Fantasmática Latinoamericana

2014 - Installation (Installation)

Voluspa Jarpa


In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents. Depicting the crowds and the caskets in grey tones, Jarpa’s paintings underscore the wide impact of these tragic events on the people and politics of the region. Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.


Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.


Colors:



Related works featuring themes of: » Southern Cone  
» see more

Light Years
© » KADIST

Nicolas Bacal

2008

Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...

Onde quer voce esteja (Wherever you may be)
© » KADIST

Pablo Accinelli

2011

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

Other related works, blended automatically  
» see more

Minimal Secret
© » KADIST

Voluspa Jarpa

2012

To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...

Light Years
© » KADIST

Nicolas Bacal

2008

Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...

Onde quer voce esteja (Wherever you may be)
© » KADIST

Pablo Accinelli

2011

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

Related works sharing similar palette  
» see more

Mary Weatherford Revisits a 1957 ARTnews Profile of Painter Joan Mitchell
© » ARTNEWS RETROSPECTIVE

Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

2009

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...

Mimbres pottery kill hole sequence
© » KADIST

Mariana Castillo Deball

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...

Guy Leclercq — Épures et couleurs
© » SLASH PARIS

Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guy Leclercq — Épures et couleurs Exposition Peinture L’atelier de l’artiste Guy Leclercq Épures et couleurs Encore 27 jours : 7 décembre 2023 → 13 janvier 2024 La Galerie Dutko présente du 7 décembre 2023 au 13 janvier 2024 les œuvres récentes de l’artiste belge Guy Leclercq...

Other works by: » Voluspa Jarpa  
» see more

Minimal Secret
© » KADIST

Voluspa Jarpa

2012

To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...

Related artist(s) to: Voluspa Jarpa » Latin America, » Rosângela Rennó, » Alfredo Jaar, » Amalia Pica, » Carlos Amorales, » Edra Soto, » Elena Damiani, » Fernando Bryce, » Francisca Aninat, » Gerardo Mosquera  
» see more

Intersticio (Interstice)
© » KADIST

Elena Damiani

2012

Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...

Memorial for intersection #2
© » KADIST

Amalia Pica

2013

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

From Useless Wonder 04
© » KADIST

Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Related works found in the same semantic group  
» see more

Zarouhie Abdalian
© » KADIST

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, and the version acquired by the Kadist Collection is an adaptation of it...

Negligee
© » KADIST

Jeff Burton

2013

Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...

Untitled (Butterfly)
© » KADIST

Mark Grotjahn

2002

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...

The Carpenter
© » KADIST

Jeffry Mitchell

2012

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...