tresses cross through it, he draws attention to the urban space and its inhabitants’ strategies of survival and improvisation.
Drawing & Print (Drawing & Print)
Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works. The artist uses accumulation, hybridization and mutation to create constant shifts between extremely varied domains. Each work is just an intermediate, evolving stage of this “work in progress” that spreads like a proliferation of thought, establishing links and exchanges that then help to create other connections.
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
In each of his self-portraits, Fabrice Hyber (he removed the last “t” in Hybert in 2004) is elusive...
Aykan Safoglu is a Turkish-German artist whose works cultivate relationships among cultural, geographical, linguistic, and temporal boundaries...
born in 1961 in Cotonou, Benin...
Thu Van Tran grew up in the paradox of the dismantlement of the French colonial empire in Vietnam...
In order to reveal and critique hegemonic structures of power, Daniela Ortiz constructs visual narratives that examine concepts such as nationality, racialization, and social class...
Rudolf Nureyev: Rarely Seen Portraits of Ballet’s Original Enfant Terrible | AnOther Following Kim Jones’s Dior Autumn/Winter 2024 show, which drew inspiration from the exquisite style of Rudolf Nureyev, we take a closer look at Colin Jones’s photographs of the infamous ballet dancer February 08, 2024 Text Miss Rosen After getting his first taste of freedom in Paris while on tour with the Kirov Ballet in June 1961, 23-year-old Rudolph Nureyev faced down KGB operatives at Le Bourget Airport...
Japan’s trailblazing conductor Seiji Ozawa dies from heart failure at 88 | South China Morning Post Advertisement Advertisement Japan + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Former director of the Boston Symphony Orchestra Seiji Ozawa conducts during a rehearsal on November 26, 2008...
Frank Auerbach: The Charcoal Heads review: war-scarred faces on paper that has taken a pounding | Art and design | The Guardian Skip to main content Skip to navigation Skip to navigation The only remaining family Auerbach had … Gerda Boehm, 1961...
Opinion | This Chinese ballet pushing Communist propaganda may seem ironic – but it’s incredible | South China Morning Post Advertisement Advertisement Dancers from the National Ballet of China perform “The Red Detachment of Women” at the Hong Kong Cultural Centre in January...
Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...
Amid Palestine Controversy, Artists Boycott Bristol’s Arnolfini – ARTnews.com Skip to main content By Tessa Solomon Plus Icon Tessa Solomon Reporter, ARTnews View All December 14, 2023 2:22pm People queue in the rain outside the Bristol Arnolfini art center in 2013...
Arnolfini censorship row deepens as artists refuse to work with the Bristol institution Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Censorship news Arnolfini censorship row deepens as artists refuse to work with the Bristol institution The dispute was sparked by a decision to cancel Palestine Film Festival events Gareth Harris 14 December 2023 Share Signatories say that the Arnolfini's cancellation is "part of an alarming pattern of censorship and repression within the arts sector" Courtesy Artists for Palestine UK More than 1,000 cultural figures—including the artists Ben Rivers, Brian Eno and Tai Shani—are refusing to work with the Arnolfini contemporary arts centre in Bristol, UK, after the institution cancelled two events last month as part of the city’s Palestine Film Festival...
Aesthetica Magazine - 50 Years of Hip Hop 50 Years of Hip Hop “I was watching a crowd, and everybody was waiting for the breaks to come in...
A $20 million Philip Guston painting leads the reported sales from Art Basel in Miami Beach’s VIP day...
Art Basel and Parley for the Oceans launch partnership at Art Basel Miami Beach 2023 - FAD Magazine Skip to content By Mark Westall • 4 December 2023 Share — Art Basel and Parley for the Oceans have announced a partnership and launch ‘Art for the Oceans’, a global fundraising initiative to protect Oceans, Climate and Life against plastic pollution, climate change and biodiversity loss...
Bruno Barbey "Palette méditerranéenne du Portugal au Maroc" X 30 novembre 2023 Dans AP Web , arts visuels Bruno Barbey “Palette méditerranéenne du Portugal au Maroc” Exposition La Chapelle – centre d’art contemporain, Clairefontaine-en-Yvelines, jusqu’au 25 février 2024...
Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoni Tàpies — Les Armes d’Éros Exhibition Painting Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoni Tàpies — Les Armes d’Éros Exposition Peinture Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
Agnes Martin’s market has reached extraordinary highs...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Mark Rothko — Louis Vuitton — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mark Rothko — Louis Vuitton — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Mark Rothko Exhibition Painting Mark Rothko, Light Cloud, Dark Cloud, 1957 Collection of the Modern Art Museum Fort Worth, Museum purchase, The Benjamin J...
Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Caroline Bachmann — Le Matin Exposition Dessin, installations, peinture Derniers Jours Caroline Bachmann, Le Matin, 2022 Détail...
Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Caroline Bachmann — Le Matin Exhibition Drawing, installation, painting Closing Caroline Bachmann, Le Matin, 2022 Detail...
Rare Henry Moore sculpture sold for eight times estimate after bidding war | The Independent A sculpture by pioneering British artist Henry Moore has sold for £400,000 at auction after a bidding war...
Titan of pop art returns to auction after record-breaking sale | The Independent Andy Warhol’s Self-Portrait, one of his final works, is going under the hammer in New York ...
Deep Inside Sotheby’s $600+m Bet on Macklowe, Part 1 When last we left the art market—just a few short weeks ago in London—the story was all about the hunt for new talent with collectors making aggressive bets on the “next big thing” artist...
Phillips Drops a Last-Minute $35m Bacon Bomb on the November Sales Francis Bacon, Pope with Owls, 1958 )$35-45m) Phillips announces tonight that it will offer Francis Bacon’s ‘Pope with Owls’ ($35 – 45 million) from 1958 during its New York Evening Sale of 20th Century & Contemporary Art...
The Hero’s Journey: Baselitz at the Pompidou Georg Baselitz, Die großen Freunde, 1965 Museum Ludwig For many the name Georg Baselitz immediately brings to mind a painter of inverted portraits...
Weekly Picks: Singapore (9 - 15 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 9, 2018 dead was the body till I taught it how to move by Bhumi Collective 11-14 July 2018 The Bhumi Collective presents dead was the body till i taught it how to move, a performance and story by Dominic Nah, written by Edward Eng...
Andy Warhol painting sells for record £65m | The Independent | The Independent Andy Warhol’s double-panel painting “Silver Car Crash (Double Disaster)” has sold for $105 million (£65m), breaking his record by over $30 million...
Anish Kapoor goes Gangnam Style for freedom - and Ai Weiwei | The Independent | The Independent Turner prize-winning artist Anish Kapoor has made a tribute Psy "Gangnam Style" video in support of Chinese dissident artist Ai Weiwei...
Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...
Cultural Life: Maverick Sabre, musician | The Independent | The Independent Music: Recently I've been listening to a record with Ella Fitzgerald on one side and Billie Holiday on the other side, and lots of music by Ahmad Jamal...
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
Banksy sculpture targets church sex abuse | The Independent | The Independent A sculpture of a "vandalised" priest by the underground artist Banksy has gone on display today alongside 17th-century Old Masters...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Drawing & Print
Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
Drawing & Print
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
From Green to Orange is a series of silver films immersed in a bath of dye and rust...
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...