In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents. Depicting the crowds and the caskets in grey tones, Jarpa’s paintings underscore the wide impact of these tragic events on the people and politics of the region. Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory. Specifically exploring many facets of the cultural notion of trauma, her work might be seen as a subtle and covert examination of history, its subjectivities, constructions, and still-unresolved mysteries. Her work addresses such subjects as displacement, insecurity, abandonment, and destruction, and the means of representation of the pictorial image that represents these subjects in history.
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...
In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...
Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guy Leclercq — Épures et couleurs Exposition Peinture L’atelier de l’artiste Guy Leclercq Épures et couleurs Encore 27 jours : 7 décembre 2023 → 13 janvier 2024 La Galerie Dutko présente du 7 décembre 2023 au 13 janvier 2024 les œuvres récentes de l’artiste belge Guy Leclercq...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...