2011.5.1 Yonesaki-cho
- Photography (Photography)
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma. Hatakeyama’s photographs, however, emerged from a painful and personal grief: the series focuses on the near-destruction of the artist’s hometown, an event which resulted in both his mother’s death and the deaths of many friends and neighbors. Rikuzentakata bears the ethical weight and responsibility of photojournalism even as its genesis comes out of a deeply felt loss and the ambiguity of survivor’s guilt. It is difficult to view the flood-submerged house in 2011.5.1 Yonesaki-cho (2011), for example, without drawing associations with destroyed domestic spaces and dystopian metaphors of a “drowned world.”
Naoya Hatakeyama is one of Japan’s leading contemporary photographers. His work frequently explores the relationship between natural and built environments, and he is particularly invested in examining how urbanization produces violent effects in surrounding landscapes. In 2012, Hatakeyama was the subject of a mid-career retrospective at SFMOMA titled Naoya Hatakeyama: Natural Stories, an exhibition of large-scale photographs centered around themes of nature, destruction, and human will. His photographs have been acquired by many international collections such as the National Museum of Modern Art, Osaka; the National Museum of Modern Art, Tokyo; Tokyo Metropolitan Museum of Photography; the Museum of Fine Arts, Houston; Yale University Art Gallery, New Haven; the Swiss Foundation for Photography, Winterthur; la Maison Européenne de la Photographie, Paris; and the Victoria & Albert Museum, London.
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Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
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Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
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Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
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Jun Nguyen-Hatsushiba
2003Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
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Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
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Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
© » KADIST
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
© » KADIST
Motoyuki Daifu
2010Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
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© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
© » KADIST
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
© » KADIST
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
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In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
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Douglas Gordon
2002Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
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© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
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Gozo Yoshimasu
2014Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
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Gozo Yoshimasu
2017Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami...
