This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness. In Zombie Swallows The World, the image of the figure is almost overcome by strong light that visually blows away the edges of the body. In Zombie Examined, the frayed edges of the body are undone by a clinical look, rather than a visual effect. The piece presents what is actually one of the clearer of Pfau’s zombie renderings, and certainly the most precisely illustrative in this set.
George Pfau’s work explores marginal and transitional states of being. Decaying bodies and exposed buildings populate his work. His interest in the in-between also extends to material techniques, as Pfau’s pieces are often built in layers and remain semi-transparent. His renderings range between the precisely illustrated and the blurry forms of becoming, but all retain a sense of flux, both of juxtaposition and decomposition.
Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre - Artcentron Home » Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre ART Feb 1, 2024 Ξ Leave a comment Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre posted by ARTCENTRON A close-up shows how the Mona Lisa vandalism raises serious concerns about protection...
London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent About AFC Board AFC Editions Donate Art F City Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent by Paddy Johnson and William Powhida on August 4, 2020 Explain Me + Podcast Tweet Jordan Casteel, “Within Reach”, New Museum installation view, 2020...
Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State About AFC Board AFC Editions Donate Art F City Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State by Paddy Johnson and William Powhida on November 2, 2020 Explain Me + Podcast Tweet Image by Andy Adams...